The Noble Art of Lying
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Psychology of Lying Farisha
The International Journal of Indian Psychology ISSN 2348-5396 (e) | ISSN: 2349-3429 (p) Volume 2, Issue 2, Paper ID: B00345V2I22015 http://www.ijip.in | January to March 2015 Psychology of Lying Farisha. A. T. P1, Sakkeel. K. P2 ABSTRACT: Lying is a part of communication and a form of social behavior which is involved in interacting with others. Lying means saying a statement that he/she knows themselves as false to others to whom he/she want to perceive it as true. It can be explained by different psychological principles of psychodynamic theory, humanistic theory, behavior theory etc. Lying arises from hedonistic nature of humans that to avoid pain and to increase pleasure. It can be also seen that we lies not only for personal gains but also for others gain too. That is to avoid harm affecting ourselves and to avoid hurting others. Lying can be accepted if it saves someone’s life-ourselves or of others. Keywords: Psychological factors, Lie INTRODUCTION: Lying is a form of deceiving others verbally. It is a part of our behavioral response in communicating with others. It has long been a part of everyday life. We can't get through even a single day without telling lies. It is a consistent feature of human social behavior. We are not aware of all the lies we tell. We people lie most the time in our daily life, afraid of other people finding out the truth about us. We lie mostly to our parents, partners, friends, supervisors and so on to whomever else with whom we interact. -
THE DECAY of LYING Furniture of “The Street Which from Oxford Has Borrowed Its by OSCAR WILDE Name,” As the Poet You Love So Much Once Vilely Phrased It
seat than the whole of Nature can. Nature pales before the THE DECAY OF LYING furniture of “the street which from Oxford has borrowed its BY OSCAR WILDE name,” as the poet you love so much once vilely phrased it. I don’t complain. If Nature had been comfortable, mankind would A DIALOGUE. never have invented architecture, and I prefer houses to the open Persons: Cyril and Vivian. air. In a house we all feel of the proper proportions. Everything is Scene: the library of a country house in Nottinghamshire. subordinated to us, fashioned for our use and our pleasure. Egotism itself, which is so necessary to a proper sense of human CYRIL (coming in through the open window from the terrace). dignity, is entirely the result of indoor life. Out of doors one My dear Vivian, don’t coop yourself up all day in the library. It becomes abstract and impersonal. One’s individuality absolutely is a perfectly lovely afternoon. The air is exquisite. There is a leaves one. And then Nature is so indifferent, so unappreciative. mist upon the woods like the purple bloom upon a plum. Let us Whenever I am walking in the park here, I always feel that I am go and lie on the grass, and smoke cigarettes, and enjoy Nature. no more to her than the cattle that browse on the slope, or the VIVIAN. Enjoy Nature! I am glad to say that I have entirely lost burdock that blooms in the ditch. Nothing is more evident than that faculty. People tell us that Art makes us love Nature more that Nature hates Mind. -
The Social Consciousness of Mark Twain
THE SOCIAL CONSCIOUSNESS OF MARK TWAIN A Thesis Presented to the Faculty of the School of Social Sciences Morehead State University In Partial Fulfillment of the Requirements for the Degree Master of Arts in History by Rose W. Caudill December 1975 AP p~ ~ /THE ScS 9\t l\ (__ ~'1\AJ Accepted by the faculty of the School of Social Sciences, Morehead State University, in partial fulfillment of the require ments for the Ma ster of Arts in Hist ory degree. Master ' s Commi ttee : (date TABLE OF CONTENTS INTRODUCTION • • • • • • • • • • • . • • • • • • • • . • • . I Chapter I. FEMINISM . 1 II. MARK 1WAIN 1 S VIEWS ON RELIGION 25 III. IMPERIALISM 60 REFERENCES •••• 93 Introduction Mark Twain was one of America's great authors. Behind his mask of humor lay a serious view of life. His chief concern, . was man and how his role in society could be improved. Twain chose not to be a crusader, but his social consciousness in the areas of feminism, religion, and imperialism reveal him to be a crusader at heart. Closest to Twain's heart were his feminist philosophies. He extolled the ideal wife and mother. Women influenced him greatly·, and he romanticized them. Because of these feelings of tenderness and admiration for women, he became concerned about ·the myth of their natural inferiority. As years passed, Twain's feminist philosophies included a belief in the policital, economic, and social equality of the sexes. Maternity was regarded as a major social role during Twain's lifetime since it involved the natural biological role of women. The resu·lting stereotype that "a woman I s place is in the home" largely determined the ways in which women had to express themselves. -
