OCTOBER 2013 WELCOME

It’s a real thrill to kick off the Globe’s 2013-14 Season with The Last Goodbye. This daring, moving, and hugely entertaining work combines two of the Globe’s passions: Shakespeare and musical theatre. The production brings a talented team of artists to The Old Globe, many for the first time. We are particularly pleased to welcome Alex Timbers, a director whose raw talent and

DOUG GATES fresh sensibility have already made a major impact Managing Director Michael G. Murphy and Artistic Director Barry Edelstein. on the American musical theatre.

We hope to see you back at the Globe often during the upcoming season! On this very stage, the season continues with Dr. Seuss’ How the Grinch Stole Christmas!, back for its 16th smash year; Shakespeare’s The Winter’s Tale, which marks Barry’s Globe directing debut; Time and the Conways, a poetic classic from a giant of 20th century drama; and Vanya and Sonya and Masha and Spike, a tour- de-force by an American comedic master. Across the plaza, the season features three award-winning plays about contemporary life by thrilling young American voices—beginning with the world premiere of Samuel D. Hunter’s The Few—as well as a delightful new musical comedy, Dog and Pony, to top off the season. It’s a remarkable, wide-ranging lineup of productions, and we can’t wait to share them with you!

Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director

MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences and the community at large.

PERFORMANCES MAGAZINE 1 WELCOME LEADERSHIP GIFTS PRODUCTION SPONSORS The Old Globe recognizes and thanks the following generous individuals Welcome to The Last Goodbye, a unique and who have made extraordinary gifts DARLENE MARCOS SHILEY exciting presentation of Shakespeare’s Romeo and of $1 million or more. These major A longtime friend of both Craig Noel and Jack O’Brien, Darlene Shiley, along with Juliet set to the magical music of Jeff Buckley. contributions have been designated her late husband Donald, has been a dedicated supporter of The Old Globe for This production brings to San Diego some of our for artistic, endowment and facilities nearly three decades. The Shileys’ lead gift of $20 million to the Globe’s recent country’s most prominent and successful theatrical projects, and help The Old Globe Capital and Endowment Campaign marked the largest individual contribution talents including director Alex Timbers and remain one of our country’s great in the Globe’s history. The couple served as charter members when the Season choreographer Sonya Tayeh. theatre institutions. Sponsorship program was founded in 1995 and have underwritten many subsequent productions. The Shileys’ generosity has helped fund many Globe None of this would be possible, of course, without $20,000,000 or greater projects, including the Shiley Artist-in-Residence program, the Shiley Terrace Donald† and Darlene Shiley the charitable support our not-for-profit institution Apartments—which provide much-needed local housing for Globe artists—and receives from so many of you. We are proud to $10,000,000 or greater an endowment that underwrites two full scholarships in The Old Globe/University recognize our Production Sponsors for The Last Goodbye: Darlene Marcos Conrad Prebys of San Diego Graduate Theatre Program. Darlene continues to serve as leading Shiley, Mickey Stern, and Sheryl and Harvey White. Their extraordinary $5,000,000 or greater Underwriter of the annual Globe Gala, and in honor of their enduring support, the generosity and stalwart support help keep the Globe at the forefront of stage of the Old Globe Theatre was named the Donald and Darlene Shiley Stage. American theatre. Darlene, Mickey, Sheryl and Harvey are remarkable Sheryl and Harvey White leaders who understand the difference a thriving artistic community makes Kathryn Hattox Karen and Donald Cohn MICKEY STERN to the quality of life for everyone who calls San Diego home. As a former school teacher, Mickey Stern has been an advocate and supporter $2,000,000 or greater of arts and culture for many years, both in San Diego and when she previously We ask you to consider joining us on our journey of discovery, invention and Viterbi Family Foundation lived in Omaha, Nebraska. She believes strongly in the importance of quality imagination as we present over 15 productions annually at The Old Globe. $1,000,000 or greater performances and presentations for her community. To that end she consistently Please join our Membership Program for as little as $50 per year, become California Cultural and supports performing arts in San Diego and has personally worked to arrange a Circle Patron at $2,500, or give whatever you can afford. Help us engage Historical Endowment programs by prominent and talented singers, pianists and speakers in San Diego, new audiences from our diverse region by introducing your friends and Estate of Dorothy S. Prough including in her previous role as Vice-President of the La Jolla Women’s Club. family to the Globe. The Rivkin Family Mickey supports the Globe’s artistic goals and its impact in the community, both Estate of Beatrice Lynds on its stages and in San Diego-area schools. She has shown generous support for Thank you for all you do for the Globe. Audrey S. Geisel/San Diego numerous Globe projects, including as sponsor of the world premiere of Sammy, Foundation Dr. Seuss Fund Golda’s Balcony with Tony Award nominee Tovah Feldshuh, the world premiere Mr. and Mrs. Victor H.† Ottenstein musical Some Lovers by Steven Sater and Burt Bacharach and last year’s critically Mrs. Helen Edison† acclaimed Good People. Harold W. Fuson, Jr. The Stephen & Mary Birch Foundation Chair, Board of Directors The Kresge Foundation SHERYL AND HARVEY WHITE †In Memoriam Over their long association with The Old Globe, Sheryl and Harvey White have played many leadership roles at the theatre, each serving terms as Chair of the Board of Directors, with Harvey serving as Co-Chair of the Globe’s recently BOARD OF DIRECTORS completed $75 million Capital and Endowment Campaign. Sheryl holds the distinction of co-chairing seven successful Globe Galas and will co-chair her eighth Harold W. Fuson, Jr.* Donald L. Cohn* Anthony S. Thornley* Elaine Bennett Darwin* Harvey P. White* CHAIR IMMEDIATE PAST CHAIR VICE CHAIR, FINANCE & TREASURER VICE CHAIR, NOMINATING SECRETARY this fall. The Whites have been Season Sponsors for the past 10 years, previously sponsoring such plays as The Times They Are A-Changin’, three world premiere DIRECTORS Sheila Lipinsky Jordine Von Wantoch Dolly Poet (1921-2007) musicals (Dancing in the Dark, The First Wives Club and A Room with a View), Mary Beth Adderley* Ramin Pourteymour Pamela J. Wagner Deborah Szekely Hershey Felder in Maestro: The Art of and Lost in Yonkers, the Elizabeth Altman Paula Powers* Jim Wening Hon. Pete Wilson inaugural production in the arena theatre that bears their name in recognition of Conrad Prebys* Lynne Wheeler Pamela Cesak CAROL SONSTEIN their significant $6 million Capital Campaign gift. Sheryl continues to serve on the Nicole A. Clay Tim Rafalovich Debbie Wilson EMERITUS DIRECTORS Globe’s Finance Committee, and Harvey is Board Secretary and a member of the David L. Reagan Karin Winner Joseph J. Cohen Garet B. Clark Executive Committee. Peter J. Cooper* Sandra Redman June Yoder J. Dallas Clark (1913–2005) Valerie S. Cooper Crystal Sargent Vicki Zeiger Bea Epsten Ann Davies Jean Shekhter Sally Furay, R.S.C.J. Silvija Devine Ann Steck HONORARY DIRECTORS Bernard Lipinsky (1914-2001) YOU HELP MAKE THE GLOBE HAPPEN Stephen P. Embry Steven J. Stuckey Mrs. Richard C. Adams Delza Martin (1915–2005) The Old Globe is a 501(c)3 not-for-profit institution. Ticket sales generate just over half of our annual revenue. We rely Pamela A. Farr Daniel L. Sullivan, Ph.D. (1912–2005) Darlene Shiley on friends like you to help cover the remainder of our operating expenses. Your generous support ensures the quality of Karen Fox Rhona Thompson Clair Burgener (1921-2006) Patsy Shumway productions on our stages and sustains the education and outreach programs that make the Globe an indispensable part of Evelyn Mack Truitt Victor P. Gálvez Mrs. John H. Fox (1908–2003) Carolyn Yorston-Wellcome our diverse community. Kathryn Hattox* Debra Turner Audrey Geisel Daphne Jameson Linda Van Vark Paul Harter Please consider becoming not only a subscriber but also a philanthropist. Your help will safeguard the Globe’s position as a Jo Ann Kilty Stacey LeVasseur Vasquez Gordon Luce (1925-2006) *Executive Committee Member cornerstone of San Diego’s vibrant cultural sector and a beacon of the American theatre.

2 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 3 THE CAST (in alphabetical order) PRESENTS MERCUTIO...... Hale Appleman* ROMEO...... Jay Armstrong Johnson* FRIAR LAURENCE...... Stephen Bogardus* LADY MONTAGUE...... Nancy Snow Carr* LADY CAPULET...... Shannon Cochran* JULIET...... Talisa Friedman* BENVOLIO...... Brandon Gill* THE LAST GOODBYE MONTAGUE...... Bryan Scott Johnson* PARIS...... Eric Morris* CAPULET...... Daniel Oreskes* A Musical Adaptation of Shakespeare’s Romeo and Juliet NURSE...... Tonye Patano* PRINCE...... Wallace Smith* TYBALT...... Jeremy Woodard*

CONCEIVED AND ADAPTED BY MUSIC AND LYRICS BY ENSEMBLE...... James Brown III*, Billy Bustamante*, Drew Foster*, Adam Perry*, Steve Schepis*, Nik Walker*

MICHAEL KIMMEL JEFF BUCKLEY SWING...... Bradley Gibson* ADDITIONAL VOCALS...... Megan Carmitchel DANCE AND FIGHT CAPTAIN...... James Brown III*

Christopher Barreca Jennifer Moeller Justin Townsend Ken Travis UNDERSTUDIES SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN for Tybalt—Billy Bustamante*; for Juliet, Lady Montague—Megan Carmitchel; for Lady Capulet, Nurse—Nancy Snow Carr*; for Benvolio, Mercutio, Romeo—Drew Foster*; for Capulet, Friar Laurence, Montague—Bradley Gibson*; for Paris, Prince—Nik Walker*

Kate Waters Jacob Grigolia-Rosenbaum Carrie Gardner, CSA Peter Lawrence SETTING FIGHT DIRECTOR ASSOCIATE FIGHT DIRECTOR CASTING PRODUCTION STAGE MANAGER Verona

STAGE MANAGEMENT PRODUCTION STAGE MANAGER...... Peter Lawrence* ORCHESTRATIONS, MUSIC DIRECTION AND ARRANGEMENTS BY ASSISTANT STAGE MANAGERS...... Pamela Remler*, Amanda Salmons* KRIS KUKUL There will be one 15-minute intermission.

CHOREOGRAPHY BY PRODUCTION STAFF SONYA TAYEH CREATIVE CONSULTANT...... Lauren Fitzgerald TEXT CONSULTANT...... Ian Hersey ASSOCIATE DIRECTOR...... Richard J. Hinds DIRECTED BY ASSISTANT CHOREOGRAPHER...... Al Blackstone ASSOCIATE SCENIC DESIGN...... Kit Stølen ALEX TIMBERS ASSISTANT SCENIC DESIGN...... Sean Fanning ASSOCIATE COSTUME DESIGN...... Charlotte Devaux ASSISTANT COSTUME DESIGN...... Michelle Hunt Souza ASSOCIATE LIGHTING DESIGN...... Jeff Adelberg ASSISTANT LIGHTING DESIGN...... Sherrice Kelly, Matt Taylor ASSOCIATE SOUND DESIGN...... Justin Stasiw Originally developed by Third & B Productions, Lauren Fitzgerald, Executive Producer. DIALECT COACH...... Ryan Beattie Scrimger MUSIC ASSISTANT...... Taylor Peckham The World Premiere of The Last Goodbye was produced by the Williamstown Theatre Festival STAGE MANAGEMENT INTERNS...... Cara Anderson, Emily Cates, Nicholas Martin, Artistic Director, on August 5, 2010. Amanda Nussbaum, Sonja Thorson

Donald and Darlene Shiley Stage Old Globe Theatre Conrad Prebys Theatre Center *Members of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States. Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. September 22 - November 3, 2013 If you would like a synopsis of this production in English or Spanish, please request it from an usher.

