Laure Prouvost's Video Works Employ
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Laure Prouvost
Laure Prouvost Language – in its broadest sense – permeates the video, sound, installation and performance work of French multi-media artist Laure Prouvost. Known for her immersive and mixed-media installations that combine film and installation in humorous and idiosyncratic ways, Prouvost’s work addresses miscommunication and things getting lost in translation. Playing with language as a tool for the imagination, Prouvost is interested in confounding linear narratives and expected associations among words, images and meaning. She combines existing and imagined personal memories with artistic and literary references to create complex film installations that twist fiction and reality. At once seductive and jarring, her unique approach to filmmaking employs layered storytelling, quick cuts, montage and wordplay and is composed of a rich, almost tactile assortment of pictures, sounds, spoken and written phrases. The films are most often nestled into carefully constructed environments filled with a dizzying assortment of found objects, from sculptures, painting and drawings to signs, furniture and architectural assemblages, that are connected to the overarching narrative yet act like relics. Laure Prouvost was born in Lille, France (1978) and is currently based in Antwerp. She received her BFA from Central St Martins, London in 2002 and studied towards her MFA at Goldsmiths College, London. She also took part in the LUX Associate Programme. Recent solo exhibitions include: ‘Melting into one another ho hot chaud it heating dip’, Kunsthalle -
Fundraiser Catalogue As a Pdf Click Here
RE- Auction Catalogue Published by the Contemporary Art Society Tuesday 11 March 2014 Tobacco Dock, 50 Porters Walk Pennington Street E1W 2SF Previewed on 5 March 2014 at the Institute of Contemporary Arts, London The Contemporary Art Society is a national charity that encourages an appreciation and understanding of contemporary art in the UK. With the help of our members and supporters we raise funds to purchase works by new artists Contents which we give to museums and public galleries where they are enjoyed by a national audience; we broker significant and rare works of art by Committee List important artists of the twentieth century for Welcome public collections through our networks of Director’s Introduction patrons and private collectors; we establish relationships to commission artworks and promote contemporary art in public spaces; and we devise programmes of displays, artist Live Auction Lots Silent Auction Lots talks and educational events. Since 1910 we have donated over 8,000 works to museums and public Caroline Achaintre Laure Prouvost – Special Edition galleries – from Bacon, Freud, Hepworth and Alice Channer David Austen Moore in their day through to the influential Roger Hiorns Charles Avery artists of our own times – championing new talent, supporting curators, and encouraging Michael Landy Becky Beasley philanthropy and collecting in the UK. Daniel Silver Marcus Coates Caragh Thuring Claudia Comte All funds raised will benefit the charitable Catherine Yass Angela de la Cruz mission of the Contemporary Art Society to -
Laure Prouvost
GALERIE NATHALIE OBADIA PARIS - BRUXELLES Laure Prouvost This is the visit 18 September - 31 October 2014 3, rue du Cloître Saint-Merri - 75004 Paris The Nathalie Obadia Gallery is very pleased to present Laure Prouvost’s first solo exhibition in France. Winner of the prestigious Turner Prize in 2013, and the first French artist ever to have been awarded this prize, Laure Prouvost, who is based in London, will present a group of new works in the same vein as the prize-winning piece Wantee (2013) which tells the story of her fictional grandfather, a friend of Kurt Schwitters’, who is supposed to have mysteriously disappeared while digging a conceptual tunnel to Africa, and of her video Grandma’s dream (2013) in which Laure Prouvost immerses us in the imaginary world of her likewise fictional grandmother. As a continuation of these two major works, the artist occupies the gallery and invites us into the Visitor Center, built by her grandmother and grandchildren in honor of her husband and grandfather still to this day, missing. Visitors follow the path of the exhibition as indicated by a platform which leads them toward installations, tapestries, paintings, videos and sculptures, plunging them into an enveloping experience of sound and light. Two of the tapestries, made using collages by the artist, are animated through a system using film projection; a spiral staircase invites the visitor to climb upwards toward a video. Panels act as markers indicating the route to be taken step-by-step. SIGN paintings deconstruct the exhibition space and suggest an alternative ideal arrangement, while the video Burrow Me invites us to follow the traces of a thrilling breakaway. -