Hattori Hachi.’ My Favourite Books
Praise for ‘A great debut novel.’ The Sun ‘Hattie is joined on her terrifying adventures by some fantastic characters, you can’t help but want to be one of them by the end – or maybe you’re brave enough to want to be Hattie herself . .’ Chicklish ‘Hachi is strong, independent, clever and remarkable in every way . I can’t shout loud enough about Hattori Hachi.’ My Favourite Books ‘Jane Prowse has completely nailed this novel. I loved the descriptions, the action, the heart-stopping moments where deceit lurks just around the corner. The story is fabulous, while almost hidden profoundness is scattered in every chapter.’ Flamingnet reviewer, age 12 ‘Hattori Hachi is like the female Jackie Chan, she has all the ninjutsu skills and all the moves! The Revenge of Praying Mantis is one of my all time favourite books! I love the fact that both boys and girls can enjoy it.’ Jessica, age 12 ‘I couldn’t put this book down – it was absolutely brilliant!’ Hugo, age 9 ‘This delightful book is full of ninja action and packed with clever surprises that will hook anyone who reads it!’ Hollymay, age 15 ‘This was the best book I’ve ever read. It was exciting and thrilling and when I started reading it, I could not put it back down.’ Roshane, age 18 ‘Amazing! Couldn’t put it down. Bought from my school after the author’s talk and finished it on the very next day! Jack, age 12 This edition published by Silver Fox Productions Ltd, 2012 www.silverfoxproductions.co.uk First published in Great Britain in 2009 by Piccadilly Press Ltd. -
Why We Play: an Anthropological Study (Enlarged Edition)
ROBERTE HAMAYON WHY WE PLAY An Anthropological Study translated by damien simon foreword by michael puett ON KINGS DAVID GRAEBER & MARSHALL SAHLINS WHY WE PLAY Hau BOOKS Executive Editor Giovanni da Col Managing Editor Sean M. Dowdy Editorial Board Anne-Christine Taylor Carlos Fausto Danilyn Rutherford Ilana Gershon Jason Troop Joel Robbins Jonathan Parry Michael Lempert Stephan Palmié www.haubooks.com WHY WE PLAY AN ANTHROPOLOGICAL STUDY Roberte Hamayon Enlarged Edition Translated by Damien Simon Foreword by Michael Puett Hau Books Chicago English Translation © 2016 Hau Books and Roberte Hamayon Original French Edition, Jouer: Une Étude Anthropologique, © 2012 Éditions La Découverte Cover Image: Detail of M. C. Escher’s (1898–1972), “Te Encounter,” © May 1944, 13 7/16 x 18 5/16 in. (34.1 x 46.5 cm) sheet: 16 x 21 7/8 in. (40.6 x 55.6 cm), Lithograph. Cover and layout design: Sheehan Moore Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-0-9861325-6-8 LCCN: 2016902726 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, IL 60628 www.haubooks.com Hau Books is marketed and distributed by Te University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Table of Contents Acknowledgments xiii Foreword: “In praise of play” by Michael Puett xv Introduction: “Playing”: A bundle of paradoxes 1 Chronicle of evidence 2 Outline of my approach 6 PART I: FROM GAMES TO PLAY 1. Can play be an object of research? 13 Contemporary anthropology’s curious lack of interest 15 Upstream and downstream 18 Transversal notions 18 First axis: Sport as a regulated activity 18 Second axis: Ritual as an interactional structure 20 Toward cognitive studies 23 From child psychology as a cognitive structure 24 . -
Real Lies, White Lies and Gray Lies: Towards a Typology of Deception
