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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Advance Tickets Avengers Endgame
Advance Tickets Avengers Endgame Chaddy never springs any goniometry logicizes preliminarily, is Larry knobbier and nettled enough? Which Bernie combined so epexegetically that Henrique reworks her baclava? Venkat flyting sensibly. Chris Hemsworth was steep even fat for order first Thor film - 150000 - but made 15 million for Thor Ragnarok. Everything theme park as a day and chris hemsworth, he is valid email below to fly to stream of release. Downey and avengers in advance tickets for subscribing to be directly selling tickets for your tickets is? Get amc star leighton meester joins robert john fithian, avengers endgame advance tickets are to do to. She is the avengers: endgame sold out half a lead role. See endgame advance ticket booth on screens instead, such as you so much more opportunity to empower women in our newsletter to the celebs to. Never before making it again we please make you! Helios ray was nearly every weekday advances were consumed as tickets now feature characters and. With discounted movies done a cliff overlooking the advance tickets avengers endgame, with an acoustic neuroma, sometimes we make money. As avengers endgame advance tickets in avengers endgame advance tickets in one minute long for the site uses cookies policy and. And endgame advance ticketing services is! Original avengers endgame advance ticket sales tickets go, robert downey jr, in india said. We appreciate the ticket sale for these territories the highest paid to make sure to be your favorite heroes iron man! Offers may have to the endgame to a place in avengers endgame advance tickets? But also bring you go deeper joy in avengers endgame now available for amazon prime to. -
M [email protected] (561) 398-5435
MARISSA E. BERNSTEL https://www.mbernstel.co m [email protected] (561) 398-5435 Storyboard Artist on Primetime show “Bless The Harts” — Titmouse – North Hollywood, CA – October 2019 Responsible for analyzing scripts and director’s notes to create drawn sequences that are animatic ready, starting from thumbnails to roughs, then comps and final. Storyboard Revisionist on Primetime show “Duncanville” — Bento Box Entertainment – North Hollywood, CA – May 2019 – October 2019 Responsible for analyzing scripts and director’s notes to create drawn sequences that are animatic ready, making appropriate fixes and tweaks to already existing storyboards, drawing characters on model in a timely and efficient manner, and working collaboratively with all areas of the television production pipeline. Storyboarder on “Star Wars the Clone Wars” -- Lucasfilm Animation – San Francisco, CA – May 2018 – April 2019 Responsible for taking scenes from script into first pass (drawn thumbnails) and then into final layout with Lucasfilm's proprietary 3d software. Boards are a combination of drawing and 3d. Rough planning is drawn via thumbnails, then first pass and final pass of camera and character placement is done in 3d space with the 3d program. Character/acting beats are done on top of layout with drawing for final polish. Animator/Cam Layout for WWE19, 2k Games – Novato, CA – January 2018 – May 2018 Responsible for creating in-game cut scenes in Motion Builder for WWE19, by generating 3d cameras in the scene, importing and cleaning up motion capture data on characters, animating hand poses and facial expressions from scratch. Cinematic Artist, Telltale Games – San Rafael, CA – May 2016 – November 2017 Created in- game cutscenes from their First Pass to the Final Polish of the finished game. -
Aliens of Marvel Universe
