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Home , Barbara Fallis, Forget Domani, Jennifer Tipton, Marvin Israel, Mikhail Baryshnikov, Robert Wise

BROOKLYN ACADEMY OF MUSIC

Sunday Evening February 12 , 1984 at 7:00PM A CELEBRATION EVENING with special guest artist

TWYLATHARP SARA RUDNER TOMRAWE JENNIFER WAY SHELLEY WASHINGTON RAYMOND KURSHALS RICHARD COLTON WILLIAM WHITENER JOHN CARRAFA KATIE GLASNER JOHN MALASHOCK MARY ANN KELWGG SHELLEY FREYDONT KEITH YOUNG AMY SPENCER BARBARA HOON RADFORD production designed by SANTO WQUASTO lighting designed by

The Twyla Tharp Dance Foundation gratefully acknowledges the Benefactors and Patrons who have supported this gala evening.

Performances by TWYLA THARP DANCE have been made possible in part by public funds fro m the New York State Council on the Arts and the Nation:l En dowment for the Am.

Additional support for these performances at the Brooklyn Ae< '11 of Music has been pro­ vided by the Booth Ferris Foundation, the Charles Engelhard h ; ,dation, and the Norman and Rosita Winston Foundation. PROGRAM

THE GOLDEN SECTION Premiere: (THE CATHERINE WHEEL) September 1981, New York, New York

Choreography by Twyla Tharp Costumes designed by Lighting designed by Jennifer Tipton Music composed, produced and performed by

Rawe, Way, Washington, Kurshals, Colton, Whitener, Carrafa, Glasner, Malashock, Kellogg, Freydont, Young, Hoon

Five Golden Sections What A Day That Was Big Blue Plymouth Light Bath

The original producrion ofT HE CATHERINE WHEEL was made possible in pan by grams from rhe New York Srare Council on rhe Arcs and rhe Narional Endowmem for rhe Arcs.

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SINATRA SUITE Performed to the music of Choreography by Twyla Tharp Costumes designed by Oscar de la Renta Lighting designed by Jennifer Tipton Tharp and Baryshnikov (Kaempfert-Singleton-Snyder) All The Way 0. Vanheusen-S. Cahn) That's Life (D. Kay-K. Gordon) My Way (Anka-Francois-Revaux-Thibauit) One For My Baby (And One More For The Road) (H. Arlen-). Mercer) Sinatra Suite is regularly performed as part of the repertory of American .

intermission

BAKER'S DOZEN Premiere: February 1979, Brooklyn, New York

Choreography by Twyla Tharp Costumes designed by Santo Loquasto Lighting designed by Jennifer Tipton Music composed by Willie "The Lion" Smith Music performed by Raw, Glasner; Malashock, Way; Carrafa, Washington; Whitener, Freydont; Kurshals, Kellogg; Colton, Rudner Echoes of Spring Tango a Ia Caprice Concentrating Relaxin'

intermission REPRISE: SINATRA SONGS Performed to the music of Frank Sinatra Choreography by Twyla Tharp Costumes designed by Oscar de la Renta Lighting designed by Jennifer Tipton Softly As I Leave You (Calabrese-Devita-Shaper) Washington and Young Forget Domani (Newell-Ortolani) Way and Whitener One For My Baby (And One More For The Road) (H. Arlen-). Mercer) Rudner and Carrafa My Way (Anka-Francois-Revaux-T hibauit) Washington, Carrafa; Way, Whitener; Rudner, Carrafa; Tharp, Baryshnikov REPRISE: SINATRA SONGS is extracted from a larger work, NINE SINATRA SONGS, a production made possible in part by grants from the New York State Council on the Arts and the National Endowment for the Arts. Additional funds were provided by the Ida and William Rosenthal Foundation.

