Living Her Own #Timesup Story by Richard Chang City Compassionate Caregivers

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FEBRUARY 23 - MARCH 1, 2018 / VOL. 40 / NO. 14 / LAWEEKLY.COM

Half Magic, a romantic comedy about sex, female friendship and empowerment, marks Heather Graham’s writing and directorial debut

LIVING HER OWN #TIMESUP STORY BY RICHARD CHANG CITY COMPASSIONATE CAREGIVERS

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www.laweekly.com // February 23 - March 1, 2018 // LA WEEKLY I FEBRUARY//|  MARCH, //VOL. NO. C www.LATravelShow.com FEBRUARY 24 25 31 Los AngelesConvention Center ONTENTS NATIONAL MEDIA SPONSOR: Is Waiting. Is Vacation Next Your I AN DICKSON/R EX/ SUPPORTING SPONSORS: S E HUTT RSTOCK the poetic NiceFish. reviews Interact Theatre Company’s production of PAULROGERS. InSTAGE, DEB timeandthosewho’ve beenfreed.serving BY takesPrison areal, hard lookatthe lives of those Matthew Cooke’s Guideto Survivors documentary CU Takahashi’s sushirestaurant atthe Point. to check outUmi Yoya by Hamasaku, STUEVEN MICHELE EA improved their relationship withtheir kids. to parents whosayusing marijuanahas In “The Rollup,” MARGOLIN MADISON talks NEWS... and more thisweek. to doandseeinL.A. tracks the toll of foodwaste, apuppet musical Jay abouthislatest book,adocumentary time of Trump, David Mamet talkswithRicky encourageBlack authors resistance inthe LA... GO Coleman. Plus: Listings forROCK&POP, JAZZ & MOSTROM LECARO. DavidLINA long time.BY Bowieforavery Pianist Mike plansto keep Garson Celebrating MUSI WEEK, andYOUR WEEKLY MOVIE TO-DO LIST. romantic, plusother moviesOPENINGTHIS makesMarx manifesto writing lookdashingly and APRIL WOLFE callsGameNight winner, acomedy FI IN W CONTRACTORS SINGLE WEEKLYLA T , LA W EEKLYPUBLISHER, LA L.A YEAR C FREE HE ITY EEKLY, PART . WEEKL , CA90230. PERIODICALS LM...  ALAN SCHERSTUHL SCHERSTUHL ALAN ENTIRE . POSTMASTER: SEND OF T & DRINK... DRINK... & T L

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2/25 —Lina Lecaro Lecaro —Lina . Instructor Instructor . MAR 1 Week of Week FEB 23- ⁄⁄ THU

Black Resistance in the Time in the Time Black Resistance , presented by Angels Flight Flight Angels by presented , A PUPPET MUSICAL THAT ISN’T A PUPPET THAT MUSICAL Q AVENUE ALK P. 10 10 P. T Edible & Medicinal Plants of Los Edible Rancho Santa Ana Botanic Garden, Garden, Botanic Ana Santa Rancho OOKS of Trump Literary West, should provide one you’ll you’ll one provide should West, Literary writers, L.A.-based Black forget. never Johnson, Dana Harper, Rachel including Jona Maltais, Michelle Langworthy, Lia and Terry Chris Meyers, Tipton than written their from read Walker, Rebecca and experiences their sharing works, hateful the about thoughts exploring current the of rhetoric racist and actions is Month History Black administration. of achievements the celebrating about to seeks AFLW as but, African-Africans injustice fighting now right us, remind be to need resistance encouraging and (both printed conversation the of part and reception A well. as spoken) and reading. the follow will signings - down St., Spring S. 453 Bookstore, Last (213) free. p.m.; 7-8:30 24, Feb. Sat., town; lastbookstorela.com. 488-0599, Sat., Feb. 24, 7 p.m.-1 a.m.; runs through through runs a.m.; p.m.-1 7 24, Feb. Sat., thesedaysla.com. free. 8; April B Black Is Beautiful and powerful a for looking you’re If Month History Black thought-provoking gathering, —Lina Lecaro —Lina sun WALK/ Herb Know Get to the of elements basic most the Discover down on trot you when you around world the to Cotner —David Tellur Fenner of the Blue Wind School School Wind Blue the of Fenner Tellur through you guides Studies Botanical of types 2,000-plus garden’s the of some deeply a on you taking plants, native of incredible the through journey mindful helpful California’s Southern of breadth - mo useful more today’s of One herbs. tell to how learn you when comes ments poisonous their from plants good the die to want don’t you — doppelgängers do attention, paying weren’t you because you? Sun., Claremont; Ave., College N. 1500 - face 625-8767, (909) $50. a.m.; 10 25, Feb. . book.com/events/1762394970676238/ Angeles County:Angeles Herb Walk .

- OOK ver” ain Isn’t O See Saturday. See Bonsai-a- on PHOTO BY RICH C BY PHOTO —Siran Babayan —Siran he P hese Days Gallery: T “ at T These Days Gallery, 118 Gallery, Days These “ e Pain Isn’t Over,” Isn’t Over,” “ e Pain The Huntington Library, Library, Huntington The RT Saturday features a workshop for begin- for workshop a features Saturday while required), (registration kids and ners tour behind-the-scenes a features Sunday an o¤er days Both nursery. bonsai the of styling by led demonstrations exhibit, additional auction, live ra¥e, experts, than more with bazaar” “bonsai a and tours and tools pots, trees, selling vendors 20 materials. other Sat.-Sun., Marino; San Road, Oxford 1151 & seniors $21 $25, p.m.; a.m.-5 10 24-25, Feb. (626) 4. under free children, $13 students; huntington.org. 405-2100, museum’s annual, popular popular annual, museum’s A Pain for Praying always have cultures Gothic and Latin when especially kinship, creative a shared complexities the expressing to comes it pain. and love of Days These at show art solo Seyer’s Leafar of depths dramatic the explores Gallery, music through only not connection, this for vocalist The art. visual through also but - aes an for known is Prayers duo music the “cholo called been that’s sound and thetic - sub both into delves exhibit This goth.” photogra painting, presenting cultures, within design clothing and sculpture phy, the celebrating installation immersive an of perils the lifestyle, SoCal the of ironies on influences niche and success, and fame icons dark-music L.A. as such artist, the Death. Christian reception opening downtown; St., Winston OUT THE TOLL FOOD OUT THE TOLL LA L.A. WED LEARN AB ON THE PLANET IS TAKING WASTE 2/24 ,” curated ,” P. 8 P. —Ann Haskins —Ann

OUT OOK is in Naotaka Hiro’s film Hiro’s Naotaka in is 2 Bodies ). Lips Golden With Dancer ( NS . The live dancing body is body dancing live The 2. Bodies “ e Dialectic of the Stars RDE GA Bonsai Like Are Our Brains min- growing of art Japanese the is Bonsai in Opened pot. a in shrubs or trees iature - Hunting the at holdings bonsai the 1968, in number Garden Japanese Library’s ton and elm pine, include and hundreds the old. years 1,000 than more some juniper, these about learn can you weekend, This the at them landscape to how and trees sat E DANC Dialectic Dance Time’s Standard Pacific of heels the on Hot America Angeles/Latin Los of exploration - Euro-cen comes elements cross-cultural Exchange) Angeles Los (France FLAX tric with by Fabien Danesi. The festival features 19 features festival The Danesi. Fabien by - instal with artists American and French five at free, all performances, and lations - Amphithe Ford the from ranging venues Los new relatively the and LACE to ater which studios, Project Dance Angeles hosts second The Soulier. Noé choreographer for body Pit The Dance Project Studios, 2245 E. Washington Washington E. 2245 Studios, Project Dance p.m.; 7:30 24, Feb. Sat., downtown; Blvd., flaxfoundation.org. free. MON DAVID MAMET TALKS AB MAMET TALKS DAVID B FUCKING HIS LATEST - P. 8 P. - Sto Fast Fast , and and , - Equi The Revd Revd The 2/23 —Falling James —Falling

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I 850-2000, laphil.com. 850-2000, p.m.; Sun., Feb. 25, 2 p.m.; $20-$188. (323) (323) $20-$188. p.m.; 2 25, Feb. Sun., p.m.; landmark landmark 8 23-24, Feb. Fri.-Sat., downtown; Ave., arrangement of Modest Mussorgsky’s Mussorgsky’s Modest of arrangement Grand S. 111 Hall, Concert Disney Walt through Maurice Ravel’s orchestral orchestral Ravel’s Maurice through Opera to lead the L.A. Philharmonic Philharmonic L.A. the lead to Opera across the street from his day job at L.A. at job day his from street the across . James Conlon walks walks Conlon James . Organs Twitchy the sublimely austere soundscape soundscape austere sublimely the toPrelude Installation his Mustard cling ethereal enchantment of enchantment ethereal cling organ pieces have ranged from the cy the from ranged have pieces organ and Bryce Dessner, and his previous previous his and Dessner, Bryce and Antony & the Johnsons, Su•an Stevens Stevens Su•an Johnsons, the & Antony collaborated with Philip Glass, Björk, Björk, Glass, Philip with collaborated James McVinnie. In the past, Muhly has has Muhly past, the In McVinnie. James and orchestra, featuring British organist organist British featuring orchestra, and —Falling James —Falling anthology anthology composer York New of premiere the in her work. She also edited the 2006 2006 the edited also She work. her in witness to world the in first the be will Nico Muhly secret intersections of race and gender gender and race of intersections secret Hall Disney at audiences weekend this of modern-day oracle, revealing the the revealing oracle, modern-day of and time, first the for music new hearing University English professor is a kind kind a is professor English University Sounds Downtown New More than thrilling more nothing There’s prophets of the past. The Hampton Hampton The past. the of prophets MUSIC chanan continues in homage to female female to homage in continues chanan - Bu eyes,” her behind memory floating giving up secrets ... maybe sing of the the of sing maybe ... secrets up giving “She wanted to open her mouth/without mouth/without her open to wanted “She . Country Goddess From Poems poise: Awakes,” from the new collection collection new the from Awakes,” Buchanan muses in her poem “Sybil “Sybil poem her in muses Buchanan “Memory was the coldest bar,” Shonda Shonda bar,” coldest the was “Memory Voices From the the From Voices POETRY Village’ ‘Black Greenwich fri Peggy Dobreer and Regina Higgins. Higgins. Regina and Dobreer Peggy Brown, Imani Tolliver, October Blu, Blu, October Tolliver, Imani Brown, storiesla.com. 413-3733, event with fellow poets including Derek Derek including poets fellow with event (213) free. p.m.; 8 23, Feb. Fri., Park; Echo this evening she uses that title for an an for title that uses she evening this Blvd., Sunset W. 1716 Café, & Books ries

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3/25 3/17 3/21 breaking news stories about your favorite shows. Enjoy a screening, breaking newsstoriesaboutyourfavoriteshows.Enjoyascreening, EVENTS PROMOTIONS NEWSLETTER followed bythestarsonstage,cappedoffwithanaudienceQ&A. Fan Up,LA!PALEYFEST bringsyoutogetherwiththetalentbehind exclusive behind-the-scenes scoops, hilarious anecdotes, and exclusive behind-the-scenesscoops,hilariousanecdotes,and laweekly.com/free/PaleyStranger What’s happening intown? From underground clubnights your favoriteTVshows.JoinusatHollywood’s famousDolby Theatre March 16 to 25, as the hottest stars delight you with Theatre March16to25,asthehotteststarsdelightyouwith week’s best events willalways keep you inontheaction. ST to thebiggest outdoor festivals, ourtop picks for the Sign upnow at laweekly.com/newsle ers RANGER THINGS 3/25 WIN TICKETS TO PALEYFEST LA Enter to winat L 3/25 3/22 3/18 : 2/9/18 10:51 AM org. p.m.; free. (213) 986-8500, the W. Fourth St., downtown; Sun., Feb. 25, 2-5 artists hiding in plain sight. Main’s promising future of unearthing L.A. Sunday, celebrate her legacy — and the of 84, just weeks before the opening. This practice. She died last month at the age style honed through decades of pioneering mythological creatures — in a distinctive reimagining pan-cultural forms — deities, tion from the art of ancient civilizations, commissions, De Larios drew inspira to life-size installations and architectural work spanning figurines and tableware new mezzanine gallery. With a body of retrospective that also inaugurates its everyone quoting back in the Friendster (!) and that Realtor movie you used to hear Redbelt to 23 plays, five children’s books from his criminally underrated MMA film career that has taken the writer everywhere novel, magician Ricky Jay about his upcoming Schloss: Stepsister ofAnneFrank Stepsister Schloss: night’s Live Talks L.A.–presented It’s been a couple of decades, but in to- Always BeClosing! BOOKS ART During shared her experiences of surviving WWII. Like the world-famous Anne, Schloss has also died in the concentration camps. whose family, including daughter Anne, tion, Schloss’s mother married Otto Frank, mother, Fritzi, survived. After the libera and brother were killed, Schloss and her deported to Auschwitz. Though her father erlands, were captured by the Nazis and man-Jewish refugees living in the Neth- In 1944, Eva Schloss and her family, Ger Stepsister Frank’s ofAnne Diary HISTORY mon mon OtherWorldsDora DeLarios: looks to bring the artist into full view with in 2010. But downtown’s Main Museum tive at the Craft and Folk Art Museum back Time exhibitions, or in a 50-year retrospec- throughout the Getty’s Pacific Standard L.A. ceramist Dora De Larios peppered You may have seen works of celebrated Celebrate aLocal Legend downtownjcc.com. Feb. 25, 7 p.m.; $10-$400. (213) 488-1543, Theater, 615 S. Broadway, downtown; Sun., the Documentary Short Oscar. Shoah Foundation, it was a contender for Times Op-Docs and launched by the USC 3-D digital project. Produced by New York Cameras, a 2017 documentary short and her story in several books, as well as in memoirist. At 88, Schloss has documented Holocaust survivor to public speaker and lationship with Anne and her journey from Downtown L.A., Schloss will discuss her re - by Jewish Community Center Chabad of With David Mamet —Beige Luciano-Adams Chicago ($27, Custom House), and a A Historical EveningA Historical With Eva , he’ll talk with actor- —Siran Babayan Beta Main, 114 mainmuseum. , a 60-year 2/26 Los Angeles , hosted Evening Evening - 116 116 - - Purim Food Waste Meet 3:ZineWith aVengeance at today’s screening of swallows. But destroying the planet? Yes, who casual consumer knows not what he work, and brings joy and comfort to the Eating banishes hunger, puts people to Get Wasted FILM/TALK —Tanja M. Laden awareness in the community. ebrate Hebrew heritage and foster social fessionals of Los Angeles in order to cel- founded the nonprofit Young Jewish Pro- In 2012, Mendel and Rachey Simons Party With theTribe CULTURE wed a mainstay of the modern world. of the ’80s and ’90s, the zine appears to be booklets with photocopied cutout collages the 19th century, all the way to the stapled press–published political pamphlets in is still growing. From incendiary printing appearances, the practice of zine-making during the rise of the internet but, by all uted, zines have not only stuck around Self-published and selectively distrib- Zine Scene B tue mamet/. 855-0005, livetalksla.org/events/david- Monica; Mon., Feb. 26, 8 p.m.; $20-$53. (310) Moss Theater, 3131 Olympic Blvd., Santa there in your hot little hands. turner than it is a page-burner, smoldering takable writing voice — and it’s less a page- City — fertile grounds for Mamet’s unmis- and revenge in the Prohibition-era Windy days. like this. a synagogue, it might look something acts. If P.T. Barnum traded the big top for big-band music, a top-shelf bar and circus like this one, which comes complete with basically celebrating with a big ol’ party exchanging gifts, donating to charity, and These days, Jews spend Purim eating, ancient antagonist Haman the Agagite. Jewish people’s historic victory over the to life with an all-out party honoring the (213) 627-8070, yjplosangeles.com/purim. downtown; Wed., Feb. 28, 8 p.m.; $20-$50. starving. A panel discussion featuring though 800 million people worldwide are nually is just thrown in the garbage, even as how one-third of the food grown an- showla.com. 7-10 p.m.; free (donations accepted). book- Figueroa St., Highland Park; Tue., Feb. 27, sions out there today. and accessible forms of creative expres- still be one of the most satisfying, versatile conference that illustrates how zines can S G OOKS/MA Chicago is all about violence, love at Exchange L.A. brings this mission Exchange L.A., 618 S. Spring St., —David Cotner , you’ll find out gory details such —Tanja M. Laden Book Show, 5503 N. Wasted! of eStory Ann & Jerry e Greatest e Greatest is a casual is a casual 2/28 2/27 Zine and Zine and

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aying in the hospital for approximately 10consecutive LA Weekly readers have access to. fashion news, events andoffers that only Exclusive Los Angeles lifestyle and Angeles Dance Festival —Ann Haskins rary dance companies for the annual gather some of the best local contempo- rapher/impresario Deborah Brockus to It’s nearly spring and time for choreog - The Next Generation DANCE —Siran Babayan $7. (323) 908-8702, sunset.ucbtheatre.com. Blvd., Hollywood; Thu., March 1, 8:30 p.m.; 8 p.m.; $25. theatreraymondkabbaz.com. Blvd., Century City; Thu.-Sat., March 1-3, Théâtre Raymond Kabbaz, 10361 W. Pico the next. Full details at LADanceFest.org. generation in local dance and a preview of by presenting both the best of the current formers. The festival distinguishes itself showcasing high school and college per March there’s a second performance series oŽers classes with the companies; in mid- Along with the performances, the festival Szalt and Lula Washington Dance Theatre. Sarah Elgart/Arrogant Elbow, Kybele, W, Brockus RED. Saturday’s lineup includes Collective, Whyteburg and host company Contemporary Dance Company, the TL Friday welcomes Acts of Matter, L.A. RED and Lula Washington Dance Theatre. Theatre, TL Collective, Szalt, Brockus Opening night includes Kybele Dance with five presented in each of three shows. led troupes. The 10 are mixed and matched, Woman, spotlights 10 top-notch, women- this year’s fest, dubbed to coincide with Women’s History Month, www.uclacbam.org/meth . Timed this year The Rise of the

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by Madison Margolin Madison by