4 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 5 THE PLAY So there’s a real sense of forward This production kicks off the first season of Old Globe momentum and action within the songs. FROM THE programming selected by its new Artistic Director: ARTISTIC me. I could not be more excited to share it with San MK: So much of pop or rock music Diego audiences. is reporting emotions after the fact. DIRECTOR I think why this music works so well The Last Goodbye is a thrilling feat of theatrical in the play is that it’s not static. There’s alchemy. It takes two things we know—a classic a journey within the music, and that Shakespearean text and the musical oeuvre of one of the most distinctive singer- A Journey lets the characters develop through songwriters in rock history—and melds them together into a third thing: a new the music. American musical. I love that its raw materials are the primary stuff of the Globe’s history: musical theatre, sumptuous stage production, the creative work of an How would you describe the world that A-team of American talent, and most of all, Shakespeare. And I also love that these within you’re creating on stage? raw materials here recombine to re-energize the Globe’s storied history and cast its the Music gaze forward. In that sense, The Last Goodbye is a fair indication of one direction I’d Conceiver and adaptor Michael Kimmel and director Alex Timbers AT: It’s a very butch and masculine like to see this theatre move in the years ahead. talk about the creation and evolution of The Last Goodbye. world. It’s not contemporary. It’s a world in which people take poison, swear blood Shakespeare musicals have been attempted before (Shakespeare’s endless oaths, a world in which apothecaries malleability into other forms is one of his most distinguishing features), and a Interview by Danielle Mages Amato exist. It’s a world in which families great one also based on Romeo and Juliet is of course an American masterpiece. are at war with each other. Romeo and Yet while West Side Story keeps only the basic outline of the source play’s plot and Juliet is a show with incredibly earnest dispenses entirely with its setting and especially its language, The Last Goodbye sentiments and grand emotions: first takes a different approach. The daring ideas that animate it are that contemporary How did this project get started? Where always say is beautiful about what Jeff love, innocence destroyed, violence rock lyrics and Elizabethan blank verse can be two sides of the same coin, and that did the idea come from? does is that he screams into the abyss. and retribution. Those hot-blooded rock music is an idiom in which Shakespeare’s characters can naturally, credibly, His songs are always in process—it emotions suit the Jeff Buckley music and fully express themselves. A screaming electric guitar limns the passions that Michael Kimmel: About five years ago, always feels like he’s in the middle of very well. And the music, in turn, suits roil the inner lives of Shakespeare’s brawling street toughs and star-crossed lovers. I was walking along with my iPod, and something and he’s trying to work the play well. An image from the mind of a 90s rock icon compresses a soliloquy from 400 years Jeff Buckley’s song “Forget Her” came through it. earlier into a single, soaring musical phrase. on. And I thought to myself that it Do you find that people want to make a sounded like Benvolio, Romeo’s cousin, AT: The music and the imagery in Jeff’s connection between Jeff Buckley’s untimely But the creators of The Last Goodbye have done more than rely on the accidental Michael Kimmel talking to Romeo about Rosaline [the lyrics are very vivid and very visceral. death and the fate of Romeo and Juliet? echoes between Shakespeare and Jeff Buckley. Michael Kimmel, who brilliantly girl who broke his heart before he met It can sometimes be a challenge to adapted the text, and Kris Kukul, who arranged Buckley’s songs into an amazingly Juliet]. Then I went back and found my work with pop songs as raw material MK: I’ve encountered that a lot, and inventive score, have managed to squire these two poets into nothing short of a copy of Romeo and Juliet, and Benvolio for storytelling, because the choruses I bristle at the idea of “tragedy” in new musical-theatre partnership. When I hear Friar Laurence bless the newlywed actually says: “Be ruled by me. Forget repeat but don’t necessarily evolve their connecting Jeff to this play. Jeff’s death Romeo and Juliet with the benediction, “Fall in light,” I honestly can’t say whether to think of her.” Looking at the scene, I central idea, like a musical theatre song was indeed tragic, and it’s horrible Shakespeare had that beautifully evocative notion, or Buckley. It turns out to have loved how the song worked within the must. to think of how much more amazing been the latter, which demonstrates to me that this is a perfect artistic match. The context of the language of the play. So I music we would have had if we had not emotional temperature of Jeff Buckley’s songs matches strikingly, and perhaps set out to see if any of Jeff’s other songs So a pop song is structured differently than lost him. But I’ve been lucky enough to even ineffably, that of the streets, banquet halls, chapels, and bedchambers of Alex Timbers would work. He has a very small canon a musical theatre song? talk with many people who knew him, Shakespeare’s Verona. Or to put it another way, if the Capulets and the Montagues of work, but song by song, they just fit and the first thing they always say was had iPods, Jeff Buckley would be on their every playlist. so interestingly into the original play. AT: Absolutely. Every musical theatre how funny he was. I think of that as song needs to take the character such a wonderful reminder of what’s The alchemical reaction of Shakespeare and Buckley unleashes ferocious energies Alex Timbers: The poetry of Jeff’s singing it on a journey. The character important, what we should focus on. harnessed on the Globe’s stage by this generation’s most wizardly theatrical lyrics and the themes of loss and can’t end the song in the same state as In Romeo and Juliet, Shakespeare calls alchemist. Alex Timbers’s uncommon imagination and masterly stagecraft fashion longing felt like they were a strong fit he begins it. The song needs to advance them right at the beginning “a pair of in The Last Goodbye a creation that is simultaneously classic and of this moment. It for Romeo and Juliet. There’s a kind character, action and emotion. Often star-cross’d lovers” and talks about sparkles with light and life and power. I’m honored to welcome Alex for his Globe of fluidity to the way the play and with pop songs, there’s a theme or an their “death-mark’d love.” He ruins the debut. the songs interact. At times, almost idea that’s stated over and over again, ending of the play at the very start. And uncanny. a hook that the song is trying to put I think the reason he does that is to take That Jeff Buckley is not with us to hear his music rock the Capulet Ball is a sadness. in the listener’s ear. The purpose is the onus off the tragic act and to put But in kindling a new spark in a masterpiece of world drama, he has, as he puts it What do you think makes the play and the rarely to tell a story or place the singer the focus on where it belongs, which is in one of his best songs, blown a “kiss hello to life eternal.” Shakespeare agrees, and music work so well together? on a journey that involves discovery. on this amazing journey of these two assures us, by way of thanks to his songwriting partner, that “heaven keeps his part Michael has done a great job selecting people finding each other, against all in eternal life.” MK: Both of them speak in very similar and placing Jeff Buckley’s songs to odds. There’s tragedy, obviously, in both metaphors: night and dark, the moon ensure they advance plot and character, Jeff’s life and in the play. But to reduce Thanks for coming. Enjoy the show! and the stars, elemental images of and sometimes he’s even absorbed either to their outcome does both a fire and water. And one of the things I passages from the play into the music. disservice.

6 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 7 THE PLAY ARTISTS HALE APPLEMAN STEPHEN BOGARDUS He is also proud to have gotten his start (Mercutio) has appeared (Friar Laurence) has dancing with Michael Jackson after in the New York appeared on Broadway in studying psychology at Brown productions of Sarah Irving Berlin’s White University. His other artistic endeavor is Ruhl’s Passion Play Christmas, Old being a co-founder/designer in the directed by Mark Wing- Acquaintance, Man of La web-based custom clothing line World of Davey, David Rabe’s Mancha, James Joyce’s Alfa. jamesbrown.alfadesigner.com, Streamers directed by Scott Ellis, The Dead, High Society, Love! Valour! @JamesGeorgeIII on Twitter. Photograph 51 (The Ensemble Studio Compassion!, King David, Falsettos, Theatre) and Unrequited (The Public The Grapes of Wrath, Les Misérables and BILLY BUSTAMANTE Eternal Life Theater). His regional credits include West Side Story (1980 revival). His Off (Ensemble, u/s Tybalt) is thrilled to be on By Danielle Mages Amato Streamers (Huntington Theatre Broadway work includes Passion (Classic Company), Paradise Lost (American Stage Company), Craig Wright’s The this wonderful piece. He was most recently seen “Strange things happen when Jeff Repertory Theater), Buried Child (L.A. Pavilion (Rattlestick Playwrights Theatre Works), La Ronde L.A. (Arden Theater), David Greenspan’s Go Back to as Bun Foo in Thoroughly Buckley opens his mouth to sing,” Modern Millie at Paper wrote Buckley’s biographer, journalist Theatre Company), Moonchildren Where You Are, Falsettoland and Falsettos (Berkshire Theatre Group), Emily Mann’s (Playwrights Horizons), Love! Valour! Mill Playhouse. His other credits include David Browne. “One moment he’s a Theater, Pan Asian white bluesman with a sound straight A Seagull in the Hamptons (Stony Brook Compassion! (Manhattan Theatre Club) Southampton) and The Art of Coarse and The Umbrellas of Cherbourg (The Repertory Theatre, Sundance Institute out of the Mississippi Delta; the next, Jeff Buckley Acting, 100 Saints You Should Know and Public Theater). Regionally he has Theatre Lab, The Kennedy Center, Arena a jazz singer whose acrobatic voice Stage, Sacramento Music Circus, Walnut swoops and glides through a haze of performance generated immediate buzz Buckley’s too-short career has Twelfth Night (Chautauqua Theater appeared in God of Carnage (Huntington Company). Mr. Appleman’s film credits Theatre Company), The Exorcist (Geffen Street Theatre, Arden Theatre Company, cigarettes and pained memories.” and marked him as an artist to watch. nonetheless left a lasting legacy. The North Shore Music Theatre, San Jose passion and intensity of his music, his include Teeth, Private Romeo, Beautiful Playhouse), M. Butterfly (Arena Stage) Ohio, Pedro and Oysters Rockefeller, and and 80 Days (La Jolla Playhouse). Repertory Theatre, Pioneer Theatre In an early 90s music scene marked After a brief stint in the band Gods and charismatic presence on stage, and his Company, Theatre Under The Stars, by grunge and alternative rock, Jeff Monsters, he became a regular at the utterly original voice all combined to he has been seen on television in His National Tour credits include “Smash.” He trained at Carnegie Mellon Ravenal in Show Boat, Stine in City of The Muny and New York Musical Theatre Buckley emerged as a singular and East Village coffeehouse Sin-é, where make him one of the most influential Festival. He is a proud Actors’ Equity luminous talent whose style had more he also occasionally washed dishes after musicians of his time. Led Zeppelin’s University and the High School of Angels and Freddie in Chess. This past Performing Arts as well as The Public summer, Mr. Bogardus took part in a member and alumnus of The University in common with Edith Piaf and Nina his sets. Record execs crowded into the Jimmy Page named Grace one of 10 of the Arts. He also works as a director Simone than Kurt Cobain and Eddie tiny Irish café to hear Buckley’s music, albums he’d bring with him to a desert Theater’s Shakespeare Lab. workshop of Steve Martin and Edie Brickell’s Bright Star (New York Stage and photographer. Vedder. The New York Times music and he soon signed with Columbia island, and U2’s Bono called Buckley JAY ARMSTRONG BillyBPhotography.com. critic Jon Paroles, in a review of one of Records, which released his four-song “a pure drop in an ocean of noise.” and Film). His television credits include JOHNSON (Romeo) has “The Big C,” “Smash,” “Monk,” all three Buckley’s concerts, wrote: EP Live at Sin-é (1993), as well as his Rolling Stone ranked Grace among MEGAN CARMITCHEL appeared on Broadway as “Law & Order” series and “Without a only studio album, Grace (1994). He its 500 greatest albums of all time. (Additional Vocals, u/s Greg Wilhote in Hands on Trace.” His film credits include Julie & At a time when many rock songwriters quickly built an international following. Chris Cornell, frontman for the band Juliet, Lady Montague) is a Hardbody, Frank Julia, Little Ones, States of Control and (and fans) are gingerly about love, After four years of concert tours, Soundgarden and a longtime friend of thrilled and honored to be Abagnale, Jr. standby in Love! Valour! Compassion! Mr. Buckley’s songs plunge into it like Buckley was in Memphis in May 1997 Buckley’s, put it this way: “Listening to Catch Me If You Can and making her Globe debut. a kayak heading for the rapids, riding to record his second album when he him sing—it’s one of those indications Claude understudy in the original revival JAMES BROWN III Her recent San Diego every surge and whirlpool…There are drowned accidentally in the Wolf River. that the human race isn’t all bad and cast of . His Off Broadway credits (Ensemble, Dance and credits include Fiddler on rhythm-and-blues singers who can include Wild Animals You Should Know Fight Captain) is thrilled the Roof (Lamb’s Players Theatre), Pippin match Mr. Buckley’s technique, but most “The most audacious thing I could possibly state in (MCC Theater) and Working (Prospect to be making his debut at (Diversionary Theatre), South Pacific and of them use their skills to portray love Theater Company, ). The Old Globe with this Stepping Out (Welk Resort Theatre) and as a realm of simple, escapist sweetness. this day and age is that life is worth living. It’s worth He also played Mark in the First National amazing show. His The Who’s Tommy (San Diego Repertory Mr. Buckley finds turbulence instead… Tour of . His regional Original Broadway Cast Theatre). She is a graduate of San And with his voice, a world of tumult being bashed against. It’s worth getting scarred by. credits include Chip in and credits include Willie Lopez and Subway Francisco State University with a degree and obsession becomes almost seductive. It’s worth pouring yourself over every one of its coals. Pool Boy (Barrington Stage Company), Ghost understudy and Dance/Fight in vocal performance and was seen in the Frederick in Pirates! (or, Gilbert & Sullivan Captain in Ghost The Musical, Jimmy in Bay Area in Peter Pan (Berkeley Born in Anaheim in 1966, Buckley grew This is the place where you need to use your talent. Plunder’d) (The Muny), Hands on a Priscilla Queen of the Desert, Jetsam Playhouse) and City of Angels and Chess up in Orange County and spent some Or else you won’t learn anything by the next life.” Hardbody (La Jolla Playhouse), Link understudy and Dance/Fight Captain in (San Francisco State University). time in the Los Angeles music scene Larkin in (Weston Playhouse) The Little Mermaid, Bobby, Harpo NANCY SNOW CARR before moving to New York. His real —Jeff Buckley and Baby John in West Side Story. He can understudy and Fight Captain in The (Lady Montague, u/s Lady introduction to the music world came be heard on the recording of 35mm: Color Purple and Dance Captain in The Capulet, Nurse) is with his appearance at a 1991 tribute He was just 30 years old. A posthumous life is worth living and there is beauty A Musical Exhibition, available on iTunes. Frogs. His other Broadway credits include incredibly grateful to be a concert for his father, experimental collection of Buckley’s work in progress, and brilliance in humanity.” His film and television credits include The Lover in Wicked, the Tony Award- part of this remarkable folk singer Tim Buckley, who died of called Sketches for My Sweetheart the Sex and the City 2, “Law & Order: Special winning cast of Memphis, O’Houlihan in production. She an accidental overdose in 1975 when Drunk, was released the following year Victims Unit” and “The Apprentice.” The Producers and Simba understudy and previously appeared at Buckley was only nine. Buckley’s in 1998. @Jay_A_Johnson on Twitter. Dance/Fight Captain in The Lion King. The Old Globe in the 2011 and 2012