David Shrigley
NEW DRAWINGS — DAVID SHRIGLEY Thursday, November 2 – Friday, December 22, 2017 Venue: Yumiko Chiba Associates viewing room Shinjuku Park Grace Shinjuku Bldg. #206, 4-32-6 Nishi-Shinjuku, Shinjuku-ku, Tokyo 160-0023 Gallery Hours: 12:00 – 19:00 *Closed on Sundays, Mondays, and national holidays Copyright David Shrigley. Courtesy of David Shrigley and Stephen Friedman Gallery, London. Opening Reception: Thursday, November 2, 2017, 17:00 – 19:00 Venue: Yumiko Chiba Associates viewing room shinjuku Talk Event: Tuesday, October 31, 2017, 18:00 – 20:00 (The door opens at 17:30.) Venue: The Lecture Hall in the Central Building in the Ueno Campus of Tokyo University of the Arts Speakers: David Shrigley and Ken Kagami Moderator: Kenjin Miwa (Curator of The National Museum of Modern Art, Tokyo) *Consecutive interpretation available during the session. Admission: Free Seating Capacity: 180 (Served on a first-come-first-served basis, reservation not required.) In Association With: British Council Support: MITO ARTS FOUNDATION, Tokyo University of the Arts Photography Center, Stephen Friedman Gallery (London) Yumiko Chiba Associates viewing room shinjuku is pleased to present New Drawings, a solo show of David Shrigley from Thursday, November 2, 2017. Born in Macclesfield in Northern England in 1968, David Shrigley graduated from the Glasgow School of Art, Scotland's only public self-governing art school. He is currently based in London, and is actively engaged in various projects there. In 2012, while still in his mid-career, David Shrigley had his retrospective show titled Brain Activity held at Hayward Gallery in London, which led him to be nominated for the renowned Turner Prize awarded to artists living in England in 2013. -
9 Art Events to Attend in New York City This Week
EVENT HORIZON: ART HAPPENINGS AROUND NEW YORK 9 Art Events to Attend in New York City This Week BY The Editors of ARTnews 03/05/18 Marsha Cottrell, Untitled, 2017, laser toner on paper. COURTESY THE ARTIST AND VAN DOREN WAXTER MONDAY, MARCH 5 Talk: Yinka Shonibare MBE at the New School The artist Yinka Shonibare MBE will soon present a 23-foot-tall Wind Sculpture (SG) I near Central Park. With its billowing forms and its colorful patterning, it’s meant to resemble batik prints—similar designs appeared on textiles that were exported from West Africa to Europe during the 18th century. Ahead of the piece’s unveiling on Wednesday, Shonibare will discuss his work on Monday evening with Nicholas Baume, the director and chief curator of the Public Art Fund, which commissioned the new Wind Sculpture. The New School, 63 5th Avenue, 6:30 p.m. Tickets $15 THURSDAY, MARCH 8 Opening: Marsha Cottrell at Van Doren Waxter This solo exhibition of Marsha Cottrell’s work features three-large scale platinum prints never before shown in New York. Titled “Screen Life,” the show includes pieces from Cottrell’s “Aperture Series,” “Environments Series,” and “Spectral Series,” all of which offer a look at the ways in which the artist’s practice merges traditional media—drawing, printmaking, photography, and painting—with digital technologies. For some of her works, Cottrell also uses a computer and an electrostatic laser printer, two unconventional tools that she uses to further her explorations of what light, shape, and symmetry might look like today. Van Doren Waxter, 195 Chrystie Street, 6–8 p.m. -
Corvi-Mora 1A Kempsford Road London SE11 4NU Telephone 020 78409111 Facsimile 0207840 9112