, framing cannabis not only as a tool for for only as a tool cannabis not , framing But it’s more than that: Many cannabis- than that: Many more But it’s by data collected customer to According more percent 52 are fact,In parents chief cannabis evangelist Jason Pinsky, For a spinal injury in ered su Pinsky In 2000, can- of conceive kids way the Changing Healthcare Earth of founder Nicole Lenz, medical with less severe parents Other of those people have kids. Parents in that in that Parents kids. have those people of open be to positioned uniquely industry are enthusiasm for about their children with their what they hide cult to be di would It weed. do for a living. who with parents along industry parents, pot, has helped say that weed simply smoke and fa- overall, parents become better them children. their connection to a better cilitates and state- company a cannabis tech Eaze, cannabis ve deliverywide service, one in fi of and 63 percent parents, consumers are 91 A consume cannabis daily. those parents or smoke those parents majority of percent is wellness saying ower, cannabis fl vaporize consumption. behind their reason a leading alcohol replace to non-parents than likely to likely more with cannabis, and 26 percent opiates. replace Bong Ap- Viceland’s of and producer at Eaze pétit but as a medicine wellness helped him foster his now with relationship transparent a more it to compare even son. “I wouldn’t 11-year-old me, cannabis had always For a drink. having been portrayed in our household as a medi- know how says. “You cal product,” Pinsky comes kid and the will do something parents rug? Kids the it under tryin and they sweep to pick up on that, normalize it.” tried to so we time his son the by accident; a motorcycle painkillers opiate been using born, he’d was about 7 for four years. boy was until the Not talk with him. the have years old did Pinsky much time in the had been spending Pinsky for medical marijuana lobbying capitol, state er a Just lived. then he where in New York, his son wrote passed, in June 2014, law the it scrawl, him a birthday In handwritten card: the of I’m proud happy birthday. said, “Dad, done with cannabis.” work you’ve . “My son shi a generational nabis will take is fortunate up in a world grow enough to he D.A.R.E., to exposed wasn’t he where in say no’ ‘Just through live to have didn’t says. “His understanding is ‘80s,” Pinsky the marijuana. Cannabis is the cannabis, not of opiates.” medical that product his got dad o who used medical marijuana in Westwood, disease, says that an autoimmune treat to was pain, she because cannabis eased her “I was daughter. her to present be more able to be funner to and easier was mom, I a better her have able to was says. “She Lenz around,” I wasn’t a certain when mom back to degree us closer in that tough so it brought ering, su symptoms.” my time because it alleviated life enhance issues use cannabis simply to

MOTHER’S LITTLEMOTHER’S HELPER W

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www.laweekly.com // February 23 - March 1 // LA WEEKLY | , 2018 HER OWN #TIMESUP — and a baby in semi-tow — in ers: The Spy Who Shagged Me. sex, female friendship and empowerment opening Friday. symbol in Hollywood. Now, she’s got her own movie about The Hangover Part III (2013). Valley porn industry. acclaimed 1997 film, empowerment, marks Heather Graham’s writinganddirectorial debut A And she was Jade, the Vegas stripper with a heart of gold Graham has long been considered a funny girl and a sex She was Felicity Shagwell in the 1999 comedy Half Magic,Half aromantic comedyaboutsex, femalefriendshipand location courtesy of LIVING Boogie Nights, about the San Fernando STO gas–based 1996 hit interest, in the L.A.-/Las Ve - vreau’s new, life-arming love Heather Graham is. decades should know who movies over the past three nyone who’s been watching Thomas Anderson’s critically She was Lorraine, Jon Fa She was Roller Girl in Paul The Hangover (2009) and photography by by RICHARDCHANG Austin Pow - Swingers. - for the Hollywood Hills resident. the #MeToo and #TimesUp movements, and what’s up next Sunset to talk about her new film, as well as being a part of one of Weinstein’s films. follow-up meeting in his hotel room. She never was hired for studio mogul’s suggestion, as well as an invitation for a exchange for a role in one of his movies. She refused the being propositioned by Weinstein in the early 2000s in a column that appeared in harassment and abuse last year in ley Judd’s explosive, silence-breaking accusations of sexual Harvey Weinstein in the wake of Rose McGowan’s and Ash- one of the women who spoke out against former producer Rhea Perlman, Molly Shannon and Thomas Lennon. supporting performances and cameos by Johnny Knoxville, lyn Nine-Nine). The romantic comedy o–ers entertaining Angela Kinsey (The Oce) and Stephanie Beatriz (Brook- Graham wrote, directed and stars in Graham recently met with In the larger entertainment and social world, Graham was DANNY LIAO SBE HYDE SUNSET RY Variety, Graham, 48, recalled L.A. L.A. Weekly at SBE’s Hyde The New York Times. In Half Magic, alongside ( 16 » | | 15 LA WEEKLY // February 23 - March 1, 2018 // www.laweekly.com » 16 ( , alongside alongside Magic, Half . In . Times York New The at SBE’s Hyde Hyde SBE’s at Weekly L.A. , Graham, 48, recalled recalled 48, Graham, , Variety RY SBE HYDE SUNSET DANNY LIAO DANNY In the larger entertainment and social world, Graham was was Graham world, social and entertainment larger the In with met recently Graham - (Brook Beatriz Stephanie and Oce) (The Kinsey Angela entertaining o–ers comedy romantic The Nine-Nine). lyn Knoxville, Johnny by cameos and performances supporting Lennon. Thomas and Shannon Molly Perlman, Rhea producer former against out spoke who women the of one - Ash and McGowan’s Rose of wake the in Weinstein Harvey sexual of accusations silence-breaking explosive, Judd’s ley in year last abuse and harassment in appeared that column a in 2000s early the in Weinstein by propositioned being the refused She movies. his of one in role a for exchange a for invitation an as well as suggestion, mogul’s studio for hired was never She room. hotel his in meeting follow-up films. Weinstein’s of one of part a being as well as film, new her about talk to Sunset next up what’s and movements, #TimesUp and #MeToo the resident. Hills Hollywood the for Graham wrote, directed and stars in stars and directed wrote, Graham - . Swingers - Pow Austin

RICHARD CHANG

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by photography (2009) and (2009) Hangover The She was Roller Girl in Paul Paul in Girl Roller was She She was Lorraine, Jon Fa Jon Lorraine, was She Thomas Anderson’s critically critically Anderson’s Thomas nyone who’s been watching watching been who’s nyone three past the over movies who know should decades is. Graham Heather love life-arming new, vreau’s - Ve L.A.-/Las the in interest, hit 1996 gas–based

STO , about the San Fernando Fernando San the about , Nights Boogie LIVING LIVING

location courtesy of courtesy location , a romantic comedy about sex, female friendship and friendship female about sex, comedy a romantic Half, Magic She was Felicity Shagwell in the 1999 comedy comedy 1999 the in Shagwell Felicity was She sex a and girl funny a considered been long has Graham And she was Jade, the Vegas stripper with a heart of gold of heart a with stripper Vegas the Jade, was she And A writing and directorial debut and directorial writing Graham’s Heather marks empowerment, acclaimed 1997 film, 1997 acclaimed industry. porn Valley (2013). III Part Hangover The about movie own her got she’s Now, Hollywood. in symbol Friday. opening empowerment and friendship female sex, ers: The Spy Who Shagged Me. Shagged Who Spy The ers: in — semi-tow in baby a and —

#TIMESUP #TIMESUP HER OWN OWN HER

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www.laweekly.com // February 23 - March 1 // LA WEEKLY | , 2018 » by Liane Moriarty. It’s a great story. women’s issues than ever before. coming out when people care more about actually is great, because now the movie’s and producing) in Los Angeles. The timing berg. And we went the next year (shooting so depressed, and it was really traumatic. was I And through.fell financing the and York, and then the whole movie fell apart, New in it do to going were we and shot, We went into production a year before we came out of that. Like this movie, actually. it you realize, there’s something good that of end the at andtime, hard a through go you’re supposed to get. Or sometimes you for, because there’s something better that wish you what get don’t you sometimes something,or wishfortrue,comes it how you when about It’s magic. Potter Harry it doesn’t. sometimes works, it sometimes — magic half of their wish. get they then and it holding they’re forget twice for things to happen. Sometimes they of their wish comes true. They have to wish half only And wishes. make they and coin magical this find they kids, theseit’sabout Edwardby— It’sEagerbook Magic. a Half My favorite book when I was a kid was called Where didyou get thetitleHalfMagic option for a book, an got I’ve things. two written I’ve Magic] [finishing Since more. some direct to No, I haven’t. I have the bug now. I really want Have you written before? anything tually quite misogynist. Doyou feel like you’ve does all thesethings that areanti-women, ac - dude. He thinks he’s and hesays hot shit, and In themovie, your boss is aprototypical sexist Hollywood and how sexist it can be. I’ve made in the past, and also make fun of to make fun of myself and the bad choices this is the love of my life.” And so I wanted “Oh think, and with love in fall to person good a reallywasn’t that that — flags red back now, I think, wow, there were so many so sad when we broke up. And just looking a lot of drugs, like in the movie. And I was that I went through. I dated this guy who did ed to find humor in things that upset me. tion about sexism in Hollywood, and I want - this movie as a way to express my frustra and not getting any of them made. veloping projects for about eight to 10 years de- on working and Hollywood in woman a being from borrowed I choices. dating choices and watching my friends make bad dating bad my from borrowed I Forsure. experiences andlife experiences? Did you borrow from your own personal dating Where didyou draw inspiration forthis movie? HEATHER GRAHAM: yourrect first movie? me, because I’ve been on sets my whole life. Shooting it was really fun. It was natural to think about, like casting, getting the money. the practical point of view. There’s a lot to from fun view, of point creativethe from 15 And then we got our financer, Bill Shein- The movie’s about real magic, not about sometimes life, in how thought just I I feel like I drew from di’erent breakups wrote I that frustrated so was I then So ) L.A. WEEKLY:L.A. The Hypnotist’s Love Story t a s fn Fun fun. so was It

What was itlike to di- ? Half Half -

Yes. For sure. my movie to be part of the Time’s Up move- consider I amazing.And is movement Up I am totally behind it, and yeah, the #Times the#TimesUpDo you of movement? feel part Someone is listening to us. finally,like,we’rebecause on, this ward with their sexual harassment stories. result came out of some women coming for first time in history where a really satisfying wasn’t convicted. So it seems like this is still the he and forward came women those [Clarence Thomas] got appointed anyway. happened. She was kind of discredited, and look back, there was Anita Hill, and nothing you If justice. to brought were harassers the like seems it where cases harassment woman, there’s not a lot of examples of a sexual As empowered. very was I sure, Yes,for ences him? with did you feel empowered to shareyour experi- stein. When other women were speaking out, You hadyour own encounter Harvey with Wein it’s exciting. truths, and people are listening. And I think #MeToo movement. grateful that the movie’s coming out after the and I actually know a lot about, so I’m really reallyI stu’ careis whichabout, lot, a stu’ that about talk to get I like feel I and out, Yes, I do. It’s great that this movie’s coming movement? Do you feel like you’re amemberthe#MeToo of ness? encountered character that kind of inthebusi- So I think as a woman, we’re just cheering Cosby,all Bill about think you if And I think women are finally speaking their

Too many times. finally. - -

work being abusive to us. havegreat sex.We don’twantassholes at We don’t want to be harassed. We want to movie is very sex-positive. It’s not anti-sex. happy.want,be weandto thinkmy AndI great about ourselves, and to ask for what us. Empowering ourselves as women to feel also like thinking what’s next. What’s next is what Time’s Up is about. out there in the form of this movie is exactly director.feellike,puttingmeI my voiceSo female a I’m and 2020, by 50/50 industry] ment. It’s about [making the entertainment always making music, too. music. He’s really a social activist and he’s original new his use us letting generous, so was He be? would expensivethat how know you Do music. Original movie. the with Moby, and then he gave me music for friends guy.Webecame only the was He coming true. started them of some But them. of all Not work. And a lot of them started coming true. or sex hot or love or money We’dfor wish get together and make wishes about our lives. I had this group of girlfriends, and we would in reallife forawhile? the movie aer something you’ve been doing I heard that you fashioned thewishinggroup in ley Marshall, she did it. Being in [ film her ously she’s super successful right now with Well, I mean, Greta Gerwig is doing it. Obvi- ers, directors producers and as they get older? reinventcan themselves inHollywood as writ Do you think women, actresses, particularly And actually, I thought about Time’s Up; I And then Moby actually joined our group. and directing ]. If you look at Penny at look you If Bird]. Lady Big. Laverne & Shir - - show show es turning into writer-directors. I love the which is so low. films, feature in directors female percent youthinkit’sthestatistics,I at look like7 I’m beautiful,” when inside I felt like I was I like felt I insidebeautiful,” when I’m like, “Oh, I fooled everyone into thinking that did not think of myself as beautiful. I was a nerdy kid. I was in smart classes, and I was kind of nerdy. When I was in high school, I mean, it’s weird, because when I grew up, I still feel that way? Heather, you areabonafidesex symbol. Doyou Yes. In California? still together. alive, still They’re places. other of bunch a in the San Fernando Valley, Agoura Hills and movedWewashere9. outI when lived out we Jersey.Then New from is MomPhilly. FBI. We were living in Wisconsin. He’s from the in was conservative.Dad was Yeah,it Did you have aconservative upbringing? smoke pot. or drink to than healthy be to better felt It feelI don’tI sogood, want toscrew this up. thought, just afterward,I good so felt just I like no drinking and blah blah blah. And then she put me on this healthy diet — and it was problem and I went to get acupuncture and Maybe,like, around years.10 hadI health a substances? How long have you alcoholand been cleanof I mean, in the past I have, but I don’t now. But you touch don’t ityourself. they should have legalized it a while ago. I think it’s ridiculous to not legalize it, and sure. It’s no di’erent than drinking alcohol. for it legalized [have] should they think I in California? cannabis Any opinionaboutthelegalization of I don’t really like drinking or doing drugs. know, I’ve experimented and tried things, but No, I don’t drink or do drugs. In the past, you touchdon’t much,alcoholordrugs oranything. heard andreadthat you’re pretty clean,andyou Let’s your about talk I’ve personal upbringing. ages, and not just discriminate in that way. just write great roles for women of di’erent rector that I have more power over that. I can women working? I feel like as a writer and di- of older men working, why aren’t there older there’s business— lot the sexistthingsa in actresses of di’erent ages. That’s one of the actresses. You know, because I want to watch for work more create and ages di’erent of writer-director,canI write roles for women opportunity. And I also think that, as a female Yes, I think it’s definitely another window of producing anotheropportunity? window of exceptions. and andwriting aredirecting So thecamera,out infront some with notable of youngerand actresses. Older women edged are Notoriously, Hollywood skews toward younger is cool. There’s actresses of all ages doing it, which directing that. Issa Rae and Lena Dunham. So hopefully there will be more actress- If directors. female of lot a notThere’s So then when I got these jobs, I kinda felt SMILF — Frankie Shaw is writing and | | 17 LA WEEKLY // February 23 - March 1, 2018 // www.laweekly.com

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And I And movie. that in I’m that grateful so I’m love that part. It’s one of the high- creative get to inspiring really was It life. my of lights and actors great other those all with work to Anderson]. [Thomas Paul with work to get e Hangover that films in be to gotten I’ve lucky so feel I remember, people that and watched people great it’s and impact, cultural a had that and to be in movies that people liked. It’s - won derful. Shagged Who Me. e Spy Powers: Austin these with work to got I lucky I’m fun. so was It I younger, was I When comedians. talented just wanted to be a serious actress and dowork to got I Then dramas. dark really these And I discovered with comedians. all these these admire and comedy, love I much how dramatic the than so more even comedians, a have to important so It’s sometimes. actors general. in life your in humor of sense Cross wrote and directed, and it just came they and Day, Valentine’s on U.K., the in out - re was That that. of seasons more do might fun. ally - hope so book, this optioned I and direct, to writer-direc- a as more work to get I’ll fully I’m course of so too, acting, love I And tor. well. as acting more do hopefully to going I wanted to ask you about a few roles you’ve you’ve roles about a few you ask to I wanted me something Tell career. performed in your Girl. Roller about playing But But in the first scene, I was going for And And I think women can decide to feel So I do know that people have thought of thought have people that know do I So To think of yourself that way is too .)Laughs I wanted them both to have a di‡erent vibe. di‡erent a have to both them wanted I this happiness, she feels good about herself. herself. about good feels she happiness, this No. value. value. And the second scene — she finds right now? in a relationship Are you comedy. comedy. It was much more for comedic kind of embarrassing.” of kind of view as my brother. So I’m like, “This is me, and my best friend’s watching, who I kind I who watching, friend’s best my and me, It was really awkward.The D.P. was filming It D.P. was really awkward.The nitely was. … Whatever you saw, I was doing. was I saw, you Whatever … was. nitely of a lot do takes? Did you in that movie? in that defi- I But alone. home you’re when as same your bedroom. Were you really masturbating masturbating really you Were bedroom. your I mean, I guess I was. It’s probably not the want it to be real. be to it want alone in are a couple of with there you scenes feel good about yourself. about good feel ing a story about sex, so I gotta go there. I but this, ask to OK, a little embarrassed I’m like, you can decide that you’re hot and just and hot you’re that decide can you like, - tell I’m But self-conscious. everyone makes to express, is that no matter what you look you what matter no that is express, to always makes me self-conscious. I think it are sexy, basically. basically. sexy, are movie my want I what that’s And way. that about them? self-conscious all at you Were scenes those Doing self-conscious. was I Yes, it’s about an attitude. So if you feel sexy, you you sexy, feel you if So attitude. an about it’s in the film. scenes had a couple of intimate You look better, and you do look good — I think you and look better, and decide that you look good, then you do you then good, look you that decide and you just turn yourself on about your own life, own your about on yourself turn just you feel inside. So if you decide you’re sexy, and sexy, you’re decide you if So inside. feel really matter what you look like. It’s how you you how It’s like. look you what matter really cause I feel like at the end of the day, it doesn’t it day, the of end the at like feel I cause that you give me and a lot of me and a lot people confidence. give you that be- movie, my with do to want I what That’s Well, I don’t know about other people, but I think people, about other I don’t know Well, ( but in reality I’m just like a normal person. normal a like just I’m reality in but into into thinking that I was like a sex symbol this nerd that I felt when I was a teenager. teenager. a was I when felt I that nerd this sometimes. sexy feel do I and sexy, as me strange. I kind of feel like I fooled people

