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Guide to Ceremonial Wedding Music
Guide to Ceremonial Wedding Music Your wedding ceremony is one of the most romantic events in your life -- music can and should be a big part of it. Music plays a crucial part of setting the tone for the ceremony, and has the power to convey your feelings and personality to your guests. Whether you've dreamed of walking down the aisle to the traditional "Here Comes the Bride" or the Beatles' "In My Life," music is a wonderful way to personalize your ceremony. Without a doubt, your choice of music will create a lasting impression that people remember for years to come. We hope this guide will be of help to you as you consider your choices of music. Please keep in mind that we are not limited to the selections listed below. This guide serves as a starting point and includes the most widely accepted pieces for wedding ceremonies. To further assist you in this process, song titles that are marked with an asterisk (*) can be heard on our wedding sampler CD. Whatever music you choose, remember to first check with your officiant: He or she may uphold religious restrictions. Should potential issues arise, many officiants are able to recommend suitable substitutes. Also, find out if there are any restrictions on hiring musicians. Some venues may have exclusive arrangements with in-house personnel. Marrying outdoors? Make sure your musicians are sheltered. Direct exposure to sun on a hot summer day makes performers in tuxes very uncomfortable; and on the other hand, rain can end the performance. A tent or awning, or any covered or shaded area should do the trick. -
Wedding Music Suggestions
Cathedral of the Immaculate Conception Wedding Music Suggestions Couple: Wedding Date/Time: Contact Information: Wedding Coordinator: Music Director's Information: Cathedral of the Immaculate Conception Christopher J. Pelonzi 307 Congress Street Portland, ME 04101 Office: 207‐773‐7746, et. 109 Email: [email protected] An Organist/Pianist and Cantor are provided for your wedding. Please note that other musicians ( Flute, Violin, Trumpet, Harp, Cello, etc…) have separate fees. We welcome any family members or friends who wish to contribute to your wedding musically! We do ask that they contact the Music Director in order to coordinate their involvement. Thank you! Classical Music A Clare Benediction ‐ Rutter Air from Orchestral Suite no. 3 – J.S. Bach Air on A G‐String (BACH) Arrival of the Queen of Sheba – George Frederic Handel Ave Maria (Gounod) Ave Maria (Schubert) Be Thou My Vision ‐ Chilcott Boely ‐ Fantasie et Fuge Bridal March from Lohengrin – Richard Wagner Bridal Prayer ‐ Copeland Canon in D – Johann Pachelbel Cesar Franc ‐ Adagio from Fantasy in C Cesar Franc ‐ Choral No. 3 Festive Trumpet Tune ‐ Germain Gabriel's Oboe ‐ theme from The Mission Gigout ‐ Toccata Hornpipe from Water Music – George Frederic Handel Hymn Vangelise Jacques Lemmens ‐ Fanfare Jean Langlais ‐ Dialogue sur les Mixtures (of Suite Breve) Jesu Joy of Man's Desiring Joyful Joyful We Adore Thee Lanquetuit Toccata Largo ‐ George Frederic Handel Lord of All Hopefullness ‐ A. Boullard Music for the Royal Fireworks, HWV 351: I. Ouverture (arr. for organ) Now Thank We All Our God ‐ Sigfrid Karg‐Elert Panis Angelicus Prelude in E flat ‐ Johann Sebastian Bach Richard Purvis Fanfare Sheep May Safely Graze ‐ Johann Sebastian Bach Suite Gothique ‐ Toccata Suite gothique, Op. -
How Much Should Guests Expect to Spend This Wedding Season?