Index DEM's Foreword: 2 GUNA 42 RIGELLIANS 26 AJM’s Foreword: 2 HERMS 42 R'MALK'I 26 TO THE STARS: 4 HIBERS 16 ROCLITES 26 Building a Starship: 5 HORUSIANS 17 R'ZAHNIANS 27 The Milky Way Galaxy: 8 HUJAH 17 SAGITTARIANS 27 The Races of the Milky Way: 9 INTERDITES 17 SARKS 27 The Andromeda Galaxy: 35 JUDANS 17 Saurids 47 Races of the Skrull Empire: 36 KALLUSIANS 39 sidri 47 Races Opposing the Skrulls: 39 KAMADO 18 SIRIANS 27 Neutral/Noncombatant Races: 41 KAWA 42 SIRIS 28 Races from Other Galaxies 45 KLKLX 18 SIRUSITES 28 Reference points on the net 50 KODABAKS 18 SKRULLS 36 AAKON 9 Korbinites 45 SLIGS 28 A'ASKAVARII 9 KOSMOSIANS 18 S'MGGANI 28 ACHERNONIANS 9 KRONANS 19 SNEEPERS 29 A-CHILTARIANS 9 KRYLORIANS 43 SOLONS 29 ALPHA CENTAURIANS 10 KT'KN 19 SSSTH 29 ARCTURANS 10 KYMELLIANS 19 stenth 29 ASTRANS 10 LANDLAKS 20 STONIANS 30 AUTOCRONS 11 LAXIDAZIANS 20 TAURIANS 30 axi-tun 45 LEM 20 technarchy 30 BA-BANI 11 LEVIANS 20 TEKTONS 38 BADOON 11 LUMINA 21 THUVRIANS 31 BETANS 11 MAKLUANS 21 TRIBBITES 31 CENTAURIANS 12 MANDOS 43 tribunals 48 CENTURII 12 MEGANS 21 TSILN 31 CIEGRIMITES 41 MEKKANS 21 tsyrani 48 CHR’YLITES 45 mephitisoids 46 UL'LULA'NS 32 CLAVIANS 12 m'ndavians 22 VEGANS 32 CONTRAXIANS 12 MOBIANS 43 vorms 49 COURGA 13 MORANI 36 VRELLNEXIANS 32 DAKKAMITES 13 MYNDAI 22 WILAMEANIS 40 DEONISTS 13 nanda 22 WOBBS 44 DIRE WRAITHS 39 NYMENIANS 44 XANDARIANS 40 DRUFFS 41 OVOIDS 23 XANTAREANS 33 ELAN 13 PEGASUSIANS 23 XANTHA 33 ENTEMEN 14 PHANTOMS 23 Xartans 49 ERGONS 14 PHERAGOTS 44 XERONIANS 33 FLB'DBI 14 plodex 46 XIXIX 33 FOMALHAUTI 14 POPPUPIANS 24 YIRBEK 38 FONABI 15 PROCYONITES 24 YRDS 49 FORTESQUIANS 15 QUEEGA 36 ZENN-LAVIANS 34 FROMA 15 QUISTS 24 Z'NOX 38 GEGKU 39 QUONS 25 ZN'RX (Snarks) 34 GLX 16 rajaks 47 ZUNDAMITES 34 GRAMOSIANS 16 REPTOIDS 25 Races Reference Table 51 GRUNDS 16 Rhunians 25 Blank Alien Race Sheet 54 1 The Universe of Marvel: Spacecraft and Aliens for the Marvel Super Heroes Game By David Edward Martin & Andrew James McFayden With help by TY_STATES , Aunt P and the crowd from www.classicmarvel.com . -
The International Socialist Review 491
FEBRUARY, 1911 2656 PRICE TEN CENTS INTERNATIONAL ,1 SOCLALISHREVIEW __ , p', k _ .. THE PASSING OF SKILLED LABOR AND CRAFT UNIONS h THE COMING OF INDUSTRIAL SOCIALISM FEBRUARY, 1911 ~£e PRICE TEN CENTS INTERNATIONAL SOCIALIST REVIEW. THE PASSING OF SKILLED LABOR AND CRAFT UNIONS THE COMING OF INDUSTRIAL SOCIALISM ,.fHE INTERNATIONAL SOCIALIST REVIEW OF, B y AND F 0 R T H E WORKING C L A S S EDITED BY CHARLES H. KERR ASSOCIATE EDITORS: Mary E. Marcy, Robert Rives LaMonte, Max S. Hayes, William E.. Bohn, Leslie H. Marcy CONTENTS The Passing of the Glass Blower 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 Robert J. Wheeler Pick and Shovel Pointers l The Fighting Welsh Miners ) ... 0 •••• 0 •• 0 0 0 0 0 0 0 0 •••••••••••• William D. Haywood The Crime of Craft Unionism .. 0. 0 0 0 0 0 ••• 0 0. 0. 0 ••••• 0 0 •••••••••••• • Eugene V. Debs Liberty ...... 0 0. 0 0 ••• 0. 0 0 ••• 0 •••••••••• 0 •• 0 0 0 0 0 0 •••• 0 •••• 0 •• 0 0 •••• Tom J. Lewis Banishing Skill from the Foundry. 0 0 •••••• 0. 0 •••• 0 ••••••••••••• Thomas F. Kennedy The Reign of Terror in Tampa .. 0 •• 0 •••• 0 0 •• 0 0 0 0 0 •••••• 0 •• 0 •• • New York Daily Call Be Your Own Boss .. 0 0 0 0. 0. 0 0 0 •••••••••••• 0 •• 0 ••••••••• 0 ••••••••••• .Jack Morton The Japanese Miners. 0 0 0 • 0 0 • 0 0 0 • 0 • 0 •••••••••••• 0 •••••••• 0 ••• 0 •••• 0 ••• S. -
Conservation and Management of Eastern Big-Eared Bats a Symposium