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ATEATE . . | | 19 LA WEEKLY // February 23 - March 1, 2018 // www.laweekly.com - E STUEVEN ONS; BLE OUS BY MICHEL BY PHOTO ZAKAYA NG SEASONAL NG SEASONAL ONAL AND | The Point | The Point HAMASAKU UMI BY I NG; VAR I PREPARAT at 860 S. Sepulveda Blvd., El Segundo El Segundo Blvd., S. Sepulveda at 860 I SUSH I AND AN ACCESS . OMAKASE IT’S A SUNNY IT’S LUNCH SCENE FOR I FEATUR A SHARED PLATES; TRADITI I MODERN OFFERI (310) 524-9980 | umibyhamasaku.com | Sashimi, | umibyhamasaku.com 524-9980 (310) $14-$40; izakaya, $5-$16; sushi/handrolls, $7-$18 $7-$18 sushi/handrolls, $5-$16; $14-$40; izakaya, There’s a great kids menu for $7, which $7, for menu kids great a There’s matcha recommendation: Dessert in- room dining main open-space The The patio opens out to the breezy, fami- breezy, the to out opens patio The crispy rice or yellowtail wasabi crispy crispy wasabi yellowtail or rice crispy $12. both rice, crispy edamame, cauliflower, includes - sau of choice and ball rice or tots rice fish. fried or tofu chicken, fried sage, Valrhona of mixture creamy a budino, with topped matcha and chocolate white It’s ($3). raspberries and cream whipped of hint subtle a with pudding smooth a ending rich perfect the is and matcha It’s wasabi. and yuzu of meal bright a to it hoped always cream ice tea green what be. could foot the at right bar raw four-seat a cludes fea and kitchen open white-tiled the of Westside its like much wood blonde tures famed Ovitz’s from pieces few A sister. with along walls the bedeck collection art Japanese curtains, which hang from the from hang which curtains, Japanese ceiling. of center the at space outdoor ly-friendly Benches, 2015. in opened which Point, the that ooze fireplaces and fountains lawns, just you lucky, you’re if and feel, coastal El elusive the of glimpse a catch might the past dancing butterfly blue Segundo Juicery. Pressed MI BY HAMASAKU MI BY U COURTESY COURTESY Miso soup Miso Good izakaya choices are the spicy tuna spicy the are choices izakaya Good rest of the day. Umi bento choices include include choices bento Umi day. the of rest fish local grilled ($25), katsu albacore Fiji ($20) bites katsu pork ($25), day the of ($25). choice sushi chef’s and that includes a starter, starter, a includes that omakase TO THE POINT TO The tart New Zealand yellowtail pep- yellowtail Zealand New tart The include choices sushi Seasonal ($10). treat rich a is maki ceviche The of bit little a want always I Because cessible cessible 10-piece a courses, sashimi specialty two roll. hand and course nigiri Scallions, course. sashimi good a is per flake, bonito fried peppers, shishito are soy white yuzu and microgreens melt-in-your-mouth of top on mounded ($14). sashimi yellowtail snapper nose blue barracuda, Japanese For snapper). eye (golden kinmedai and has which shrimp, raw there’s diehards, of selection great a and texture, unique a seaweed signature own their with oysters a it makes Takahashi Chef mignonette. seafood. sustainable use to priority are asparagus and ceviche lobster Maine - avo and paper soy delicate in wrapped and jalapeño of slice a with Topped cado. all covers it crisps, soy between snuggled also is roll Point The textures. and flavors albacore, Fiji with made choice, great a sprouts, cucumber, aioli, ginger salmon, ($16). onion crispy and seaweed a to gravitate but help can’t I everything, the for full me keep will that lunch bento - -

//

ith partners partners ith Ovitz Michael Jesse and - execu Duron, Yoya chef tive has Takahashi by Umi opened . Weekly L.A. Fork Lift Fork

//

Westside’s Yoya Takahashi expands to El Segundo with Umi by Hamasaku by with Umi El Segundo to expands Takahashi Yoya Westside’s

Spicy tuna crispy rice, left, and yellowtail wasabi crispy rice

Eats Eats Umi by Hamasaku is a sunny scene for for scene sunny a is Hamasaku by Umi Sandwiched between Manhattan Beach Beach Manhattan between Sandwiched

BY MICHELE STUEVEN | - ac an and preparations; sushi various traditional and modern izakaya o‚ering; o‚ering; izakaya modern and traditional lunch featuring seasonal shared plates; a plates; shared seasonal featuring lunch mall known as the Point. the as known mall Lakers training facility and the breezy breezy the and facility training Lakers ing aerospace companies, Mattel, the L.A. the Mattel, companies, aerospace ing a thriving business district of neighbor of district business thriving a time hometown feel. The inland section is section inland The feel. hometown time Sea” by locals because of its frozen-in- its of because locals by Sea” portion is referred to as “Mayberry by the by “Mayberry as to referred is portion town oasis in the South Bay. The coastal coastal Bay. The South the in oasis town and LAX, El Segundo is a small beach- small a is Segundo El LAX, and in West Los Angeles. “We chose the loca the chose “We Angeles. Los West in told Duron spot,” sushi an o‚shoot of Japanese staple Hamasaku Hamasaku staple Japanese of o‚shoot an neighborhood good a of need in was and Hamasaku at the Point in El Segundo. It’s It’s Segundo. El in Point the at Hamasaku booming is area the felt we because tion

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Formerly FREE ADMISSION COUPON WITH THIS T THE WINTEROLYMPICS FOOD ANDDRINK ASYOU WATCH CHOW DOWN ONSOMEGREAT jambon de Paris, Spanish chorizo and aged the Euro Sub (pretzel croissant capicola, tacos with radish avocado salsa and cojita), dipping sauce), the Mexico (pork mole ca (maple-battered corndogs with mustard menu run $8 to $10 and include the Ameri- Madness is just around the corner!” shots based on what’s going on — March pics and intend to do di–erent themed tinue to o–er the shooters after the Olym - complement to the Olympics. We will con- addition to our bar program and a great Brack Shop Tavern tells with them,” bar director Sean Brown of the over with a tray of USA shots to celebrate gold, they broke out in cheers and I walked ing with such intensity. When he won the around a TV at the end of the bar watch- final run, there was a group of guests ing the Games every day through Feb. 25. darts, Pac-Man and N-64, the bar is screen- stairs vintage game room with Ping-Pong, sports all the time. In addition to the up- watch with a crowd. year, and we’ve got some fun places to pics, which earned her a bronze medal. triple axel in competition at the Olym- female American figure skater to nail the And Arcadia’s Mirai Nagasu was the first Olympic snowboarding at the age of 17. woman ever to bring home the gold for Beach make history as the youngest  G G  | | Appetizers on the Olympic-themed “The shooters menu has been a great “When Shaun White was making his The Winter Games are exciting this Brack Shop Tavern shooters. themed Olympic- Tavern offers Brack Shop Eats Squid Ink Squid // Chloe Kim from Long happening this weekend. with the final big events Korea, are winding down, in PyeongChang, South he 2018 Winter Olympics

We’ve already seen downtown is all

// L.A. L.A. Weekly.

petition, downtown; (213) 232-8657. num). All shooters are $5. de Caña rum, verjus and velvet faler and Nigeria’s Got a Bobsled Team (Flor brine, ginger and a scotch spray finish) BBQ (Well-Made vodka, radish pickle sweet vermouth and pear liquor), Korean scrub), the Euro Rail (apple jack brandy, Anchor Reyes liqueur and ka£r lime scrub), Viva La Raza (Cimarron tequila, USA (Evan Williams bourbon and honey is a competition among the USA USA contagious excitement, the shooter menu vide Jamaican jerk chicken wings). English cheddar) and the Jamaica (sous town; (323) 466-4860. (great match for the currywurst and fries). tap, like the Franziskaner Hefeweizen Blonde, there are traditional favorites on as Belching Beaver Peanut Butter Jelly tomatoes and katsu sauce. breaded pork loin, white cheddar, onions, crosses international lines with a fried ($14). The schnitzel katsu burger ($12) peas, sriracha, gravy scallion and egg fried rice made with sausage, sauerkraut, oom-pah-pah menu. There’s German pub and serving its unique east-meets– flatscreens mounted all over the gastro- is streaming the Winter Games on Westwood; (310) 659-3535 strawberry shortcake dessert inside ($16). — flaming cotton candy with a hidden Olympic theme song and shots. time. The shot show features sparklers, the tip the ski back to take shots all at the same to put shot glasses in. Guests line up and seafood tower platter ($25). served in crushed ice with a small silver with gold, silver and bronze sugar rim, ners Podium, a trio of lemon drop shots flatscreens, guests can sample the Win - cheering on the competitions on the “The STK Games” through Feb. 23. While celebrating with viewing parties dubbed Ave., (626) 445-4756. Restaurant in Arcadia, 921 S. Baldwin su’s family, they own Japanese Kiyosuzu For some healthy international com- Brack Shop Tavern, 525 W. Seventh St., To wash it all down and heighten the Biergarten, 206 N. Western Ave., Korea- In addition to such beers of the month STK at the W Hotel, 930 Hilgard Ave., Then there’s the Olympic Torch Dessert The “shotski” is a long ski that has holes Plus: STK intheWHotel If you want to congratulate Naga the Biergarten in Westwood is COURTE in Koreatown S Y BRACK S HOP TAVERN - - | | 21 LA WEEKLY // February 23 - March 1, 2018 // www.laweekly.com - SURVIVORS GUIDE TO PRISON GUIDE TO SURVIVORS Arena Cinelounge Sunset Cinelounge and on-demand Arena | Directed by Matthew Cooke | Gravitas Ventures Ventures | Gravitas Cooke Matthew by | Directed “It’s 99.9 percent boredom and 0.1 and boredom percent 99.9 “It’s from takeaway resounding The - resolu conflict think I “Fundamentally, Cooke’s to according decades, For Trejo, says worse,” much so gotten “It’s advocates Prison to Guide Survivors adds just film] [the that hope really “I falsely imprisoned for 16 years and only only and years 16 for imprisoned falsely murder L.A. South the of innocent found he after of convicted been originally he’d State Calipatria in man a kill did really “Kill- as inmates among (known Prison describe Lisker and he Both a-patria”). very cultures prison and enforcement law - com in portrayed those from di erent movies. and shows TV funded mercially … prison] [in terror absolute just percent bullets when on, going riot a there’s when tragic the “And says. Lisker flying,” are time it’s that is boredom the about part encouraged with occupied be could that education.” ongoing in participation American the that is Guide Survivors that policy public the and system, justice flawed fundamentally is it, underpins persisting practically, and ethically both model” “punishment simplistic a with improv at ine ective be to proven long safety. public ing the perhaps is it address we how and tion decision policy public important most policy,” public other all informs that system, prison so-called “Our says. Cooke hun- and hundreds that’s system a is this step next the was it — old years of dreds the … o head and hands our cutting after put we’ll ‘Oh, was, thinking of wave next cages.’«” in people be- has system justice U.S. the film, by compromised increasingly come has (which Drugs on War so-called the often with prisons and courts swamped state of closure the o enders); minor many (leaving hospitals psychiatric in languishing o enders ill mentally be to profits huge the and prisons); barely and prisons private from made labor. inmate paid for incarcerated repeatedly was who 73, the in o enses drug and robbery armed biggest the and prison at look “You 1960s. black; young is inmates] [of percentage and … Latino young is percentage biggest white.” poor U.S. the to reforms tangible very only not on emphasis fresh a — system justice the justice; restorative and rehabilitation enforcement law and judges of retraining specialized in investing accordingly; - psychologi with o enders for programs the addressing issues; addiction and cal foster that circumstances socioeconomic - fundamen a also but — behavior criminal attention requires that shift cultural tal our exercising in all us from action and policy. public on influence di erently thinking of river the to drop a - con Cooke resolution,” conflict about belligerent a be to going we “Are cludes. the continue to going we Are society? tooth’? a for tooth eye, an for ‘eye ancient and works what do to going we are Or our toward turning ultimately is what natures?” better - Survivors Survivors Survivors Survivors COURTESY GRAVITAS VENTURES GRAVITAS COURTESY “Probably 30 percent of the kids in kids the of percent 30 “Probably in o ered advice the of Some they and police the encounter you “If includes also Prison to Guide Survivors The emotional impact of impact emotional The ’s impassioned interviews with interviews impassioned ’s Guide - investi analysts, cops, lawyers, inmates, crime of relatives and journalists gative eye- of barrage a by bolstered is victims Americans million 13 statistics: opening - Ameri million 2.2 year; every arrested percent 50 incarcerated; currently cans mental having Americans locked-up of is alone track audio film’s The issues. harrowing. spectrum the on they’re hall, juvenile don’t we And autism. of somewhere as ’em see just we — them understand attributes who Trejo, says kids,” bad - so to criminality of cycle his breaking 12-step prison a through achieved briety the to get they when “Then, program. kids the of percent 60 like, … penitentiary were they when kids needs special were school.” high junior in police toward respectful being — Guide — arrest upon up” “lawyering o†cers, American most to news old be might the — insights also are there But adults. bargains; plea of perils and prevalence jailhouse of scourge widespread the eyewitness of fallibility the informants; - life-chang prove could that — testimony or arrested yourself find you should ing, incarcerated. words few a have to want just ‘We say, B.S.!” it’s — it believe don’t … you’ with 26 than more endured who Lisker, says being after prisons California in years murder 1983 the of convicted wrongly the “In Oaks. Sherman in mother his of o†- police [for legal it’s States, United interview ... when person a to lie to cers] them.” ing was who Cole, Reggie from testimony designed nor optimal for achieving the achieving for optimal nor designed it that or for, out set was it that objective have.” to claims - -

. “And “And . Prison to Guide Survivors “It’s a messed-up system,” laments laments system,” messed-up a “It’s achieve to there not is system “The Written and directed by L.A. filmmaker filmmaker L.A. by directed and Written system overly focused on punishment punishment on focused overly system wherein rehabilitation, than rather and ill mentally poor, the color, of people - disadvan distinct a at are drug-addicted attorneys district and cops With tage. convictions, secure to pressure under finding are also Americans innocent lawyer rights civil — caged themselves - documen the in says Alexander Michelle prisoners U.S. of percent 15 to up that tary innocent. be could wrongly of array an of one Lisker, Bruce fea inmates California former convicted much Visually, life. prison U.S. and rested inmates jumpsuited familiar: is film the of prison yards; exercise around traipsing cameras; security on captured violence dramatic of footage smartphone chaotic viral. went already which of some arrests, neither is “[It] asserts. Cooke justice,” tured in tured of Department the of head new the with - back as he’s — Sessions [Je ] Justice, criminal on been ever anybody’s as ward issues.” justice Money Make to (How Cooke Matthew produced executive and Drugs), Selling Sarandon, Susan actress-activist by a presents Prison to Guide Survivors heads talking of stream edited restlessly record Rhymes, Busta rapper including — - Cyn actress Jones, Quincy producer Deepak author age new and Nixon thia often stock, with interspersed — Chopra ar being Americans of footage shocking

- You can’t can’t You Survivors Survivors

// Survivors Guide to Guide Survivors Survivors Guide to Prison to Guide Survivors tatistically, you’re more more you’re tatistically, prison in up end to likely almost than America in world the in else anywhere has Seychelles tiny the (only rate). incarceration higher a spending odds, these Given

Survivors Guide Survivors documentary Cooke’s Matthew provides a real, hard look at prison hard a real, provides

Survivors Guide to Prison

Culture The bigger picture painted by the film the by painted picture bigger The “Prison is the only place in the world the in place only the is “Prison Set for release on Feb. 23, 23, Feb. on release for Set

RS ROGE BY PAUL

| ON THE INSIDE ON THE is that of a stubbornly antiquated justice antiquated stubbornly a of that is — I don’t care who you are.” you who care don’t I — it handle in and co-produced co-produced and in this. handle can I well, that, ous penitentiaries and both appears appears both and penitentiaries ous thinking die people seen “I’ve . Prison - notori most California’s of some in time insists actor Danny Trejo, who served served who Trejo, Danny actor insists and violated”) and prison. prison. and violated”) and prey,” or predator be either will you where prepared to be completely humiliated humiliated completely be to prepared without an attorney”), to county jail (“Be jail county to attorney”), an without engage”) and interrogation (“Never talk (“Never interrogation and engage”) police o†cer” (“Always be polite … never never … polite be (“Always o†cer” police ing everything from “an out-of-control out-of-control “an from everything ing experts and former inmates on surviv on inmates former and experts in o ering advice from criminal justice justice criminal from advice o ering in At the micro level, it’s true to its name name its to true it’s level, micro the At the stories of former California prisoners. prisoners. California former of stories the U.S. criminal justice system, focusing on focusing system, justice criminal U.S. behind bars. behind the of exploration stats-studded and rity- could quite literally save you from years years from you save literally quite could - celeb two-tiered a o ers Prison to Guide documentary documentary 102 minutes watching the sobering new new sobering the watching minutes 102