How Much Should Guests Expect to Spend This Wedding Season? Cost of attending weddings, bachelor/bachelorette parties and showers adds up fast NEW YORK – March 28, 2018 – Wedding guests should be prepared to spend hundreds, if not thousands, of dollars per celebration this wedding season, according to a new Bankrate.com report. This includes the cost of attending the wedding, as well as associated events like bachelor/bachelorette parties and wedding showers. Click here for more information: https://www.bankrate.com/personal-finance/smart-money/cost-of-attending-wedding-survey- 0318/ The most expensive commitment comes with being a part of the wedding party. Members of the wedding party can expect to spend an average of $728 on the wedding and related festivities of the bachelor/bachelorette party and wedding shower (including gifts, travel, attire and more). Northeastern wedding party members shell out even more than that, with an average all-in cost of $1,070 to partake in all three events. Attending a wedding for a close friend or family member when not part of the wedding party is not cheap, either. Guests attending those weddings and associated pre-parties spend an average of $628. Those attending weddings and related events for more distant friends/family members will experience some financial relief, comparatively, with a total average cost of $372. When it comes to gift-giving, Millennial guests (ages 18-37) seem to be less generous than the national average. Young adults report spending an average of just $57 on wedding gifts when part of the wedding party, $47 for close friends/family when not in the wedding party and $48 for more distant relationships. -
Boston Symphony Orchestra Concert Programs, Season 77, 1957-1958, Subscription
*l'\ fr^j BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON 24 G> X will MIIHIi H tf SEVENTY-SEVENTH SEASON 1957-1958 BAYARD TUCEERMAN. JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT 8. TUCEERMAN J. DEANE SOMERVILLE It takes only seconds for accidents to occur that damage or destroy property. It takes only a few minutes to develop a complete insurance program that will give you proper coverages in adequate amounts. It might be well for you to spend a little time with us helping to see that in the event of a loss you will find yourself protected with insurance. WHAT TIME to ask for help? Any time! Now! CHARLES H. WATKINS & CO. RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. Insurance of Every Description 108 Water Street Boston 6, Mast. LA fayette 3-5700 SEVENTY-SEVENTH SEASON, 1957-1958 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, 1958, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine Treasurer Talcott M. Banks Michael T. Kelleher Theodore P. Ferris Henry A. Laughlin Alvan T. Fuller John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Charles H. Stockton C. D. Jackson Raymond S. Wilkins E. Morton Jennings, Jr. Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Edward A. Taft Thomas D. -
Part Three Repertory List
Part Three Repertory List of Suggested Music for the Wedding Ceremony III - 1 Table of Contents for Part Three Organ Solo III - 3-7 Collections for Organ Solo III - 8 One Trumpet and Organ III - 9 Collections for One Trumpet and Organ III - 10 Solo Instrument and Organ III - 10 Collections for Solo Instrument and Organ III - 11 Two Trumpets and Organ III - 11 Collections for Two Trumpets and Organ III - 11 Two Instruments and Organ III - 11 Brass Quartet/Ensemble and Organ III - 12 Strings and Organ III - 12 Vocal and Choral Music III - 12-13 III - 2 Suggested Repertory List Organ Solo Composer Title Publisher Alcock, John (1715-1806) Voluntary in D (Old English Music for Manuals, Book 5) Oxford Andrews, Carroll T. Processionals and Recessionals GIA Arne, Thomas (1710-1778) Allegro (Old English Organ Music for Manuals, Book 3) Oxford Bach, J. S. (1685-1750) In Dir Ist Freude (Orgelbuchlein) Various Editions Jesu, Joy of Man's Desiring Various Editions Preludes and Fugues Various Editions Presto (from Concerto in G, Orgelwerke, Vol. 8) Barenreiter Sheep May Safely Graze Oxford & H.W. Gray Baker, Philip E. Suite for Organ Hinshaw Beethoven, Ludwig van (1770-1827) Hymn to Joy (arr. Ian Hare) Oxford Processional of Joy (arr. Hal Hopson) Carl Fischer Bliss, Sir Arthur (1891-1975) Fanfare for the Bride (Royal Fanfares and Interludes) Novello A Wedding Fanfare (Royal Fanfares and Interludes) Novello Bloch, Ernest (1880-1959) Wedding March No. I (Four Wedding Marches for Organ) G. Schirmer Wedding March No. III (Four Wedding Marches for Organ) G. Schirmer Boellmann, Leon (1862-1897) Suite Gothique Belwin Mills Heures Mystiques Kalmus (Warner)-2 Vols. -
Wedding Handbook