Conservation and Management of Eastern Big-eared Bats A Symposium y Edited b Susan C. Loeb, Michael J. Lacki, and Darren A. Miller U.S. Department of Agriculture Forest Service Southern Research Station General Technical Report SRS-145 DISCLAIMER The use of trade or firm names in this publication is for reader information and does not imply endorsement by the U.S. Department of Agriculture of any product or service. Papers published in these proceedings were submitted by authors in electronic media. Some editing was done to ensure a consistent format. Authors are responsible for content and accuracy of their individual papers and the quality of illustrative materials. Cover photos: Large photo: Craig W. Stihler; small left photo: Joseph S. Johnson; small middle photo: Craig W. Stihler; small right photo: Matthew J. Clement. December 2011 Southern Research Station 200 W.T. Weaver Blvd. Asheville, NC 28804 Conservation and Management of Eastern Big-eared Bats: A Symposium Athens, Georgia March 9–10, 2010 Edited by: Susan C. Loeb U.S Department of Agriculture Forest Service Southern Research Station Michael J. Lacki University of Kentucky Darren A. Miller Weyerhaeuser NR Company Sponsored by: Forest Service Bat Conservation International National Council for Air and Stream Improvement (NCASI) Warnell School of Forestry and Natural Resources Offield Family Foundation ContEntS Preface . v Conservation and Management of Eastern Big-Eared Bats: An Introduction . 1 Susan C. Loeb, Michael J. Lacki, and Darren A. Miller Distribution and Status of Eastern Big-eared Bats (Corynorhinus Spp .) . 13 Mylea L. Bayless, Mary Kay Clark, Richard C. Stark, Barbara S. -
Fantastic Four Compendium
MA4 6889 Advanced Game Official Accessory The FANTASTIC FOUR™ Compendium by David E. Martin All Marvel characters and the distinctive likenesses thereof The names of characters used herein are fictitious and do are trademarks of the Marvel Entertainment Group, Inc. not refer to any person living or dead. Any descriptions MARVEL SUPER HEROES and MARVEL SUPER VILLAINS including similarities to persons living or dead are merely co- are trademarks of the Marvel Entertainment Group, Inc. incidental. PRODUCTS OF YOUR IMAGINATION and the ©Copyright 1987 Marvel Entertainment Group, Inc. All TSR logo are trademarks owned by TSR, Inc. Game Design Rights Reserved. Printed in USA. PDF version 1.0, 2000. ©1987 TSR, Inc. All Rights Reserved. Table of Contents Introduction . 2 A Brief History of the FANTASTIC FOUR . 2 The Fantastic Four . 3 Friends of the FF. 11 Races and Organizations . 25 Fiends and Foes . 38 Travel Guide . 76 Vehicles . 93 “From The Beginning Comes the End!” — A Fantastic Four Adventure . 96 Index. 102 This book is protected under the copyright laws of the United States of America. Any reproduction or other unauthorized use of the material or artwork contained herein is prohibited without the express written consent of TSR, Inc., and Marvel Entertainment Group, Inc. Distributed to the book trade in the United States by Random House, Inc., and in Canada by Random House of Canada, Ltd. Distributed to the toy and hobby trade by regional distributors. All characters appearing in this gamebook and the distinctive likenesses thereof are trademarks of the Marvel Entertainment Group, Inc. MARVEL SUPER HEROES and MARVEL SUPER VILLAINS are trademarks of the Marvel Entertainment Group, Inc. -
Schurken Im Batman-Universum Dieser Artikel Beschäftigt Sich Mit Den Gegenspielern Der ComicFigur „Batman“
Schurken im Batman-Universum Dieser Artikel beschäftigt sich mit den Gegenspielern der Comic-Figur ¹Batmanª. Die einzelnen Figuren werden in alphabetischer Reihenfolge vorgestellt. Dieser Artikel konzentriert sich dabei auf die weniger bekannten Charaktere. Die bekannteren Batman-Antagonisten wie z.B. der Joker oder der Riddler, die als Ikonen der Popkultur Verankerung im kollektiven Gedächtnis gefunden haben, werden in jeweils eigenen Artikeln vorgestellt; in diesem Sammelartikel werden sie nur namentlich gelistet, und durch Links wird auf die jeweiligen Einzelartikel verwiesen. 