Sneak Preview
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Von Billy Wilder]
Kleine Filmografie [von Billy Wilder] Objekttyp: Group Zeitschrift: Filmbulletin : Zeitschrift für Film und Kino Band (Jahr): 22 (1980) Heft 116 PDF erstellt am: 24.09.2021 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch KLEINE FILMOGRAFIE Geboren am 22. Juni 1906 in Sucha, Provinz Galizien, Oesterreich (heute Polen) als Samuel Wilder. Rufname Billie. Gymnasium in Wien, Um 1926 als freier Mitarbeiter zahlreicher Tageszeitungen und als Ghostwriter verschiedener Stummfilmautoren tätig in Berlin. Erste Nennung als Drehbuchautor beim Stummfilm DER TEUFELSREPORTER (1929). Laufbahn als professioneller Drehbuchautor nach dem mit Freunden realisierten MENSCHEN AM SONNTAG (1930^ R: Robert Siodmak/E.G.UImer). -
A Foreign Affair (1948)
Chapter 3 IN THE RUINS OF BERLIN: A FOREIGN AFFAIR (1948) “We wondered where we should go now that the war was over. None of us—I mean the émigrés—really knew where we stood. Should we go home? Where was home?” —Billy Wilder1 Sightseeing in Berlin Early into A Foreign Affair, the delegates of the US Congress in Berlin on a fact-fi nding mission are treated to a tour of the city by Colonel Plummer (Millard Mitchell). In an open sedan, the Colonel takes them by landmarks such as the Brandenburg Gate, the Reichstag, Pariser Platz, Unter den Lin- den, and the Tiergarten. While documentary footage of heavily damaged buildings rolls by in rear-projection, the Colonel explains to the visitors— and the viewers—what they are seeing, combining brief factual accounts with his own ironic commentary about the ruins. Thus, a pile of rubble is identifi ed as the Adlon Hotel, “just after the 8th Air Force checked in for the weekend, “ while the Reich’s Chancellery is labeled Hitler’s “duplex.” “As it turned out,” Plummer explains, “one part got to be a great big pad- ded cell, and the other a mortuary. Underneath it is a concrete basement. That’s where he married Eva Braun and that’s where they killed them- selves. A lot of people say it was the perfect honeymoon. And there’s the balcony where he promised that his Reich would last a thousand years— that’s the one that broke the bookies’ hearts.” On a narrative level, the sequence is marked by factual snippets infused with the snide remarks of victorious Army personnel, making the fi lm waver between an educational program, an overwrought history lesson, and a comedy of very dark humor. -
The Impossible Object of Love: Shakespeare, Billy Wilder and Freud
PROBLEMIThe INTERNATIONAL, Impossible Object ofvol. Love: 1 no. Shakespeare, 1, 2017 © Society Billy for Wilder Theoretical and Freud Psychoanalysis The Impossible Object of Love: Shakespeare, Billy Wilder and Freud Gregor Moder After killing the old, inept Polonius, the young prince hides the dead body somewhere inside the Elsinore palace. This is a great nuisance to King Claudius, who dispatches his two henchmen, Rosencrantz and Guildenstern, to retrieve the body of the late Lord Chamberlain. Upon being asked where the body was, prince Hamlet delivers a rather cryptic line: “The body is with the King, but the King is not with the body” (Hamlet, 4.2.26–27). It is a very well known line, but it is hard to say what exactly to make of it. It seems to be a reference to King Claudius himself more than it is a reference to Polonius. It seems to hint at the doctrine of King’s two bodies, the political theological notion of the separation of the King’s mortal natural body and the King’s immortal political body. Hamlet clearly doesn’t think much of Claudius as he continues: “The King is a thing […] of nothing” (Hamlet, 4.2.27–29). While there are many interpretations of these words readily available, we shall turn to one in particular, to Jacques Lacan’s, because it will lead us to a series of comic examples whose func- tioning is at the core of this essay. In Seminar VI on Desire and its Interpretation, Lacan quotes Hamlet’s words and presents a perhaps surprisingly simple explanation: “I would ask you simply to replace the word king by the word phallus in order to see that it precisely is what is in question, namely that the body is engaged in this affair of the phallus, and how, but that on the contrary, the phallus, itself, is not engaged in anything, and that it always slips between your fingers” (Lacan 2002, p. -