------About the Artists------

TWYLA THARP studied ballet with Igor Pittsburgh Steelers' wide receiver Lynn Swann, the present, and THE CATHERINE Schwezoff, Margaret Craske, Richard Thomas which was performed on ABC's "Omnibus" WHEEL, which was filmed as a co-production and Barbara Fallis, with Eugene Lewis, series. Miss Tharp also choreographed Milos ofTwyla Tharp Enterprises and the BBC and and modern technique with , Forman's 1978 , in which her for which she received a 1983 Emmy Alwin N ikolais, , Merce Company performed as featured dancers, and nomination for outstanding choreography. In Cunningham, and Paul Taylor. Miss Tharp reconstructed period dancing for Dino de the spring of 1982 Miss Tharp performed with gave her first concert, TANK DIVE, at Hunter Laurentiis' film RAGTIME. She recently Andre Gregory in his cwo person play, BONE College in 1965. From 1965 ro the present directed the sequences for the Saul SONGS. Miss Tharp is che recipient of the time, she has continued to produce a number Zaentz fi lm production of Peter Shaffer's 198 I Dance Magazine Award, and has of works for her own company, ranging from AMADEUS. Her first television special, received Honorary Docrorate Degrees in che the early non-proscenium works such as MAKING TELEVISION DANCE, a co­ performing arts from Brandeis University MEDLEY ( 1969) and DANCING IN THE production ofTwyla Tharp Dance Foundation ( 1972), the California Institute of the Arts STREETS OF LONDON AND , and WNET/ TV Lab, won che Chicago (1978), Brown University (1981), Bard CONTINUED IN AND International Film Festival's Dance Film College (1981 ), Williams College ( 1983), the SOMETIMES MADRID ( 1969), to the Award in 1980. CONFESSIONS OF A Medal of Distinction from current stage repertory for her Company's 16 CORNER MAKER, directed by Miss Tharp, ( 1982), and the Spirit of Achievement Award dancers, now in residence at the Brooklyn and produced by CBS Cable in associacon with from the Albert Einstein College of Medicine Academy of Music. In 197 3, Miss Tharp the Foundation, features three of the (1983). Since 197 1, the Company has received a commission for her first special Company's repertory pieces: BAKER'S performed rhroughout the and project, DEUCE COUPE, from the Joff rey DOZEN, SH ORT STORIES, and BACH Europe and celebrated its fifteenth anniversary Ballet. Since then there have been many special DUET, and was first aired in Ocrober 1981. by self-producing its first Broadway season at productions: AS TIME GOES BY ( 1973) and Other of the Company's repertory on tape the Wimer Garden Theatre in the spring of HAPPILY EVER AFTER (1976) for the includes THE BIX PIECES (CBS Camera 1980 followed by a second Broadway season in J effrey Ballet; PUSH COMES TO SH OVE Three, 1973); SUE'S LEG (WNET, Dance In 1981. ( 1976), THE LITTLE BALLET ( 1983), America, 1976); and THE FUGUE and SINATRA SUITE ( 1983) and THE BACH EIGHT JELLY ROLLS (London Weekend SARA RUDNER has performed as a guest PAR TITA ( 1983), for Mikhail Baryshnikov Television, 1974). Miss Tharp has most with Twyla Tharp Dance since 1977. As a and ; AFTER ALL recently completed an anthology videotape member of the Company from 1965 ro 1974 ( 1977) and THREE FANFARES (1980) for that is a scrapbook of her career from 196 5 co she made major contributions co its work and gold medal figure skater John Curry; and growth, creating roles in EIGHT JELLY DANCE IS A MAN'S SPORT, TOO (1980) ROLLS, THE BIX PIECES, and such early for Ballet's Peter Martins and works as GENERATION, TORELLI, and DISPERSE. Currently the Artistic Direaor of · Bournonville, Ashron, and Tharp. In 1977 he She currently studies ballet in New York with the Eighteenth Street Dance Foundation, Miss joined Twyla Tharp Dance. He currently Lawrence Rhodes and Alba Calzada. Rudner performs her own choreography studies ballet with Maggie Black. throughout the United States and Europe. Her SHELLEY FREYDONT began ballet work has