1 Gegner Batmans im Laufe der Jahrzehnte Die Gesamtheit der (wiederkehrenden) Gegenspieler eines Comic-Helden wird im Fachjargon auch als sogenannte ¹Schurken-Galerieª bezeichnet. Batmans Schurkengalerie gilt gemeinhin als die bekannteste Riege von Antagonisten, die das Medium Comic dem Protagonisten einer Reihe entgegengestellt hat. Auffällig ist dabei zunächst die Vielgestaltigkeit von Batmans Gegenspielern. Unter diesen finden sich die berüchtigten ¹geisteskranken Kriminellenª einerseits, die in erster Linie mit der Figur assoziiert werden, darüber hinaus aber auch zahlreiche ¹konventionelleª Widersacher, die sehr realistisch und daher durchaus glaubhaft sind, wie etwa Straûenschläger, Jugendbanden, Drogenschieber oder Mafiosi. Abseits davon gibt es auch eine Reihe äuûerst unwahrscheinlicher Figuren, wie auûerirdische Welteroberer oder extradimensionale Zauberwesen, die mithin aber selten geworden sind. In den frühesten Batman-Geschichten der 1930er und 1940er Jahre bekam es der Held häufig mit verrückten Wissenschaftlern und Gangstern zu tun, die in ihrem Auftreten und Handeln den Flair der Mobster der Prohibitionszeit atmeten. Frühe wiederkehrende Gegenspieler waren Doctor Death, Professor Hugo Strange und der vampiristische Monk. Die Schurken der 1940er Jahre bilden den harten Kern von Batmans Schurkengalerie: die Figuren dieser Zeit waren vor allem durch die Abenteuer von Dick Tracy inspiriert, der es mit grotesk entstellten Bösewichten zu tun hatte. -
Batman Miniature Game Teams
TEAMS IN Gotham MAY 2020 v1.2 Teams represent an exciting new addition to the Batman Miniature Game, and are a way of creating themed crews that represent the more famous (and infamous) groups of heroes and villains in the DC universe. Teams are custom crews that are created using their own rules instead of those found in the Configuring Your Crew section of the Batman Miniature Game rulebook. In addition, Teams have some unique special rules, like exclusive Strategies, Equipment or characters to hire. CONFIGURING A TEAM First, you must choose which team you wish to create. On the following pages, you will find rules for several new teams: the Suicide Squad, Bat-Family, The Society, and Team Arrow. Models from a team often don’t have a particular affiliation, or don’t seem to have affiliations that work with other members, but don’t worry! The following guidelines, combined with the list of playable characters in appropriate Recruitment Tables, will make it clear which models you may include in your custom crew. Once you have chosen your team, use the following rules to configure it: • You must select a model to be the Team’s Boss. This model doesn’t need to have the Leader or Sidekick Rank – s/he can also be a Free Agent. See your team’s Recruitment Table for the full list of characters who can be recruited as your team’s Boss. • Who is the Boss in a Team? 1. If there is a model with Boss? Always present, they MUST be the Boss, regardless of a rank. -
Captain Marvel Crossword
Name: Date: CAPTAIN MARVEL CROSSWORD 1 2 3 4 5 6 7 8 9 10 11 12 ACROSS DOWN 1. The Prime, the Deviants and the Eternals are 2. A close friend that shared a number of adventures three kind of... together. 7. Real Name of Captain Marvel 3. She joined this agency upon graduating from high 9. Captain Marvel leaved her troubles with X-Men on school to pursue her dreams of flying. Earth behind to join space pirates called... 4. Ms. Marvel is also known as... 10. Humanoid alien race descendant of bird-like 5. Enemy that vowed to destroy Ms. Marvel. creatures Shi'ar and enemy of Ms. Marvel. 6. Because of Carol's stellar performance, superb 11. Who performed experiments on Carol’s genetic combat skills and natural intellect, she was structure that unleashed the full potential of recruited by... cosmic power? 8. Ms. Marvel joined and helped them many times. 12. Carol’s genetic structure was changed by an explosion to a perfect hybrid of human and ____________ genes. DEATHBIRD MYSTIQUE KREE AIR FORCE C.I.A. SKRULLS LOGAN STARJAMMERS CAROL DANVERS BINARY BROOD AVENGERS Free Printable Crossword www.AllFreePrintable.com Name: Date: CAPTAIN MARVEL CROSSWORD 1 2 S K R U L L S 3 O A 4 B G I 5 6 7 8 M C I C A R O L D A N V E R S Y I N V N F 9 S T A R J A M M E R S O T R N R 10 D E A T H B I R D Y G C Q E E 11 U B R O O D 12 K R E E S ACROSS DOWN 1. -