8 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 9 ARTISTS productions of Dr. Seuss’ How the Grinch Bach at Leipzig and All’s Well That Ends BRANDON GILL “The Onion News Network” and TONYE PATANO (Nurse) STEVE SCHEPIS Stole Christmas! Some of Ms. Carr’s Well (Shakespeare Santa Cruz), The Goat, (Benvolio) is a native New “Outlaw,” as well as commercials and garnered multiple (Ensemble) is thrilled to favorite credits include the National or Who is Sylvia? and Rabbit Hole (Florida Yorker and graduate of voiceovers. bryanscottjohnson.com. nominations and awards be making his Globe Tours of Phantom and The Buddy Holly Studio Theatre), Episcoene opposite F. La Guardia High School on both stage and screen, debut. He appeared on Story, Dorothy in the Washington, DC Murray Abraham (Red Bull Theater) and of Performing Arts and ERIC MORRIS (Paris) notably as Heylia James Broadway in the original premiere of Hunter Foster and David Amadeus, As You Like It and Romeo and The Juilliard School. most recently appeared in on Showtime’s “Weeds” casts of Priscilla Queen of Kirshenbaum’s Summer of ‘42 (Round Juliet (Island Shakespeare Festival). He previously appeared at recurring roles as Noble as well as the La Jolla the Desert and Finian’s House Theatre) and Lina Lamont in He also spent five seasons with Asolo The Old Globe in the world premiere of Sanfino on “Blue Bloods” Playhouse tour of the award-winning Rainbow. His other New York theatre Singin’ in the Rain (Merry-Go-Round Repertory Theatre, including with their The Recommendation. His theatre credits and Deputy Mayor play Ruined, for which she was credits include Anyone Can Whistle and Playhouse). Ms. Carr received her B.F.A. productions of Over the Tavern, The Diary include Superior Donuts (Pittsburgh Holbrook on “Golden recognized by the San Diego Theatre On the Town (City Center Encores!). in Musical Theatre from Elon University of Anne Frank, I’m Not Rappaport, Public Theater) and Jim Crow in Boy.” He has also Critics Circle for Outstanding Lead He toured Europe with the 50th and M.F.A. from San Diego State The Merry Wives of Windsor, The Greeks, Neighbors and workshops of the Royal appeared on Broadway as Sky in Mamma Performance in a Play. Her film credits Anniversary World Tour of West Side University. She is a proud member of The Corn is Green and more. As a 2009 Shakespeare Company’s Antony and Mia! and Coram Boy. He frequently include Diving Normal, Ponies, Story. His regional credits include Actors’ Equity Association and the Chautauqua Theater Company Directing Cleopatra directed by Tarell Alvin collaborates with composer/writer Joe The Hurricane, The Savages, Trainwreck, Tommy Keeler in Annie Get Your Gun National Association of Teachers of Fellow he helped direct and choreograph McCraney (The Public Theater, New Iconis, starring in the Drama Desk Little Manhattan, The Great New (Goodspeed Musicals), Benjamin in Singing. Ms. Carr operates a private Arcadia, Rx and The Winter’s Tale, and as York). His film credits include Big Award-nominated Bloodsong of Love and Wonderful, The Thing About My Folks, Seven Brides for Seven Brothers (Music studio in San Diego where she offers a directing associate at The Juilliard Mommas: Like Father, Like Son, The the Second Stage Theatre run and A Price Above Rubies, Fresh, The Company Circus) and Oklahoma! (Paper Mill voice lessons and audition preparation. School, he helped direct King Lear, Blue Sorcerer’s Apprentice with Nicolas Cage original cast recording of Things to Ruin, Men, Stolen, The Taking of Pelham 1 2 3 Playhouse). He has twirled in the concert nancysnowcarr.com. Window and Hamlet. Mr. Foster is the and the upcoming film Foreclosure with among other projects. His television and and Loving Leah. Her television credits dance world for Heidi Latsky Dance current Artistic Director of the Shelter Michael Imperioli and Wendell Pierce. film credits include “Royal Pains,” include “One Life to Live,” “County” and stomped in the commercial dance SHANNON COCHRAN Island Shakespeare Festival, which will On television he has recurred on “Golden “Law & Order,” “New Amsterdam,” (pilot), “Monk,” “Hope & Faith,” “Sex and world for Beyoncé. As always, for mom (Lady Capulet) is a Los present the upcoming production of Boy” (CBS) and guest starred on “Do No “As the World Turns” and the upcoming the City,” “Third Watch,” “Law & Order,” and dad. Angeles-based actress, Twelfth Night. Mr. Foster studied at The Harm” (NBC), “House of Cards,” “Detroit feature film Trust, Greed, Bullets & “Law & Order: Special Victims Unit” and making her Globe debut Juilliard School, where he received the 1-8-7”(ABC), “Are We There Yet?” (TBS), Bourbon. His other regional and Off “Eli Stone.” She has appeared in many WALLACE SMITH with this production. She John Houseman Prize. Thanks M. “Law & Order: Special Victims Unit” Broadway credits include White Noise Off Broadway and regional theatre (Prince) has been seen last appeared as Gertrude and “Fringe.” (Royal George Theatre), Empire (Lincoln productions as well as the National Tour on Broadway as Judas in in Hamlet and Desiree in TALISA FRIEDMAN Center Theater workshop) and Notes to of Legends! and 45 Seconds from Broadway the revival of Godspell, A Little Night Music (Writers’ Theatre). (Juliet) is making her BRYAN SCOTT MariAnne (New York Stage and Film). on Broadway. Ms. Patano recurs on the Favorite Son in Green She appeared in the National Tour of Globe debut. Her regional JOHNSON (Montague) hit FX drama “The Americans” and Day’s American Idiot, DANIEL ORESKES August: Osage County, and she won Obie credits include Ah, has been seen on recently wrapped the feature Every Secret Simba in Disney’s The Lion (Capulet) recently and Theatre World Awards, among Wilderness! (Arena Stage), Broadway in Mamma Mia! Thing with Dakota Fanning and Elizabeth King, Hud in the Tony Award-winning completed successful runs others, for her creation of a role in the world premiere stage Other New York City Banks. revival of Hair and Coalhouse another Tracy Letts play, Bug, in London adaptation of Donnie credits include his solo of Jesse Eisenberg’s The understudy in the revival of Ragtime. His and Off Broadway. She has worked at Darko (American Repertory Theater) and show I Want My Token Revisionist with Eisenberg ADAM PERRY (Ensemble) Off Broadway credits include Bobby such theatres as Steppenwolf Theatre The Prime of Miss Jean Brodie (The Studio Back! (Bistro Award), Max and Maxine: and Vanessa Redgrave previously appeared at Marrow in Choir Boy at Manhattan Company, Long Wharf Theatre, Mark Theatre). Her New York credits include Together...Again! (Bistro Award), Philemon (Cherry Lane Theatre), The Old Globe in Dancing Theatre Club, and his regional credits Taper Forum, Goodman Theatre, Geffen The Bardy Bunch (New York International and The End of Civilization. Mr. Johnson Nathan Englander’s The Twenty-Seventh in the Dark. His Broadway include Dion in Whoopi Goldberg’s Playhouse, South Coast Repertory and Fringe Festival) and Liz Swados’ oratorio attended Northern Michigan University, Man directed by Barry Edelstein (The credits include Nice Work White Noise, John in Miss Saigon, Matt in Cincinnati Playhouse in the Park in Resilient Souls. Ms. Friedman recently followed by an internship at Milwaukee Public Theater) and Russian Transport If You Can Get It, Anything the original Los Angeles company of addition to directing for many Chicago graduated with a B.A. in English from Repertory Theater, where he appeared in directed by Scott Elliott (The New Goes, Promises, Promises, bare: A Pop Opera and Leading Player in and Los Angeles theatres. Ms. Cochran’s Harvard University, where she was the original cast of the late Larry Shue’s Group). On Broadway, he created the role Don in A Chorus Line and Wicked. Kansas City Repertory Theatre’s 2012 recent film credits include The Perfect awarded the Jonathan Levy Prize for hit comedy The Foreigner. Mr. Johnson’s of Big Davey in the American premiere of His other theatre credits include Damn Pippin. Mr. Smith has been seen on Family with Kathleen Turner, The Ring most promising actor and the David regional credits include the premiere of Billy Elliot as well as roles in The Miracle Yankees and On the Town (City Center television in CBS’ “Blue Bloods,” NBC’s and Star Trek: Nemesis. She can be seen McCord Prize for Excellence in the Arts. Almost Heaven (Denver Center Theatre Worker, Cymbeline, Aida, Electra and Encores!) and (New “American Dreams,” Fox Family’s “State as Attorney General Susan Sawyer on Company), A Child’s Christmas in Wales Steppenwolf Theatre Company’s York City Opera). He has also appeared of Grace” and Showtime’s “Soul Food.” “Scandal” and has had roles in numerous BRADLEY GIBSON (The Shakespeare Theatre of New production of The Song of Jacob Zulu. in the National Tours of Cats and Sweet television series. She is the voice of many (Swing, u/s Capulet, Friar Jersey), Heartbeats and Mimi le Duck Other Off Broadway credits include John Charity. His television and film credits NIK WALKER (Ensemble, audiobooks and is on the Chicago and Laurence, Montague) has (Adirondack Theatre Festival), Man of Patrick Shanley’s Cellini and Missing include “Smash,” “One Life to Live,” My u/s Paris, Prince) is Los Angeles staffs of The School at previously appeared in the La Mancha (Stoneham Theatre), Twelfth Marissa, Doug Wright’s Quills, Arthur Week with Marilyn, “The Miraculous Year” blessed to make his Globe Steppenwolf. ensemble of Love’s Night (Michigan Shakespeare Festival) Miller’s Mr. Peters’ Connections and A (HBO pilot), “The Academy Awards,” “The debut. He returns to Labour’s Lost (The Public and The 1940’s Radio Hour (Riverside Midsummer Night’s Dream directed by ” and “The Kennedy Center California after a stint DREW FOSTER Theater), the reading of Theatre), among others. Tour credits Dan Sullivan for The Public Theater. Honors.” Thanks to his beautiful friends at La Jolla Playhouse, (Ensemble, u/s Benvolio, Princesses (Goodspeed Musicals) and as include Little Shop of Horrors and The Mr. Oreskes’ film and television credits and family for their support. originating the role of Mercutio, Romeo) has Coalhouse Walker in Ragtime (New Rocky Horror Show. His television credits include The Thomas Crown Affair, Booker in Des McAnuff’s Yoshimi Battles previously appeared in London Barn Playhouse). He received his include “Blue Bloods,” “Ed,” “Kings,” The Devil’s Advocate, “The Sopranos,” the Pink Robots. He has been seen on West Side Story (The Muny B.F.A. from The Boston Conservatory in “Law & Order,” “Law & Order: Criminal “Rescue Me,” “The Good Wife,” “Pan Am,” Broadway in Motown: The Musical and and First National Tour), 2013. Intent,” “Law & Order: Trial by Jury,” “Third Watch” and “Law & Order.” regionally in Into the Woods

10 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 11 ARTISTS (CENTERSTAGE/Westport Country starred in Minq Vaadka’s Narcischism: Un as Platinum Record plaques from France, Next Wave LA (Los Angeles Ballet) and CHRISTOPHER BARRECA (Scenic Juliet, Tamburlaine and Richard III Playhouse) and Miss Saigon (Ogunquit Cabaret d’Adieu (Robert Moss Theater). the U.K. and Australia. In May of 1997 The Endurance to Move, Battles and The Design) recently designed the Globe’s (The Shakespeare Theatre Company), Playhouse). A writer and poet, his rock in Memphis, on the verge of recording Root of Me (Tayeh Dance Company). production of Double Indemnity. He has Bachelorette and Venus in Fur (The Studio piece Whiskeyland! will enjoy its first MICHAEL KIMMEL (Conceiver and his second studio album, Mr. Buckley Ms. Tayeh has directed and designed the Broadway productions of Theatre), The How and the Why (McCarter staged workshop in New York City this Adaptor) has seen The Last Goodbye perished in an accidental drowning while choreographed world tours and stage Michael John LaChiusa’s Marie Christine, Theatre Center), Six Degrees of Separation November. Love and thanks to God, performed in concert at Wild Project, taking a late-night swim in the Wolf performances for Madonna, Florence Gabriel Garcia Márquez’s Chronicle of a (Williamstown Theatre Festival), The family, friends and the amazing company Joe’s Pub at The Public Theater and River Marina. The songs he had been and the Machine, Kylie Minogue, Kerli, Death Foretold (American Theater Wing Winter’s Tale and Dance of the Holy Ghosts behind this beauteous skit. Westside Theatre (produced by The working on were posthumously released Miley Cyrus, etc. Her television credits Design Award), Richard Greenberg’s (Yale Repertory Theatre), Sweeney Todd nikwalkersworld.com. Public Theater). Mr. Kimmel is also as Sketches for My Sweetheart the Drunk include “So You Think You Can Dance,” The Violet Hour, Howard Korder’s Search (Barrington Stage Company) and Waiting the creator/writer of Turn of the Screw, in 1998, which received a Grammy “The American Music Awards,” “The and Destroy (Drama-Logue Award) for Godot (Berkshire Theatre Festival). JEREMY WOODARD a modern, musical adaptation of the Award nomination for Best Male Rock Voice,” “X Factor,” “The BRIT Awards” and Timberlake Wertenbaker’s Our (Tybalt) is beyond excited classic Henry James novella with music Vocal Performance. Today, Grace is and “American Idol.” Ms. Tayeh has Country’s Good (Prague Quadrennial). JUSTIN TOWNSEND (Lighting Design) to be making his Globe and lyrics by Drew Gasparini (“Smash”). ranked among the 500 greatest albums received many accolades for teaching His Off Broadway credits include is an international lighting and scenic debut. His Broadway and Turn of the Screw had its concert debut at of all time by Rolling Stone magazine, and choreography, including Women Greenberg’s Everett Beekin and Three designer for performance. His Broadway National Tour credits Lincoln Center in 2012. Mr. Kimmel and and Mr. Buckley’s recording of of Detroit, Dance Magazine’s 25 To Watch Days of Rain (Drama Desk Award designs include Bloody Bloody Andrew include Stacee Jaxx in Mr. Gasparini are also collaborating on “Hallelujah” was voted number one and a featured cover story for Dance nomination), LaChiusa’s Bernarda Jackson, also with Alex Timbers, The Rock of Ages, Glory Days, #UntitledPopMusical, focusing on the rise among the top 100 vocal performances Teacher magazine. Alba, Bernard-Marie Koltes’ Roberto Other Place, Vanya and Sonia and Masha Hairspray and Miss Saigon. He was also and fall of pop star Jenna Styles, which of all time by Mojo magazine (U.K.). Zucco, Thomas Strelich’s Neon Psalms and Spike and A Night With Janis Joplin. seen Off Broadway in Rock of Ages. His had its concert debut at (Le) Poisson KRIS KUKUL (Orchestrations, Music (American Theater Wing Design Award Mr. Townsend is a member of the television and film credits include “The Rouge in New York this past June. ALEX TIMBERS (Director) is a two- Direction and Arrangements) is a New nomination) and Antonio Skarmeta’s Obie Award-winning The Theatre of a Big C,” “Smash” and So Funny. He is a Mr. Kimmel is the book writer for time Tony Award-nominated writer York City-based composer/arranger/ Burning Patience. He also designed the Two-Headed Calf. His New York work proud alumnus of East Carolina Painless, with music and lyrics by Zoe and director and the recipient of music director. He is the resident tour of Anna Deavere Smith’s Twilight: includes The Caucasian Chalk Circle, University. Thanks and love to family, Sarnak, which debuted at Joe’s Pub and Lucille Lortel, Drama Desk and Outer music director/cabaret director for Los Angeles. His regional credits include Galileo and Unnatural Acts (Classic Stage friends, Cam, Alphas and the Boyz at will have its first workshop in the fall Critics Circle Awards, as well as two Williamstown Theatre Festival. Recent Culture Clash’s The Birds, Christopher Company), Mr. Burns and Milk Like Sugar CGF. For The Ticks. “You stay classy, San of 2013, and he is also the author of Obie Awards. His Broadway credits arrangement/music direction work d’Amboise’s The Studio, Charles Ludlam’s (Playwrights Horizons), Luck of the Irish Diego.” @JwoodHi5 on Twitter. Bluebird, a version of Anton Chekhov’s include Peter and the Starcatcher (co- includes Animal Crackers (Williamstown Hedda Gabler, Eric Overmyer’s The and On the Levee (LCT3), Opus (Primary The Seagull set in the songwriter director, Obie Award for Directing, Theatre Festival), The Last Goodbye Heliotrope Bouquet, Dark Rapture and In Stages), Speech & Debate (Roundabout ADAM COCHRAN (Band community of Nashville. He is a graduate Tony nomination for Best Direction of (Williamstown/Joe’s Pub), LaMama Perpetuity and Stephin Merritt’s Peach Theatre Company) and Beauty on the Singer) is a Drama Desk and adjunct faculty member of Fordham a Play), Bloody Bloody Andrew Jackson Cantata (Spoleto Festival), From the Blossom Fan directed by Chen Shi-Zheng Vine and Palace of the End (Epic Theatre Award-nominated University’s Theatre Program at Lincoln (director and book writer, Drama Desk Fire (Edinburgh Festival Fringe), In the (Prague Quadrennial). Internationally Ensemble). His work has been seen composer/musician, for Center. @mkimml on Twitter. Award and Tony nomination for Best Footprint (The Civilians), The Daughters Mr. Barreca has designed Rocky Das regionally throughout the country Outstanding Music in a Book of a Musical) and The Pee-wee (Collaborative Arts Project 21), It’s Judy’s Musical (Hamburg, Germany), King Lear at theatres including Arden Theatre Play for 2010’s A Play on JEFF BUCKLEY (Music and Lyrics) was Herman Show, which aired on HBO. His Show (DR2 Theatre, Theatre J), Revolting (Dijon, France, Prague Quadrennial) Company, Alliance Theatre, Arena Stage, War, and he is a company born in California’s Orange County Off Broadway credits include Here Lies Rhymes (Lucille Lortel Theatre, Atlantic and Stephen Dillane’s solo Macbeth American Repertory Theater, Bard member with New York/Abu Dhabi- on November 17, 1966 and died in Love (Drama Desk and OCC nominations Theater Company), Kaspar Hauser and (Almeida Theatre, London). His opera Summerscape, The Theatre at Boston based Theater Mitu. His recent Memphis on May 29, 1997. He had for Outstanding Director of a Musical), Jabu (The Flea Theater), Dispatches credits include Leon/Soyinka’s Scourge of Court, CENTERSTAGE, Cincinnati composition credits include Marat/Sade emerged in New York City’s avant-garde A Very Merry Unauthorized Children’s (Naked Angels), Gutenberg! The Musical! Hyacinths (Münchener Biennale, BMW Playhouse in the Park, Cleveland Play (Tisch Mainstage), The Odyssey (Abu club scene in the 1990s as one of the Scientology Pageant (Obie Award, Garland (Actors’ Playhouse) and God’s Ear Design Award nomination), and his House, Folger Theatre, Hartford Stage, Dhabi) and The Elephant Man (Wings most remarkable musical artists of his Award for Direction), Gutenberg! The (Vineyard Theatre). He is arranger/ dance credits include Susan Marshall’s Huntington Theatre Company, Intiman Theater). As an actor, he has appeared in generation, acclaimed by audiences, Musical! (Drama Desk nomination for music director for Elizabeth Swados. Solo and Roman Oller’s Good Night Theatre, Kirk Douglas Theatre, La Jolla The Apostle Project (New York Theatre critics and fellow musicians alike. Outstanding Director of a Musical) and Mr. Kukul has composed music for Wing Paradise and Tears for Violeta (The Joyce Playhouse, Oregon Shakespeare Festival, Workshop), Hamlet (Galapagos Art His one and only full-length, full-band Hell House (Drama Desk nomination It! and Camp Monster (Williamstown), Theater). Mr. Barreca received a 1990 PlayMakers Repertory Company and Space), Wyoming and Parts of Kansas studio album, Grace, released in 1994, for Unique Theatrical Experience). Beauty Queen (3Graces Theater Co.), NEA Arts in America Grant (Calcutta, Portland Center Stage. Mr. Townsend’s (Barrow Street Theatre), Pageant includes his haunting cover of Leonard Mr. Timbers is the Artistic Director of Dash Dexter (Manhattan Theatre Club), India) and is the Head of Scenic Design awards include a Drama Desk Award for (Stoneham Theatre), One Night Stand: An Cohen’s “Hallelujah.” Mr. Buckley experimental New York company Les A Midsummer Night’s Dream (National at California Institute of the Arts. Here Lies Love, the 2006 USITT Rising Improvised Musical (Edinburgh Festival and his band spent the following two Freres Corbusier. He recently directed Theatre of Greece) and Oliver Twist (The Star Award, an IRNE Award for The Blue Fringe) and Nuclear Love Affair (Prague years touring the world in support of Rocky in Germany. Shakespeare Theatre of New Jersey). JENNIFER MOELLER (Costume Flower and two Elliot Norton Awards Fringe Festival). His credits with Theater the album, and though he was largely His international work includes Heracles Design) has designed the Off Broadway for The Blue Flower and The Onion Cellar, Mitu, under Artistic Director Rubén ignored by U.S. audiences, who were fully SONYA TAYEH (Choreography) is an directed by Andrei Serban, Bokan productions of Love’s Labour’s Lost and he has been nominated for many Polendo, include Juárez: A Documentary involved in the grunge movement, his Emmy-nominated choreographer who (Festival Iberoamericano de Teatro de directed by Alex Timbers (Shakespeare others including AUDELCO, Lucille Mythology (Juárez, Mexico), A Dream sensitive and soaring vocals, virtuoso was raised in Detroit, Michigan, and Bogotá), La MaMa Cantata (Belgrade and in the Park), Dance and the Railroad Lortel, Ovation, Henry Hewes Design, Play (Abu Dhabi) and DR.C (or How I guitar and gripping performance style received a B.S. in Dance from Wayne Zagreb Festivals), The Bacchae (Warsaw) (Signature Theatre Company), Happy Helen Hayes and Outer Critics Circle Learned to Act in Eight Steps) (3LD Art & were critically acclaimed throughout State University. Her stage credits and The Frogs (Epidaurus Festival). He is Now? (Primary Stages) and Crooked Awards. He is a graduate of California Technology Center). He has released Europe, the U.K. and Australia. include The Last Goodbye (Williamstown on the adjunct faculty at Tisch School of (Women’s Project). Her regional credits Institute of the Arts and is now an three albums as burlesque punk rocker He was awarded France’s prestigious Theatre Festival), Spring Awakening (San the Arts at . include Mud Blue Sky (CENTERSTAGE), assistant professor at Brooklyn College. Minq Vaadka, played Joe’s Pub, Mercury Grand Prix International du Disque de Jose Repertory Theatre), Walk For Water A Midsummer Night’s Dream, justintownsend.com. Lounge and more, and written and l’Académie Charles Cros in 1995, as well (Cirque du Soleil), New Wave LA and The Merchant of Venice, Romeo and