Corvi-Mora 1a Kempsford Road London SE11 4NU Telephone 020 78409111 Facsimile 0207840 9112 LYNETTE YIADOM-BOAKYE Born in 1977, London Lives and works in London 1996-1997 Central St Martins School of Art and Design 1997-2000 Falmouth College of Art 2000-2003 Royal Academy Schools Solo Exhibitions 2017 “Under-Song For A Cipher”, New Museum of Contemporary Art, New York 2016 “A Passion To A Principle”, Kunsthalle Basel, Basel “Sorrow For A Cipher”, Corvi-Mora, London 2015 "Capsule 03: Lynette Yiadom-Boakye", Haus der Kunst, Munich “Verses After Dusk”, Serpentine Gallery, London (cat) 2014 Jack Shainman Gallery, New York 32 Edgewood Gallery, Yale School of Art, Connecticut 2013 “Verses”, Pinchuk Art Centre, Kiev “The Love Without”, Corvi-Mora, London “Salt 7: Lynette Yiadom-Boakye”, Utah Museum of Fine Art, Utah 2012 “All Manner Of Needs”, Jack Shainman Gallery, New York “Extracts and Verses”, Chisenhale Gallery, London 2011 “Notes and Letters”, Corvi-Mora, London 2010 "Any Number of Preoccupations", Studio Museum Harlem, New York “Essays and Documents”, Jack Shainman Gallery, New York “Essays and Letters”, Stevenson, Cape Town 2009 “FOREX: Pleased to Meet You”, Stevenson, Cape Town “Manifesto”, Faye Fleming & Partner, Geneva 2007 Gasworks, London “Series”, Arquebuse, Geneva 2004 “How To Live”, Prowler Project Space, London Selected Group Exhibitions 2017-2018 “I Am You”, curated by José Esparza Chong Cuy, MCA Chicago, Illinois 2017 “WHEN THE HEAVENS MEET THE EARTH: Selected works from Robert Devereux’s Sina Jing Collection of Contemporary Art", The Heong Gallery, Downing College, Cambridge 2016 “British Art Show 8", Southampton Art Gallery, Southampton “BIG”, Big Hodges Gallery, New York "British Art Show 8", Norwich Castle Museum and Art Gallery, Norwich (cat) "The Female Gaze, Part Two: Women Look at Men", Cheim & Read, New York "Making & Unmaking: An exhibition curated by Duro Olowu", Camden Arts Centre, London (cat) "You go to my Head", Galerie Templon, Brussels Twenty2 Limited trading as Corvi-Mora is a Limited Company incorporated in the United Kingdom. -
No Fear, No Shame, No Confusion
No Fear, No Shame, the belief that nature is the ideal or authentic refuge, Liz Magor questions the desire and sometimes compulsion for No Confusion. emotional and physical comfort, and the fragility of the human body and identity. The works gathered in this exhibition, some of which have been created especially for Liz Magor with the occasion, are shown together for the first time and Jean Marie Appriou, Andrea Büttner constitute a precise selection of sculptures from the past twenty years. Amongst them, her famous One Bedroom and Laure Prouvost. Apartment (1996), her ambiguous cast objects from the past decade, and her latest works on textile using found blankets, which through alterations, she has bestowed with 12 October 2013 attributes releasing parts of their history and temperament. — 2 February 2014. Re-using, duplicating and transforming objects coming from a daily life that is already done consuming them, Liz Opening 11 October 2013. Magor addresses their status and inconsistency, and reveals their anxiety. Triangle France is pleased to announce the first European If anxiety and confusion are recurrent emotions addressed solo exhibition by Canadian artist Liz Magor. Gathering a by Liz Magor’s work, feelings of shame and embarrassment rigorous selection of her works from the past 20 years as are at the core of the conceptual and formal work Andrea well as new works, No Fear, No Shame, No Confusion is Büttner has developed for the past ten years. Ranging from an unprecedented presentation of Liz Magor’s work in traditional media like woodcuts to video and performance. Europe since her participation in documenta 8 in Kassel Her work is concerned with systems of judgment, values (1987). -
Press Release Laure Prouvost, Could Cool Claoud (2021)
Laure Prouvost, Could Cool Claoud (2021). HD digital video (still). Courtesy Laure Prouvost, Galerie Nathalie Obadia (Paris, Brussels), carlier | gebauer (Berlin, Madrid) and Lisson Gallery (London, New York, Shanghai) 2021-04-08 10:07 CEST Laure Prouvost creates an escapist universe at Kunsthal Charlottenborg where we can dream of embracing each other again This spring, Kunsthal Charlottenborg is proud to reopen with the first solo exhibition in Scandinavia with Turner Prize winning artist Laure Prouvost who represented France at the 58th International Art Biennial in Venice. The exhibition Our elastic arm hold in tight through the claoudspresents