Highlands Cleaners and Laundry
THE GAUX W S AUGUST 35 1967 PAGE 17 Highlands Cleaners and Laundry Phone 526--2136 GOOD CLEANING GIVES A SMART APPEARANCE LOWEST PRICES FOR QUALITY FURNITURE "THE FORTUNE COOKIE" EARLY AMERICAN REPRODUCTIONS "The Fortune Cookie", a MLrisch Cor poration presentation in Panavision play IN Cherry - Maple - P i n e ing Wednesday, August 9th, at the GALAX THEATRE, is six-time-Academy-Ai^ard winning ANTIQUE GLASS PATTERNS Billy Wilder's latest comedy caper. Starring Jack Lemmon and Walter Mat thau, the fun-for-all starts when a TV SPRINGS AND MATTRESSES cameraman gets tran^led by a galloping football player — then sues everybody he LAMPS - GIFTS can think of for a million dollars 1 Ron Rich and Cliff Osmond are featured PICTURES - RUGS in the farce, which introduces Judi West. Wilder both produced and directed and al so co-authored the script with longtime partner, I.A.L. Diamond, Andre Previn, (ROTARY OTS, CONTINUED MIOM PAGE FIVE) who earned one of his three Academy A- programs before, and they are always ex wards for the music in another Wilder cellent. On the final Tuesday of August, film, "Irma La Douce," scored "The For the 29th, Rotarian Nathan Sharp, of Nash tune Cookie", ville, Tennessee, who is spending some time at Highlands Country Club, iid.ll pre sent a program on Rhodesia, August 3! 3sOO p.m. - Tour of the Botan With programs of this magnitude, the ical Garden. Miss fc'tin Wadeqitz, High August meetings should produce record at- lands Biological Station, leader# tnedance in both local members and visit ing Rotarians. -
The Hollywood Romantic Comedy
the hollywood romantic comedy the hollywood the hollywood romantic comedy romantic hollywood the though rarely explored in analytical detail, the romantic comedy remains a stalwart romantic comedy contributor to hollywood entertainment. this book offers a comprehensive history of Leger grindon the hollywood romantic comedy film, from the coming of sound to the twenty-first century, examining the conventions of the genre and surveying the controversies arising from the critical responses to these films. hollywood’s romantic comedies can be seen as a series of productions whose form and meaning change in response to conditions in the film industry, courtship culture, and society at large. this book provides an essential overview of the continuities within the genre as well as its historical evolution. a full analysis is provided of the range of romantic comedy conventions, including dramatic conflicts, characters, plots, settings, and the function of humor. in doing so, leger grindon develops a survey of historical cycles and clusters and builds a canon of key films fromh ollywood’s classical era right up to the present day, which are analyzed in detail in the second part of the book. Films analyzed include Trouble in Paradise, His Girl Friday, The Miracle of Morgan’s Creek, Adam’s Rib, Some Like It Hot, The Graduate, Annie Hall, When Harry Met Sally, There’s Something About Mary, and Waitress. Leger Grindon is Professor of Film and Media Culture at Middlebury College, Usa. he has written widely on film and is ates i C so the author of Shadows on the Past: Studies in the Historical s a Fiction Film (1994) and Knockout: The Boxer and Boxing in sign e American Cinema (2011). -
Los Angeles Noir