12 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 13 ARTISTS KEN TRAVIS (Sound Design) has with the National Theatre include Playhouse). Mr. Grigolia-Rosenbaum Transylvania University, University of works of Shakespeare in the United MICHAEL G. MURPHY (Managing designed the Broadway productions of Othello, Port, The Curious Incident of has been Fight Director for numerous Hawaii and Columbia University. States, he has directed nearly half of Director) served as General Manager Jekyll & Hyde, A Christmas Story, The the Dog in the Night-Time (also West regional and touring companies Mr. Lawrence is the only stage manager the Bard’s works. As Director of the of The Old Globe from 2003 to 2012, Musical, Scandalous, Newsies, Memphis, End), The Comedy of Errors, One Man, including Connecticut Free Shakespeare ever to have received a Tony Honor for Shakespeare Initiative at The Public overseeing the Production, Education, The Threepenny Opera, Barefoot in the Park Two Guvnors (also West End, Broadway, and National Theater for Arts and Excellence in the Theatre. Theater (2008-2012), he oversaw Human Resources, Information and Steel Magnolias. His numerous New World Tour), Frankenstein, Season’s Education and was Stunt Coordinator all of the company’s Shakespearean Technology and Facilities Departments, York and regional credits include The Greetings, Hamlet, Twelfth Night, Welcome on the forthcoming film Dark Was the PAMELA REMLER (Assistant Stage productions, as well as its extensive as well as Front of House operations. 5th Avenue Theatre, McCarter Theatre to Thebes, Women Beware Women and War Night (Caliber Media Company). He was Manager) is a former dancer/actress who educational, community outreach and He also managed the construction of Center, Seattle Repertory Theatre, La Horse (also West End). Her recent work a Junior Olympic fencer and Division 1 has recently converted to stage manager. artist-training programs. At The Public, the Globe’s new theatre and education Jolla Playhouse, Center Theatre Group, includes Macbeth (Trafalgar Studios), varsity fencer at Yale University. When She is a second-generation Rockette Mr. Edelstein staged Julius Caesar facilities. Prior to the Globe, he was Guthrie Theater, Kansas City Repertory Julius Caesar and The Same Deep Water not making art out of violence, he can be whose Broadway credits as performer starring Jeffrey Wright for Shakespeare the Managing Director of Austin Lyric Theatre, Dallas Theater Center, As Me (Donmar Warehouse), Cabaret found living in Park Slope, Brooklyn with include A Christmas Carol, The Music in the Park and The Merchant of Venice Opera in Austin, Texas, Director of Playwrights Horizons, The New Group, (West End), Noises Off (The Old Vic his wife and son. Man, Gypsy with Bernadette Peters and featuring Ron Leibman’s Obie Award- Administration of San Diego Opera and New York Shakespeare Festival, Classic and West End), The Duchess of Malfi the original company of Spamalot. Ms. winning portrayal of Shylock. He was General Manager of San Diego Repertory Stage Company, Signature Theatre and Sweet Bird of Youth (The Old Vic), CARRIE GARDNER, CSA (Casting) Remler has choreographed Is He Dead? also Associate Producer of The Public’s Theatre. Before relocating to San Company, Soho Repertory Theater, Written on Skin for Katie Mitchell (Aix en previously cast the Globe’s production on Broadway and was the Associate Broadway production of The Merchant of Diego from New York, he held similar Vineyard Theatre, The Civilians, Mabou Provence, Royal Opera House), Company of Richard O’Brien’s The Rocky Horror Choreographer for ’s Venice starring Al Pacino. From 1998- positions at Theatre for a New Audience Mines and national and international (Sheffield Crucible), Henry IV Parts 1 Show and also serves as casting director La Cage Aux Follies, 13, the National 2003 he was Artistic Director of Classic and the Joyce Theater Foundation’s festivals and tours. He has served as and 2 (Theatre Royal Bath/Peter Hall for Roundabout Theatre Company. Her Tour, Las Vegas and the London Stage Company, where he produced American Theater Exchange. He also front-of-house and monitor engineer for Company), Henry VI, Richard III, Henry Broadway credits include The Book of companies of Spamalot and the film and directed some of New York’s most served as negotiating assistant for the various artists such as Sinead O’Connor, V and Dr. Faustus (Shakespeare’s Globe), Mormon, The Mystery of Edwin Drood, Drop Dead Gorgeous. Ms. Remler also memorable classical productions. League of Resident Theatres and sales Joshua Radin, Ingrid Michaelson, A Midsummer Night’s Dream, Ragtime Picnic, Cyrano de Bergerac, Don’t Dress for worked as the Associate Director and Mr. Edelstein’s Shakespearean directorial representative for Columbia Artists Manu Chao and the festivals Celebrate and Lord of the Flies (Regent’s Park Open Dinner, The Importance of Being Earnest, Choreographer on Motherhood the credits include productions of The Theatricals Corporation. Mr. Murphy Brooklyn and Lincoln Center Festival. Air Theatre), Titus Andronicus, Hamlet, The Pee-wee Herman Show, Bloody, Bloody Musical. As a stage manager, her credits Winter’s Tale with David Strathairn, has served on the Board of Directors of The Homecoming and King Lear (Royal Andrew Jackson, American Idiot, Spring include the workshop of Yank!, Where’s Timon of Athens with Richard Thomas, the San Diego Performing Arts League IAN HERSEY (Text Consultant) has Shakespeare Company), Disgraced and Awakening, Mrs. Warren’s Profession, Charley? (City Centers Encores!), As You Like It with Gwyneth Paltrow and serves as a Management Trustee previous text and dialogue coaching Our New Girl (Bush Theatre),Saturday The Philanthropist, A Man for All Seasons Bernadette Peters’ 2009 concert, Venus and Richard III with John Turturro. for San Diego County Theatrical Trusts, work that includes Titus Andronicus and Night and Sunday Morning, Private Lives, and Les Liaisons Dangereuses. Her Off Flytrap and the Broadway company of His additional credits include the the pension and welfare trust for IATSE Measure for Measure (The Public Theater), A View from the Bridge and As You Like It Broadway credit sinclude Encores! Off- Jersey Boys, from which she is currently Lucille Lortel Award-winning revival stagehands in the San Diego region. He The Last Goodbye (Williamstown (Royal Exchange, Manchester), King Lear Center, The Unavoidable Disappearance of on a leave of absence to join The Old of Arthur Miller’s All My Sons; the was also an adjunct faculty member of Theatre Festival) and Romeo and Juliet, (West Yorkshire Playhouse) and Desire Tom Durnin, Bad Jews, Common Pursuit, Globe’s production of The Last Goodbye. world premiere of Steve Martin’s The the Music Department at the University Othello and Much Ado About Nothing Under the Elms, Saved and Blasted (Lyric Look Back in Anger, Sons of the Prophet, Underpants, which he commissioned; of San Diego. Mr. Murphy earned his AMANDA SALMONS (Assistant Stage (Shakespeare on the Sound), and he Hammersmith). Her other work includes Suicide Incorporated, The Dream of the Molière’s The Misanthrope starring B.F.A. degree in Stage Management from Manager) has worked previously at has also consulted at The Flea Theater, Spring Awakening (Lyric Hammersmith Burning Boy, Tigers Be Still, The Language Uma Thurman in her stage debut; and Webster University in St. Louis, Missouri The Old Globe on the Shakespeare R.Evolución Latina and The 52nd and West End), A Midsummer Night’s Archive, Ordinary Days, The Understudy, the world premiere of novelist Nathan and his M.F.A. in Performing Arts Festival (2011-13), Anna Christie, Street Project. He recently directed The Dream for Peter Hall (Rose Theatre, The Language of Trees, Distracted, Speech Englander’s play The Twenty-Seventh Management from Brooklyn College of Dr. Seuss’ How the Grinch Stole Christmas!, Comedy of Errors (Stella Adler Studio Kingston), Romeo and Juliet (Theatre & Debate and The Marriage of Bette & Boo. Man. He has also directed new and the City University of New York. Somewhere, Groundswell, Welcome to of Acting) and the Othello Project (José of Memory) and many shows for classical work extensively at regional PETER LAWRENCE (Production Stage Arroyo’s, Lost in Yonkers, I Do! I Do!, Limón Dance Company). He was also Shakespeare at the Tobacco Factory, theatres around the USA. Edelstein JACK O’BRIEN (Artistic Director Manager) has originated more than 20 The Savannah Disputation and The Price. the Assistant Director for King Lear including Hamlet for Jonathan Miller. has taught Shakespearean acting at Emeritus) served as the Artistic Director Broadway productions as Production In addition, she stage managed for the (The Public Theater). He has taught She also provides regular fight direction The Juilliard School, NYU’s Graduate of The Old Globe from 1982 through Stage Manager including two that Summer Shakespeare Intensive through Shakespeare in acting conservatories, for “Coronation Street.” Acting Program and the University of 2007. Mr. O’Brien most recently directed began at The Old Globe: Rumors and the Globe’s education department, M.F.A. programs, colleges, prisons, Southern California. He has lectured on Nathan Lane in Douglas Carter Beane’s Jake’s Women. He has been Associate working with high school students on shelters, community centers and JACOB GRIGOLIA-ROSENBAUM theatre around the USA and the world The Nance on Broadway. His Broadway Director or Production Supervisor for Love’s Labour’s Lost, As You Like It and high schools. He was the Shakespeare (Associate Fight Director) recently and and has written on the subject for The credits also include: Dead Accounts, Catch the Broadway production of Shrek the Pericles. Her other San Diego credits Initiative Associate at The Public Theater continues to serve as Fight Director for New York Times, The Washington Post, Me If You Can, Impressionism, The Coast Musical, Spamalot, Sunset Boulevard and include miXtape, See How They Run, and remains the founder/director of Peter and the Starcatcher (Broadway, New The New Republic and American Theatre. of Utopia (Tony Award), Dr. Seuss’ How the revivals of Gypsy, Annie Get Your Gun The Music Man and The Rivalry(Lamb’s A Midsummer Day’s Camp there. As York Theatre Workshop, New World His book Thinking Shakespeare (called the Grinch Stole Christmas!, Dirty Rotten and Man of La Mancha. Mr. Lawrence was Players Theatre), The Gondoliers, an actor he received a Fox Foundation Stages, National Tour), Bloody Bloody by New York magazine “a must-read Scoundrels (Tony nomination), Henry IV the Executive Producer for Miss Saigon , , Trial by Fellowship and has worked on stage, Andrew Jackson (Broadway, The Public for actors”) was published in 2007 and (Tony Award), Hairspray (Tony Award), and Les Misérables, and he has directed Jury and Rumpelstiltskin (Lyric Opera television, films and commercials. Theater, Williamstown Theatre Festival), is now the standard text on American Imaginary Friends, The Invention of Love or restaged the U.S. Tours of Spamalot, San Diego) and SummerFest (La Jolla He has a Master’s degree in Education Cyrano de Bergerac (Broadway), Here Lies Shakespearean acting. He is also the (Tony nomination, Drama Desk Award), The Graduate, Social Security, Broadway Music Society). from Harvard University. Love (The Public Theater), Sailor Man author of Bardisms: Shakespeare for All The Full Monty (Tony nomination), (also co-creator, New York International Bound, Rumors, Lost in Yonkers and Sunset More to Love, Getting Away with Murder, BARRY EDELSTEIN (Artistic Director) Occasions. Mr. Edelstein is a graduate of KATE WATERS (Fight Director) is one of Fringe Festival, winner of Best Play), Boulevard as well as Spamalot in London Pride’s Crossing, The Little Foxes, Hapgood is a stage director, producer, author Oxford University, where he studied as a only two women on the Equity Register The Buccaneer (also playwright, The Tank, and the Asian tour of Miss Saigon. He (Lucille Lortel Award, Best Director), and educator. Widely recognized as Rhodes Scholar. of Fight Directors. Her extensive credits Fight Fest) and Bill W. and Dr. Bob (Soho has taught in the drama departments of Damn Yankees, Two Shakespearean one of the leading authorities on the