a new film work and coincides with this year’s programme at CPH:DOX. Exhibition period: 21 April – 8 August 2021 Opening: 21 April 2021, 12-20 Press view: 21 April 2021, 11-12 Laure Prouvost works with a richly imaginative artistic language encompassing film and installation as well as sculpture, sound and performance. She is known for her sensuous and evocative immersive installations where the boundaries between fiction and reality become blurred and the ambiguities of language are explored. For Our elastic arm hold in tight through the claouds, Prouvost will transform Kunsthal Charlottenborg’s entire north wing into a labyrinthine and other- worldly installation. Conceived as a total experience, centered around a new video installation, co-commissioned with the Australian Centre for Contemporary Art (ACCA) in Melbourne, the exhibition will introduce audiences to the spirited, absorbing and frequently humourous hallmarks of Prouvost’s diverse artistic practice. In this enticing exhibition, whispering, erotic voices will share the space with fragile glass sculptures, a Flemish tapestry, raspberry-eating fish and flowers unfurling their petals. -
SPEAK TANIA BRUGUERA, DOUGLAS GORDON, LAURE PROUVOST, CALLY SPOONER 2 March – 21 May 2017 Serpentine Sackler Gallery
Press Release SPEAK TANIA BRUGUERA, DOUGLAS GORDON, LAURE PROUVOST, CALLY SPOONER 2 March – 21 May 2017 Serpentine Sackler Gallery Speak, at the Serpentine Sackler Gallery, brings together four artists – Tania Bruguera, Douglas Gordon, Laure Prouvost, Cally Spooner – and coincides with the Serpentine Gallery’s survey of the late British conceptual artist John Latham. The artists in Speak each extend and update Latham’s radical world view with their own sense of urgency. The Sackler space is transformed with an installation of video, light, sound and a video bid for Cuban presidency and a composition of drawings, sound and a single live body in a state of warm-up. Each artist explores language as a medium for action, exchange and disruption. Together, they reveal how Latham’s ideas continue to resonate: from taking an unconventional approach to the reception and transference of knowledge to prioritising the role of the artist in society as an agent for change. Tania Bruguera directly addresses political and humanitarian issues in her native Cuba through performance and long-term social engagement projects. Her interventions parallel the ambitions of the Artist Placement Group (APG), co-founded by John Latham, which positioned the artist inside industry with the potential to effect change. For this exhibition, Bruguera has made a video that builds on her recent announcement to run for presidency in Cuba. Douglas Gordon was first introduced to John Latham in his years as a student at Glasgow School of Art (1984–8), and Latham remained an influential figure on Gordon’s work. He has responded to the architecture of the Serpentine Sackler Gallery by creating a new site-specific text installation incorporating Latham’s text works, drawing out their shared interest in the relationship between language and time. -
Laure Prouvost
GALERIE NATHALIE OBADIA BRUSSELS LAURE PROUVOST Reaching hi her grounds from the rub he she we grow Thursday April 8 – Saturday May 29, 2021 Laure Prouvost, Renewal, Oil on canvas, 90 x 70 x 2,5 cm, 2021. Galerie Nathalie Obadia is pleased to present REACHING HI HER GROUNDS FROM THE RUB HE SHE WE GROW, artist Laure Prouvost’s first exhibition in Brussels, her new home. Winner of the Turner Prize in 2013, the artist represented France at the 58th Biennale of Venice (2019) with the pavilion DEEP SEE BLUE SURROUNDING YOU/ VOIS CE BLEU PROFOND TE FONDRE, which is currently on show at LAM, after having traveled to Les Abattoirs, in 2020. Last year, Laure Prouvost also participated in the 22nd Biennale of Sidney. A multifaceted artist, Laure Prouvost has developed an unconventional body of work that attests to an inclination toward fantasy and poetry. Forms of authority are redirected into a sensitive and porous universe, which she mischievously orchestrates. Through her videos, paintings, drawings, tapestries, glass sculptures, ceramics, and performances, Laure Prouvost creates truly immersive environments, the grounds for personal mythologies and semi-fictional tales that weave and enrich themselves with each passing year. The artist shifts her attention toward spring and the renewal of nature, an ode to life filled with hope and optimism, in harmony with the season, and echoing current events. Nature has always occupied a dominant place in the artist’s oeuvre. A guest of the Palais de Tokyo in 2018, Laure Prouvost transformed the industrial architecture of the museum into an abandoned, post-apocalyptic garden. -