Los Angeles Noir (Questions) 1. Who was Harry Chandler, and what was his goal for LA? 2. How did Prohibition threaten Chandler’s control over LA? 3.What were some of the historical effects of the conflict between Parker and Cohen? 4. Why didn’t Cohen want Parker to become police chief? Why did he prefer Brown? 5. How was LA marketed at first to potential settlers? 6. What changed for the LAPD in 1902? 7. How did some cops justify their violent behavior toward those they arrested? 8. What tactics were used by police to provoke confessions? 9. Why did Al Capone take notice of Cohen as soon as he arrived in Chicago? 10. How did Porter end up winning the mayoral election in 1930? 11.What effect did Proposition 14 have on the balance of power in LA politics? 12. How did the 21st Amendment change the Syndicate? 13. How did Cohen’s first bookmaking operation end? Why wasn’t it protected? 14. How did the protections for police put in place by Parker cause problems in the Kynette case? 15. How did Mayor Bowron clean house at the LAPD? 16. What events made it difficult to prosecute Siegel for murder? 17. How did the politics of the New York and Chicago crime families lead to Cohen fleeing to Phoenix? 18. How did the attack on Pearl Harbor in 1941 give Parker another chance to demonstrate his worth? 19. Why wasn’t Las Vegas easy to establish as a travel destination at first? 20. What was the cause of LA’s “gas attack”? 21. -
Leituras Freudianas E Lacanianas Do Espaço Simbólico Hitchcock's Films O
Universidade de Aveiro Departamento de Línguas e Culturas Ano 2017 Mark William Poole Os Filmes de Hitchcock no Sofá: Leituras Freudianas e Lacanianas do Espaço Simbólico Hitchcock’s Films on the Couch: Freudian and Lacanian Readings of Symbolic Space Universidade de Aveiro Departamento de Línguas e Culturas Ano 2017 Mark William Poole Os Filmes de Hitchcock no Sofá: Leituras Freudianas e Lacanianas do Espaço Simbólico Hitchcock’s Films on the Couch: Freudian and Lacanian Readings of Symbolic Space Tese apresentada à Universidade de Aveiro para cumprimento dos requisitos necessários à obtenção do grau de Doutor em Estudos Culturais, realizada sob a orientação científica do Doutor Anthony David Barker, Professor Associado do Departamento de Línguas e Culturas da Universidade de Aveiro o júri Doutor Carlos Manuel da Rocha Borges de Azevedo, Professor Catedrático, Faculdade de Letras, Universidade do Porto. Doutor Mário Carlos Fernandes Avelar, Professor Catedrático, Universidade Aberta, Lisboa. Doutor Anthony David Barker, Professor Associado, Universidade de Aveiro (orientador). Doutor Kenneth David Callahan, Professor Associado, Universidade de Aveiro. Doutor Nelson Troca Zagalo, Professor Auxiliar, Universidade do Minho. presidente Doutor Nuno Miguel Gonçalves Borges de Carvalho, Reitor da Universidade de Aveiro. agradecimentos Primarily, I would like to thank Isabel Pereira, without whose generosity this entire process would not have been possible. She believes in supporting all types of education and I cannot express my gratitude enough. I express equal gratitude to Marta Correia, who has been the Alma Reville of this thesis. She has had the patience to listen to my ideas and offer her invaluable insights, while proofreading and criticising the chapters as this thesis evolved. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
HOLLYWOOD – the Big Five Production Distribution Exhibition
HOLLYWOOD – The Big Five Production Distribution Exhibition Paramount MGM 20th Century – Fox Warner Bros RKO Hollywood Oligopoly • Big 5 control first run theaters • Theater chains regional • Theaters required 100+ films/year • Big 5 share films to fill screens • Little 3 supply “B” films Hollywood Major • Producer Distributor Exhibitor • Distribution & Exhibition New York based • New York HQ determines budget, type & quantity of films Hollywood Studio • Hollywood production lots, backlots & ranches • Studio Boss • Head of Production • Story Dept Hollywood Star • Star System • Long Term Option Contract • Publicity Dept Paramount • Adolph Zukor • 1912- Famous Players • 1914- Hodkinson & Paramount • 1916– FP & Paramount merge • Producer Jesse Lasky • Director Cecil B. DeMille • Pickford, Fairbanks, Valentino • 1933- Receivership • 1936-1964 Pres.Barney Balaban • Studio