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25 , 2018 - - - - PHOTO BY ED KRIEGER BY PHOTO (818) 765-8732 | interactla.org 765-8732 (818) Woman Friesen Friesen is outstanding as an obstreper | The Shakespeare Center of Los Ange- of Los Center NICE FISH | The Shakespeare les, 1238 W. First St., downtown | Through March 25 March | Through St., downtown First les, 1238 W. Jenkins’ point is that the meaning of life can life of meaning the that is point Jenkins’ which — commonplace the in uncovered be all. after commonplace so be to not out turns Bartoletti’s mise-en-scène, enhanced with Carol Doehring’s artful lighting and Mar superb design sound (howlingtin Carillo’s with poems the furnishes winds!), and wolves its at nature invoking framework, dazzling a terrifying. and beautiful most ous elderly fisherman. Fischer’s flawlessly production’s the is performance understated while as the anchor, Ron, gawky fur Heins char his though foil, funny and apt an nishes developed. fully more be might acter may be provided upon completion$350.00may Protocol ERC-242 concerned about low libido? Are you a If so, you could be eligible to participate in a clinical trial to evaluate If so, you could be eligible to participate in a clinical trial to evaluate an investigational medication consisting of a daily intravaginal tests at each will have to undergo different You insert for 28 weeks. visit and complete various questionnaires throughout the study. be eligible, you must: To Poster and/or newspaper announcement template Poster and/or newspaper announcement A financialA compensation up to of the study. communicate please For more information or to see if you qualify, with CalNeuro Research Group at 310-208-7144. This trial is sponsored by EndoceuticsTM and has been reviewed by an independent Ethics Committee. 1. Be a postmenopausal woman aged between 40 and 80 years; 2. Meet the other criteria of the clinical study. Postmenopausal Postmenopausal ERC-242 Poster and/or newspaper announcement 26Sep2017 Nice Fish Rick Friesen, left, Friesen, Rick in Fischer Don and Eventually, other characters show up — a show characters other Eventually, - whim overly the border pieces few a While cherished memories and broken hearts. broken and memories cherished whose Simpkins) (Tamika inspector fishing side- are documentation proper for demands splittingly Ka™aesque, and crotchety old- timer (Rick Wayne Friesen), accompanied Egermeier), (Kristen granddaughter his by universe. the about cents two their with each admonishment to (Wayne’s a piece of fish bait to do what’s expected of it is a comic highlight.) There are puppets (by Stevie Anne Nemazee), including a wistful lady puppet of whom Ron becomes enamored, and a brightly lit neon palm tree (props by lake. the on appears that Babb) Eric sical, they are outnumbered by the clever in. you draw that ones ironic or poignant or www.brstrials.com [email protected] Wanted: Call TODAY at Call TODAY for 16 week study. for • Males/Females • Ages 18-65 no cost to you • Supplements at no cost to you at • Medical exam Nuys, CA • Van • Financial Compensation participation for Weight Loss Program Study Loss Program Weight 818.256.1697 The play The is play structured as a series of brief Erik’s ruminations may be as prosaic as Overweight volunteers Overweight dramatically and comically engaging. comically and dramatically scenes that transpire on Evan Bartoletti’s fronting landscape glacial a — set impressive an icy blue backdrop with a chilly distant friends old are outing fishing a On horizon. Erik (Don Fischer) and Ron (Barry Heins). is Erik anything, catch to yet has he Though a serious would-be thewhereas fisherman, keeping just there much pretty is Ron goofy him Ron company. unwittingly sabotages Erik’s e–orts with beer cans tossed down scares music that loud and hole fishing the fish. the away his search for a missing watch or as comic as spending a heartwarming evening with turn who out to relatives long-lost Swedish sad be may they Or all. at relatives his not be and deep, spurred by a fleeting childhood memory that conjures the ofevanescence life. The less reflective Ron tends to - remi he foods and known he’s women about nisce chomped sandwich bologna a — kid a as ate through hole round a make to middle the in which one can peer — but he too touches on existential themes with descriptions of well-tended empty places, a metaphor for

Nice Fish Nice

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- - Ingrid Ingrid Black Black Game Night Game shit shit Snowpiercer , possessed possessed Pitch, Warner Bros. | Citywide Bros. Warner Jonathan Goldstein | Written by Mark Perez Mark Perez by | Written Jonathan Goldstein - direc the air-tightand is script The treasure. national a is Plemons Jesse abandon with dumb plays Magnussen lines. uproarious get actors bit Even recently most Bunbury, knew who And as rambunctious and ribald as But | Directed by John Francis Daley and Daley John Francis by GAME NIGHT | Directed pher Barry Peterson, shoot it all with an an with all it shoot Peterson, Barry pher e—ects its and space of awareness acute starts shot One comedy. physical on through in looking house, the outside sitting calmly group the at windows the the track we before room, living the in room after room through kidnappers the toward Brooks bum-rush they as the punches throwing three all kitchen, some That’s way. entire there. right - performanc the it’s but impeccable, tion prize. grand the win that es awkward socially a Gary, plays he Here, per who’s stare dead-eyed a with cop ex- an of “angel” his mourning petually Annie, and Max to neighbor a Gary, wife. least, (at invitee game-night former a is get to wants desperately who was) ex his a stroking He’s list. friend the on back him, see first we when dog white flu—y interrogating and mail his checking bags three the about Annie and Max and bags shopping their in Tostitos of just they as if, them buy would they why a having not were they him, to insisted Tostitos,” “Three-for-one night. game reserve, unnerving With covers. Max be that would “How responds, Gary Company?” Frito-Lay the for good captivating Monroe, Marilyn boy a like curiosity. and guilelessness his with very one in co-starred just also (He of episode funny but unsettling as turn his After Plemons.) with Mirror year’s last in bro psychopathic a might Magnussen feared I , West Goes his now but villain, a as pigeonholed get - com imbecilic for bound seem talents thing. good very a is which — edy - profes and calm Annie’s and Max As doctor, fertility hot-to-trot but sional When gift. deadpan a is Chen Camille brother’s his that her to admits Max win to zeal and prowess masculine - procre to stress much too Max causes says, and concern with nods she ate, single?” he is “And now-canceled Fox’s of play Morris and She gene? comedy the who sweethearts childhood charming one-night a over bickering into devolve when had character Bunbury’s stand decade a than more break a on were they earlier. and script Perez’s gets, Night Game place a from comes comedy its of much isn’t crew This spite. than rather love of - support they’re other, each zinging just don’t laughs the and another, one ing sequitur. non or crudeness lazy on rely jokes, the — all it has film this yes, So, acting. intrigue, action, the - gun multiple with — fun clean good, is unfortunate very one and wounds shot murder. airplane-engine tion design is safe. Directors Daley and and Daley Directors safe. is design tion cinematogra with working Goldstein, NC. ’S IT NTERTAINMENT I NTERTAINMENT T LEMONS LEMONS HE GRAND ION IS T AND IONAL © 2017 WARNER BROS. E BROS. © 2017 WARNER T WIN T IGHT T T HE DIREC HE PERFORMANCES HE PERFORMANCES HA REASURE. THE SCRIPT AIR T IMPECCABLE, BU IMPECCABLE, T T PRIZE. JESSE P PRIZE. JESSE IS A NA T Steven Ritzi, traverses the entire house house entire the traverses Ritzi, Steven pans, cast-iron guns, incorporates and door, refrigerator a island, kitchen a knives, table, co—ee a bags, plastic - produc of piece or prop no — chairs bad guys brawl for five long minutes minutes long five for brawl guys bad we’d choreography stunt with packed Liam by performed seeing be usually vessel. moving a on stand-in Neeson’s stuntman by coordinated brawl, The Brooks (Kyle Chandler), Max’s equally equally Max’s Chandler), (Kyle Brooks in clad guys bad few a is, problem The Magnussen), (Billy Ryan Annie, Max, - competi shared a case, this in and, jokes they game single every win to desire tive Bateman between chemistry The play. scene every in explodes McAdams and the over when, stronger grows only and dangerous and long very one of course in up caught get characters their night, conspiracy. a brother, venture-capitalist competitive Max’s driving night game to up shows - Sting cherry-red a — car dream literal out strode just he like looks Brooks ray. and Pomp” “Casual called catalog a of of evening usual the up shake to wants - ex some with charades and Pictionary where game a — roleplay kidnap pensive - ac paid by abducted be will person one to compete to have will rest the and tors, abductee. the rescue and clues follow the into break guns wielding and black first. Brooks after go and house (Lamorne Kevin Horgan), (Sharon Sarah Bunbury) (Kylie Michelle and Morris) this thinking — bemusement with watch the and Brooks as — show the of part is L FUNNY A

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Film Film Imagine the endless twists and turns turns and twists endless the Imagine

BY APRIL WOLFE BY APRIL | thriving relationship, with quirky inside inside quirky with relationship, thriving dialogue for them rings true of a real, real, a of true rings them for dialogue I mean “perfect” in the sense that Perez’s Perez’s that sense the in “perfect” mean I play perfect couple Max and Annie, and and Annie, and Max couple perfect play Jason Bateman and Rachel McAdams McAdams Rachel and Bateman Jason maybe-not? film film maybe-not? hilarious. it’s also, and — buds best rich-man-gets-kidnapped-for-fun-but- victim’s kidnap the of view of point the Edgar Wright/Simon Pegg team? Pegg Wright/Simon Edgar Fincher’s David of double-crossing and an American counterpart to Britain’s Britain’s to counterpart American an for broke with style. Do we finally have have finally we Do style. with broke for tense action sequences, and even goes goes even and sequences, action tense all-star ensemble, delivers genuinely genuinely delivers ensemble, all-star gives killer lines to every member of its its of member every to lines killer gives wastes not a single second of dialogue, dialogue, of second single a not wastes Francis Daley and Jonathan Goldstein, Goldstein, Jonathan and Daley Francis

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Line.” he finally got down “I Walk the Phoenix’s Johnny Cash did when with the same certainty Joaquin Krieps) reading aloud, glowing and wives and lovers (Hannah Steele paper, Marx and Engels and their pens and script, sheaves of sequence of creators creating: treated to a crisp montage Marx’s fire is kindled, and we’re manifesto!” declares, “We need a have not done enough. Then he that their earlier collaborations up,” Engels says. He mentions that comprehensively sums it we don’t write a simple book — will have been to no avail if work — books, articles, talks so very tired. him. “Rise up! Wake up!” “We’re winning!” Engels exhorts told just yet what work this is. writing dictate that we can’t be rules of payoƒ-oriented screen- have committed themselves. The project to which he and Engels can’t stir himself to take on some broke and tired. Marx insists he a gray Belgian beach. Both are Konarske) argue handsomely on and handsome Engels (Stefan handsome Marx (August Diehl) subject’s signature single. Here, build to the composition of their life-of-the-pop-musician biopic the same way the creators of a break the old world pretty much drafting of the work that would Y P K | BY ALA The Young Karl Marx Karl Young The as Diehl August The Young Karl Marx, directed And with that, of course, “You know as I do that, all this Marx demurs that he is tired — Film LOOK DASHINGLY ROMANTIC THE YOUNG MARXMAKES KARL MANIFESTO WRITING Phantom Thread’s Vicky N SCHERS //

build to the makers would why the film- unfolds, just Karl Marx as ou may wonder, The Young communist communist TUHL with characters often announc- are sketched just as laboriously, And their exterior circumstances ting bolt upright and panting. from which one awakes by sit- means, including the nightmare depicted via the most hoary of Dickens villain. ket,” a line too bald for a Charles price ourselves out of the mar well that without child labor we’d dope responds, “You know very cesses of capitalism, the wealthy means about the horrific ex - When one confronts a man of Beatles in cut and scored as if they’re The of Paris by police in a sequence get chased through the streets moviemaking. Our heroes here great-men Hollywood-style period-dress, let-us-celebrate- manipulations of prestigious wholly uncritical of the cornball on capital and property but also entertain a fire-breathing assault moviegoers, viewers eager to guileless but revolution-curious at some phantom audience of Karl Marx not at Marxists but it up. He’s pitched film that comprehensively sums clue to Peck’s thinking: sight detest each other!). cops, Marx and Engels at first all rom-com couples and buddy you would expect them to (like character arcs that bend just as approve of his son’s radicalism!), factory-owning father does not that come oƒ the rack (the on fire with the truth!), conflicts seen (impassioned young people an assemblage of scenes you’ve interchangeable parts. Here’s back to Eli Whitney’s theory of but in its construction it harks ment of communist theory, Its story concerns the develop- Negro), is about writing the hits. by Raoul Peck (I Am Not Your The leads’ inner lives are That speech of Engels’ oƒers a The Young Karl Marx. COURTESY The Young a simple T HE O RCHARD - not what’s inside. all over — good at exteriors but But that’s alleyways and stringy black ties. period look, all cobblestones and ety’s core. Also convincing: the — the rottenness at their soci- loud — sometimes competitively persuade, when diagnosing out public selves, when seeking to embodying Marx’s and Engels’ mise. His actors fare best when reasonableness and compro- establishment insisting upon revolutionary action and a leftist tween young people demanding depiction of the struggle be- there’s an urgency to Peck’s ness of its scripting and staging, airing, and for all the obvious- rouse, the truths still demand and its power. The speeches here gro documentary extraordinary James Baldwin houses too vague to resonate. extras, their factories and work- crowd scenes. The proletariat are only caught a glimpse of them in ing about these people – we’ve are striking, but we know noth- bluntly at the camera. The faces the film posing in profile, staring of the workers they have met in their greatest hit, we see footage our rakish dreamers bash out Karl Marx. At the climax, when romantic it might be to be young itself rather than how dashingly was with the class struggle concern, moment to moment, personality-driven, if its primary more persuasive if it were not so the academy. His film might be pling that long ago occurred in of the 20th century — a decou- ated by the communist regimes work from the terrors perpetu- tion of Marx, a decoupling of his be to start a popular reconsidera aesthete, and his aim seems to to life. Peck is more activist than teresting without quite jolting it That frisson keeps the movie in- of radical thinkers and thoughts. tive techniques to the portrayal most conventional and conserva in the audacity of applying the own top hat. pages and tossing them into his crumpling up unsatisfactory laboring to create — finds Engels sequence — this one of creators my witness, another montage cated,” he says. And as God is Facebook-y shrug: “Compli- dismisses the question with a if he’s in a romantic relationship, as when Engels, asked by Marx times it’s unintentionally comic, they’ve lately been up to. Some- ing, for our benefit, all that THE YOUNG |Directed MARX KARL by Raoul Peck |Written by Pascal Bonitzer Still, as demonstrated with his There’s something dazzling , Peck understands rhetoric and Peck |TheOrchard |Royal The Young Karl Marx I Am Not Your Ne-

- - | | LA WEEKLY // February 23 - March 1, 2018 // www.laweekly.com 29 Sophie Brooks makes an ambitiousmakes is yet another post- another The Cured is yet

doesn’t try to reinvent the romantic com- romantic the try reinvent to doesn’t Downstairs takes just edy, she The Boy with Brooklyn, spin around it out for a little would-be artists gawky her stumble where first feature writer-director’s The love. into and maddeningly affectionate is warmly with half-formed characters, limpvague, captivating of and performances plotting as Mamet Zosia especially from delicacy, Diana uncertainty. by guided a novelist with future about her is hesitant (Mamet) off their and breaks Shear) Ben (Matthew overseas. moving before relationship and Diana returns years later, Three He’s building. Ben’s into moves unwittingly up!” “Woman see her. to overjoyed not landlady (Deirdre maternal advises her best-drawn Brooks’ O’Connell), one of comes offcharacters (who still as a rough - prob Mrs. of outline of Instead Madrigal). discomfort, introduces Brooks Diana’s ing key flashbacks, so that of track a parallel with Ben relationship past moments in her reconciliation. halting their run alongside visually distinct, and timelines aren’t The from maturation of evidence little there’s aimless- eager 20s. Their mid early to their become melancholicness has merely in Brooks’ missing confusion. What’s fizz and rom-com is the approach gentle zingers with comic and that wound pop, such as Her humor is all setup, enlighten. as her costumed seemingly Mamet having (roundplaywright for Halloween father glasses, black turtleneck and coat, jeans, joke’s out the and leaving sneakers), white com- love, Like punchline (a beret). cutting overprotective edy is painful, and being impact.dulls the (Serena Donadoni) attempt at being a zombie movie where a zombie movie where at being attempt misunderstood more zombies are the David than villainous. Irish writer-director does portray tortured souls these Freyne the than light sympathetic in a far more non-carrier humans, who act vicious and virus a because of not foam-mouthed assholes. ignorant but because they’re in some allegorical and throws He even ex-killerssociopolitical elements, as these form an IRA-esque rebellion, eventually a pal of creep vengeful Senan’s led by and start terrorizing Vaughan-Lawlor) (Tom factors these Unfortunately, people again. jumbled, end, as the coalesce in the fail to implosion. a messy manic finale builds to go- Page does include climax the But, hey, and popping big-bad-mama mode into ing caps in zombies’ asses. So, though even at being excel quite The Cured doesn’t at and thought-provoking, terrifying both apocalyptic thriller from the British Isles the from thriller apocalyptic spin on zombies. put a fresh to looking And it does that — for a while. Set in a movie the Ireland, damn-near-desolate follows Senan a tormented, (Sam Keeley), Maze Virus, the carrier of formerly infected violent crazed, which turns people into formerly a cure, to cannibals. Thanks society. back into slide to folk get rabid Of course, non-carriers the of many salty of about that whole kind still are Senan thing. homicidal-rampage gets his American-born sister-in-law in by taken mom whose hus- a single Page), (Ellen his first one of — was band — his brother Cured Indeed, kills. THE CURED THE BOY DOWNSTAIRS THE BOY - - - - - contem a few away Take isn’t built upon Not Cats isn’t Are We The makers of the compelling the of makers The tious presence and democratic ideals by ideals and democratic tious presence recordings and video photos emphasizing too than leaning rather Beuys at work of interviews with much on contextualizing Beuys experts whommodern-day (all of titles, name only — not by identified are Writer- associations or credentials). primar to decision Veiel’s Andres director documentary Beuys ef- study character German Cold War–era convey fectively performance artist Beuys’ infec Joseph interviewees present-day ily represent viewersas disembodied voices gives dream Beuys’ lifelong interpret to freedom art force as an egalitarian repositioning of sociopolitical consciousness. for greater a choose- of film becomes something The your Cover your-own-art-history-adventure: Beuys act outears and focus on watching a Me,” America, and America Likes “I Like tames a coyote he where installation 1974 or pretend and a stick, with a blanket and an art taking gallery audio tour, you’re authoritative Tisdall’s in Caroline lost get Beuys’ piece as a critique of of reading considered and what he Andy Warhol scene. New York’s of toothlessness the hall also can use Beuys’ lecture Viewers and/ appearances conference and press - evalu critical analysis to or posthumous personality mercurial artist’s how the ate and controver ideals informed his utopian open- refreshingly Veiel’s sial reputation. find your you to invites approach ended (Simon Abrams) own answers. Are We Not Cats could poraryWe and Are markers, cinema. Xander No Wave of relic be a droll punk of aesthetics the incorporates Robin his into as its insouciant nihilism as well rooted romance a fantastical first feature, and cin- Robin behavior. in compulsive Clegg balance on-the- Matt ematographer reality, with a heightened fly naturalism encounters ordinary with dryinfusing wit much take verve. It doesn’t and absurdist Nicholson) (Michael Patrick Eli untether to floats upstate he life; his hapless NYC from Anya isolation. Vibrant rural snowy, to neon out like who stands Lopez), (Chelsea plaid amid pragmatic Johnson Betsey his draws duck, immediately and cotton their by reinforced an attraction interest, pull to urge irresistible habit: the shared eat. then — which they own hair out their stress, by seems triggered nibbling Eli’s and risks a gorge has begun to while Anya condition (trichophagia). intestinal deadly his has expanded Robin Writer-director 2013 short Nicholson) into (also starring storya misfit love that goes beyond shock is trichotillomania and Eli’s Anya value. loneliness their and up with wrapped disconnec an emotional despondency, tion so profound that they’ve retreated retreated that they’ve tion so profound in and find sustenance bodies their into self-harm. the gore; or expressive dread sustained of promise as the is internalized horror jolts uses well-timed Robin impossibility. his awaken to moments and gross-out to solitary stupor, their characters from that their acknowledging into shock them - pro soul’s the confined to isn’t existence (Serena shell. Donadoni) tective OPENING THIS WEEK THIS OPENING BEUYS ARE WE NOT CATS NOT WE ARE