14 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 15 ARTISTS EDUCATION Actors (Tony nomination), Porgy and grise of San Diego theatre, Mr. Noel Bess (Tony Award). Metropolitan is one of the few San Diegans to have CASTING Opera: II Trittico. London: Love Never had an entire year (1987) proclaimed Carrie Gardner, CSA THEATRE 101 Dies, Hairspray (Olivier nomination). in his honor, and to be named one of Rebecca Scholl National Theatre: His Girl Friday. Six San Diego’s “Living Treasures.” He was a movies for PBS’s “American Playhouse.” founder of the California Theatre Council The Humanities Series Awards: 2008 Theatre Hall of Fame and a former vice president of the Inductee, 2005 John Houseman Award, California Confederation of the Arts. His ArtServe Michigan 2008 International numerous honors include The San Diego Achievement Award, Honorary Union-Tribune list of 25 persons who Doctorate, University of Michigan. shaped the city’s history; the Governor’s SPECIAL THANKS Honorary Doctor of Humane Letters, Award for the Arts; University of Arizona University of San Diego. Film (actor): Alumni Association’s Outstanding Rehearsed at the Sex and the City 2. Jack Be Nimble: The Citizen, for his contribution to their New 42nd Street Studios Accidental Education of an Unintentional Fine Arts department; San Diego State Director, his memoir about the early University’s Outstanding Alumnus; years of his career, will be released this Conservator of American Arts Award summer by Farrar, Straus and Giroux. from American Conservatory Theater; the San Diego Press Club Headliner CRAIG NOEL (Founding Director) Award; San Diego Gentleman of was first appointed director in 1939, This theatre operates under an agreement Distinction Award; and a combined between the League of Resident Theatres directing 15 productions prior to World tribute from the Public Arts Advisory and Actors’ Equity Association, the union of professional actors and stage managers in the War II. Since then he directed more than Council and the San Diego County Board United States. 200 plays of all styles and periods and of Supervisors. Mr. Noel was particularly The Old Globe has long offered pre- and post-show events that give our audiences an opportunity to learn more about our produced an additional 270 productions. proud of the following three honors The Directors are members of the Society shows. Collectively, these events are called our Humanities Series, and taken together, they provide audiences with a long- His vision for The Old Globe resulted in representing education and theatre: of Stage Directors and Choreographers, an independent national labor union. term course in a variety of aspects of theatre from history and acting to scenic design and stage combat. the establishment of the Shakespeare Honorary Doctorate of Humane Letters, Festival and the San Diego Junior University of San Diego, Honorary Join us for any or all of these wonderful experiences and bring a friend; we guarantee you’ll have plenty to chat about as you Theatre in the late ‘40s, the expansion This Theatre operates under an Agreement Doctorate in Fine Arts, San Diego State with the International Alliance of Theatrical head home after the event. to two theatres in the ‘50s, Globe University and the annual Awards for Stage Employees Local No. 122. Educational Tours in the ‘70s and Teatro Excellence in Theatre named in his honor Meta and the Old Globe/University of by the San Diego Theatre Critics Circle. The Scenic, Costume, Lighting and Sound INSIGHTS SEMINARS SHAKESPEARE IN THE GARDEN NEW THIS COMING SEASON! San Diego M.F.A. program in the ‘80s. In 2007, he received the National Medal Designers in LORT Theatres are represented During the 1940s, Mr. Noel served as by United Scenic Artists Local USA-829, IATSE. Members of the artistic team Pre-show lectures with actors or of Arts—the nation’s highest honor for (directors, playwrights, designers) members of our artistic team discussing IN CONVERSATION WITH... dialogue director for the 20th Century artistic excellence—in a ceremony at the Fox Studios and was the former director The musicians are represented by the American participate in a moderated discussion the Summer Shakespeare Festival. Old Globe Artistic Director Barry White House. Craig Noel died on April 3, Federation of Musicians, Local 325 San Diego. about the creative process followed These events are held in the Craig Noel Edelstein interviews a nationally of the Ernie Pyle Theatre in Tokyo. 2010 at the age of 94. Described by Variety as the eminence by a Q&A. Garden in our lower plaza and are free renowned artist or scholar on topics and open to the public. Shakespeare related to a current production. Insights Seminars take place in the in the Garden lectures begin one hour Ticketed and open to the public. ASSOCIATE ARTISTS OF THE OLD GLOBE shows’ respective theatres and include before the show starts. an informal reception starting at SUBJECT MATTERS MEET THE ARTIST In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and 6:30 p.m. with seminars beginning at Explore the ideas and issues raised pleasure in acknowledging as Associate Artists the following individuals who have repeatedly demonstrated by their active 7:00 p.m. No reservations necessary. Meet the Artist is a series of events that by a production through brief, presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of the Globe. Insights Seminars are free and open are a benefit to donors of $500 or more. illuminating post-show discussions to the public. A member of the Globe staff interviews with local experts, such as scientists, an artist affiliated with one of our artists, historians and scholars. Subject William Anton Tim Donoghue Mark Harelik John McLain Steven Rubin Deborah Taylor POST-SHOW FORUMS productions. The conversation ranges Matters discussions are free and follow Gregg Barnes Richard Easton Bob James Jonathan McMurtry Ken Ruta Irene Tedrow* Cast members participate in a Q&A from the production itself to the scope select performances. Jacqueline Brookes* Tovah Feldshuh Charles Janasz Stephen Metcalfe Douglas W. Schmidt Sada Thompson* with audience members following of the artist’s career. The conversation Lewis Brown* Monique Fowler Peggy Kellner* Robert Morgan Seret Scott Paxton Whitehead selected performances of our shows. is followed by a Q&A. Victor Buono* Robert Foxworth Tom Lacy Patrick Page David F. Segal James Winker Wayland Capwell* Ralph Funicello Diana Maddox Ellis Rabb* Richard Seger* Robert Wojewodski Kandis Chappell Lillian Garrett-Groag Nicholas Martin Steve Rankin Diane Sinor* G Wood* No reservations are necessary. Post- Eric Christmas* Harry Groener Dakin Matthews William Roesch Don Sparks Show Forums are free and take place For event dates and to learn more about these programs, Patricia Conolly A.R. Gurney Deborah May Robin Pearson Rose David Ogden Stiers * In Memoriam minutes after the final bows. visit www.TheOldGlobe.org/Humanities. George Deloy Joseph Hardy Katherine McGrath Marion Ross Conrad Susa (photo) Old Globe Artistic Director Barry Edelstein (far left) with actors (from left) Angel Desai, Lucas Hall and Triney Sandoval during a Thinking Shakespeare Live! presentation. Photo by Doug Gates.

16 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 17 AT THE GLOBE 4 THINKING SHAKESPEARE LIVE!

5 MEET THE ARTIST On Monday, August 5, Globe donors gathered for a Meet the Artist event, which featured a panel of students from The Old Globe/University of San Diego 2 Graduate Theatre Program. The Meet the Artist series gives donors the opportunity to mingle with artists at a special reception. Artists are then interviewed about 1 their careers and work at The Old Globe. On Saturday, August 10, donors gathered for a 6 morning reception prior to the presentation of Thinking Shakespeare Live!, a 90-minute exploration GLOBE GUILDERS of the language of Shakespeare. Led by Old Globe Volunteer Auxiliary of The Old Globe Artistic Director Barry Edelstein and assisted by three professional classical actors, this special In 1955, The Old Globe’s Founding Director program based on Edelstein’s book, Thinking Craig Noel and actress, volunteer and Shakespeare: A How-To Guide for Student Actors, community leader Irma MacPherson started Directors, and Anyone Else Who Wants to Feel More the Globe Guilders, a volunteer auxiliary Comfortable with the Bard, revealed a performer’s organization that continues to thrive today. The approach to Shakespearean language so audiences Globe Guilders have immeasurably contributed may easily understand the poetry of the Bard. 3 to the Globe’s rise from a local community theatre to one of the nation’s award-winning regional theatres, and their love for the Globe is THE COUNTY OF SAN DIEGO felt throughout the institution. The Guilders enthusiastically support the Globe The County of San Diego plays a major year-round by providing invaluable assistance role in promoting the region’s cultural through their hosting of Meet and Greets on 7 assets. the first day of rehearsals, connection with the students in the Old Globe/University of San Diego Graduate Celebrating Couture Fashion Show, which will mark its Through the County’s Neighborhood Theatre Program, coordination of December Nights activities 24th year on May 9, 2014. The Globe is proud to thank the Reinvestment and Community on the Globe’s Copley Plaza and involvement in community Guilders for their tremendous support! Enhancement programs, a wide Greg Cox, Dianne Jacob, Dave Roberts, Ron Roberts, Bill Horn, and fundraising activities. Their largest fundraiser is the range of not-for-profit organizations District 1, Chair District 2, Vice Chair District 3 District 4 District 5 throughout the County receive funding The Guilders are always eager to welcome new members to their dedicated group. If you would like more information, for capital projects and programs that visit www.GlobeGuilders.org, email [email protected], or contact Globe Guilder Vice President of Membership improve the quality of life for County residents and visitors, Davies Festival Theatre, and a Community Enhancement Angie DeCaro at [email protected]. promote economic development and encourage tourism. grant was awarded to help fund Globe productions and education and community programs. The Old Globe is grateful to the San Diego County Board 1. Peter Landin, Michelle Cardinal and their daughter Dylan. 2. Board member Rhona Thompson with Rick Thompson and their children, Hunter and Riley. 3. Board of Supervisors for approving the support of many of the The Old Globe commends the County of San Diego and the member Steve Stuckey, Gia Stuckey and their children Hayden and Paige. 4. Sherrill Leist, Bobbie Ball, M.F.A. candidate Christopher Salazar and Randy Tidmore. theatre’s artistic and education programs and capital County Board of Supervisors for valuing and supporting arts 5. M.F.A. candidate Sean-Michael Wilkinson, Barbara Bolt, Alexa Hirsch and M.F.A. candidate Whitney Wakimoto. 6. Eleanor Lynch, M.F.A. candidates Whitney projects. This year, a Neighborhood Reinvestment Program and culture. Wakimoto and Danielle O’Farrell, Jeanette Stevens and Eric Cohen. 7. Globe Artistic Director Barry Edelstein, Globe Guilder President and Board member Linda Van Vark, Fashion Show Co-Chair Marlene Sterling, designer Naeem Khan, Fashion Show Chair Liz Helming, Honorary Chair and Board member Elaine Darwin and Globe grant is helping fund critical improvements to the Lowell Managing Director Michael G. Murphy at Celebrating Couture 2013. Photos 1, 2, 3 and 7 by Doug Gates; photos 4, 5 and 6 by Nowell Wisch.

18 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 19 AT THE GLOBE COMMUNITY VOICES Community Voices is the centerpiece of The Old Globe Residency Project, an artistic initiative funded by a grant from The James Irvine Foundation to further the Globe’s engagement with underserved communities throughout San Diego County. Participants attend free playwriting workshops and performances,

culminating in a Gill Sotu (back row, third from left) with The Old Globe Community Voices participants and actors. Photo by Doug Gates. presentation of their own plays at The Old Globe. Since the launch of Community “When I first heard about to learn the art of playwriting Voices program, I am currently Voices in 2012, nearly 20 The Old Globe’s Community and see my words come to life working on a full-length play community groups have Voices program I couldn’t by professional actors was a with plans to premiere it in my enrolled in the program, believe it was real. I have big check on my bucket list. home neighborhood of Normal Krystel Lucas (center) with the cast of A Midsummer Night’s becoming a vital part of the learned from my past that I have learned so much about Heights or really wherever they Dream, 2013. Photo by Jim Cox. Globe family and gaining the what is too good to be true what story is and how to use will have me. I am honored tools to create art in and for usually is. I am happy to report it to engage and challenge that I was chosen to be a voice their communities. When that I was wrong. Before the myself and the audience. This for my community and would The financial crisis of 2008 served as an important reminder of asked about his experience, program, I had never been is a major tool in affecting my recommend it to anyone in a A TRUSTWORTHY the fragility of cultural institutions. Performing arts organizations Community Voices to the Globe. As an aspiring community. Now that I have heartbeat.” Endowment: throughout the U.S. suffered greatly in the wake of the economic shift, participant Gill Sotu said: writer, being given the chance completed the Community FUTURE Vital for the forcing many to scale back programs or close down entirely. Future of Your Old Globe The Old Globe has remained solvent and stable, due largely to the leadership of a small group of generous individuals who ensure that Support the Next Generation the Globe remains at the forefront of American theatre and a vital GLOBE EDUCATION PROGRAMS part of our city’s cultural landscape. Well ahead of its time, The Old Globe made an ongoing To protect against negative turns in the economy, The Old Globe must commitment to young audiences by developing its first create a robust and substantial endowment that can ensure long-term education programs in 1947. Inspired by the example set stability for the high quality and meaningful artistic and community by Craig Noel, the Globe’s legendary Founding Director and programs you have come to expect. one of California’s most important pioneers in bringing live theatre to young people, we continue to offer a wide range of An endowment is essentially a trust fund that covers a portion of a programs for all ages and serve many students not only on not-for-profit institution’s annual expenses and serves as a buffer the Globe campus, but also in communities throughout San against hard times. The Old Globe Board of Directors is planning Diego County. Smiling students at StarPAL Day at the Globe following a free student matinee of Dr. Seuss’ How the Grinch Stole Christmas!, 2012. short- and long-term strategies that will enable the creation of an appropriate endowment for an institution with a $20 million annual In addition to the diverse work on our three stages, the program with the University of San Diego, one of the top budget. And one day very soon you will be asked to help. Globe currently offers year-round education and community classical training programs for professional actors. programs that include a Summer Shakespeare Intensive The two ways to support the endowment are either through a cash gift for high school students; a Middle School Conservatory; Many of today’s audiences, donors, volunteers, artists and or through planned giving, such as with a bequest or estate gift. Your Shakespeare Production Guides; the Grinch Children’s staff fondly recall that their first experiences of professional support can ensure that generations to come will continue to learn Initiatives; School in the Park; a Free Student Matinee Series theatre took place here on the Globe campus. We need your about the works of Shakespeare, Shaw, Williams and Simon, as well as and an acclaimed Master of Fine Arts in Dramatic Arts help to continue reaching the next generation. the new voices in the American theatre that will join their ranks. For more information or to make a contribution supporting The Old Globe’s education and community programs, To learn more about the Globe’s planned giving program or ways to support the Endowment, please contact Director visit www.TheOldGlobe.org/Support or contact Jessica Burger at (619) 231-1941 x2311. of Development Todd Schultz at (619) 231-1941 x2310.