also been performed on the programs WILLIAM WHITENER began dancing studies as a child in her home state, Georgia. of rhe Lar Lubovirch Dance Company and with the] offrey Baller in 1969 following his She earned her B.F.A. and M.F.A. in dance Pilobolus Dance Theatre. Miss Rudner is the studies with Robert] offrey in , from the University of Utah and caught on the recipient of a J ohn Simon Guggenheim Washington. His repertory included principal dance faculties of California Stare University at Memorial Fellowship for 1981-82. roles in 's TARANTELLA, Fresno and the Chautauqua Institute in KurrJoos' THE BIG CITY, and the title role Sararoga Springs, New York. Previously a TOM RAWE was born and raised in Alfred, in PETROUCHKA. He was also featured in member of Ballet West and the Louis Falco New York. He attended high school at all of Miss Tharp's works at the Joffrey and in Dance Company, she joined Twyla Tharp Interlochen Arts Academy where he pursued 1978 he joined Twyla Tharp Dance. As a Dance in the fall of 1979. In 1983 she his early interests in music and dance. From choreographer Mr. Whitener has created reconstructed period and assisted Miss there he trained at the J uilliard School and for] offrey II dancers, Martine van Tharp in the filming of AMADEUS. earned a B.S. in Business Engineering from Hamel, Ballet Hispanico, and Olympic gold Clarkson College of Technology and an M.A. in medalist] ohn Curry. Recently he served as KEITH YOUNG was raised in Ohio and Dance from Ohio Srate University. As a senior Miss Tharp's assistant on ONCE UPON A began dancing there with rhe] udy Greg company member Mr. Rawe, who joined TIME for American Baller Theatre. He Dance Company and the Contemporary Dance Twyla Tharp Dance in 1973, has been featured currently studies ballet with Maggie Black. Theatre of Cincinnati. Upon moving ro New in a long list of company projects for stage, York he studied extensively with Merce film, and television. JOHN CARRAFA studied rap and jazz as a Cunningham and with Viola Farber and Mel child in Waterbury, Connecticut and received Wong, two choreographers in whose J ENNIFER WAY was invited ro join Twyla his early ballet training at the Hanford Baller. companies he subsequently performed. He was Tharp Dance in] anuary, 197 5. She has, since After earning a Bachelors Degree in Biology invited to join Twyla Tharp Dance in the fall of char rime, performed in virtually all of the from Bares College he studied mime and 1980. Mr. Young holds a Master's degree in Company's active repertory including projects acting with Tony Montanaro and the Art Education and Psychology from Miami for film and television. She has also assisted Celebration Mime Theatre in South Paris, University. He currently studies ballet with Miss Tharp in rehearsal of PUSH COMES TO Maine. He subsequently choreographed and Lawrence Rhodes. SHOVE for American Ballet Theatre. A native performed as a member of the Ram Island of Waverly, Ohio, Miss Way began her dance Dance Company until joining Twyla Tharp AMY SPENCER joined the Company in the training there with her mother, Jean Way, and Dance in 1978. In 1980 Mr. Carrafa assisted spring of 1981. She received her early ballet with Duard Farquhar in Columbus. She later Miss Tharp in reconstructing period dances for training at the Princeton Ballet Society with attended Butler University and received her the film RAGTIME. In New York, he studies which she also performed for several years. B.F.A. in dance from Ohio Stare University. ballet with Maggie Black and acting with After moving to New York in 1976 she Seth Glassman. studied in workshop with Sara Rudner and SHELLEY WASHINGTON studied with went on tO dance in Miss Rudner's Company Twyla Tharp at the Wolftrap Academy, KATIE GLASNER worked with Miss Tharp for three seasons. Prior to joining Twyla Tharp American University, prior to being invited ro and rhe Company in the fum version of the Dance, Miss Spencer