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Balthazar comesin.Director Robert Bresson’s is exactly the sort Half Magicisexactly the sort WEEKL . e former is a medieval fairy taleteem. e formerisamedieval- fairy Y MOVIE TO-DO L and Balthazar Basket Case,aboutaman - IS SURVIVORS GUIDETO PRISON T Cooke’s prove PSA sensationalistic com- the of three writer-director parts Matthew manizing penalsystem. Thankfully, twoof to beaboutAmerica’s corrupt anddehu- filmsthatallhappen trioofsembled short to often suggests Prison acarelessly as- Guide but compelling activist docSurvivors power. (Craig D. Lindsey) hitting withsomelong-overdue viewers girl at time. ButHalfMagiconlyhalf-succeeds her, sothiscouldn’t have comeatabetter Weinstein Harvey es whosaid harassed member, she’s oneof the oodles of actress- alpha maleswho’ve doneher wrong —re basically afuck-you to allthe Hollywood ture. It’s interesting to seeher offerwhat’s characters withthe broad strokes of carica- and loopy, asGraham paintsmost of her that sounds,the movieisoften too loose they don’t better. deserve promising As as neurotic, self-loathing failures who believe at howwomencanbemade to feel like has itssights set onbeing ascrewball look exterior drone shots of the city),HalfMagic (it’s inL.A. Set ment. withtiresome, filled their dreams andsome goodol’content hope willlandthem great sex, the menof ing candlesandcasting thatthey spells on dickish dudes. They findsolaceinlight Beatriz)whoalsoareStephanie hung up ’sOffice Angela Kinsey, Brooklyn’s Nine-Nine a friendshipwithtwoother ladies(The

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478-3836, laemmle.com. u.,Mar. Hollywood, Blvd., North 1,7:30p.m.; $12.(310) attheonly NoHo. See/Hear —presents thisneo-classicforonenight withEat/ series—ajointeort rowback ursday of afirst-grade teacher (OliviaWilliams). Laemmle’s aire hangdogMurray) Bill the wonderfully for love (a inhisscreen debut)Schwartzman, andaglummillion- of between arivalry aprep schoolaesthete (Jason bold visualstyle brings humorandpathosto the story Anderson’sthe auteur asastar inthe indiefirmament. established of eccentricsandacidicwit, assortment Wes Anderson’s Rushmore sophomore, withits eort, ursday, March 1 Feb. 27, 1p.m.; $4.(323)857-6000, lacma.org. Award. never dull,the Forman filmearned hissecondAcademy Abraham inanOscar-winning performance).Long but by F. (played wryly composer Antonio Salieri Murray sical-drama asataleof revenge told by enviouscourt from the play by Peter Shaer, the filmframes thismu- yet ravishing Extracted pseudo-biography of Mozart. maker MilosForman withAmadeus,the director’s ribald LACMA wraps upitsmonthlong tribute to Czechfilm- Tuesday, Feb. 27 466-3456, americancinemathequecalendar.com. Ave., Monica;Sun.,Feb. Santa 25,7:30p.m.; $12.(323) became Ghibli’s trademark. Aero eatre, 1328Montana demonstrate the range and imagination that quickly Basket Case Basket LACMA, 5905WilshireBlvd., Mid-Wilshire;LACMA, Tue., The messy - - - Laemmle NoHo, 5420 Lankershim —Nathaniel Bell fectively piss you off. Abrams) (Simon work of socialcommentary, butitwillef- Guidemay not beapolished Survivors proverbial all viewers’ buttons at once. to forgive to push himforseemingly trying patients’ highdeath rates —thatit’s easy cially inatangential aside onmentallyill suasively appalling information—espe Thankfully, Cooke crams inso muchper them unlessyouhave alawyer present].” andnever engage [with a policeofficer], tips,suchas,“Alwayssurvival bepolite [to and Deepak Chopra —to recite FAQ-style celebrity —including Jones Quincy experts whenever he forces aneclecticgroup of are distracting comings asastoryteller and reduced sentences. Cooke’s short in exchange for(never-delivered) leniency sured them to forfeit their right to atrial repeatedlycops, judges andlawyers pres- fully convicted because andimprisoned Bruce Lisker andReggie Cole,both wrong- the system isbroken; andacasestudy of about whogoesto jailinAmericaandhow breakdown, viastatistics andanecdotes, two other competing throughlines: a gracelessly introduces andinterweaves incarcerated. Butthen Cooke somewhat if you’re arrested, detained, convicted and deliver astep-by-step primeronwhatto do subject Danny Trejo, initiallypromises to read by producer/on-camera interview pelling. Cooke, speaking through ascript - - - | | 31 LA WEEKLY // February 23 - March 1, 2018 // www.laweekly.com - 7 p.m. | celebratingdavidbowie.com | The Wiltern, | The Wiltern, BOWIE DAVID CELEBRATING album, with its red red its with album, Sane Aladdin songs at the Wiltern. He notes notes He Wiltern. the at songs Sane 3790 Wilshire Blvd., Koreatown | Wed., Feb. 28, 28, Feb. | Wed., Koreatown Blvd., 3790 Wilshire The The - his past my in did I that “Everything surely will Garson director, musical As Sadly, we never got to see Bowie do Bowie see to got never we Sadly, forever, guests have to is goal “My and strength inner of lot a had “David - stud and saxophone played who Bowie, kid. a as jazz ied has headshot, makeup bolt blue and iconogra mainstream of part become culture pop beautiful yet strange a phy, and know non-fans even that symbol an conveyed itself record The appreciate. to due largely well, as mood otherworldly - classi incorporating influence, Garson’s elements. avant-garde and jazz cal, Grinning ‘Lady played I there. in is tory and Chopin of influence the with Soul’ style the in ‘Time’ played I Rachmanino—. 1920s, the from piano barrelhouse of the played I piano. swing called we which bizarre dissonant, most the in song title Taylor Cecil like people by inspired way, Stravinsky.” and play so is track title the in solo piano the that same the it played never he’s complex, for number meaningful a It’s twice. way point high a be to sure and pianist the big a course, of are, hits The show. the of for but too, Bowie,” “Celebrating of part - connec his of depth the honoring Garson tion with the icon means digging a little little a digging means icon the with tion compositions lesser-known into deeper stu—. latter-era and last During onstage. material Blackstar show, Bowie David Celebrating year’s and appearance surprise a made Sting track title the of version stunning a sang says Garson year, This “Lazarus.” and and store, in are guests surprise more show’s the of some announced has he (Sting’s Sumner Joe including players, Rolling Wood, Rachel Evan actress son), Fowler Bernard singer backup Stones Moreno. Gaby singer Guatemalan and - Vis Tony collaborator Bowie Though Holy called show, Bowie own his did conti says Garson Wiltern, the at also Holy, the between competition no was there be Visconti have to hopes he and events day one Bowie David Celebrating of part well. as have I but there, be to wants whoever pianist, the says singers,” great find to everyone together bring to plans who been or Bowie with played ever who’s come, to years for him by influenced He event. annual an show the making record to planning he’s that reveals also - su with road, the down album tribute a Simon Duran’s Duran including perstars Smith Robert Cure’s The and LeBon interest. expressing already and zone comfort his of out go to courage - cast ultimate the was He rules. the break plans his marvels, Garson director,” ing consuming clearly spirit this manifest to did it as just creativity his sparking and to me want wouldn’t “He ago. decades want he’d it; do to used we way the it do he’d but music, the to respectful be to me because envelope, the stretch to me want for.“ stood he what that’s E’D PHOTO BY LEVAN TK LEVAN BY PHOTO

IE AT’S W BO E STOOD FOR.” E STOOD H AT E ENVELOPE, E ENVELOPE, E MUSIC, BUT H BUT E MUSIC, H STRETC ME TO WANT TH TH BECAUSE WH GARSONMIKE D ON DAVI “HE’D WANT ME TO ME TO “HE’D WANT TO BE RESPECTFUL TH “When I first met David, I thought, this thought, I David, met first I “When style in opposites were they Though and see these three guys dressed like, oh like, dressed guys three these see and - audi first his of recalls Garson God,” my Bowie. of heard even had he before tion, hair, red one guys, three these “There’s their to up boots black, one and silver one this Then jeans. in I’m ... stockings knees, piano the to over me calls guy handsome me shows He Ronson. Mick is name his — ‘Play says, and ‘Changes’ for music the says, he and seconds seven for play I this!’ gig!’§” the got ‘Ya soon I “But admits. he weird,” looks guy I genius. fuckin’ a was he that realized And man. Renaissance a was he realized Davis Miles the he’s thought, I away right I knew I when That’s world. rock the of this.” do could his was it said Garson upbringing, and with him bonded that background jazz Celebrating David Bowie was born last last born Bowie was David Celebrating boss former his for reverence Garson’s an become has Bowie died, he Since to Brooklyn in house my from drive “I long period apart after that, but the musi- the but that, after apart period long continued and 1990s the in reunited cians stage last Bowie’s until together work to 2014. in appearance the after shows of series one-o— a as year many so said Garson but died, Starman that afterward him to out reached people an did also He going. it keep to had he of couple a U.K. the in tour Sane Aladdin album classic the featuring ago, months track. by track played the over even palpable is collaborator and and recollections joyful his and phone, listen to Bowie-fan-bliss are reflections a Bowie with time his about book A to. updated being currently is ago years few - me some Though year. next rerelease for story new a on focus to chose outlets dia telling psychic a about it, in shares he he says Garson die, would he when Bowie considering share to relevant it felt only about undertones auguring ’s Blackstar death. impending star’s the god. rock true a creature, mystical almost and anything of enough get can’t Fans Garson’s so Bowie-related, everything second the better do will surely book an be will there Hopefully around. time hearing because too, version audiobook in experiences, his about talk Garson particularly is accent, Brooklyn gru— his a as started he since especially riveting, the with unfamiliar water, of out fish true roll. & rock 1970s of ways wild in walk I and City, York New in studio the - - hen David David hen on died Bowie 2016 10, Jan. days (two 69th his after his birthday), pia longtime era. There was a was There era.

// show performs

tour in the in tour Stardust Ziggy Celebrating

Wiltern. Bowie

Garson

2017’s the Young Americans Americans Young

Mike Garson plans to keep Celebrating David Bowie for a very long time long a very for Bowie David Celebrating keep to plans Garson Mike

Mike at David at

Music Garson should know. He’s considered considered He’s know. should Garson “Basically I just made this commitment commitment this made just I “Basically BY LINA LECARO | to the the to Bowie’s recordings all the way through through way the all recordings Bowie’s and experimental songcraft informed informed songcraft experimental and experience and knowledge of both classic classic both of knowledge and experience and then moved into the studio, where his where studio, the into moved then and it lasted the entirety of the historic tour tour historic the of entirety the lasted it reason to think it’d be a long-term gig, but gig, long-term a be it’d think to reason an eight-week contract and he had no had he and contract eight-week an to play on the the on play to was It quickly. learned he but 1972, of fall much less glam rock, when he was hired hired was he when rock, glam less much sounds, too. He wasn’t versed in rock, rock, in versed wasn’t He too. sounds, rock but jazz, classical and avant-garde avant-garde and classical jazz, but rock with a background that includes not just not includes that background a with Bacharach.” music, in pianists gifted most the of one George Gershwin or Cole Porter or Burt or Porter Cole or Gershwin George “I love this guy’s music; it’s as great as great as it’s music; guy’s this love “I departed icon’s former bandmates play bandmates former icon’s departed 28). Feb. on Wiltern the (at works his ing David Bowie, the 27-city tour with the with tour 27-city the Bowie, David currently traveling with Celebrating Celebrating with traveling currently music,” Garson tells me by phone. He’s He’s phone. by me tells Garson music,” cal output moving forward would be his be would forward moving output cal just once but for the rest of his life. his of rest the for but once just musi- my of percent 50 that myself to He knew he needed to pay homage, not homage, pay to needed he knew He was heartbroken like the rest of the world. the of rest the like heartbroken was nist, Calabasas resident Mike Garson, Mike resident Calabasas nist,

KEEPING BOWIE ALIVE BOWIE KEEPING

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www.laweekly.com // February 23 - March 1, 2018 // LA WEEKLY |

F ORNETTE SET JAZZ FREE JAZZ SET ORNETTE about an emotional texture than a proper proper a than texture emotional an about peals in the sax solo became more and more and squawksabstract where point the was come oŸ, it is a shaking experience)…” This these (when run human-voice blistering a Yorker, “interrupt himself furiously, sail into in Balliett Whitneyway,” wrote simple disarmingly a in theme a state will late ’50s who “got” him instantly: “Coleman the ears of 1955. He simply would not budge. for weird and“out” atonal, too wassoloing by age 25, Coleman’s improvised saxophone sicians was massive.” Why was this? Because “The rejection of Ornette by Los Angeles mu- As Coleman biographer John Litweiler put it: Malamo. Many musicians hated his playing. the California Club, the Hillcrest Club, Club mid-’50s: the in L.A. dotted that clubs jazz his hand sitting in with other players, in the tried he breakthrough, his Before town. in an elevator operator and at other cheap jobs touring with a Texas blues singer in 1950. town. Earlier he’d gotten a taste of L.A. while Fort Worth, living at the Morris Hotel down- from 1953 in L.A. He’dtomoved stubborn. soft-voiced, gently eccentric and musically he was able to play standard chord changes. think he’s jiving, baby”), openly wondering if time (swing-era trumpeter Roy Eldridge: “I how older jazzmen reacted to Coleman at the to worry the listeners of 1959. certain points becoming just chaotic enough at solos sax altoColeman’s “free” with but — a kind of stretched-out, easygoing bebop, relatively arenow ears the and ’59, easyon ’58 in Angeles Los in recorded LPs, These and Else! thing Records):Contemporary label, jazz Coleman’s first two albums (issued on an L.A. on launchedwas earthquake an like world unleashed a simpler name: free jazz. nette Coleman gave the burst of freedom he’d New Thing” in 1961, but L.A. transplant Or week was quick to label the movement “the provisedemotionallyand explosive. that was wildly dissonant, rough, freely im- extremely radical direction — into something “America’spushedan who ciansin music” composer Sun Ra among them. JohnColtrane Braxton,Anthonyand man, Cole- OrnetteAyler, Albert Shepp, Archie 1960s: the in geniuses African-American of generation rebellious a by created was | BY TONY MOST hr wr aatgre rtc i the in critics avant-garde were There For a few lonely years he worked in L.A. as was He 29. at famous up woke Coleman about read to amusing it’sretrospect, In musical the shook that revolution The musi- jazz young (mostly) were These Music during Black History Month Check out Coleman’s innovative music forgotten) American music music American forgotten) (and challenging and citing ex- most the of Some 1950s. born in Los Angeles in the late century revolution in jazz was mid- radical a but it, about much know Americans ew Tomorrow Is the Question the TomorrowIs // RO

M The New New The Some News- - - . creeds (by any means necessary), today. and hues colors, all Americansof heardby be to need musicians freedom-pushing have stood the test of time. that, and hundreds of great recordings that thing since Duke Ellington or Charlie Parker; a black musical art as sophisticated as any high art form with an intense emotional core, shreds, but in the process thousand they a created a into new, envelope” the “pushed toughing it out with teaching gigs.) and composer-pianist Horace Tapscott, both Coleman’s friend, trumpeter Bobby Bradford, 1965 Watts riots, save for local stalwarts like the after artists free-jazz to nothing meant increasingly L.A. rock-capital(Meanwhile, noticed. barely public American wider the catch up with him (on the East Coast), though it’s going to be done now.” The jazz world did consequence who arrive to say, “This is how Coleman was one of those rare innovators ago), of long from transplant L.A. (another ably requires four ears to listen to it. double quartet record, to Poets and Writers), and in 1962 recorded a Schoenberg-like string quartets (Dedication Meditations). his symphonic forest-of-saxophones album, hear Coltrane;even (and Ayler Albert ist atonal “extremists” such as tenor saxophon- unleashed, made even more challenging by had himself he revolution dissonant the in doubt no up caught Circle), Golden the on playing violin free-improvised challengingly “abstract” (hear his scratchy, ranging became even more free-form, more for Atlantic: dence? It’s in the title he gave his next record, Coleman’sconfi- was strong Howmelody. City College). the bass clarinet (he’d studied music at L.A. brilliant prince of musical bop geometry on Dolphy, who would emerge as the famously neh Cherry), who’d grown up in Watts; Eric trumpeter Don Cherry (father of singer Ne- young L.A.: mid-1950s in people right the improviseandmiraculouslywith, hefound Ornette Coleman and his generation of of generation his and Coleman Ornette have may jazz free of heavyweights The Schoenberg composer radical the Like wrote Coleman York, New to Moving As time went on, Coleman’s playing and ar Coleman needed like-minded explorers to The Shape of Jazz to Come .