20 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 21 AT THE GLOBE “For 28 years now, KPMG feels JOIN THE CRAIG NOEL LEAGUE TODAY WHAT fortunate to be associated with the Ensure a Stronger Future for The Old Globe! Globe and the exceptional plays THE and musicals it produces. The Globe presents special programs, including the autism-friendly Dr. Seuss How the GLOBE Grinch Stole Christmas! performances “Craig Noel often said, ‘I want this theatre to have the security of an that impact many lives. A part of our endowment so that we may continue to engage and inspire audiences MEANS own history with the Globe is KPMG’s for generations to come.’ To keep his dream alive, my husband and I annual Grinch holiday event, complete became members of the Craig Noel League in 2001. The Old Globe has TO US with a Who-Feast, where we celebrate been an important part of my life since I arrived in San Diego in 1968. with our families and friends.” I was excited to find a theatre producing Shakespeare at such a high —Beth Altman, Globe Board member, Partner, KPMG level. We immediately became subscribers; I joined the Globe Guilders, Audit Partner, Director Circle Corporate Member who support the Globe and its many education programs. My daughter learned Shakespeare at The Old Globe and attended Camp Orbit for young Board member Beth Altman with David Altman and Susan and Scott Salka at the opening night of The Rainmaker. Photo by Doug Gates. students. Today, I am a Globe Ambassador, introducing new people to the theatre, serving as a member of the Board of Directors and helping to ensure the future of the theatre I love.” — Board member Jordine Von Wantoch, Craig Noel League Member “As subscribers and donors, “As longtime patrons of we’ve enjoyed many the Globe, we take pride opportunities to meet the in the theatre’s high Board member Jordine Von Wantoch and Founding Director Craig Noel. artists. This event was the quality productions and its best, because we were able professionalism. The Old to personally thank Dana Globe enriches San Diego, and Green for her outstanding the work it does makes for a Frank A. Frye, III PACEM (Pacific Academy of performances at the Globe.” better city and citizenry.” Craig Noel Mr. Alan Gary & Ms. Joanee Udelf Ecclesiastical Music) Nancy Reed Gibson Sarah B. Marsh-Rebelo & John Rebelo —Leslie Hodge and William Eiffert, —Edry and Robert Goot, League Robert Gleason & Marc Matys Esther Rodriguez Gold Level Members Gold Level Members Marcy Goldstone Darlene Marcos Shiley Edry and Robert Goot, William Eiffert, actress Dana Green and Leslie Hodge at the Carol & Don Green Patsy & Forrest* Shumway Other Desert Cities Meet the Artist event. Photo by Nowell Wisch. Members Bernard and June Harland B. Sy & Ruth Ann Silver Dee E. Silver, M.D. Anonymous (19) Kathryn Hattox Stephen M. Silverman Diana Barliant* David & Debbie Hawkins Roberta Simpson Jan Bart Jill Denison Holmes Dolores & Rod Smith CRAIG NOEL, 1957 Nancine Belfiore Craig & Mary Hunter Marisa SorBello & Peter Czipott Alan Benaroya Grace Johnston John & Cindy Sorensen Barbara Bolt Gladys H. King Nancy A. Spector & Alan R. Spector Nancy Brock Marilyn Kneeland Jeanette Stevens Ronald Brown Jean & David Laing Eric Leighton Swenson Dr. & Mrs. Edgar D. Canada James & Janice LaGrone Anne C. Taubman Sandra & Harry Carter Dr. Ronald & Mrs. Ruth W. Leonardi Randy Tidmore Garet & Wendy Clark Jerry Lester Foundation Cherie Halladay Tirschwell Joseph J. Cohen and Martha P. Farish Robin J. Lipman Evelyn Mack Truitt R. Patrick & Sharon Connell Heather Manion Ginny Unanue Jane Cowgill Chris & Jill Metcalf Jordine Von Wantoch Gigi Cramer Paul I. & Margaret W. Meyer Merle Wahl* Patricia W. Crigler. Ph. D., Steve Miller CAPT/USN/Ret. Dr. Robert W. Miner Holly J. B. Ward Carlos & Patricia Cuellar Shirley Mulcahy Sarah Woodruff Watkins “We support The Old Globe because we truly love the theatre “We love the depth and breadth of the programming at Darlene Gould Davies Laurie Dale Munday Sheryl & Harvey P. White and its staff. We feel honored to continue the legacy started the Globe. Three distinctly different theatres and viewing Mrs. Philip H. Dickinson Stanley Nadel & Cecilia Carrick Mrs. Jack Galen Whitney by Suzie’s parents, Dolly and Jim Poet, in the early 1960s, experiences are matched with an amazing variety of Alice B. Nesnow Julie Meier Wright Doug Druley & Becky Young and we bring family and friends to the plays throughout the productions. The Globe is the linchpin of San Diego’s cultural Arthur & Marilyn Neumann Carolyn Yorston-Wellcome Bernard J. Eggertsen & year.” community and we are proud to be able to support it.” Florence Nemkov Ronald J. Newell *In Memoriam Dr. & Mrs. Robert Epsten Greg & Polly Noel — Globe Guilder Suzie Turner and Michael Turner, Craig Noel Circle Patrons — Globe Board member Paula Powers and Brian Powers, Season Sponsors

Michael and Suzie Turner (right) with daughter Dolly Pizzuto at the opening night for Artistic Director Barry Edelstein, Director of Professional Training Richard Seer, and Be a Good Little Widow. Photo by Doug Gates. Board member Paula Powers and Brian Powers at the opening night of Other Desert To become a member of the Craig Noel League or to tell us of a gift you have already made, please contact Bridget Cantu Wear, Cities. Photo by Doug Gates. Associate Director of Development, Planned Giving, at (619) 231-1941 x2312 or [email protected].

22 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 23 AT THE GLOBE ENHANCE YOUR The Old Globe campus has been bustling with activity, with several productions and many associated events filling all three theatres. The Globe celebrated the opening of The Rainmaker on Thursday, July 18 with a pre-show Circle Patron Dinner. On THEATRE EXPERIENCE Thursday, August 1, The Old Globe then marked the opening of Double Indemnity with a pre-show Circle Patron Reception. Become a Member of the Globe’s Annual Fund! Following both opening night performances, donors, sponsors and Board members mingled with the cast and other members of the creative team at the opening night after-party. Even with strong ticket sales, income from the box office only accounts for approximately 50% of the theatre’s $20 million operating budget. As a not-for- profit theatre, The Old Globe primarily relies on the generous support of patrons like you to contribute the rest. Annual Fund donations support artistic work and educational programs that the Globe offers to the San Diego community. Annual Fund members also receive benefits that enhance the theatregoing experience. Check to see if your company has a matching gift policy, which can double the impact of your donation.

Annual Fund Benefits Highlights 1 2 • Invitation to the Annual Meeting ($50) • Invitations to all opening night dinners ($1,500) • Complimentary backstage tour ($125) • Unlimited admission to the Lipinsky Family Suite ($2,500) • Opportunity to purchase tickets before the general public ($250) • Personal VIP ticketing and subscription assistance ($2,500) • Listing as an Annual Fund donor in all programs for one year ($500) • Invitation to the Annual Founder Circle Dinner ($5,000) • Invitations to attend Meet the Artist events ($500) • Complimentary Globe valet parking ($10,000) • Invitations to selected opening night receptions ($1,000) To learn more about Annual Fund giving and benefits, contact Jessica Burger, Development Manager of Individual Annual Giving, at (619) 231-1941 x2311.

4 3 In Memoriam and Endowment Gifts Donors to the Endowment Margaret Armbruster Lyn Ann Deems Bettie Holloway Bini Vincent Marquez Marilyn Shaw John A. Berol William Armbruster Betty Crates Dennis Violetta Horton Minerva Marquiz R. Ernest Sheperd Ronald Brown Colonel Albert A. Arnhym Barney DeSelm Tom Howell Delza Martin Forrest N. Shumway Ava Carmichael Leni Arnhym Jean DeSelm David Huffman Maggie Mazur Diane Sinor Harry & Valerie Cooper Lois L. Bailey Trust Chris Dimolias Helena Ingrum Bob McGlade John Sinor Maria Correia Grace Barbey Edith Dolnick Barbara Iredale Cora Inez McGlade Anne Smith Jane Cowgill Diana Barliant Dozoretz Family Estate Judge T. Bruce Iredale David McIntyre Larry Spear Darlene G. Davies Lillie Mae Barr Mary Suzanne “Sue” Drew Thelma Irwin Paul Michael Marje Spear Danah Fayman Chester K. Barta, MD Bill Eaton Bob Jamieson Eleanor Mikkelsen Denise Spooner Mr. & Mrs. Feldman F. William Bartels, LS Jessica Eaton Rudy Jarabek Elsa Mikkelsen Andrew Stewart Ellis Construction Joseph Basquez Helen Edison Donald Jenkins Judy Miller Jane Stillman Kathryn Hattox Katherine Black John Ellsworth Mary Jermanok Francis M. Millican Charles E. Stoll The Hollis Foundation Frank Bowers Anne Enoch Joseph E. Jessop, Jr. Richard C. Mitchell Cora Sweet James and Jan LaGrone Patricia Wynand Brandon Montague Enoch Barbara Johnson Dr. Francis Montalbano Kay Taylor-Hopkins 5 6 The Mr. Isaac C. Malamud Dorothy Brown Pauline Evans Gram Jones Jack Mosher Hie Thompson and Mrs. Agustina R. Lewis Brown Dennis Farmer Dana Juhl Jim Mulvaney Marilyn Thompson Malamud Foundation Vincent Buckley Chuck Farr Steve Kaster Josiah L. Neeper Peg Thornton The Mission Valley Victor Buono Bunny Feldman Anne M. Kay Rita Neeper Martha Tingler Community Fund Clair Burgener Betsy Flannagan Hank Kelley Kenneth Newton Howard Tirschwell Mr. Stephen B. Nielander & Louis Yager Cantwell Annette Ford Peggy Kellner Craig Noel Marian Trevor Ms. Dominique K. Alessio C. Wayland Capwell Mrs. John H. Fox Luther Kennett The Teresa A. Nugent Walter Trevor La Nona Royalty Funds Mary Delafield Carter Robert Friedenberg Bill King Memorial Fund Burton & Valeda Turner National Endowment for Whitfield Case Dorothea Gales J. Robert King Martin B. Ortlieb Walter Varner the Arts Jack Cecil Dessie Galland Agnes Kinsella Victor Ottenstein Patti Vars Jeannie Polinsky Rivkin J. Dallas & Mary Clark Dorothy Garland Richard Kneeland Dr. Ralph W. Otterstrom Dick Viertel Artistic Fund Gordon Frank Cleator Sheldon Gero Tony Kopas Douglas Pagliotti Ann C. Vojtko The San Diego Foundation Marian Colby Shirley Gillespie Jack Krill Margaret F. Peninger Phil Wahl Pat Thomas Hazel Goes Cook Tony Gillson Rose Ruth Kuntz William F. Penny, Sr. Merle G. Wahl San Diego Trust & Savings David C. Copley Dr. Viola Granstaff Jeff Larsen Clive Nelson Pillsbury Harvey Von Wantoch Celeste & Gene Trepte Dudley R. Cooper Gracie Knudsen Gray John David Lentz Dolly & James Poet Rusty Walker 7 8 Tim & Ellen Zinn Tom Corcoran Mike Gubitosi Georgie Leslie Sheila Potiker Tim Ward Geraldine Corda Peg Graybill Marguerite “Peg” Lewis Dorothy S. Prough Jim Webre 1. (center, from left) Norman Blachford and Board member Peter Cooper, Production Sponsors, with the cast of The Rainmaker. 2. (from left) Double Indemnity director In Memoriam Gifts Clif Cowgill Sam L. Hall Nim Lindsey Anne Ratner Alma Webster John Gould Rubin with Production Sponsors Elaine and Leonard Hirsch. 3. (from left) Board member Jordine Von Wantoch, Jeffrey Lipinsky, Board member Sheila to the Endowment Kay Crick Dr. Winston Hall Bernard Lipinsky Allen Redman Robert West Lipinsky, Shakespeare Festival actor Miles Anderson and Bella Merlin. 4. (from left) Board member Harvey White and Sheryl White with Norman Blachford and Board or Annual Fund Josephine Crum Patricia E. Hanft Dorris Lipinsky Hadley & Hester Richardson Jack Whitney member Peter Cooper, Production Sponsors of The Rainmaker. 5. (from left) Dr. Steve Wheeler, Board member Lynne Wheeler and Shakespeare Festival actor Donald Jack Aaronson Warren Currier Connie Hedges Elaine Lipinsky Will Roberson Hal Williams Mary Adams Francis Cushing James Hempstead Gordon Luce Nancy Rondebush Dr. Stanley E. Willis II Carrier. 6. Rick Thompson, Board member Rhona Thompson, Double Indemnity director John Gould Rubin and Production Sponsors Nina and Robert Doede. 7. (from Richard Croxton Adams Ethelind Davies Kerry Hogan-Bean Dr. Fraser L. Machpherson Eleanor Rose Dick Wilson left) Robert Gleason, Board member Elaine Darwin and Cathy and Larry Robinson. 8. Board member Dan Sullivan, Artistic Director Barry Edelstein and Katie Sullivan. John Robert Agajeenian John Davies Nina Hoke Irma Macpherson Serena Sams Dolores M. Wilson Photos by Doug Gates. Helen Albritton Lowell Davies Chuck Hollinquest Marie Manning Rose Schweitzer Victor Wulff

24 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 25 OUR THANKS In 1995, the Season Sponsor program was initiated by Globe Board members to secure a foundation of support for artistic Season Sponsors and education programs. Since that time, Season Sponsors have contributed millions of dollars collectively to underwrite the annual operating budget, and The Old Globe is grateful to acknowledge the following donors who have generously supported the 2013-2014 season.