worked with Lucinda join rhe Company in July 1975. She has musical HAIR and performed in EIGHT Childs for a short rime. She has worked for the previously danced as a member of the Martha J ELLY ROLLS during a 1977 Company rour Lincoln Center Institute as a teaching artist in Graham Dance Company and in the prior ro being invited to join Twyla Tharp the New York City public schools. Miss companies of Walter Nicks, Kazuko Dance in the spring of 1979. Born in Spencer currently studies ballet with Christina Hirabayashi, and Jose Limon. A graduate of Appleron, W isconsin, Miss Glasner received Bernal and] ocelyn Lorenz. Interlochen Arts Academy, Miss Washington much of her training at the University of was further trained at the American Dance Wisconsin and the North Carolina School of BARBARA HOON joined the Company in Festival, J acob· s Pillow, and the J uilliard the Arts. She has also studied with Luigi, rhe spring of 1981. She received her early School. She currently studies ballet in New Richard Thomas, Finis ]hung, and, presently, training with New J ersey's Garden State Ballet York with Maggie Black. Maggie Black. and went on to study at the J uilliard School from which she is a graduate. As a member of RAYMOND KURSHALS was born in New J OHN MALASHOCK, a Brooklyn resident the] uilliard Dance Ensemble Miss Hoon had York City and raised in Hawaii and Berkeley, who still calls San Diego home, joined Twyla rhe opportunity to perform in numerous works California before moving ro Ohio where he Tharp Dance in April 1979. After graduating by such noted choreographers as Anna choreographed and performed at Ohio Stare with a B.F.A. in dance and theatre from Sokolow,] ose Limon, and Martha Graham. University. Prior ro joining Twyla Tharp Dance Southern Methodist University, Dallas, Texas, She presently studies ballet with Christina in rhe fall of 1976 Mr. Kurshals apprenticed Mr. Malashock began his performing career Bernal. with the Paul Taylor Dance Company and with rhe Repertory Dance Theatre in Utah. He performed as a member of the Merce later performed in Paris and throughout ROBERT RADFORD was raised in the Cunningham Dance Company. In addition ro Europe with Ballets Felix Blaska and in the Pacific Northwest where he received his initial his many roles with Twyla Tharp Dance he has Scares with Sara Sugihara and rhe Asakawalker training in improvisational theatre and mime assisted Miss Tharp on various television and Dance Company. from Julie Anderson. He went on ro formal video productions and he has appeared in the dance training in Seattle, Washington at the HAIR, RAGTIME, and AMADEUS. MARY ANN KELLOGG, who began her Cornish Institute of Allied Arts. In 1979 he ballet classes at the age of 15, received the transferred ro the North Carolina School of the RICHARD COLTON received his early major parr of her training on the West Coast Arcs where he studied with Duncan Noble, ballet training at the American Baller Theater with reachers including Bella Lewirzky and Ghyula Pandi, and Bill De Young. Mr. School and the High School of Performing Donald McKayle. She earned her Bachelor of Radford performed for rwo years as a member Arcs from which he is a graduate. He first Fine Arcs in dance from rhe California of the under the direction of performed at the] udson Church with James Institute of the Arts and subsequently Todd Bolender, Una Kai and Jonathan WattS. Waring and, as a child, at the Metropolitan performed as a member of the Bella Lewirzky He was invited ro join Twyla Tharp Dance in Opera House with the Bolshoi and Kirov Dance Company and the Eyes Wide Open the fall of 1983 following his participation in a Ballets. In 1973 he joined the Joffrey Baller Dance Theatre. Miss Kellogg was invited ro Company workshop in Lake Placid, New York where he danced in the works of Fokine, join Twyla Tharp Dance in the spring of 1979. during the summer of that year. TWYLA THARP DANCE FOUNDATION, INC.