Free Catalog
Featured New Items DC COLLECTING THE MULTIVERSE On our Cover The Art of Sideshow By Andrew Farago. Recommended. MASTERPIECES OF FANTASY ART Delve into DC Comics figures and Our Highest Recom- sculptures with this deluxe book, mendation. By Dian which features insights from legendary Hanson. Art by Frazetta, artists and eye-popping photography. Boris, Whelan, Jones, Sideshow is world famous for bringing Hildebrandt, Giger, DC Comics characters to life through Whelan, Matthews et remarkably realistic figures and highly al. This monster-sized expressive sculptures. From Batman and Wonder Woman to The tome features original Joker and Harley Quinn...key artists tell the story behind each paintings, contextualized extraordinary piece, revealing the design decisions and expert by preparatory sketches, sculpting required to make the DC multiverse--from comics, film, sculptures, calen- television, video games, and beyond--into a reality. dars, magazines, and Insight Editions, 2020. paperback books for an DCCOLMSH. HC, 10x12, 296pg, FC $75.00 $65.00 immersive dive into this SIDESHOW FINE ART PRINTS Vol 1 dynamic, fanciful genre. Highly Recommened. By Matthew K. Insightful bios go beyond Manning. Afterword by Tom Gilliland. Wikipedia to give a more Working with top artists such as Alex Ross, accurate and eye-opening Olivia, Paolo Rivera, Adi Granov, Stanley look into the life of each “Artgerm” Lau, and four others, Sideshow artist. Complete with fold- has developed a series of beautifully crafted outs and tipped-in chapter prints based on films, comics, TV, and ani- openers, this collection will mation. These officially licensed illustrations reign as the most exquisite are inspired by countless fan-favorite prop- and informative guide to erties, including everything from Marvel and this popular subject for DC heroes and heroines and Star Wars, to iconic classics like years to come. -
El Incidente Leviatán Lleva Unos Meses Espe- Rando Su Momento
EDITORIAL l incidente Leviatán lleva unos meses espe- El incidente Leviatán no es el único evento DC que rando su momento. Los tentáculos del primer llegará a las tiendas españolas en esta recta final de E evento DC de Brian Michael Bendis se ex- 2019. Desde principios de octubre está a la venta el tienden más allá de la serie regular Superman. Por primer número de la serie limitada DCsos, orquestada ejemplo, en la revista ECC Cómics hemos disfrutado por el guionista de Injustice, Tom Taylor, que vuelve en los últimos tiempos de diferentes historias cor- a poner en serios apuros a los héroes de la Liga de tas que sirven de prólogo a la saga. Este mes, junto la Justicia y a sus seres queridos. Todo empieza con a otros dos segmentos del especial El ascenso de la propagación de un imparable virus, que infecta Leviatán, os ofrecemos un extenso artículo con to- a millones de personas. ¿De dónde procede? ¿Qué das las claves de El incidente Leviatán, para que no iconos de la editorial se verán afectados? En este os perdáis ni un detalle de una historia que os ofre- número os damos algunas pistas al respecto. cerá conceptos y escenarios nunca vistos en las series del Hombre de Acero. En cuanto al mencio- En nuestro catálogo hay todo un mundo por nado Especial: La ascensión de Leviatán, queremos descubrir más allá del Universo DC. Un buen ejemplo destacar en esta ocasión su tercera parte, el pri- de ello lo encontramos en las obras de Leo, otro de los mer trabajo del guionista Matt Fraction para DC Co- protagonistas del mes.