Free Jazz, that prob- Live at at Live - - | | LA WEEKLY // February 23 - March 1 // www.laweekly.com

33 , 2018 AYS BAD MANNERS BAD THE WIDOWS SON ALBUM & APATHY RELEASE PARTY: CELPH TITLED CLUB 90’S SHABBAAAAA GYAL RIH RIH - DI BAD DANCEHALL PARTY CLUB 90’S NIGHT THE FLOOR IMPROV KARAOKE IS FOR LOVERS CLUB 90’S A CLUB CALLED RHONDA RIFF RAFF CLUB 90’S DOC VITALE ENT AND DOC VITALE NICK FUOCO PRESENT METAL ALICE COOPER TRIBUTE MAYHEM

FRI. FEBRUARY 23 FRI. FEBRUARY MAC & CHEESE: THE DAWGYEAR OF 24 FEBRUARY SAT. CLUB 90s 25 FEBRUARY SUN. 25 FEBRUARY SUN. CANVAS X CANVAS SONIDO LATINO SWEET SUND 3/7 3/8 3/9 3/10 3/15 3/16 3/19 3/22 3/23 3/24 3/29 3/30 4/5

PARTY AY

BIG MAKK FOREVER; DUNKS, CHOPPA SWIZZYMACK, IVARR MA-LESS, MAC & CHEESE PRESENTS, THE DAWG YEAR OF NEFFEX FLASH NIPER, PLAYBOI, DJ TRAGIK CLUB 90’S DECIBELIOS A CLUB CALLED RHONDA LOS GLOBOS PRESENTS: VIEWING PARTY 90TH OSCARS LIVE! 2 COAST COAST HOT NEW SOUL “LA’S STEVIE! - “ DANCE PARTY

COMING SOON: 2/22 2/23 3/1 3/1 3/2 3/3 3/3 3/4 3/4 3/6 SUN. FEBRUARY 25 FEBRUARY SUN. SAT. FEBRUARY 24 FEBRUARY SAT. REGGAE ICON PARTY KARAOKE IS FOR LOVERS KARAOKE IS FOR AFROLITUATION THU. FEBRUARY 22 FEBRUARY THU. 23 FRI. FEBRUARY RIH RIH BAD GYAL BIRTHD DANCEHALL FUJIYA & MIYAGI & MIYAGI FUJIYA THINGS” “TRANSPARENT TOUR 10-YEAR ANNIVERSARY THE FLASHBULB ¡CUMBIATRON!: THE WORLDS ¡CUMBIATRON!: BEST DANCE MUSIC THE FRIEND KOTA MAC AYRES PRESENTS: SEAN HEALY WOP + CHXPO LIL WITCH VRBAN NIGHT SHIFT 06 ZAIDA BRITO PRESENTS: FITNESS ZUMBA ZAIDA BRITO PRESENTS: FITNESS ZUMBA XCELLERATED PRESENTS: PRESENTS: XCELLERATED 2K18 WORLD OF DRUM & BASS THE

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LYN APRIL 22, 2018 46TH ANNIVERSARY THE PAR FASTER PUSSYCAT RAINBOW BAR&GRILL West Hollywood,CA90069 RHINO BUCKET rainbowbarandgrill.com 9015 SunsetBoulevard ROUGH CUTT HOLY SUNDAY, PARTY IN (310) 278-4232 CH MOB FEA GRAIL KING LOT T.

So too with BMRC, whose seventh — can harm you,” says their leader. once. After that, nothing — and nobody become immortal. “You can only die kill themselves and are resurrected to Club. It’s about a bunch of bikers who brings to mind Black Rebel Motorcycle horror movie called There’s a great psychotronic British @ Black Rebel Motorcycle Club sat Also Saturday, Feb. 24. sunny pop reveries of Lucy & La Mer. Trap Girl and the sweetly disarming, transgender diva Drew Arriola Sands’ Edith Crash, the shadowy punk rants of folk chansons of one-person band Sunday the Frenchalso encompasses “tenderpunk” of Illuminati Hotties. Tuesday and the relatively poppy trans-gressive spectacle of Pussy punk of ModPods, the flamboyantly Love-Inns, the electronics-laced post- poignant punk-pop of L.A. trio The Peaches’ Kimya Dawson, following the folk-pop revelations of The Moldy culminates in the endearingly childlike Diego quartet Boychick. Sunday’s bill contemplative indie pop of coed San to the comparatively restrained and wordplay of Boston rapper Shana B. the high-stepping, uncompromising provocations of Fuck U Pay Us and Friday range from the anti-patriarchal femme-fronted bands. Highlights on is loaded with more than two dozen for the L.A. Center for Law and Justice, This annual two-day festival, a benefit @ Women Fuck UpFest Shit ain’t firing blanks. stu’ but, to this day, these BulletBoys rial. Sure, everyone wants to hear the old continue to release excellent new mate- them well drilled. In addition, the band alarming rate, but Torien always has might go through band members at an bags of passion and soul, the BulletBoys nature. Technically dazzling, and with cut above. Live, the ’Boys are a force of ments of Torien that put this band a But it’s the musicianship and arrange- Roses) have passed through the ranks. and DJ Ashba (not-classic Guns N’ as Steven Adler (classic Guns N’ Roses) band back in 1986, and names as heady Ratt guitarist Marq Torien formed the should. Former King Kobra frontman/ sing the praises of BulletBoys, but they proverbial campfire, not many people Strip cock rock are passed around the When stories of the glory days of Sunset @ BulletBoys fri | |

Music THE FONDA THEAT THE SMELL AGO WHISKY Picks

// //

—Brett Callwood

RE Psychomania —Falling James 2/23 2/24 that be stopped. Also tonight: Night Beats. redemptive power of music they cannot they are unassailable; because of the Through the purging fires of grief harm Black Rebel Motorcycle Club. album, nothing — and nobody — can grief and mourning. And yet with this The e’ect for Been was one of deathly backstage, during the band’s 2010 tour. father, Michael. He’d died suddenly, the death of lead singer Robert Been’s recorded under the supernal shadow of studio album, feast on. surely be an evening for Genesis fans to don’t look it up. Su§ce to say, this will ruin any surprises from the set list — Gabriel (minus the bat wings). Let’s not who does a more-than-able Peter 12-string) and Nad Sylvan on vocals, (saxes/flutes), Jonas Reingold (bass/ (drums/percussion), Rob Townsend Roger King (keyboards), Gary O’Toole tricks are all on parade, backed by soaring electric flights and fingering latest outing. The acoustic intricacies, you need to know about the guitarist’s de Force” tells you pretty much what Revisited, Solo Gems & GTR 2018 Tour material alive. “Steve Hackett: Genesis member of Genesis keeping the classic years, Steve Hackett is the only former While busy making new music all these @ Steve Hackett —David Cotner

ORPHEUM THEATRE See Friday. See Mer: &La Lucy —Libby Molyneaux Specter at the Feast,

was was @ @ one of those. There was nothing overtly divide, and Junkyard were certainly were also the bands that straddled the form at dives in the early hours. There Chili Peppers and the Nymphs per saw the likes of Jane’s Addiction, the literally an alternative rock scene that a little subscene going on downtown, were ruling the Sunset Strip, there was When the likes of Mötley Crüe and Ratt Junkyard Dal Forno’s singing. draped over the shimmering contrails of an exotic weave of chimes and bells The haunting title track is anointed by momentum at a deliberate, glacial pace. one meditative idyll to another, building enchanting as her songs transition from days,” and the overall mood is subtly is described as “an album for in-between Kendra Smith. evoking the gauzy dream-pop of Opal’s Do Now?” as Dal Forno coos solemnly, the background of “What You Gonna vocals. Distant electronics well up in by the Australian singer’s dream-laden soundscape of echoes that’s illuminated title as it unfolds slowly across a hazy sounds. “Fast Moving Cars” belies its a fascinating puzzle box of mysterious London label Blackest Ever Black), is You Know What It’s Like Carla dal Forno’s debut solo record, dalFornoCarla

THE VIPERROOM ZEBULON You Know What It’s Like —Falling James (on the PHOTO BY VICTORIA ZENGO - | | LA WEEKLY // February 23 - March 1 // www.laweekly.com

35 , 2018

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www.laweekly.com // February 23 - March 1, 2018 // LA WEEKLY |

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www.LiveFromMalibu.com GUITAR LEGEND THE VENTURES BRUCE PIEDBLUES BAND BRUCE PIEDBLUES BAND THE SURFARIS Doors at 7:00pm STRAW H 24 MARCH DICK DA Tickets available at FISHBONE THE MALIBOOZ MAY SATURD SATURD SATURD SLIME KINGS DEC 8 DELT PLA BERRY MOON A NOVE STE 19 CH AY AY AY TH TH LE TH

@ sun Little Sister. though. Also: The Superbees and Bad tic. Still no feathered hair and Spandex, tail end of 2016, and they sound fantas- a new deal with Acetate Records at the denim-clad beast of a band. They signed yard 2018 are still an uncompromising, have changed over the years, but Junk- no-nonsense rock & roll. The lineup may full-force, Motörhead-like approach to “glam” about these boys, but rather a @ @ discovered. hints at even more greatness yet to be he finds in punk rock, something that be no end to the diˆerent perspectives episodes of the podcast, there seems to in life. As Abraham closes in on 200 through their heavily physical pursuits the human condition that they share independence and other aspects of showmanship, perspicacity, have scads to say about authenticity, tonight’s special guest, so they’ll both wrestling superstar Rocky Romero is nightclub. L.A. junior heavyweight trenches in this intimate yet expansive Abraham’s tales of life in the hardcore live podcast recording. You’ll thrill to punk rock at this talks about how he won the fortune of of Canadian hardcore band Fucked Up pop culture pit when Damian Abraham and ricochet oˆ to diˆerent parts of the Punk and wrestling collide, slam dance Damian Abraham genre. Their latest eˆort — 2017’s revel in the bloodier side of the metal Bay Area splatter-thrashers Exhumed Exhumed —David Cotner psychotropics from The Renderers. Carey and Carlos Giˆoni) and sonic earthquakery of Rogue Squares knows about. Also: the worthwhile portrait of Thurston in an attic no one you young and vital, unless there’s a individuality are really good at keeping it all goes to show that music and with guitar strings. At the very least, and a meditation bound together of sonic death than it is a suggestion n Roll Consciousness, is less a blast repetition. Their latest album, that stick with you due to their virtuous lyrics and there are melodies and beats truths, you can actually make out the flowering undertones of discomfiting fields of queasily descending notes and James Sedwards — plough familiar and Steve Shelley and British guitarist Googe, Sonic Youth’s Thurston Moore Bloody Valentine bassist Debbie While Thurston Moore Group Thurston Moore Group mon

RESIDENT ECHOPLEX ZEBULON —David Cotner —Brett Callwood Turned Out a Punk 2/25 2/26 Rock — My My — (Elaine Death

God. since their 2006 album, his first vocal performance with the band bassist Darryl Jones. Munyungo Jackson and Rolling Stones trumpeter Christian Scott, percussionist bands, including pianist John Beasley, period with musicians from Miles’ later anti-tradition of the trumpeter’s electric nephew Vince Wilburn Jr. carries on the hardly be replaced, but Davis’ drummer- and rock. Such a legendary figure can boldly thrilling mutations of funk, soul and plugged in electrically for his own when he defiantly expanded his range critics in the late 1960s and early ’70s cool in the 1950s or defying stodgy of nature, whether he was playing it fierce and searing, otherworldly force sounds Davis created were always a the Earth. The clarion-call trumpet with powerful forces hidden deep inside if he were calling up and communing straight toward the floor of the stage as in concert as he pointed his trumpet Miles Davis was an intense presence Miles ElectricBand thu latest record, return of vocalist Pepper Keenan. Their of Conformity have been revitalized by the North Carolina sludge-rockers Corrosion across the entire spectrum of his work. signature squealing guitars ever present croons on more melodic ballads, with his snarls on heavy rockers and soulful showcase for Wylde to belt out throaty latest album, leader of Black Label Society. The outfit’s been enhanced by his 20-year run as the metal’s most beloved guitarists has only More Tears. His reputation as one of heavy Osbourne favorites such as 1990’s with his performances on beloved Ozzy master were cemented in the early ’90s Guitarist Zakk Wylde’s bona fides as a riˆ of Conformity Black Label Society, Corrosion tue their set. scrubs who terrorizes the band during a chainsaw-wielding maniac in surgical enhanced by the presence of Dr. Philthy, shows have a theatrical flair as well, length, assault of the band’s 1998 debut full- Sewage in a reunion of the dual-vocal seen the return of bassist/vocalist Ross center stage, while recent years have existence, his throaty screams taking sole constant throughout the band’s guitarist Matt Harvey has remained the movies such as Evil Dead II. Vocalist- irreverent charm similar to ’80s horror ’90s formation, all of it delivered with an characterized the band since their mid- obsessed gore-grind mayhem that has Revenge @ @

VALLEY PERFORMINGARTS THE FONDA THEATRE — Jason Roche Gore Metal. Exhumed’s live — is full of the blood-and-guts– —Jason Roche Grimmest Hits, is another No Cross No Crown, —Falling James In the Arms of CENTER 2/27