30 Lafayette Avenue Mobil Oil Foundation, Inc. Anita L. Stafford Brooklyn, New York 11217 Morgan Guaranty Trust Company of New York Alfred R. Stern National Corporate Fund for Dance Sandra and Peter Zarcades 1\vyla Tharp, Artistic Director New York Community Trust Steve Dennin, Executive Director New York Telephone DONORS Frank B. Arisman Roddy O'Connor, General Manager Patino/Wolf Associates Emanuel Azenberg Barbara Price, Business Manager Philip Morris, Incorporated James F. Carey Linda Shelton, Company Manager Polo Fashions, Ltd. Julia Cauthorn Sharon Trakas, Development Associate Foundation Nathan Clark Zoe Rygh, Administrative Assistant Ida and William Rosenthal Foundation Eleanor T. Elliot Artyann Coleman, Secretary Helena Rubinstein Foundation David Geffen John Paull, Production Supervisor Fayez Sarofim and Company Constance Geisser David Bradford, Production Manager Scherman Foundation Michael Glass Steve Ehrenberg, Stage Manager Shubert Foundation Goldie Hawn Annemarie Hollander, Wardrobe Supervisor Willi Smith, Ltd. William Josephson Foundation Accountants: Lutz and Carr, CPA William Kistler III Joseph F. Stein Foundation Insurance Broker: DeWitt Stern, Gutmann and Lenore and Herman Ladenheim Thorne Foundation Company, Inc. Walter Liebman United Research Company Legal Counsel: Henry C. Shays; Goldstein, Mr. and Mrs. James Paul Linn Fund Schrank, Segelstein and Shays John Lipnicki Warner Communications Inc. Travel Agent: Barbara Weinman, Zenith Travel Arthur Livingston Weatherly Company European Administration: Benedicte Pesle, Elizabeth Marshall Norman and Rosita Winston Foundation Arts Service International Millicent Monks In addition, the 1\vyla Tharp Dance Foundation Mr. and Mrs. Roswell Perkins BOARD OF DIRECTORS wishes to acknowledge the generous support of the Amy Polan Arthur Levitt, Jr., Co·Chairman many individuals who contribute to the Company Robert C. Rosenberg Robert F. Shapiro, Co·Chairman as members of the Friends of 1\vyla Tharp Dance. Elizabeth and Roger Salomon Patricia Glazer Lorie Slutsky Julia Thorne Kerry FRIENDS OF W. A. 1\.trnage Lewis L. Lloyd TWYLA THARP DANCE Peter Washburn Ann R. Leven Millicent and Robert Wise Kermit Love BENEFACTORS Robert Patino Herbert Allen FRIENDS Charmay and Edward Allred Martin Stone John M. Blewer Yvonne Ash 1\vyla Tharp Howard Brenner Valerie and Joseph Bechtol Suzanne Weil Lawrence Buttenweiser Eugene Bergman Charlene B. Engelhard Mr. and Mrs. A. R. Cali The 1\vyla Tharp Dance Foundation, Inc., is in Joseph P. Famolare, Jr. G. Gardham Chormann, Jr. residence at the Brooklyn Academy of Music. A The Hon. Paula D. Hughes Neil and Ulla Chrisman summer residency is held annually at the Center Harry and 1\vannette Garvey Stephen Collins for Music, Drama and Art, Lake Placid, New York. Patricia Glazer David 0. Currier The Twyla Tharp Dance Foundation is a member Howard Katz Anna Delury of Dance USA and the American Arts Alliance. Mrs. Julia Thorne Kerry Yvonne and Mark Dryden Paul Lepercq John S. Erwin The 1\vyla Tharp Dance Foundation gratefully Ann R. Leven Nancy Flaherty acknowledges the support of the National Endow­ Arthur Levitt, Jr. Susan F. Friedman ment for the Arts, the New York State Council on Howard N. Glasser the Arts, and the following institutions whose sup· Bella Linden N.D. F. Grindley port has helped make these performances possible: Lewis Lloyd and Linda Fosberg Barbara Hauptman Above Average Productions Santo Loquasto Isabell Herrera Amadeus, Inc. Kermit Love Mary Katherine Hodgson American Express