CATHEDRAL WEDDING HANDBOOK WEDDING MUSIC GUIDE MUSIC FOR THE WEDDING LITURGY (1 of 4): Policies and Guidelines The Cathedral of Saint Joseph is a popular choice for weddings, for obvious reasons: it is a beautiful sacred space, and a regional landmark known for its stunning art and architecture. The Cathedral will bring a sense of awe, grandeur, prayer, and beauty to your wedding. At the same time, as the Mother Church for the Diocese and the seat of the Bishop, the Cathedral has specific liturgical and musical guidelines that may be different than those of other churches or non-church wedding venues. This document will help to guide you through our music policies and answer common questions about Cathedral weddings. The Cathedral Music Director (Dr. Jared Ostermann; [email protected]; 605-336-7390) is responsible for approving all wedding music, and assigning musicians to your wedding. It is important to contact the Music Director at least two months before your wedding, and sooner if possible. The most important general policy is that all music played or sung in the Cathedral must be sacred in nature. Appropriate INSTRUMENTAL music (music without any singing) is, generally speaking, any music that does not have a specific non-sacred context or reference. This means that a well-known theme from a pop song, movie soundtrack or Broadway musical would not be appropriate in the Cathedral. See below for some specific examples of appropriate music. Appropriate VOCAL music (music sung by the congregation or soloists) needs to have a sacred text - whether taken from the Bible or from the Church's texts for the liturgy (example: Gloria, Lamb of God, Responsorial Psalm) or from an approved Catholic hymnal. -
Oberlin Opera: Conversations with William Bolcom and Joan Morris
Oberlin Opera: Conversations with William Bolcom and Joan Morris By Mike Telin Last week the Oberlin Conservatory of Music’s Opera theatre presented four performances of American composer William Bolcom’s comic opera A Wedding. Bolcom was present for Wednesday’s opening performance as well as to give a talk on Friday about his career and his work in opera. A Wedding was preceded by McTeague, and A View from the Bridge. All three operas were commissioned by Chicago Lyric Opera. On Thursday morning only minutes prior to an interview on WCPN’s “Around Noon” program, the composer and his long-time performance collaborator and wife, mezzo- soprano Joan Morris, were beaming at the success of the previous night’s opening performance. “I am so pleased with the way it went”, Bolcom said with a smile. “The conductor had the perfect tempos, and that’s always a concern of mine.” Bolcom was soon ushered into the studio with “Around Noon” host Dee Perry, and the two had an engaging conversation about how A Wedding came to be and his about career as a composer and teacher. Although Ms. Morris must have heard these stories before, as well as living many of them, she listened attentively to the interview in the green room, smiling and nodding with affirmation as Bolcom and Perry conversed. “She’s very good” Bolcom said of Perry following the interview, “Very well prepared, and she asked good questions”. A few minutes later, Bolcom, Morris, and Oberlin Conservatory Assistant Director of Communications Jessica Downs and I took our seats for lunch. -
Wedding Song List
Ceremony Music Prelude The Prelude is the music prior to the ceremony processionals and is generally 20-30 minutes of light romantic and classical music selections as wedding guests are arriving and being seated. The choice of pieces during the prelude is often left to the discretion of the musician. Seating of Mothers & Grandmothers The processional of the seating of the mothers and grandmothers is the official beginning of the wedding ceremony. The music selections usually include traditional wedding music, romantic, or classical music selections. Wedding Party Processional The processional of the wedding party includes the bridesmaids, groomsmen, ring bearer, flowergirl, and other members of the wedding party walking down the aisle. The popular music choices include contemporary or traditional wedding music selections and often include music with personal significance to the bride and groom. Bridal Processional The bride's processional is the central focus of the wedding ceremony and generally includes very stately elegant music at a casual walking tempo. The bridal processional is the most personal and important music in the ceremony and often includes music with personal significance to the bride (or bride and groom). Interlude (Optional) The interlude is the area during the ceremony that involves the unity candle, sand pouring, communion or eucharist, or another meaningful moment. These are moments of quiet reflection and the music chosen should complement the general mood. Recessional Departure or recessional of the bride and groom, wedding party, and family from the ceremony site is generally includes celebratory music. The wedding guests generally depart very soon after the wedding party to a cocktail hour or reception area. -
Trinity Cathedral Wedding Music Guide
Trinity Cathedral Wedding Music Guide Congratulations on your engagement! We look forward to helping you plan the music for your wedding. Trinity Cathedral musicians have years of experience in planning and performing for weddings, and we hope to make your music selection easy and joyous. Our policies are intended to simplify the planning process and to guarantee that the music for your wedding will help to lead in a great celebration. Now that you have scheduled your wedding with the Cathedral office, it is officially on the music department calendar! Three months prior to your wedding date, we will assign the organist for your wedding and he will contact you to confirm your musical plans. He will work with you to schedule all the musical selections appropriate for the type of ceremony you are planning. To assist in this planning, we have made available on the Trinity cathedral website a downloadable file of favorite wedding music, along with a Guide and a “fill-in- the-blank” wedding program. Please fill this out and return it to the Music Office one month prior to your wedding date. For many couples this Guide and form will be enough to plan the music for your wedding. Cathedral organists are happy to meet with you if you desire to help make your plans. As you think about music for your wedding, please remember that all weddings are worship services of Trinity Cathedral, and therefore the music must be appropriate for Cathedral worship. Music must be sacred or content-neutral and in suitable style; popular songs and show tunes are inappropriate. -