Boss Y. Frank Freeman • 1966- Gulf & Western Paramount Theaters • Chicago, mid West • South • New England • Canada • Paramount Studios: Hollywood Paramount Directors Ernst Lubitsch 1892-1947 • 1926 So This Is Paris (WB) • 1929 The Love Parade • 1932 One Hour With You • 1932 Trouble in Paradise • 1933 Design for Living • 1939 Ninotchka (MGM) • 1940 The Shop Around the Corner (MGM Cecil B. DeMille 1881-1959 • 1914 THE SQUAW MAN • 1915 THE CHEAT • 1920 WHY CHANGE YOUR WIFE • 1923 THE 10 COMMANDMENTS • 1927 KING OF KINGS • 1934 CLEOPATRA • 1949 SAMSON & DELILAH • 1952 THE GREATEST SHOW ON EARTH • 1955 THE 10 COMMANDMENTS Paramount Directors Josef von Sternberg 1894-1969 • 1927 -
Schedule of the Films of Billy Wilder
je Museum of Modern Art November 1964 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart THE MUSEUM OF MODERN ART FILM LIBRARY PRESENTS THE FILMS OF BILLY WILDER Dec. 13.16 MENSCHEN AM SONNTAG (PEOPLE ON SUNDAY). I929. Robert Siodmak's cele brated study of proletarian life gave Wilder hie first taste of film making. (George Eastman House) 55 minutes. No English titles. Dec. IT-19 EMIL UND DIE DETEKTIVE. 1951. Small boys carry on psychological war fare against a crook in this Gerhard Lamprecht comedy for which Wilder helped write the script. (The Museum of Modern Art) 70 minutes. No English titles. Dec. 20-23 NINOTCHKA. 1939. Ernst Lubitsch's ironic satire on East-West relations just before World War II, in which Garbo gave her most delicately articulated performance with Melvyn Douglas, and for which Wilder, with Charles Brackett and Walter Reisch, wrote the script. Based on the story by Melchior Lengyel. (M-G-M) 110 minutes. Dec. 2k~26 MIDNIGHT. 1959. One of the most completely and purposely ridiculous examples of the era of screwball comedy, with a powerhouse of a cast, including Claudette Colbert, Don Ameche and John Barrymore, and Wilder and Brackett*s brilliant non-sequitur script. (MCA) 9U minutes. Dec. 27-30 HOLD BACK THE DAWN. 19*11. The plight of "stateless persons" in the late '30s and early 'UOs, with Olivia de Havllland, romantically yet convincingly dramatised by Wilder and Brackett. Directed by Mitchell Leisen. (MCA) 115 minutes. Dec. 31* THE MAJOR AND THE MINOR. 19te. This, the first film Wilder directed, Jan. -
1948-06-25, [P ]
’ 'J TOLEDO UNION JOURNAL Page Tiv, Friday, June 25, 1948 The ft *?■ Mi Gossip of Stagerand Screen STAGE SCREEN RADIO By INEZ GERHARD JEAN ARTHUR has a way of ‘Salome9 Director “Emperor Waltz” Is stamping a role as her own To so definitely that is is impossible Do rangier HOLLYWOOD — Charles ? \ J to imagine anyone else playing < * A J* a' <■* * it as well. Returning to the Lamont, formerly under Coming To Princess screen in “A Foreign Affair,” contract to Universal-Inter she has taken on an assignment national, where he directed such pictures as “Salome, In these days of the quiz program, almost anyone within ear Where She Danced,” “Fron shot of a radio knows all about the Hanging Gardens of Babylon, A’8* tier Gal” and “Slave Girl,** one of the seven wonders of the ancient world. has ben signed by Colum i*- bia to direct “The Wrang It was Nebuchadnezzar who custom-built the lavish gardens ler,” Harry Joe Brown pro around the family hideaway in order to keep his brand new duction which will have bride from pinin for her native Sonny Tufffs, Barbara Brit land, where flowers ran riot. gerg. in *he person of lovely ton and Gabby Hayes in Today, Hollywood goes in for Joan Fontaine. pri ncipal roles. such massive re-orderings of the Soup To Nuts earth s surface on almost an The technical experts were in assembly-line basis. full cry on ’The Emperor One^iM inute Interviews Take Paramount’s newest Waltz” lot. reproducing just I morsel for the eye and ear, about everything from Franz From Hollywood The Emperor Waltz,” a tongue- VAN JOHNSON (on the set o( Josef’s antique Mercedes to in-cheek musical bow to the much of the marble, the murals M G-M’s “Command Decision”): royal house of Hapsburg.