Foundation Henry G. Melkonian Janet Frazer Jones American Telephone and Telegraph Co. Jeffrey Minkoff, M.D. Judith and Steven Katten Arthur Andersen and Co. Robert Patino Dr. William K. Kopp Booth Ferris Foundation Deena Landau Brooklyn Academy of Music Saalfield Joan Leiken Zev Buffman Entertainment, Inc. Stella and David Saltonstall Arthur L. Loeb Chemical Bank Mr. and Mrs. Marvin Schur Joan Mason Citibank/Citicorp Mr. and Mrs. Robert F. Shapiro Frank Newell IV Consolidated Edison Co. of N.Y., Inc. Paul Simon Sifor Ng Davin Corporation Jolyon Fox Stern Pamela Norris Oscar de Ia Renta, Ltd. Suzanne S. Weil Marjorie Pearson Dover Fund, Inc. PATRONS Judith Ann Pisarro Henri and Eugenia Doll Foundation for the Sara and Mark Rosenfield Milos Forman Performing Arts, Inc. Ernest R. Smith Betty Lou and Robert Lee Hudson Elsmere Foundation Robert L. Stine Dr. John and Helaine Livingstone Charles Engelhard Foundation Alan Stone Ernest E. Meyer Exxon Corporation Robert N. Tail , Jr. Mrs. Samuel A. Peabody FDM Foundation for the Arts Pat Terman Michael D. Remer Thomas V. 1\.tpper Flom Family Philanthropic Fund Dr. Stephen W. Smoliar Ford Foundation Dr. Marshall and Patricia 1\.trner Lecille Tharp Peter Vitakis Ford Motor Company Fund David Thorne C.L. Glazer Trust Steven J. Welton, M.D. David Tieger Morris and Rose Goldman Foundation Rebecca and David D. Wright Jean Uchida Goldman Sachs and Company Rhoda Wolf Barbara Weinman Morris Greenspun Foundation Become a Friend of 1\vyla Tharp Dance, joining !CD Group SPONSORS many others in support of the exciting work of International Alliance of Theatrical Stagehands 1\vyla Tharp and her Company. For information, Employees, Local No. 4 Leah Appel contact Sharon Trakas at (212) 636-5100. Landsman and Katz Foundation Joan Greenfield Margo Leavin Gallery, Inc. George Mourges The Twyla Tharp Dance Foundation wtsnes to Loews Foundation Robin Richman express its appreciation to the Theatre Devel· Marline Resources Company, Inc. Charlotte and Alford Rudnick opment Fund for its support of this season. Andrew W. Mellon Foundation Jane Shaffhausen 27 For Twyla Tharp Dance Foundation SANTO LOQUAST O has been acclaimed fo r his designs for productions on and off Broadway, includ ing Bent, The Cherry Orchard, Cred its In addition Twyla Tharp Dance Foundation American Buffalo, and That Championship Sound equipment by Specialized Audio, Saratoga wishes to acknowledge the generous con· Season. H e has received Tony, Drama D esk, tr ib ution s of the f ollowing individuals: Springs, .Y.; Lighting equipmem by Productio n Joseph Maharam, Obie, and Outer Critics Arts Lighling; Mirror ball by Vanco Stage Lighting; Circle awards. As a designer for d ance he has Perfo rmance !'apes by Erskine-Shapiro Theatre Benefactor Technology; Video projector by American Video; Martin Stone worked fo r American Ballet Theatre, the Shoes for Nine Sinatra Songs by Oscar de Ia Rema Joffrey Baller, and the . and Gamba; all o ther shoes by and Sponsors ·H e mosr recenrly d esigned sets and costumes Frederick Freed Ltd. ; Costumes by Barbara Matera, Bradbury P. Foss fo r ABT's production of Cinderella. Mr. LTD. ; Haircuts by j ose Luis and Daniel Taft for Clive George T. Guernsey, IV Loquasto's fi lm work includes costume designs Summers, NYC. Pam & Michael Hausman fo r Woody Allen's Stardust Memories, A Don o r s Midsummer Night's Sex Comedy, and Zelig. H e Special Th anks Michael P. Andrisani is a graduate of King's College and Yale William Mitchell jennings Drama School. Marvin