features No No 3/1 | |

37 LA WEEKLY // February 23 - March 1, 2018 // www.laweekly.com 6333 —Falling James —Falling 4311 W. 4311 W. 21635 Devonshire Devonshire 21635 RMERS MARKET: RMERS AR & GRILL: FA LOON: 1300 S. Brand Blvd., Glendale. Blvd., 1300 S. Brand SA 1735 Vine St., Vine L.A. Julian Jeweil, 1735 2627 Medford St., 2627 Medford L.A. Jay AN B LACE 618 S. Spring St., L.A. Feed Me, Me, St., 618 S. Spring L.A. Feed 13721 Burbank Blvd., Van Nuys. Van Burbank Blvd., 13721 PA .A.: 3311 S. Main St., L.A. 7 Day Weekend, Fri., Fri., 3311 S. Main St., Weekend, L.A. 7 Day T AMERIC OY 117 Winston St., Winston 117 L.A. Distorted with Disco, A B RE SH: OW ANGE L ANGE AND’S 32: LA STSIDE SHOWROOM: STSIDE Nü Metal Night, with DJ Dirty Dom, DJ Lurk Hanna, Dirty Lurk Night, with DJ Nü Metal DJ Dom, Places, in Low Friends free. 26, 9 p.m., Feb. Mon., Wednesdays, Bowen, Ray DJ Farber, Matt with DJ DJ free; 8 p.m., Thursdays, Procedure, free. 9 p.m., free. 1, 9 p.m., March Thu., Etwoms, St., Chatsworth. Justin Honsinger, Fri., Feb. 23, 8 Feb. Fri., St., Honsinger, Justin Chatsworth. 8 p.m., 24, Hollywood Sat., Hillbillies, free. p.m., Feb. Chad free. 25, 6 p.m., Sun., Feb. Sterling Sylver, free. Staley Band, Rob The 26, 8 p.m. Feb. Mon., Watson, free. 8 p.m., 28, Feb. Wed., Angelz, Fri., Feb. 23, 10 p.m., $15-$90. Breakbot, Breakbot, $15-$90. p.m., 23, 10 Feb. Fri., Angelz, 24, Bae, January Black, Sat., Nelson, Yung Oliver Feb. $15-$90. p.m., 10 Rob Staley Band, Sun., Feb. 25, 4 p.m., $5; Michael 25, 4 p.m., Staley Sun., Band, Rob Feb. $5. p.m., 28, 8:30 Feb. Wed., Goodman, Monroe Sat., Fireball, 23, 8 p.m. Feb. Staggering Fri., Jack, free. 8 p.m., Acoustic Jam, Tuesdays, 8 p.m. 24, Feb. 28, 8 p.m. Feb. Sensational Wed., The Cameltones, Cervello Elettronico, Spheric, AnalScubaHive, Spheric, Sleep Cervello Elettronico, free. 28, 9 p.m., Feb. Wed., Clinic, Nicholas Klemek, Feb. 23, 10 p.m. Sugar, Sat., Feb. 24, 10 p.m. 10 24, Sat., Feb. Sugar, p.m. 23, 10 Feb. Third St., L.A. Dime Box Band, Sat., Feb. 24, 8 p.m. 24, St., Band, Sat., L.A.Third Dime Box Feb. Almay, Sat., Feb. 24, 7:30 p.m., $15. 7:30 p.m., 24, Sat., Feb. Almay, Pig & Dan, Brandon Heinz, JonMon, Luke Somerset, Luke Heinz, JonMon, Brandon & Dan, Pig Jordan 23, 9:30 p.m. Feb. Stephen Fri., Disario, 10 24, Sat., Kumashi, Feb. Amanda Darling, Suckley, $5. p.m., 10 Thursdays, TigerHeat, p.m. Magnolia Blvd., Burbank. Mary White & Magnolia Burbank. MaryMagnolia Blvd., White & Grainger Kara free. 23, 9 p.m., Feb. Fri., Drawl, Carl The free. 25, 8 p.m., Sun., Feb. in Progress, Work Doña 26, 9 p.m. Quartet, Feb. Sonny Mon., Leyland 9 p.m. 27, Feb. Tue., Oxford, .B.’SAR, BEER & WINE B XCH DANCE CLUBS DANCE THE C THE E IREL G JOE’S HOLLYWOOD: AVALON EA E STUDIOS: LAHANGAR THE MARKE: THE —Falling James —Falling 1248 S. Figueroa S. Figueroa 1248 4349 Tujunga Ave., Ave., 4349 Tujunga NT: URA 30 Pier Ave., Hermosa Beach. Ave., 30 Pier 630 W. Fifth St., Fifth L.A. Janiva 630 W. A 2930 Beverly Glen Circle, Glen Circle, 2930 Beverly : FE: RILL & LOUNGE: RILL EST 3321 E. South Beach. St., Long 4321 Degnan Blvd., L.A. Eric Reed, Reed, L.A. Eric Blvd., 4321 Degnan AZZ R G CA 3967 Sepulveda 3967 Culver Blvd., N GE: AR- 1700 Hillhurst Ave., L.A. The Mark Z. L.A. The Hillhurst Ave., 1700 AR: LIA 123 Astronaut E.S. Onizuka St., E.S. 123 Astronaut Onizuka L.A. The STA RILL & J RILL ITA COUNTRY: G ORLD ORLD OY TO B CENTRAL LIBRARY: CENTRAL W The Rye Brothers, Feb. 23-24, 9 p.m., $5 & $8. The $5 & $8. The 9 p.m., 23-24, Brothers, Feb. Rye The Studio City. Jason Lee Bruns, Kevin Bachelder, Sat., Bachelder, Bruns, Kevin Jason Lee Studio City. $25 & up. 8 p.m., 24, Feb. The Sam Hirsh Trio, Sat., Feb. 24, 11 a.m.-2:30 p.m., 24, Sat., Feb. SamThe Hirsh Trio, 25, 11 Sun., Feb. Interplay, Johnson’s Chuck free. Feb. Quintet, Wed., Bill Spoke The free. a.m.-3 p.m., free. 28, 6-9 p.m., Janek Gwizdala Quartet, Fri., Feb. 23, 9 p.m., $20. $20. 23, 9 p.m., Feb. Quartet, Fri., Janek Gwizdala $15. JamesJazz, 9 p.m., 24, Sat.,Isaac Wilson, Feb. with Sarah $15. Ions & Eras, 25, 9 p.m., Sun., Feb. & Garren Ross $10. 26, 9 p.m., Feb. Mon., Lessire, Patterson, Clinton 9 p.m. 27, Feb. Cohan, Tue., Brady $10. 9 p.m., 28, Feb. Wed., Fri., Feb. 23, 9 p.m., $25. George Bohanon, Sat., Feb. Bohanon, Sat., $25. George 23, 9 p.m., Feb. Feb. Fri., $20. 9 p.m., 24, Randi & Quest, Sat., Feb. 24, 9:30 p.m., $25. Tritone Tritone $25. 9:30 p.m., 24, Quest, & Randi Sat., Feb. $15. Scott Kinsey, p.m., 25, 9:30 Sun.,Asylum, Feb. Feb. Tue., Buzz Wizards, $15. 9:30 p.m., 26, Feb. Mon., 28, 9:30 Feb. Wed., Dave, Chef $20. 9:30 p.m., 27, $15. p.m., 1, 9:30 March Thu., Bob Reynolds, p.m. Magness, Sun., Feb. 25, 2 p.m. Magness, Sun., Feb. Bel-Air. Jennifer Keith, Fri., Feb. 23, 6:30 & 9 p.m., 23, 6:30 & 9 p.m., Feb. Fri., Keith, Jennifer Bel-Air. $20. 6:30 & 9 p.m., 24, Sat., Kahn, George Feb. $20. Douyé, $20. 25, 7:30 p.m., Sun., Feb. Clay, Pamela California Guitar The free. 7:30 p.m., 27, Feb. Tue., Reverend The $20. 28, 7:30 p.m., Feb. Wed., Trio, $20. p.m., 1, 8 March Amos, Thu., Shawn St., L.A. Julia Vari, Thu., March 1, 7 p.m. March Thu., St., L.A. Julia Vari, City. Potential Suitors, Fri., Feb. 23, 8 p.m., free. free. 23, 8 p.m., Feb. Suitors, Fri., Potential City. Club Hot The free. 8 p.m., 24, Sat., Feb. Stumpwaller, free. 9 p.m., L.A.,of Mondays, Stevens Trio, Saturdays, 7-11 free. p.m., Stevens Trio, OW ITELLO’S ITELLO’S COUNTRY & FOLK COUNTRY .A. .A. HE THE CINEMA B THE C BLUEWHALE: ROSE: DESERT CHENTE B DON L LIGHTHOUSE THE VIBRA V T —Falling James —Falling 316 W. Second St., L.A. 316 W. 1234 W. Seventh St., L.A. 1234 W. 365 W. Sixth St., Sixth San 365 W. 901 E. First St., 901 E. First L.A. 2007 W. Burbank Blvd., Burbank Blvd., W. 2007 LACE: 1417 W. Eighth St., San Pedro. St., Eighth San Pedro. W. 1417 3787 Cahuenga Blvd. W., Studio W., Blvd. Cahuenga 3787 5810½ N. Figueroa St., L.A. N. Figueroa Banny 5810½ 9081 Santa Monica Blvd., West 9081 Santa West Blvd., Monica 2400 E. Seventh 2400 Beach. St., Long 8852 W. Sunset Blvd., West Sunset West Blvd., 8852 W. ALLROOM: 8901 Sunset Blvd., West Hollywood. 8901 Sunset West Blvd., AR & GRILL: TO: 7643 Firestone Blvd., Downey. Psyclon Psyclon Downey. Blvd., Firestone 7643 A O: CE & PA G OT DOUR: AM B 1222 W. Seventh St., L.A. Wild Wing, Traps Seventh St., Traps Wing, L.A. Wild 1222 W. AR & GRILL: O- 247 S. Main St., L.A. Women Fuck Shit Up Up Shit S. Main St., Fuck 247 L.A. Women P 428 S. Hewitt St., 428 S. Hewitt Abraham, L.A. Damian 9009 W. Sunset Blvd., West Hollywood. G Sunset West Blvd., 9009 W. 2478 Fletcher Dr., L.A. Hailu Mergia, Fri., Fri., L.A. Hailu Mergia, Dr., Fletcher 2478 BA van Raitt, Trevor Gordon, Sat., Feb. 24, 4 p.m., 4 p.m., 24, Sat., Gordon, Feb. Raitt, Trevor van KED KED RK B EDWOOD B EDWOOD OXY: A PA AS SHOWROOM: AS Hollywood. Mike Masse, Jeff Hall, Fri., Feb. 23, 8 p.m. 23, 8 p.m. Feb. Masse, JeffHollywood. Mike Hall, Fri., Sat., Feb. SuperBees, Sister, The Bad Little Junkyard, Sunset Jam, The $15 (see Music Pick). 8 p.m., 24, 28, Feb. Catsmelvin, Wed., free. 7:30 p.m., Mondays, Cole, Heather Happy Sometimes,8:30 p.m. Lumin, $15. 1, 7:30 p.m., March Thu., London, The Burbank. Joe Normal & the Anytown’rs, Pat Todd & Todd Pat Anytown’rs, Normal & the Burbank. Joe 9 p.m. 24, Rankoutsiders, Sat.,the Feb. $15. 23, 9 p.m., Feb. Out, Fri., So Garren, Way Perico, Sat., Feb. Mobley, Touch, Colours, Running Crooked 8 27, Feb. Tue., $15. Galactic Empire, 9 p.m., 24, Thu., Black Map, Royale, Palaye Evil, $18. Pop p.m., $20. 1, 7:25 p.m., March Feb. 23, 8 p.m., $20. Carla dal Forno, Chasms, DJ DJ Chasms, Carla dal Forno, $20. 23, 8 p.m., Feb. $12 (see Music Pick). 9 p.m., 24, Sat., Feb. P, Dave Squares, The Rogue Group, Moore Thurston The $20 (see Music 26, 8 p.m., Feb. Mon., Renderers, Carlos Niño, DJ Williams, Jamire King, Corey Pick). The Boy, Choir Soft Kill, free. 8 p.m., 27, Feb. Tue., $15. 28, 9 p.m., Feb. Wed., Tissues, Nine, Sat., Feb. 24, 9:30 p.m., $15. 9:30 p.m., 24, Nine, Sat., Feb. BulletBoys, Wild Ride, Stonebreed, Fri., Feb. 23, 7 Feb. Fri., Stonebreed, Ride, Wild BulletBoys, Stan Bush, Tepper, Robert $20 (see Music Pick). p.m., 25, 8 p.m. Sun., Feb. War, of Vigil 7 p.m. 24, Sat., Feb. $45-$60. 1, 8 p.m., March Thu., Cianuro, de Caramelos Hollywood. Fallen Suns, Aeonic Impulse, Viza, Hollywood. Fallen $18. 23, 7:30 p.m., Feb. Fri., Revolution, Trendkill 8 24, Sat., Goldensuns, Exes, Arms Akimbo, Feb. $65. 8 p.m., 27, Feb. Tue., Garcia, $12. Vicente p.m., 28, 8 Feb. Wed., Mateen, Bass, Khari & the Busty Thu., Kearney, Bridget Katzman, $15. Theo p.m., $18. 1, 8 p.m., March Superchunk, Fri., Feb. 23, 9 p.m., $25. Good Old War, $25. Good Old War, 23, 9 p.m., Feb. Superchunk, Fri., $20. 9 p.m., 24, Sat., Nozuka, Justin Feb. Pedro. The Mourners, Thu., March 1, 7 p.m. March Mourners, Thu., The Pedro. Cuspidors, The Thingz, Hip Priest, Thu., March 1. March Thu., Hip Priest, Thingz, Cuspidors, The Cruel Reflections, Before Everything, Sabyrtooth,Everything, Before Cruel Reflections, Hill, The Porcelain $12. 23, 8 p.m., Feb. Fri., Dialogue, Union, Night Late Invention, Thee Protocol, Ivories, Beyond Rare, $12. Korduroy, p.m., 8 24, Sat., Feb. $8. The 7 p.m., 25, IfyAshley Chanel, Anene, Sun., Feb. Henry $5; The 8 p.m., Mint Jam, every Monday, other $5. Ziion, 26, 9 p.m., Solomon Quartet, Feb. Mon., 7:30 p.m., 27, Feb. Tue., Rae, Rebel Guidance, The Tocaio, Serpent,& the Paces, One Hundred $8. Royal Maffa $8. Big Rig 7:30 p.m., 28, Rico, Feb. Wed., $10. 8 p.m., 1, March Howls, Thu., Modern Dollhouse, Fest, with Fuck U Pay Us, Gypsum, Shani B., Cass Shani Gypsum, Us, U Pay with Fuck Fest, Apostolopoulos, Christina Ella, Boychik, Cravens, Club, Good Luck Sugar Tantrum, Rum Table, Kids’ $12-$25 (see Music 23, 7 p.m., Feb. Fri., Fury, Mako Dawson, with Kimya Fest, Up Shit Fuck Women Pick). Tuesday, Pussy ModPods, Trishes, Love-Inns, The Crash, Edith You, Kill You Thrill Illuminati Hotties, The Lolas, The Anatommy, & La Mer, Lucy ¡Aparato!, $12-$25. 5 p.m., 24, Sat., Girl, Feb. Trap Anti-Job, Aaron Deily, Mondays, 9 p.m., free. Circa 62, Tramp 62, Tramp Circa free. 9 p.m., Mondays, Aaron Deily, 1, 9 p.m. March Thu., Lord, for the City. Mike Miller, Fri., Feb. 23, 9:30 p.m., $25. Don 23, 9:30 p.m., Feb. Fri., Miller, Mike City. Sun., Feb. 25, 3 p.m., $10. See $10. Music Pick. 3 p.m., 25, Sun., Feb. Dono Dono 8 p.m. 24, Hicks, Nick Mancini, Sat.,$25; Kevin Feb. Grove, Julius Smack, Pat Keen, Fri., Feb. 23, 9 p.m. Feb. Fri., Keen, Julius Smack, Pat Grove, PS, Rumblepak, Fri., Feb. 23, 9 p.m., free. 23, 9 p.m., Feb. Fri., PS, Rumblepak, American Pets, Lean, Tim Atlas, Fri., Feb. 23, 7:30 Feb. Fri., Atlas, Tim Lean, American Pets, 7 24, Sat., Anna Tivel, $15. Seanp.m., Rowe, Feb. $25- 8 p.m., 27, Feb. Tue., Faiyaz, $18. Brent p.m., James Supercave, DJ Altar Egos, Hum, Test, Low $50. $8. Sunflower 28, 8 p.m., Bean, Gateway Feb. Wed., $15. 1, 8 p.m., March Drugs, Thu., HISKY A G HISKY JAZZ & BLUES JAZZ HE B ALV T W ZEBULON: RDUST: STA THE TERAGR THE TROU THE ROOM: VIPER THE THE R THE RESIDENT: R THE SMELL: THE THE MONTY: THE LOUNGE: MOROCCAN THE RESIDENCIES: PAM THE PLA PEOPLE’S PROSPECTOR: THE 28912 Roadside Dr., Dr., 28912 Roadside 18389 Ventura Blvd., Blvd., 18389 Ventura 3101 Pico Blvd., Santa Blvd., Pico 3101 366 N. La Cienega Blvd., L.A. Blvd., 366 N. La Cienega LOON: 2200 Beverly Blvd., L.A. Basia Blvd., 2200 Beverly SA 200 W. Second Black St., Pomona. 200 W. 450 S. Main St., Anderson, L.A. Kasey 6400 Sunset Blvd., L.A. DJ Rich A.B., Rich 6400 Sunset L.A. DJ Blvd., 1154 Glendale Blvd., L.A. San Fermin, L.A. 1154 San Glendale Blvd., Fermin, 1815 S. Main St., L.A. Carla Bozulich & 104 N. Avenue 56, L.A. Alex Cameron, Cameron, 56, L.A. Alex N. Avenue 104 3040 W. Sunset L.A. Deffie, Blvd., JR 3040 W. OUSE: 2913 E. Anaheim St., Long Beach. Beach. St., 2913 E. Anaheim Long 5043 York Blvd., Highland Park. Jail Highland Park. Blvd., 5043 York H 1822 W. Sunset Hazey L.A. Shallou, Blvd., 1822 W. 117 Winston St., L.A. Boan, DJ Liz O, DJ St., DJ O, Winston 117 Liz L.A. Boan, DJ 6010 W. Pico Blvd., L.A. The Blood Wisdom, L.A. The Blvd., Pico W. 6010 T: AR: T THE CORONET: MUSIC: BOS: SS A HILLS: AGOURA NYON SH: INT: LO LA CA M GLA RGO A RGO Fri., Feb. 23, 8 p.m., $15. Mister Heavenly, Healing Healing Heavenly, $15. Mister 23, 8 p.m., Feb. Fri., $15. 8 p.m., 24, Sat., Afternoon, Feb. Velour Gems, Devin Sarno, Rick Potts, Brent Gutzeit & V. Darlington, Darlington, & V. Gutzeit Brent Sarno,Devin Potts, Rick Sean UBK, 23, 8 p.m. Feb. Fri., Michael Gelinas, De Carlos Sandoval, J. Diversion Program, Pierce, 9 p.m. 24, Sosa, Sat., Hasufel, Feb. Bulat, Hayley Gene Penner, Fri., Feb. 23, 8:30 p.m., 23, 8:30 p.m., Feb. Fri., Bulat, Penner, Gene Hayley Sun., Arnell, Henry Wolfe, Lucy Jordan, Sky $15. Zoe Saigo, Thru 8:30 p.m. Mondays, $10. 8 p.m., 25, Feb. Buffalo, Avi Hey King, McEntee, Eric free. 26, Feb. Jesus, Follies, Young $10. 8:30 p.m., 27, Feb. Tue., Amo Amo, free. 28, 8:30 p.m., Feb. Ian Sweet, Wed., free. 1, 8:30 p.m., March Thu., Matt Besser, Sat., Feb. 24, 8:30 p.m., $22. Exhumed, $22. Exhumed, 8:30 p.m., 24, Sat., Feb. Besser, Matt Feb. Mon., Kim, Painkiller DJ Incantation, Phobia, Witch & the Frankie (see Music Pick). $16 26, 8 p.m., Cat Scan, Mirblouk, Thu., Kaz Temple, Twin Fingers, $14. 1, 8 p.m., March Jarris, Tastebreakers, Rontee Bay, DJ OFellow, OFellow, DJ Bay, Rontee Jarris, Tastebreakers, EZI, Canvas, Sun., $5. The p.m., 23, 10 Feb. Fri., Magnificos, Sundays, 9 $15; Los 25, 6 p.m., Feb. Sabrina Benji, Judah p.m.; Ras Richie, Soul, Eicko free. 25, 9:30 p.m., Sun., Feb. Tafari, Eskender Flash Playboi, $10; 1, 9 p.m., March Thu., Neffex, p.m. 1, 10 March Thu., Tragik, DJ Niper, Professor & the Madman, Fri., Feb. 23, 8 p.m., free. free. 23, 8 p.m., Feb. Madman, Fri., & the Professor 8 24, Assassins, Boogaloo Sat., Feb. Fire, Jungle p.m., 28, 8 Feb. Wed., Wake, $15. A Vulture p.m., $12. 1, 8 p.m., March Thu., Moscow, Radio $10. Monica. Janiva Magness, Sat., Feb. 24, 8 p.m., $25. 8 p.m., 24, Magness, Sat., Janiva Monica. Feb. 25, 8 p.m. Sun.,Slaid Cleaves, Feb. Agoura Hills. The Spinners, Sun., Feb. 25, 9 p.m., 25, 9 p.m., Spinners, Sun., Hills. The Agoura Feb. Tinsley Band, Shepherd Wayne Kenny $34-$64. The Ellis, Tinsley $49-$79; 1, 8 p.m., March Thu., Ellis, $20-$28. 1, 9 p.m., March Thu., Fri., Feb. 23, 9 p.m., free. Coma Girls, Sat., Feb. 24, 9 24, Sat., Coma Girls, free. 23, 9 p.m., Feb. Feb. Fri., 25, 6:30 Anna Ash, Sun., Feb. Cale Tyson, free. p.m., Sun., Rodeo, Nightingale Thomas, Joshua free; p.m., Thru 8 p.m. Mondays, Entrance, free. 25, 9 p.m., Feb. 8 p.m., 27, Feb. Blinds, Tue., White The 26, free. Feb. Nedelle free. 28, 9 p.m., Feb. Baine, Wed., Mount $0. Susan, 1. March Thu., Callie Hernandez, Torrisi, Inhalt, Prayers, at the Lash’s five-year anniversary, five-year anniversary, Lash’s at the Inhalt, Prayers, $5 & $8. 9 p.m., 24, Sat., Feb. Fri., Feb. 23, 8 p.m., free. Lo Moon, Tue., Feb. 27, 6 27, Feb. Tue., Moon, Lo free. 23, 8 p.m., Feb. Fri., 28, Feb. Wed., Cafiero, John Demento, Dr. free. p.m., free. 5 p.m., Eyes, Fri., Feb. 23, 8:30 p.m., $15. Skinny Lister, Will Will Lister, $15. Skinny 23, 8:30 p.m., Feb. Fri., Eyes, $16. Jessica Moss, 5:30 p.m., 24, Sat., Feb. Varley, 25, 8:30 p.m., Sun., Crook, Sarah Feb. Davachi, Altar Egos, The Hooveriii, Jesus Sons,$14. Triptides, 26, 8:30 Feb. Mon., Explosion, Maicol & Jorge DJs Frank, Lukas Olivia Kaplan, Clets, Dang free. p.m., Mt. Eddy, Shelter, King $10. 8:30 p.m., 27, Feb. Tue., $12. Kailee 28, 8:30 p.m., Feb. Wed., Heyrocco, $15. 1, 8 p.m., March Thu., Blair, Roy Morgue, Weddings, Death Hymn Number 9, Die Group, Fri., Fri., Hymn Number 9, Die Group, Death Weddings, Parts, Covet, Moving Mom Tiny $10. 23, 8 p.m., Feb. $15. Satellite 8 p.m., 24, Sat.,Jeans, Oso Oso, Feb. 25, 8 p.m., So Sun., Android, Feb. Citi, Aeges, Ever Tue., Bash Dogs, in Tongues, Talk $8. Hearty Har, Rats, Tenement Pigs, & the Rik free. 8 p.m., 27, Feb. $8. 28, 8 p.m., Feb. Wed., Slaughterhouse, Jon Brion, Fri., Feb. 23, 9:30 p.m., $30. Colin Hay, Colin Hay, $30. 23, 9:30 p.m., Feb. Brion, Fri., Jon Slim, Langhorne Twain, $30. 8:30 p.m., 24, Sat., Feb. $30. 28, 8 p.m., Feb. Wed., Rebel Motorcycle Club, Night Beats, Fri., Feb. 23, 8 Feb. Beats, Fri., Night Club, Motorcycle Rebel Som, Jay Breakfast, $26. Japanese Hand Habits,p.m., Old Good Nozuka, $18. Justin 8 p.m., 24, Sat., Feb. $20. 25, 7 p.m., Sun., Matthews, River Feb. War, Tarzana. Barrio Tiger, Fri., Feb. 23, 8 p.m. Feb. Fri., Barrio Tiger, Tarzana. ROCK & POP & ROCK HE HE CLUBS T MCCABE’S GUITAR SHOP: GUITAR MCCABE’S MAUI SUGAR MILL SUGAR MAUI THE LOVE SONG: LOVE THE LOS G LOS LODGE ROOM: LODGE THE LA THE HI HA HI THE T THE ECHOPLEX: THE THE ECHO: THE COAXIAL ARTS: THE BOOTLEG THEATER: BOOTLEG BA AMOE ALEX’S B