Corvi-Mora 1A Kempsford Road London SE11 4NU Telephone 020 78409111 Facsimile 0207840 9112
Corvi-Mora 1a Kempsford Road London SE11 4NU Telephone 020 78409111 Facsimile 0207840 9112 LYNETTE YIADOM-BOAKYE Born in 1977, London Lives and works in London 1996-1997 Central St Martins School of Art and Design 1997-2000 Falmouth College of Art 2000-2003 Royal Academy Schools Solo Exhibitions 2017 “Under-Song For A Cipher”, New Museum of Contemporary Art, New York 2016 “A Passion To A Principle”, Kunsthalle Basel, Basel “Sorrow For A Cipher”, Corvi-Mora, London 2015 "Capsule 03: Lynette Yiadom-Boakye", Haus der Kunst, Munich “Verses After Dusk”, Serpentine Gallery, London (cat) 2014 Jack Shainman Gallery, New York 32 Edgewood Gallery, Yale School of Art, Connecticut 2013 “Verses”, Pinchuk Art Centre, Kiev “The Love Without”, Corvi-Mora, London “Salt 7: Lynette Yiadom-Boakye”, Utah Museum of Fine Art, Utah 2012 “All Manner Of Needs”, Jack Shainman Gallery, New York “Extracts and Verses”, Chisenhale Gallery, London 2011 “Notes and Letters”, Corvi-Mora, London 2010 "Any Number of Preoccupations", Studio Museum Harlem, New York “Essays and Documents”, Jack Shainman Gallery, New York “Essays and Letters”, Stevenson, Cape Town 2009 “FOREX: Pleased to Meet You”, Stevenson, Cape Town “Manifesto”, Faye Fleming & Partner, Geneva 2007 Gasworks, London “Series”, Arquebuse, Geneva 2004 “How To Live”, Prowler Project Space, London Selected Group Exhibitions 2017-2018 “I Am You”, curated by José Esparza Chong Cuy, MCA Chicago, Illinois 2017 “WHEN THE HEAVENS MEET THE EARTH: Selected works from Robert Devereux’s Sina Jing Collection of Contemporary Art", The Heong Gallery, Downing College, Cambridge 2016 “British Art Show 8", Southampton Art Gallery, Southampton “BIG”, Big Hodges Gallery, New York "British Art Show 8", Norwich Castle Museum and Art Gallery, Norwich (cat) "The Female Gaze, Part Two: Women Look at Men", Cheim & Read, New York "Making & Unmaking: An exhibition curated by Duro Olowu", Camden Arts Centre, London (cat) "You go to my Head", Galerie Templon, Brussels Twenty2 Limited trading as Corvi-Mora is a Limited Company incorporated in the United Kingdom. -
Jsc on View: Mythologists 17 January – 6 June 2021
JSC ON VIEW: MYTHOLOGISTS 17 JANUARY – 6 JUNE 2021 Wu Tsang, Wildness, 2012, HD video, 74′, color, sound. Video still. Courtesy of the artist and Galerie Isabella Bortolozzi, Berlin. The third edition of JSC ON VIEW, a series of exhibitions focusing explicitly on the inventory of works in the JULIA STOSCHEK COLLECTION, presents video and sound installations from twelve internationally renowned artists, some of whom are being exhibited at JSC Düsseldorf for the first time. JSC ON VIEW: MYTHOLOGISTS is curated by Rachel Vera Steinberg, fellow of the JSC Curatorial & Research Residency Program (CRRP) 2019–2020. Perceptions of truth are widely mediated through moving images. While they can be used by those in authority to exert influence, this exhibition explores the ways in which time-based media can Schanzenstrasse 54 T +49 211 585 884 0 [email protected] D 40549 Düsseldorf F +49 211 585 884 19 www.jsc.art connect political ideologies with the desire to create a world of one’s own. Borrowing from various cultural narratives, the works expound on their potential to serve as an incubator for social mythologies. Traditionally understood as narrations about gods, creation, and sanctity, myths are stories that are widely shared and factually ambiguous. They tell unverified truths, educate and entertain at the same time, and create archetypes from simple characters. JSC ON VIEW: MYTHOLOGISTS addresses the tensions created between facts and fictions through the production of personal as well as collective narratives. The works each grapple with various mythologies by reinterpreting histories, disrupting established behaviors, and imagining new visual and sonic worlds.