Dr. jerome 0. Klein Roswell B. Perkins Chris Horn JENNIFER TIPTON (Lighting Designer) is Morty Dubin Frien ds well known co dance and theatre audiences F. Murray Abraham Alida Amabile Alice F. Blaine al ike. She has lit works in the repertories of 1 ancy McDonald Allene C. Bloomer mosr major dance companies, including dances Eileen Carol Ca rhan Judy Kinherg by Jerome Robbins, Mikhail Baryshnikov, and Lynn Amman Ann & Stephen Chapin Paul Taylor, among many ochers. H er work in Arts & Business Council Anthony Cobbs Fl"'&n ck Marigl ia Leota Diane Duncan rhe theatre has won her a J oseph J efferson Nadine Ra vine Herbert Freedner Award in Chicago, a Drama D esk Award, an Bud H. Gibbs l'avlova's l'oime Lid. Obie, and a Tony. In 1982 she was honored by Leslie Dey & Jo n Alan Kramer Roher! Sheff Brandeis Universiry, receiving their Creative The BAM Staff David A. MacFee Harry M. Mathews, Jr. Arrs Award Med al in Dance. She teaches Hardin Minor lighring in the School of Drama at Yale. Costume assistams to Mr. Loquasto: Mary & Saul Sanders Lyn Carrol, Lorraine Calvert Stephen P. Siclel Assista111 10 Ms. Tipton: Stephen Strawbridge Elizabeth Strong Williams DAVID BYR NE began his musical career Company Ballet Instructor: Rebecca Wright William Wright way before studying an at the Rhode Island School of D esign. It was there that he mer Benefit coordination: Geto and deMilly, Chris Frantz and rogether they formed their Michelle deMilly and Sandra Silverman band The Anistics in 1974. Later that year they moved to New York with bassist Tina Weymouth and started The Talking H eads. J erry Harrison joined the band just before they recorded their first alb um, Talking Heads: 77. BROOKLYN ACADEMY OF MUSIC They have gone on to future success with subsequent ventures such as More Songs About BOARD OF TRUSTEES OFFICERS Buildings and Food, Fear Of Music, Re111ain in Light, The Name ofth is Band is Talking Heads, Hon. Edward I. Koch Harvey Lichtenstein Hon. Howard Golden President and Chief Executive Officer and Speaking in Tongues. W ith , Mr. Seth Faison Judith E. Daykin Byrne has recorded My Life in the Bush of Paul Lepercq Executive Vice President and General Manager Ghosts. The complete score from the Honary Chairmen; Richard Balzano Broadway p roduction of The Catherine Wheel Neil D. Chrisman, Chairman; Vice President and Treasurer Rita Hillman Karen Brooks Hopkins is released as a Sire/ W arner Bros. recording. Stanley Kriegel Vice President for Planning and Development AmeVennema John Howlett DICK HYM AN (Pianist) has had a prolific Franklin R. Weissberg Vice President for Marketing and Promotion career as a conductor, pianist, organist, Vice Chairmen; Harvey Lichtenstein, President and arranger, and composer. Mr. H yman has Chief Executive Officer; invesrigated and recorded the music of Scott Elizabeth Bauman J oplin, Jelly Roll Morton, Willie "The Lion" Henry Bing, Jr. Smith, and Fats Waller. H e recently scored the Warren B. Coburn Charles M. Diker music for the Woody Allen film, Zelig, and Jeffrey K. Endervelt received an Em my for h is music direction of Mallory Factor rhe relevision p rogram, Eubie, A Century of Harold L. Fisher Mr. H yman was represented on Michael J. Fuchs M11sir. Broadway as the orchestrator of the hit musical David Geffen S11gar Babies, and is currently rehearsing Honky Sidney Kantor To11k Nights p resently scheduled for a spring Eugene H. Luntey opening. Hamish Maxwell Evelyn Ortner John R. Price, Jr. Richard M. Rosan Mrs. Marion Scotto William Tobey Curtis Wood