Lead Season Sponsors HENRY DIROCCO HENRY JIM COX Elaine Lipinsky Family Foundation Globe Guilders John A. Berol Charter Sponsor since 1995 Charter Sponsor since 1995 Sponsor since 1996

Karen and Donald Cohn Darlene Marcos Shiley Charter Sponsor since 1995 Charter Sponsors since 1995 In memory of Donald Shiley Charter Sponsors since 1995 The County of San Diego Kathryn Hattox Joan and Irwin Jacobs Sponsor since 1996 Sponsor since 1998 Sponsors since 2002

Mary Beth Adderley and Valerie and Harry Cooper Mickey Stern Audrey S. Geisel Sheryl and Harvey White Conrad Prebys and Debra Turner Elizabeth & Ryan Williams Sponsors since 2005 Sponsor since 2009 Sponsor since 1998 Sponsors since 2000 Sponsors since 2004 Sponsors since 2004

Brian and Silvija Devine Paula and Brian Powers Rhona and Rick Thompson Sponsors since 2012 Sponsors since 2012 Sponsors since 2013

Mary Ann Blair Peter Cooper and Norman Blachford Sponsor since 2007 Sponsors since 2008

Charter Sponsor since 1995 Sponsor since 2004 Sponsor since 2005

Sponsor since 2000

Sponsor since 2007

For additional information on how you may become a Season Sponsor, please contact Todd Schultz, Director of Development, at (619) 231-1941 x2310. Photos for Globe Guilders: Charlotte Parry and Robert Sean Leonard in Pygmalion, 2012; for John A. Berol: Krystel Lucas and Miles Anderson in A Midsummer Night’s Dream, 2013.

26 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 27 OUR THANKS CORPORATE DONORS ANNUAL FUND DONORS The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations and government agencies. Please join us Lead Season Sponsors ($75,000 or more) Season Sponsors ($50,000 - $74,999) in giving a warm thanks and recognition to these leaders who have made tonight and our 629 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight.

Benefactors ($100,000 and above) City of San Diego Commission for Arts & Culture Globe Guilders The Shubert Foundation The County of San Diego The James Irvine Foundation Wells Fargo Audrey S. Geisel/The San Diego Microsoft Sheryl & Harvey White Foundation Foundation Dr. Seuss Fund Darlene Marcos Shiley, in memory of Donald Shiley

Season Sponsors ($50,000 to $99,999) Mary Beth Adderley and Elizabeth & Ryan Williams Mr. & Mrs. Brian K. Devine Paula & Brian Powers The Legler Benbough Foundation Edgerton Foundation Conrad Prebys & Debra Turner John A. Berol Kathy & John Hattox Qualcomm Foundation Mary Ann Blair HM Electronics, Inc. Mickey Stern California Bank & Trust Joan & Irwin Jacobs Fund of the Rhona & Rick Thompson Production Sponsors ($25,000 - $49,999) Karen & Donald Cohn Jewish Community Foundation United Peter Cooper & Norman Blachford The Parker Foundation Valerie & Harry Cooper (Gerald & Inez Grant Parker)

Production Sponsors ($25,000 to $49,999) Anonymous The Hull Family Sheraton San Diego Hotel & Marina Bank of America Inn at the Park Patsy & Forrest* Shumway Alan Benaroya Jo Ann Kilty Ms. Jeanette Stevens Richard & Kathy Binford Barbara G. Kjos Gillian & Tony Thornley Pamela & Jerry Cesak Elaine Lipinsky Family Foundation Torrey Pines Bank Cohn Restaurant Group/Prado Restaurant Jeffrey & Sheila Lipinsky Family Foundation Union Bank Elaine & Dave Darwin National Corporate Theatre Fund U.S. Bank Ann Davies Neiman Marcus Mandell Weiss Charitable Trust Nina & Robert Doede Random House Children’s Books Pamela A. Farr Gloria & Dick* Rasmussen Hal & Pam Fuson San Diego Gas & Electric® Higgs Fletcher & Mack, LLP Shakespeare for a New Generation a National is a not-for-profit corporation created to increase Elaine & Leonard Hirsch Program of the National Endowment for the ($15,000 to $24,999) National Corporate Theatre Fund Director Circle and strengthen support from the business community for ten of this country’s most Arts in Partnership with Arts Midwest distinguished professional theatres. The following foundations, individuals and corporations support these theatres through their contributions to NCTF: Director Circle ($10,000 to $24,999) Jane Smisor Bastien Daphne H. & James D. Jameson Evelyn Mack Truitt Acquis Consulting Group Marsh & McLennan Companies The Anthony Cerami & Ann Dunne Brooke & Dan Koehler Nita & Henk van der Werff American Express Foundation The McGraw-Hill Companies Foundation for World Health Carol & George Lattimer Jordine Skoff Von Wantoch AOL MetLife Nikki & Ben Clay Rebecca Moores Pamela J. Wagner Bank of America Morgan Stanley Joseph Cohen & Martha Farish National Endowment for the Arts Dr. Steve & Lynne Wheeler Bloomberg Pfizer, Inc. Dr. & Mrs. Robert Epsten Rafael & Marina Pastor Karin Winner BNY Mellon RBC Wealth Management Karen Fox & Harvey Ruben Tom & Lisa Pierce Brent Woods & Laurie Mitchell James E. Buckley RVM Inc. Steven Bunson The Ralph and Luci Schey Foundation Diana R. Glimm Allison & Robert Price Pamela & Marty Wygod ($10,000 to $14,999) Christopher Campbell/ Sharp Electronics Lee & Frank Goldberg Price Family Charitable Fund June E. Yoder Holland America Line ResMed Foundation Palace Production Center Skadden, Arps, Slate, Dr. & Mrs. Harry F. Hixson, Jr. Jean & Gary Shekhter Carolyn Yorston-Wellcome Cisco Systems, Inc. Meagher & Flom LLC Citi George S. Smith, Jr. Founder Circle ($5,000 - $9,999) Clear Channel Outdoor TheaterMania.com/Gretchen Shugart Bertrand at Mister A’s First American Trust GEN 7 Wines Cleveland Clinic John Thomopoulos FOUNDER CIRCLE Barbara & Dick Enberg The Jerome Robbins Foundation Anonymous (4) Hyatt Regency La Jolla Loma Media Nokia Inc. CMT/ABC The James S. and Lynne P. Turley Ernst ($5,000 to $9,999) Carol Spielman-Ewan & Joel Ewan Chrissy & Roger Roberts Judith Bachner & Eric Lasley Datacert, Inc. & Young Fund for Impact Creativity Lawrence G. Alldredge & Dawn Moore Martha & George Gafford Iris & Matthew Strauss Jan & Rich Baldwin Dorsey & Whitney Foundation UBS Anonymous Drs. Thomas H. & Jane D. Gawronski Bob & Julie Sullivan Bobbie Ball Craig Noel Circle ($2,500 - $4,999) Epiq Systems Wells Fargo Melissa Garfield Bartell & Michael Bartell Norm Hapke & Valerie Jacobs Hapke Kathryn B. & Daniel L. Sullivan Family Diana J. Barliant* & Nowell Wisch Cubic Corporation Luna Grill Ernst & Young Willkie Farr & Gallagher LLP Bradford W. Bates Gordon & Phyllis Harris Fund at The San Diego Foundation Jan Bart Goldman, Sachs & Co. Joan & Jeremy Berg Alexa Kirkwood Hirsch Pat & Jack Thomas Mr. & Mrs. Bear Barbara Bloom William Karatz Cherie Halladay Tirschwell Charlotte & Charles Bird The Louis Yager Cantwell Peter Manes & Yoko Sakaguchi Carol Vassiliadis Joan Bishop, in memory Private Foundation Paul & Maggie Meyer Pat & Bob Whalen of Harold McNeil PUBLIC SUPPORT Carol & Jeff Chang Money/Arenz Foundation, Inc. Paul Black Colwell Family Distributable Fund at Caroline & Nicolas Nierenberg CRAIG NOEL CIRCLE Dr. Herman & Irene H. Boschken Major funding provided by the City of San Diego Commission for Arts and Culture. The San Diego Foundation Matthew & Judith Pollack ($2,500 to $4,999) Dr. & Mrs. Edgar D. Canada The Old Globe is funded by the County of San Diego. R. Patrick & Sharon Connell John & Marcia Price Family Foundation Dr. & Mrs. Wayne Akeson Edward & Pamela Carnot Bernard J. Eggertsen & Florence Nemkov Rivkin Family Fund I at Gail Andrade and Harry & Sandra Carter Marion Eggertsen The San Diego Foundation John & Jennifer Andrade George & Ellen Casey

28 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 29 OUR THANKS PATRON INFORMATION Rudy & Carol Cesena Jim & Ruth Mulvaney Foundation at Arthur & Marlene Greenberg Richard & Candace Haden Garet & Wendy Clark The San Diego Foundation Kaaren Henderson Helen M. Hammond TICKET SERVICES HOURS SEATING OF LATECOMERS Ms. Heidi Conlan/ Elspeth & Jim Myer Hexagone Jeff & Judy Handler Monday: Closed Although we understand parking is often at a premium, the seating The Sahan Daywi Foundation Bette Nagelberg Bill & Nancy Homeyer James & Ruth Harris Fund of the Richard & Stephanie Coutts Joyce & Martin Nash Kenneth & Marilyn Jones Jewish Community Foundation Tuesday – Sunday: Noon – last curtain of latecomers is extremely disruptive. Latecomers may be given Susan Barlow Cowell Bob Nelson Louis & Mary Beth Kelly Virginia Hawkins Hours subject to change. Please call ahead. alternative seating and will be seated at an appropriate interval. Gigi & Ed Cramer Lyn Nelson Robert Kilian & Kathleen Slayton Jamie Henson & Robert Houskeeper PHONE (619) 23-GLOBE (234-5623) Carlo & Nadine Daleo Arthur & Marilyn Neumann Gayle & Jerry Klusky Bruce & Jane Hopkins FAX YOUNG CHILDREN Darlene G. Davies, in memory Lawrence Newmark Bill & Linda Kolb Stephen Hopkins & Dr. Carey Pratt (619) 231-6752 of Lowell Davies Patrons of the Prado Dr. & Mrs. James E. Lasry Joseph & Donna Hynes EMAIL [email protected] or [email protected] Children five years of age and under will not be admitted to Pat & Dan Derbes L. Robert & Patricia L. Payne Thomas D. Lookabaugh Foundation Isaacs Brothers Foundation at performances. Dean & Mrs. Michael H. Dessent Col. & Mrs. Ben Pollard Edward & Nancy Lyon The San Diego Foundation ADMINISTRATION HOURS Jim & Sally Ditto Bill & Mo Popp Jasna Markovac & Gary Miller Tony & Nancy Janus Monday – Friday: 9:00 a.m. – 5:00 p.m. ELECTRONIC DEVICES AND CAMERAS Devora & Ron Eisenberg of Great News! Daniel Porte Jr., MD & Sally Dubois Marcia Mattson Dr. & Mrs. Clyde W. Jones Mr. & Mrs. Ira S. Epstein The Arthur & Jeanette Pratt Jack Meek Bob & Janice Kayler PHONE (619) 231-1941 The video and/or audio recording of this performance by any Mary & David Fitz Memorial Fund Judith & Neil Morgan Dr. Marvin Kripps WEBSITE www.TheOldGlobe.org means whatsoever are strictly prohibited. Please silence all digital Susanna & Michael Flaster Joseph & Jane Rascoff Mark Niblack, MD La Farfalla Cafe ADDRESS The Old Globe watches, pagers and cellular phones prior to entering the theatre. Jean & Sid Fox Sarah B. Marsh-Rebelo & John G. Rebelo Virginia Oliver LABS, Inc./Silvia Dreyfuss P.O. Box 122171 Samuel I. & John Henry Fox Foundation Nancy Robertson Dr. Julie Prazich & Dr. Sara Rosenthal Barney Lanz ASSISTED LISTENING SYSTEM at Union Bank of California Cathy & Larry Robinson Robert & Doris Reed Rick & Sherry Levin San Diego, CA 92112-2171 Chuck Freebern Carole Sachs Jordan Ressler Charitable Fund of the Marshall & Judy Lewis Fund of the For the convenience of our hard of hearing and hearing-impaired Charles & Millicent Froehlich Beverly & Warren Sanborn Jewish Community Foundation Jewish Community Foundation ORDERING TICKETS/CHANGE OF ADDRESS patrons, The Old Globe has an Assistive Listening System in all Joy & Dr. Fred Frye Sue & Duff Sanderson Esther Rodriguez Carl Maguire & Margaret Sheehan three theatres: the Sheryl and Harvey White Theatre, the Old Globe Elaine Galinson Sherry & C.A. Sheppard The Ralph B. Rogers Foundation Sally & Luis Maizel The Old Globe accepts Visa, Discover, MasterCard, or American Barbara & Albert Garlinghouse Drs. Joseph & Gloria Shurman Sabuku Sushi Drs. Betty Joan Maly & John Meyers Express. Phone orders for non-subscribers are subject to a $3.50 Theatre and the Lowell Davies Festival Theatre. A limited number Bill & Judy Garrett Dee E. Silver, MD Jay & Julie Sarno Ron & Mercy Mandelbaum per ticket service charge. Ticket exchanges are subject of the lightweight headsets, as well as induction neck loops, may be Teresa George Elene & Herb Solomon Richard Seer & Douglas Wallingford Rev. Stephen J. Mather to a service charge for non-subscribers. If you have moved, please obtained from the house manager prior to performances. Nancy Reed Gibson Marisa SorBello & Peter Czipott Alan & Esther Siman Ronald McCaskill & Robyn Rogers notify the Ticket Services Office to update our records. Call Wendy Gillespie Nancy & Alan Spector and Family Dave & Phyllis Snyder Mr. & Mrs. William M. McKenzie PUBLIC TOURS Robert Gleason & Marc Matys Barbie & Dan Spinazzola Ann & Robert Steck Charles & Billie McKnight (619) 234-5623 during Ticket Services hours, mail your change Sheila & Tom Gorey Nancy Steinhart & Rebecca Goodpasture Greta & Steve Treadgold Rena Minisi & Rich Paul of address to the Ticket Services Office, or email us at Tickets@ Go behind the scenes at The Old Globe to learn about the history, George C. Guerra Hannah & Gene Step Ms. C. Anne Turhollow & Charles & Ilene Mittman TheOldGlobe.org. three stages, shop and craft areas. Open tours: most Saturdays and Timothy P. Haidinger Karen & Don Tartre Mr. Michael J. Perkins Dr. Robert & Anne Morrison Sundays at 10:30am. Groups by reservation. $5 adults; $3 seniors Ms. Cheryl Haimsohn Suzanne Poet Turner & Michael Turner Stan & Anita Ulrich Charles & Susan Muha Guy & Laura Halgren Lou & Doris Vettese David & Irene Weinrieb Shirley Mulcahy UNABLE TO ATTEND? and students. Phone (619) 238-0043 x2145 for information/ Pat & Rick Harmetz Mary R. Warkentin Ms. Sandy Wichelecki & Marsha J. Netzer If you find you are unable to use your tickets, please give them to reservations. Drs. Patrick Harrison & Eleanor Lynch Jan Harden Webster & Raul Ortega Ms. Suzanne Dukes Evy & Ed Newton a friend, or turn them in to the Ticket Services Office and receive Liz & Gary Helming The Patricia and Christopher Weil Howard & Christy Zatkin Rod & Barbara Orth LOST AND FOUND Rhonda Heth & Thomas Mabie Family Foundation Dr. David & Elizabeth Ostrander a tax receipt for your donation. Tickets must be received by show Richard & Janet Hunter Mary Kay West GOLD Barbara B. Oswalt time. If you have misplaced a personal item while at the theatre, please Hutcheson Family Fund at James E. & Kathryn A. Whistler ($500 to $999) Julius J. Peal Fund at contact the Ticket Services Office or Security as soon as possible. The San Diego Foundation In Memory of Freda Altschuler & The San Diego Foundation RESTROOMS If we are unable to locate your item, we’ll happily take down your Drs. Sonia & Andy Israel ($1,500 to $2,499) Sylvia Goldin In Memory of Margaret Peninger contact information and a description of the item and contact you Jerri-Ann & Gary Jacobs Anita Busquets & William Ladd George Amerault Dr. Ken Pischel & Dr. Katherine Ozanich Restrooms are located in the lower lobby of the Old Globe Theatre, Pat JaCoby Gary & Carrie Huckell Anonymous (7) Drs. Paul & Katherine Ponganis the lobby of the Sheryl and Harvey White Theatre and adjacent to if it is found. The Old Globe does not assume liability for items left Mary & Russell Johnson William & Edythe Kenton Earl Asbury Mr. & Mrs. J.S. Rekettye the Lowell Davies Festival Theatre. behind on the premises. Jackie Johnston Sherry & Larry Kline Alicia Atun & Elaine Rendon* Rowling Family Charitable Fund of the Katleman Family Fund of the James & Ellen Weil Bruce & Patricia Becker Jewish Community Foundation Jewish Community Foundation Shirli Fabbri Weiss Amnon & Lee Ben-Yehuda Crystal A. Rubin NATURAL HERB COUGH DROPS—COURTESY OF RICOLA USA, INC.—ARE AVAILABLE UPON REQUEST. PLEASE ASK AN USHER. Dr. Gerald & Mrs. Barbara Kent Drs. John & Karen Berger Frank Ruyak Gladys H. King DIAMOND Jay Biskupski & Catherine Imrie San Diego Branch of Ken & Sheryl King ($1,500 to $2,499) Deb & Brand Brickman The English-Speaking Union Webster & Helen Kinnaird Anonymous Ruth Bunn Simon & Ruth Sayre Jane & Ray* Klofkorn Jeff & Donna Applestein Mary-Kay Butler Brigid Hom-Schnapp & Russell Schnapp Curt & Nancy Koch Mrs. Lazare F. Bernhard Beth & Tim Cann Marilies Schoepflin, Ph.D. Rosalie Kostanzer & Michael Keefe Steve G. Bjorg Greg & Loretta Cass Linda J. Seifert Regina Kurtz in fond memory Jane Cowgill Luc Cayet & Anne Marie Pleska Beverly & Howard Silldorf of Al Isenberg Dr. Robert & Marcia Malkus Lynne Champagne & Wilfred Kearse Mr. William D. Smith & Dr. Carol Harter By William Shakespeare Bob & Laura Kyle Holly & David Bruce Jack & Carol Clark Peter & Frances Splinter Jean & David Laing Dr. & Mrs. M. Joseph McGreevy Ronald Culbertson Ronald & Susan Styn Directed by Jamie Newcomb Peter Landin & Michelle Cardinal Akiko Charlene Morimoto & Honorable Vincent Di Figlia Mr. & Mrs. Gordon Swanson Terry & Mary Lehr Hubert Frank Hamilton, Jr. Dr. Donald & Eilene Dose Clifford & Kay Sweet November 9 - November 17 Ms. Sherrill Leist Susan Parker Jacqueline & Stanley Drosch Brenda & Robert Tomaras Sheryl and Harvey White Theatre Dr. Ronald & Mrs. Ruth W. Leonardi Shearn & Linda Platt Bill Eiffert & Leslie Hodge Doris Trauner, M.D. & Richard Sanford James & Pamela Lester Jack & Louise Strecker Victor & Louise Engleman Jeffrey & Sheila Truesdell Conrad Prebys Theatre Center Sandy & Arthur Levinson Margery & John Swanson Drs. George & Susan Dersnah Fee Natalie C. Venezia & Paul A. Sager Robin J. Lipman Richard & Beverly Fink Karen Walker Weaving wit, romance and comedy, Much Ado About Nothing is a Barbara & Mathew Loonin PLATINUM Family Foundation Kathy & Jim Waring whirlwind race to the finish line of “happily ever after.” Love may Sue & John Major ($1,000 to $1,499) Pauline Forman & Jack Burke The Washkowiak’s MUCH ADO Jackie & Charlie Mann Fund of the Anonymous Susan & Steven Garfin Dennis & Carol Wilson conquer all, but not without a few battles along the way, and the Jewish Community Foundation Drs. Gabriela & Mike Antos Theresa A. Georgi Cass Witkowski Family verbal spars between these two lovers have never been so much Lois & F. Dale* Marriott Bob & Joyce Blumberg Arthur Getis Brendan M. & Kaye I. Wynne fun to watch! Ms. Kerri Martella Cecilia Carrick & Stan Nadel Norman & Patricia Gillespie ABOUT Dr. Ted & Marcy Mazer Walter & Cheryl Deegan J. M. Gillman *In Memoriam A joint venture of The Old Globe and the University of San Diego, the nationally-renowned Elizabeth & Edward McIntyre Dorothy R. Dring Robert & Edry Goot This list current as of August 15, 2013. Master of Fine Arts Professional Actor Training Program recruits seven students each year Elizabeth B. Meyer Clare & Paul Friedman Drs. Barbara B. & Leonard J. Gosink from around the country to participate in an intensive two-year course of graduate study in Sara F. Moser Gay and Lesbian Fund for San Diego Chris Graham & Michael Albo classical theatre. Private funding for the Master of Fine Arts in Dramatic Arts program is Nancy & James Mullen at The San Diego Foundation Carol & Don Green NOTHING contributed through an endowment established by Donald and Darlene Shiley. For additional information on how you may support The Old Globe’s artistic, education and community programs, please visit our website at www.TheOldGlobe.org or contact Rachel Plummer, Major Gifts Officer, at (619) 231-1941 x2317 or [email protected].