Trinity University Digital Commons @ Trinity Human Communication and Theatre Faculty Research Human Communication and Theatre Fall 2008 Real Lies, White Lies and Gray Lies: Towards a Typology of Deception Erin M. Bryant Trinity University, [email protected] Follow this and additional works at: https://digitalcommons.trinity.edu/hct_faculty Part of the Theatre and Performance Studies Commons Repository Citation Bryant, E. (2008). Real lies, white lies, and gray lies: Towards a typology of deception. Kaleidoscope: A Graduate Journal of Qualitative Communication Research, 7, 23-48. This Article is brought to you for free and open access by the Human Communication and Theatre at Digital Commons @ Trinity. It has been accepted for inclusion in Human Communication and Theatre Faculty Research by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Real Lies, White Lies and Gray Lies: Towards a Typology of Deception Erin Bryant Despite its aversive label, deception is an extremely common social behavior that the average person performs on a daily basis (Camden, Motley, & Wilson, 1984; DePaulo, Kashy, Kirkendol, Wyer, & Epstein, 1996; Turner, Edgley, & Omstead, 1975). In fact, the use of white lies is so widespread they are often viewed as a form of communication competency that is necessary to successfully negotiate social interactions (Camden et al, 1984; Di Battista, 1994; Knapp & Comedena, 1975; Knapp, Hart, & Dennis, 1974). This study aimed to explore how college students perceive white lies and differentiate them from other types of lies using in-depth interview and focus group data. Participants' evaluations of deception indicate three main types of lies: real lies, white lies, and gray lies. -
Sandra Effinger Version 6.0
Sandra Effinger Version 6.0 Sandra Effinger Version 6.0 Sandra Effinger Version 6.0 Table of Contents 1. Prologue/Letter of Introduction 2. What’s in a Name? 3. Personal Alphabet: A is for Alphabet 4. Likes/Dislikes List 5. Sensory Experiences 6. Metaphorical Definitions 7. A Quality Personality: Shame 8. Color Your World: Gray 9. Room Sweet Room 10. Personal Metaphors 11. Extended Metaphors 12. Symbolic Recipe: Effinger Gallimaufry 13. Ultimate All-Purpose Excuse 14. Telling Tales 15. Unfinished Sentences 16. Personal Symbol 17. Map of Life 18. A Mysterious Place 19. Synectics 20. A Day in the Life . 21. These Words Belong to Me 22. In Other Words 23. Flashback 24. Remembrance of Things Present 25. As Time Goes Bye-Bye 26. My Own List of Lists 27. Cheer Yourself Up! 28. Metamorphosis 29. Picture This 30. Look Who I Look Up To 31. Remembering the Child 32. One Medium Suitcase 33. The Perfect Present 34. Memorable Event 35. How to Become Morbidly Obese 36. Always Say Never 37. Are You Hungry? 38. Where I’m From 39. Deck of 52 Inspirations for Weight Loss 40. The Examined Life 41. Annual Report 42. Ekphrasis 43. Visually Speaking 44. Lessons I Learned Too Late 45. The Door 46. Advice to the Young 47. Who Am I? 48. Rewarding Experiences 49. Valuable Lessons 50. Futures – Fantasy and Fact 51. Free Choice #1: “That” Time of Day 52. Free Choice #2: On Being Fat in a Thin World 53. Free Choice #3:Mary E. Bivins Memorial Library 54. Free Choice #4: Ah, Leonardo! 55. -
Text Selections
TEXT SELECTIONS Utah Core Standards: Digital Book Section 1: Text Selections for 9-10 Text Complexity Band Order of the Day: 6-6-1944 General Dwight D. Eisenhower URL Lexile: 850 Placement: Less complex Word Count: 236 words Soldiers, Sailors and Airmen of the Allied Expeditionary Forces: You are about to embark upon the Great Crusade, toward which we have striven these many months. The eyes of the world are upon you. The hopes and prayers of liberty-loving people everywhere march with you. In company with our brave Allies and brothers-in- arms on other Fronts you will bring about the destruction of the German war machine, the elimination of Nazi tyranny over oppressed peoples of Europe, and security for ourselves in a free world. Your task will not be an easy one. Your enemy is well trained, well equipped and battle- hardened. He will fight savagely. But this is the year 1944. Much has happened since the Nazi triumphs of 1940-41. The United Nations have inflicted upon the Germans great defeats, in open battle, man-to-man. Our air offensive has seriously reduced their strength in the air and their capacity to wage war on the ground. Our Home Fronts have given us an overwhelming superiority in weapons and munitions of war, and placed at our disposal great reserves of trained fighting men. The tide has turned. The free men of the world are marching together to victory. I have full confidence in your courage, devotion to duty, and skill in battle. We will accept nothing less than full victory. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
A Not So Dreamy World of Music Videos the Genius Behind Conjuring up A