Guidelines for Wedding Music & Liturgy at Ss. Peter and Paul
Guidelines for Wedding Music & Liturgy at Ss. Peter and Paul Planning your wedding can be a daunting experience, and planning music for the ceremony that satisfies the requirements of the Church’s liturgy can be overwhelming. Hopefully this step-by-step guide will save you a headache or two and help make the experience of planning the music for your wedding a joyful, even prayerful experience. If you need any help at all with any phase of the process, the Director of Music, Grace Kunkel, is at your service! Reach her by E-mail ([email protected]) or phone: (507) – 388 – 2995, ext. 102. STEP ONE – HIRE YOUR MUSICIANS You will need at least an accompanist and a cantor for your wedding Mass. Weddings are normally played by the Director of Music. Ss. Peter and Paul has a number of singers available and other organists available, should the Director of Music not be available on your wedding day. You will have to make your own arrangements with the singers; the parish cannot guarantee that specific singers will be available for your wedding. If you need help contacting any of the musicians, contact the Director of Music, and she can help you get in touch. The parish accompanists and cantors are listed below for your convenience (keyboardists who can sing while playing are marked with a “+”): Organists/Pianists Grace Kunkel (Parish Music Director)+ Mother Faith (SSVM)+ Cantors Bethany Derrickson Jean Anne Willaert Forrest Kunkel If you are planning on using an accompanist, singer, or instrumentalist from outside the parish, you will need to speak with the Director of Music, Grace Kunkel, before you finalize that arrangement. -
Performing on the Trombone: a Chronological Survey David M
Performance Practice Review Volume 9 Article 6 Number 2 Fall Performing on the Trombone: A Chronological Survey David M. Guion Follow this and additional works at: http://scholarship.claremont.edu/ppr Part of the Music Practice Commons Guion, David M. (1996) "Performing on the Trombone: A Chronological Survey," Performance Practice Review: Vol. 9: No. 2, Article 6. DOI: 10.5642/perfpr.199609.02.06 Available at: http://scholarship.claremont.edu/ppr/vol9/iss2/6 This Article is brought to you for free and open access by the Journals at Claremont at Scholarship @ Claremont. It has been accepted for inclusion in Performance Practice Review by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Performing on the Trombone: a Chronological Survey David M. Guion The trombone is one of the oldest wind instruments currently in use. The trumpet, horn, and flute have a longer history, but have changed in construction and playing technique far more than the trombone, which reached its present form sometime in the 15 century. The name "trombone," Italian for "big trumpet," is attested as early as 1439. The German word Posaune may have referred to an instru- ment with a slide as early as 1363.1 The old English word "sack- but," on the other hand, first appeared in 1495, and cognate terms appeared in Spain and France not much earlier than that. Therefore the confusing and misleading practice of referring to a baroque-style trombone as a sackbut should be abandoned. Using two words for a trombone wrongly implies two different instruments, and at times leads to the erroneous notion that the sackbut is the "forerunner" of the trombone. -
Download Booklet
BARN DANCES | The scoTT/GArrisoN Duo | shANNoN scoTT, cLAriNeT LeoNArD GArrisoN, fLuTe WORKS BY WWW.ALBANYRECORDS.COM TROY1234 ALBANY RECORDS U.S. LIBBY LARSEN | JEAN CARTAN | JOHN ADDISON | DAN WELCHER 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. ROGER NIXON | ROBERT WYKES | JÜRG WYTTENBACH BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 ROBERT RUSSELL BENNETT | ROBERT DICKOW © 2010 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. The Music Dan Welcher (b.1948) holds the Lee Hage Jamail Regents Professorship in Composition at the School of Music at the University of Texas at Austin, teaching composition and serving as Director of the New Music Ensemble. Regarding Reversible Jackets, Welcher writes, libby larsen (b. 1950) is one of America’s most performed living composers. Major artists, ensembles, and orchestras worldwide have commissioned her to write works that now have a Reversible Jackets was written in 1987 as a wedding present for flutist Leone Buyse and permanent place in the concert repertory. In 1973, she co-founded (with Stephen Paulus) the clarinetist Michael Webster, longtime friends from undergraduate days at Eastman. The Minnesota Composers Forum, now the American Composers Forum, an invaluable advocate title (and the subtitle, “exercises in conjugal counterpoint”) refer to the fact that the musical for composers in a difficult, transitional time for the arts. Consistently sought-after as a leader lines are constantly being exchanged, inverted, expanded and contracted by both players. in the generation of millennial thinkers, Libby Larsen’s music and ideas have refreshed the Like a jacket that can be worn inside-out, this music is all about equality: marital and musical.