30 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 31 Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director

Amy E. Allison...... General Manager Rick Corder, Kimberly Eddo, Danielle Griffith, FINANCE Dave Henson...... Director of Marketing and Communications Sunny Haines, Rebecca Morgan, Sue Noll, Carly Bennett-Valle...... Senior Accountant Todd Schultz...... Director of Development Noelle Van Wyk...... Wardrobe Crew, Festival Trish Guidi...... Accounts Payable/Accounting Assistant Mark Somers...... Director of Finance Corrine Roache...... Wardrobe Crew, White Adam Latham...... Payroll Coordinator/Accounting Assistant Richard Seer...... Director of Professional Training Marie Jezbera...... Rental Agent Tim Cole...... Receptionist Robert Drake...... Director of Production Roberta Wells-Famula...... Director of Education PROPERTIES DEVELOPMENT Neil A. Holmes...... Properties Director Annamarie Maricle...... Associate Director, Kristin Steva Campbell...... Assistant to the Director Institutional Grants ARTISTIC Kristine Hummel...... Prop Assistant Bridget Cantu Wear...... Associate Director, Planned Giving Eric Louie, Justin Waldman...... Associate Producers M.H. Schrenkeisen...... Shop Foreman Eileen Prisby...... Events Manager Danielle Mages Amato...... Literary Manager/Dramaturg Rory Murphy...... Lead Craftsman Rachel Plummer, Keely Tidrow...... Major Gifts Officers Bernadette Hanson...... Artistic Associate Chris Carignan, Ron Cooling, Chad G. Dellinger, Jessica Burger...... Development Manager, Trish Rutter, Tom Stephansky...... Craftspersons Desiree Nash...... Community Outreach Coordinator Individual Annual Giving David Medina...... Properties Buyer Katherine Harroff...... Community Teaching Artist Angelique von Thun...... Major Gifts Associate David Buess...... Property Master, Globe Jan Gist...... Resident Vocal Coach Diane Addis...... Membership Administrator Seamus O’Bryan...... Stage and Property Master, White Kacie Bluhm...... Development Assistant PRODUCTION Andrew Recker...... Property Master, Festival Rico Zamora...... VIP Donor Ticketing Debra Pratt Ballard...... Associate Director of Production Serena Famalette...... Development Intern LIGHTING Suzanne Conway...... Company Manager Shawna Cadence...... Lighting Director Carol Donahue...... Production Coordinator DONOR SERVICES Sarah Lawler...... Lighting Fellow Jackson Smith...... Assistant Company Manager Janette Jack, Barbara Lekes, Richard Navarro, Tonnie Ficken...... Master Electrician, Globe Gary Neuberg, Frank Ramirez, Stephanie Reed, STAGE MANAGEMENT Jim Dodd...... Master Electrician, White Susie Virgilio, Stephen Wade, Rico Zamora...... Suite Concierges Leila Knox...... Production Stage Manager Kevin Liddell...... Master Electrician, Festival Mark Dewey, Leah Nellman....Follow Spot Operators, Globe MARKETING TECHNICAL Kristen Flores...... Follow Spot Operator, Festival Ed Hofmeister...... Associate Director of Marketing Benjamin Thoron...... Technical Director Bradley Berholtz, Jason Bieber, Mark Dewey, Christian Erikson, Sam Ibrahim, Heather Melville, Mike Hausberg...... Public Relations Associate Wendy Berzansky...... Associate Technical Director Leah Nellman, Luke Olson, Steve Schmitz...... Electricians Kelly Boyle...... Digital and Print Publications Coordinator Travis Barrett, Laura Lothian...... Marketing Assistant Gabrielle Heerschap...... Assistant Technical Directors SOUND Susie Virgilio...... Marketing/Events Assistant Sean Fanning...... Resident Design Assistant Paul Peterson...... Sound Director Carol Ann Malley, Stephen Wade...... Distribution Staff Eliza Korshin...... Technical Assistant/Buyer Mark Hartshorn...... Master Sound Technician, Globe Steve Schmitz...... Buyer Assistant Dana Pickop...... Master Sound Technician, White SUBSCRIPTION SALES Christian Thorsen...... Stage Carpenter/Flyman, Globe Jeremy Nelson...... Master Sound Technician, Festival Scott Cooke...... Subscription Sales Manager Carole Payette...... Charge Scenic Artist Rachel Doemelt...... Deck Audio, Globe Arthur Faro, Janet Kavin, Pamela Malone, Adam Bernard...... Lead Scenic Artist RJ Givens...... Deck Audio, Festival Yolanda Moore, Jessica Morrow, Ken Seper, Jessica Amador, John S. High, Jenn Imbler, Cassandra Shepard, Jerome Tullmann, Eileen McCann, Boris Mitchell...... Scenic Artists Terry Dycus, Greg Ellis, Austin Taylor... Sound Technicians Grant Walpole...... Subscription Sales Representatives Greg Sowizdrzal...... Automation Operator ADMINISTRATION Laura McEntyre...... Automation Coordinator Alexandra Hisserich...... Operations Assistant TICKET SERVICES Jason Chohon...... Automation Assistant Shana Wride...... Assistant to the Artistic Bob Coddington...... Ticket Services Manager Gillian Kelleher...... Master Carpenter and Managing Directors Marsi Bennion...... Ticket Operations Manager Robert Dougherty...... Festival Master Carpenter Darlene Davies...... The Old Globe Historian Tony Dixon...... Lead Ticket Services Representative Jack Hernandez...... Charge Carpenter, White Kari Archer, Kathy Fineman, Alejandro Gutierrez, David Atchison, Robin Barnett, Peter Barroso, INFORMATION TECHNOLOGY Tyler Jones, Caryn Morgan, Jordyn Patton, Daniel Capiro, Curt Carlsteen, Sean Chaffin, Danielle Porath, Dean Yager...... Information Technology Manager Edward Charles Pyne, Chris Chauvet, Mike Cook, Christopher Smith...... Ticket Services Representatives Ralph Cook, Tracy Crowder, Bob Dougherty, John Ralston..... Information Technology Assistant Manager Matt Geibe, Larry J. Hall, Sloan Holly, Jim Hopper, Brittany Summers...... Information Technology Assistant PATRON SERVICES Josh Letton, Mia West...... Carpenters Mike Callaway...... Theatre Manager Jason McNabb...... Deck Crew HUMAN RESOURCES Mary Taylor, Jane Zwerneman...... House Managers Tim Zaragoza...... Irvine Intern Sandy Parde...... Human Resources Director Kristen Cairns...... Front of House Assistant Manny Bejarano...... Human Resources Coordinator COSTUMES Elaine Gingery...... Food and Beverage Manager Timothy Acosta, Tanika Baptiste, Missy Bradstreet, Stacy Sutton...... Costume Director MAINTENANCE Sondra Mejia, Benjamin A. Murrell, Stephanie Passera, Charlotte Devaux...... Resident Design Associate James Ford...... Facilities Manager Paige Plihal, Michelle Thorsen, Paula Weil...... Pub Staff Maureen Mac Niallais...... Assistant to the Director Violanda Corona, Ismael Delgado, Frank Fields, Linda Bahash, Jessica Piatt, Shelly Williams...... Design Assistant/Shopper Roberto Gonzalez, Bernardo Holloway, Reyna Huerta, Stephanie Rakowski...... Gift Shop Supervisors Michelle Hunt Souza...... Design Assistant Jose Morales, Albert Rios, Maria Rios, Leonardo Rodriguez, Vielka Smith, Nicolas Torres ...... Building Staff Marsha Kuligowski, Su Lin Chen, SECURITY/PARKING SERVICES Joan Mathison, Wendy Miller...... Tailors PROFESSIONAL TRAINING Rachel “Beahr” Garcia...... Security Supervisor Erin Cass, Louise Powers...... Drapers Eddie Alvarez, Dallas Chang, Babs Behling, Anne Glidden Grace, Llance Bower...... Program Coordinator Sherisa Eselin, Jeff Howell, Janet Larson, Susan Sachs, Raquel Stewart...... Assistant Cutters Brian Byrnes, Maria Carrera, Cynthia Caywood, Jeffrey Neitzel...... Security Officers Mary Miller, Nunzia Pecoraro...... Costume Assistants Ray Chambers, Gerhard Gessner, Jan Gist, Oscar Gonzalez, Fred Robinson, Abraham Stoll...... M.F.A. Faculty Maria De La Mora, Heather Premo, Cameron Wheeler...... Parking Lot Attendants William Hartley, Corey Johnston, Ana Gisele Ramirez, Joanna Stypulkowska...... Stitchers Michael Prince, Alexander Thomas....VIP Valet Attendants Erin Carignan...... Craft Supervisor Nate Parde...... M.F.A. Production Staff Sharon Granieri, Stephanie Parker...... Craft Artisans/Dyers/Painters EDUCATION Molly O’Connor...... Wig and Makeup Supervisor Carol Green...... Speakers Bureau Coordinator Jack O’Brien...... Artistic Director Emeritus Founding Director Kim Parker...... Assistant to Wig and Makeup Supervisor James Cota, Jo Anne Glover, Lisel Gorell-Getz, Craig Noel...... Anna Maldonado...... Wig Assistant Brian Hammond, Jason Heil, Stephen Hohman, Erika Malone, Erika Phillips, James Pillar, Beverly Boyd, Beth Merriman...... Wardrobe Supervisors Damon Shearer, Cynthia Stokes...... Teaching Artists Debbie Allen, Tim Hooper, Anna MacDonald, Ana Maldonado, Anna Noll...... Wardrobe Crew, Globe

32 PERFORMANCES MAGAZINE