6 Arts & Life Editor Joe Wolfe Campus Comment Arts & Life Jessica Rothchild A not so dreamy world of music videos COMMENTARY BY the documentary. GABRIELLE CURCILLO Women do not relax by pools, wrestle in the mud or participate Staff Writer in wet t-shirt contests because they want to, but rather because “Women are nothing but men long for it. sexualized bodies looking for While the morality of music man’s attention,” said Sut Jhally, videos may arise in this docu- the writer, editor and narra- mentary, “Dreamworlds 3” does tor of “Dreamworlds 3: Desire, not want to decide if music vid- Sex and Power in Music Video.” eos are right or wrong. Instead, This documentary, produced it wants to decide whose story is by Media Education Foundation, being told. As supported by the focuses on the portrayal of wom- documentary, not enough stories en in music videos for the past of sexuality are told in the music two decades. Shown Wednesday video industry. Not surprisingly, night in the DeNaples Theater only one is represented: the male, by Students In Free Enterprise white, heterosexual one. Accord- (SIFE) and the Women’s Study ing to this view, women are Program, this video successfully portrayed “like pieces of meat” outlines the disturbing stories that are treated as prostitutes music videos tell and the shock- and strippers. African-American ing origins of these stories. men are portrayed as the violent According to Jhally, music and threatening men who force videos “have relied heavily on women to succumb to their will. female sexuality” to receive It should be noted, though, that higher ratings. -
Supanick Despite This Issue, Surrogates Is Surrogate-Using Population and the Contributing Writer an Adequate Thriller
The RetrIever Weekly 09.29.09 ARTS 17 COURTESY TOUCHstONE PICTURES When the surrogates, the perfect and physically beautiful robotic representations of actual humans start being mur- dered, Tom Greer (Bruce Willis) uncovers an intricate conspiracy regarding the surrogate phenomenon. New film Surrogates explores g omin dystopian robotic sci-fi future C to theaters This week Daniel Supanick Despite this issue, Surrogates is surrogate-using population and the CONTRIBUTING WRITER an adequate thriller. It sports some surrogate-opposing population to by Daniel fun action scenes and has enough explore the nature of these opposing Science fiction has always had suspense and thrills to keep an forces, and what this opposition can a fairly bleak look at robotic audience's attention. Bruce Willis say about humanity. It doesn't use Supanick technology and its applications. does a solid job as Tom Greer, a Greer's escape from his surrogate as According to most every film made police officer who must set aside his a way to examine the world he now about robots and computers, the surrogate and go out in the world as sees with his real eyes. Everything CAPITALISM: A LOVE STORY [PG] The new documentary from Michael Moore focuses on the economic technology will eventually become himself in order to solve a conspiracy just is, and isn't given meaning. crisis and who is to blame for the ongoing disaster. Expect an unslanted, self-aware and destroy or enslave behind the murder of two humans The next problem that plagues balanced, and restrained inside look at the major players in the great the human race. -
Oscar Wilde Refracted Rebecca Howell Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 7-2008 Becoming Earnest: Oscar Wilde Refracted Rebecca Howell Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the English Language and Literature Commons Recommended Citation Howell, Rebecca, "Becoming Earnest: Oscar Wilde Refracted" (2008). All Theses. 397. https://tigerprints.clemson.edu/all_theses/397 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. BECOMING EARNEST: OSCAR WILDE REFRACTED A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts English by Rebecca Alyce Howell August Accepted by: Dr. E. K. Sparks, Committee Chair Dr. Wayne Chapman Dr. Kimberly Manganelli ABSTRACT This paper explores four Wildean texts, their techniques, and their purposes, beginning with an introduction to Wilde’s life, contemporary culture, and his major educational and ideological influences—a familiarity that is necessary to understand his more subtle and subversive meanings. The second chapter deals with Wilde’s pre- incarceration texts, “The Decay of Lying” and The Picture of Dorian Gray . The essay serves almost as a guidebook for the writing of the novel and through similarities in theme and vocabulary, perfectly sets up a comparison with the post-incarceration works—De Profundis and The Ballad of Reading Gaol —which will be examined in the third chapter, along with various biographical elements which are necessary to any interpretation of De Profundis .