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www.laweekly.com // February 23 - March 1, 2018 // LA WEEKLY |

NATURE WORLD NIGHT OUT: G-E ENTER SHIKARI: ENDLESS D BORGORE: For morelistings, pleasegoto laweekly.com. U SOUND NIGHTCLUB: CONCERTS FRIDAY, FEB.23 NION ARK STAR ORCHESTRA: Feb. 24, 9p.m., $15-$75. C, Fri., Feb. 23,10 p.m., $15-$30. We Love Kandy, Sat., G-Dubbs,Koolaid, Markie, Sublevel, Garth, Maximus Fri.,others., Feb. Jeno, DJ 23,9p.m., $15;Doc Martin, Michi, BaeGoals,Zulu, DJ Slumpy, Gang Snapple and ThisIsTight, DRYSFT, Jayus, Don Dirty, FrankEazy, with Ben-Jammin, Delirious, BeauJanglez, Ramsay, $2,500. GlobeTheatre, 740 S.Broadway, L.A. Sex Prisoner,Sex Kate 6p.m., Mo$$ andothers, $45- Mane, The Warriors, Wicca Phase Springs Eternal, p.m. El Rey Theatre, 5515Wilshire Blvd., L.A. Theatre, 8440W. Wilshire Blvd., Beverly Hills. p.m., $55-$75.The Wiltern, 3790 Wilshire Blvd., L.A. WKND, Sat., Feb.WKND, Sat., 24, 10 p.m., $25. Âme, Fri., Feb. Folk, 23,10 p.m., $20-$35.Jerry Saint 6650 Reseda Blvd.,Reseda, Suite101-B, CA 91335 OPEN 7DAYS FORYOUR CONVENIENCE AZY: EXEMPTIONS AVAILABLE 1155 NORTH Vermont Ave. #200, LosAngeles, CA90029 7am to7pm Mondaythrough7am Saturday •Sundayfrom to6:30pm 10am 7am to7pmMondaythrough7am Saturday •Sundayfrom to6:30pm 10am to7pmMondaythrough7am Saturday •Sundayfrom to6:30pm 10am 1439 N. Highland Ave., Highland Hollywood,1439 N. CA90028 OPEN SUNDAYS ANDEVENINGS TILL7:30 N With Trippie Redd, Phora, Anthony Russo, 6 IGHTCLUB: NIGHT: L.A 9 p.m.Hollywood Palladium. 9p.m.Hollywood Cross Street Sunset•(323)463-5000463-2222 With MilkTeeth, SingleMothers, 9 LOS ANGELES HOLLYWOOD 4067 W. Pico Blvd., Terrible L.A. 2’s, 1642 N.LasPalmas 1642 Ave., L.A. . VAMPIRE BALL: THE DOCTORS 8 p.m., $28-$45. Saban 8p.m., $28-$45.Saban (818)654-5882 and (818)370-7379 (818)654-5882 and (323) 463-5000 • (323) 463-2222 (323) 463-5000•463-2222 RESEDA With Hatebreed, Lil Ugly 9p.m., $25- —Falling James PARQUET COURTS: NATURE WORLD NIGHT OUT: SON JACK BRO G G-E GO GO GO WHO: BETTY THE WOOD BROTHERS: T-PAIN: SEVDALIZA: PARQUET COURTS: SATURDAY, FEB.24 RIT p.m., $45-$200. The Regent Theater. Angel Jay Worthy, Dust, More to Pride 6 andothers, Cemetery, Monica Blvd., L.A. 6000Santa Hollywood Blvd., L.A. See MusicPick. Blvd., See L.A. Hollywood Night Beats,9p.m., $36.The Fonda Theatre, 6126 Marionette Theater, 1345W. L.A. First St., a puppet museum,10 a.m.-6p.m., free. BobBaker Goody, So Safari Healing Gems, plusworkshopsand Be Careful, Radioactive Chicken Heads,Tiny &Mary, Tim Nordwind, DJ LanceRock, King Kukulele, Very $200. The Regent Theater, L.A. 448S.MainSt., p.m., $49.50-$55.Shrine Auditorium &Expo Hall. $20-$25. The Wiltern, 3790 Wilshire Blvd., L.A. p.m. The Fonda Theatre, Blvd., L.A. 6126Hollywood AZY: NOW THREELOCATIONS S &BISCUITS:

THE FOURTH ANNUAL BOB BAKER D FIDLAR: BLACK REBEL MOTORCYCLE CLUB: 11 p.m. The 11 Novoby Microsoft. With Trippie Redd, Phora, Anthony Russo, 7:30 8p.m. The Novoby Microsoft. With Phoebe Ryan, Pretty Sister, 7p.m., WNE: 9p.m. Fox Theater Pomona. 9p.m., $20. Palladium. Hollywood 9 p.m., $25. Hollywood Forever. 9p.m., $25.Hollywood Forever 9p.m., $25.Hollywood 8p.m. Pechanga Resort &Casino. With The 8:30 Mastersons, With Turnstile, Cupcakke,

Located one mile Located onemile 101 freeway Located oneblock Located oneblock east of the the east of metro red line metro red line from the from the With AY: With

FEBRUARY SPECIALS!!! * SHO ROSTAM: REAL REAL ESTATE: PNB ROCK: NECK DEEP: HATHAWLALAH GO GO SNARKY PUPPY: JOSH TURNER: GO GO NATURE WORLD NIGHT OUT: JACOB SARTORIU GO THE SPINNERS: GO OFTHESISTERHOOD: THE SECRET SOCIETY NOTHING MORE: GO MAT GO GO T: ANDERSON EAS www.TheRecommendationStation.com $ CLASSICAL &NEWMUSIC WEDNESDAY, FEB.28 TUESDAY, FEB.27 MONDAY, FEB.26 SUNDAY, FEB.25 THURSDAY, MARCH 1 WALK-INS WELCOMED Metz, Lea DeLaria. The Theatre Hotel. atAce Performing Center. Arts MusicPick. See $45-$200. The Regent Theater, L.A. 448S.MainSt., Girl PusherGeneracion 6p.m., Suicida, andothers, The Spits,Rico Nasty, Culture Abuse,BlackKray, Theatre, MusicPick. Blvd., See L.A. 6126Hollywood Conformity, EyeHateGod, 7:30p.m., $40. The Fonda The Wiltern, 3790 Wilshire Blvd., L.A. 842 S.Broadway,842 MusicPick. See L.A. Hollywood ForeverHollywood Cemetery. Pamela Des Barres, Trish 8p.m., Nelson, $30. music from Venus &the Moon, plusMichelle Tea, Speak Love, Gardenside, 7p.m. The Fonda Theatre. Summerall, LunaSummerall, Blaise,4:30p.m. The Wiltern. The Fonda Theatre, Blvd., L.A. 6126Hollywood Wiltern, 3790 Wilshire Music. Blvd., See L.A. Story, Kirra., 7p.m., $25.The Regent Theater. $57.50. The Orpheum Theatre, S.Broadway, 842 L.A. FREE GIFTWITHEVERY IDCARDPURCHASE SHANA BEAN: KEARNEY: All patientsare seenby aCalifornia LicensedMD•MedicalBoard Requirement For Renewals

CELEBRATING DAVID BOWIE: VAN M BLACK L VAN M STEVE HACKETT: THE CALDER QUARTET: THE MILES ELECTRIC BAND: MARGO PRICE: IDAN RAICHEL: 25 With Joy Again, 9p.m. El Rey Theatre. With Lil Baby, 8p.m. The Novoby Microsoft. With Seaway, Creeper, SpeakLow IfYou ORRI ORRI With The Bedouine. Theatre Hotel. atAce VERIFICATION 7p.m., $35.The Theater. Belasco With Andrew 7p.m., Belle, $25-$35. & CONDITIONS APPLY 8p.m., $34-$74. Theatre. Saban ABEL SOCIETY: (LIVE ANDONLINE) AY: With BandaMagda, 8p.m., $37.50- * 6p.m. With TheBig Contortionist, S: 9p.m. El Rey Theatre. With Ty Taylor, Audra Mae,Chrissy 24-HOUR SON: SON: 9p.m. Avalon Hollywood. PROMO PRICES With Zach Clayton, Hayden With Clayton, Zach The Theatre Hotel. atAce With BlankRange, 9p.m., $25. -TERMS 7p.m. The Wiltern. 7p.m. The Wiltern. 8p.m. The Orpheum Theatre, With Xavier Wulf, The continue foursome With Corrosion of 8p.m. Valley

7p.m. The

—Falling James * With $ For Patients New SAME LOCATION FOR4YEARS 35 For morelistings, pleasegoto laweekly.com. VINCENT PENOT: WESTSYMPHONY:NEW GO GO GO GARRICK OHLSS GO THE CONTEMPORARY CHORAL COLLECTIVE O F Performing Center, Arts NordhoffSt. 18111 the Waterfront Feb., Sat., 24, 8p.m., $49-$74. Valley Leonard Bernstein’s score during ascreening of On Concert Hall. Concert Wed.,films andothers, Feb. 28,8p.m. Walt Disney conducts musicfrom thisyear’s Oscar-nominated Feb.Sat., 24, a.m.,$22&$26.Thomas 11 Wilkins HallhomageDisney Wingoninafamilyconcert, conductsEsa-PekkaPaolo Bortolameolli Salonen’s Feb.p.m.; Sun., GoLA.) 25,2p.m., $20-$188.(See Pictures at an Exhibition, Fri.-Sat., Feb. 23-24, 8 band withRavel’s orchestration of Mussorgsky’s Opera)tor JamesConlon(L.A. strikes upthe house Register, fororgan andorchestra, andguest conduc McVinnie the worldpremiere delivers of NicoMuhly’s p.m., $20-$112. Waltp.m., Hall. $20-$112. Concert Disney andRachmaninoff, Feb. Mozart Pärt, Sun., 25,7:30 pianists mulloverArvo worksby Robert Schumann, Fair Oaks Ave., Pasadena. 4 p.m., $20. Lineage Performing Center, Arts 89S. Feb. Sat., andothers, Jocelyn Scofield Schuman, 24, songs by Molly Pease,art Christine Lee, Kathryn by TJ Fahad Sclafani, andAmy Siadat Gordon and Performing Center, Arts Monica. Santa St., 1310 11th $40-$70. Monica TheCollege Santa Broad Stage, Feb.Mendelssohn andKurtág, Sun., 25,4p.m., No. by 15,Op. Quartet 132,following quartets their Beethoven cycle withString string-quartet L.A.: 7:30 p.m., $65-$105. The St. 1310 Broad11th Stage, Alexander andFranz Scriabin Fri., Schubert, Feb. 23, sonatas andother piecesby Ludwig van Beethoven, Regina, Thu., March 1,7:30p.m. ZipperHall. premiere of arecently discovered setting of Salve Minasi conductsPergolesi’s StabatMater andthe U.S. soprano Elizabeth are onhandasRiccardo Sutphen Dr., Westwood. and Selowsky Mezzo-soprano Sofia Royce25, 7p.m.,Hall,340Royce $27-$124. UCLA, Theatre, Feb. 216N.Brand Blvd., Glendale.Sun., symphony, Feb. Sat., 24, 8p.m., $27-$124. Alex by Ellen Reid before closing withHaydn’s “London” sets the scenewiththe worldpremiere of apiece conductor Douglas andScottish Boyd& Strings, singsCooley outBritten’s SerenadeforTenor, Horn Second St., Santa Monica. Santa St., Second Feb. 24, 8p.m., $45.First Presbyterian Church, 1220 faune andOlivierMessiaen’s OiseauxExotiques, Sat., conducts Claude Debussy’s Préludel’après-midi à d’un Tanguy’s forTwo Sonata Violins, andMarkAlanHilt ParkAlyssa andShalini Vijayan weave together Eric Getty Center, 1200Getty Center Dr., L.A.

The choirbreathes life into newchoral works L.A. PHILHARMONIC: L.A. CHAMBER L.A. ORCHESTRA: JACARANDA CHAMBER ORCHESTRA: DANIIL TRI ON: Sat., Feb. Sat., 24, 7:30p.m., free. The F ONO The Americanpianist trots out

V &SERGEI BABAYAN: Richard Kaufman conducts Britishorganist James Tenor Thomas —Falling James Violinists The two - | | LA WEEKLY // February 23 - March 1 // www.laweekly.com

39 , 2018 39

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www.laweekly.com // February 23 - March 1, 2018 // LA WEEKLY |

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Lead planning & imple- strategy, ment business plans. Man- Min age supplier relations. in Business Bachelor’s req: Admin/Mgmt, Marketing, or work exp eld (or related & of such degree), equiv. 5yrs exp in product dev/sales & implementation of audio/video solutions for travel auto markets. Intern’l ~1x/month. Job lo- req’rd cation: Bespoke Coach, Van Nuys, CA. CV to careers@ bespokecoach.com Data Scientist sought by Episona, Inc. in Pasadena, CA. Develop data models & databases to classify fertile & infertile patients using epigenetic markets extract- human ge- large ed from nome methylation data. to Send resume [email protected]. Assistant Pastor: f/t; Non- Christian church; pro t Conduct pastoral services; Master of Divinity or Relat- ed; Resume: New Life Vision Pico @ 4077 W. 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Call Aviation of Maintenance 800-725-1563 ORDER FOR PUBLICATION ORDER FOR PUBLICATION OF SUMMONS DIVORCE - Case #KD097558 SUPERIOR COURT OF CALIFORNIA, COUNTY OF LOS ANGELES to the marriage In regards LUIS of Petitioner Plaintiff: HERNANDEZ-ABURTO and Respondent: MARIA DEL CARMEN RESENDEZ OF GUZMAN IN THE STATE CALIFORNIA, TO THE PERSON NAMED ABOVE AS RESPON- IT IS ORDERED that DENT: the service of the summons in this action be made upon MARIA DEL respondent CARMEN RESENDEZ GUZ- MAN, DISSOLUTION OF MAR- RIAGE, by publication there- a of in LA Weekly, newspaper of general circu- lation published at Los An- hereby geles, California, designated as the newspa- per most likely to give no- tice to said respondent; that said publication be made at least once a week for four consecutive weeks. ORDERED that IT IS FURTHER a copy of said summons, said petition, and his/her for publication be order forthwith deposited in the United States Post Of ce, to postage paid, directed if this ad- said respondent is ascertained before dress expiration of the time pre- scribed for the publication of this summons. A declara- tion of this mailing or of the fact that the address was not ascertained must be led at the expiration of for the the time prescribed publication. Dated 11/02/17, Judge H. Don Christian. L Classifieds 3861 Sepulveda Blvd, Culver City | 310-574-7300 | LAWEEKLY.COM/ADINDEX Culver City | 310-574-7300 3861 Sepulveda Blvd, Notices 656 Notices Legal SUMMONS NOTICE TO DEFENDANT: AL DEMANDO) (AVISO AUTO INC., a Califor- VAGHO nia corporation Georgina Lomeli an individual; 10, In- And DOES 1 through clusive, YOU ARE BEING SUED BY PLAINTIFF (LO ESTÁ DEMANDANDO EL DEMAN- LLC, DANTE): VEROS CREDIT, a Nevada limited liability company; CASE NUMBER: 30-2017-00911501-CL-BC- CJC have been NOTICE! You served. The court may de- cide against you without unless your being heard within 30 days. you respond be- Read the information have 30 CALEN- You low. after this sum- DAR DAYS mons and legal papers are served on you to le a writ- at this court ten response and have a copy served on the Respondent. A letter or phone call will not protect written response you. Your legal must be in proper if you want the court form to hear your case. There that may be a court form you can use for your re- can nd these sponse. You in- and more court forms at the California formation Courts Online Self-Help Center (www.courtinfo. ca.gov /selfhelp), your or the county law library, you. If courthouse nearest you cannot pay the ling fee, ask the court clerk for a If you do fee waiver form. on not le your response time, you may lose the case by default, and your wages, may and property money, be taken without further the court. from warning other legal re- are There may want You quirements. right to call an attorney If you do not know an away. want to you may attorney, ser- referral call an attorney vice. 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