A Few Words from Gary Churgin, HFA President &
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Live-Streaming As a Marketing Channel in the Swedish Music Industry
DEGREE PROJECT IN MEDIA TECHNOLOGY, SECOND CYCLE, 30 CREDITS STOCKHOLM, SWEDEN 2016 Live-streaming as a marketing channel in the Swedish music industry FREDRIK LILJEQVIST KTH ROYAL INSTITUTE OF TECHNOLOGY SCHOOL OF COMPUTER SCIENCE AND COMMUNICATION Live-streaming as a marketing channel in the Swedish music industry Live-streaming som marknadsföringskanal i den svenska musikbranschen By: Fredrik Liljeqvist, [email protected] Submitted for the completion of the KTH program Media Technology, Master of Science in Media Technology – Media Management Date of submission: 2016-05-31 Supervisor: Vygandas Simbelis, KTH, Department of Media Technology and Interaction Design. Examiner: Mario Romero, KTH, Director of the Human-Centered Visualization Group at the Department of Computational Science and Technology. Abstract The music business is one of the industries most affected by digitalization of content and distribution channels. As industry revenue shifted from principally physical to digital channels in 2015, while being the business with the largest presence and most popular accounts in virtually all social media platforms - the current state of the music industry is change. This has led industry professionals into searching for new and innovating ways of reimagining the business model of music distribution. Thus, the purpose of this study is to investigate the potential of video live-streaming as an addition to the current social media channels used to market artists. This was done through looking into what industry professionals think of the subject in terms of strategic reasoning and potential, observing an interactive live-stream with a Swedish boy band, and a questionnaire directed towards end-users and listeners of Swedish popular artists to define what their stance is towards music-related social media in general, and live-streaming in particular. -
Songwriter Symposium
The Texas Songwriters Association Presents 15th Annual SONGWRITER SYMPOSIUM JANUARY 9 – 13, 20 Holiday Inn Midtown Austin, Texas www.austinsongwritersgroup.com ASG SONGWRITER SYMPOSIUM 2019 SCHEDULE WEDNESDAY, JANUARY 9, 2019 5:00 – 6:30 PM Symposium Registration (Magnolia Room) Walk Up Registration & Pre-Registration Check In: 1. Pick Up Schedule and Wrist Bands 2. Sign Up for the One-On-One with Publisher of Your Choice 3. Sign Up for the One-On-Ones with the music industry professionals ( writers, publicists, lawyers, producers, performance coach, etc. ) 4. Sign up for showcases 6:30 PM: Kick Off Party Meet and Greet! 7:00 – 8:00 PM: Open Mic In The Round 8:00 – 9:15 PM PUBLISHERS PANEL Music Publishers Bobby Rymer, Jimmy Metts, Sherrill Dean Blackman, Steve Bloch, and Antoinette Olesen kick off Symposium 2019 by leading this panel discussing current trends in music publishing. 7:00 – 8:00 PM: Open Mic In The Round 10:00 PM - Midnight SONG PICKING CIRCLES After the Music Publishing Panel, grab your instruments and circle for the opening night song picking circles. THURSDAY, JANUARY 10, 2019 9:00 AM Symposium Registration (Magnolia Room) Walk Up Registration & Pre-Registration Check In: 1. Pick Up Schedule and Wrist Bands 2. Sign Up for the One-On-One with Publisher of Your Choice 3. Sign Up for the One-On-Ones with the music industry professionals ( writers, publicists, lawyers, producers, performance coach, etc. ) 4. Sign up for showcases PUBLISHERS PANEL (HILL COUNTRY BALL ROOM) This is an introduction to the publishers. They will tell you a little about themselves, and some of the things they are currently working on. -
Copyright Connections NSAI Song Contest
NASHVILLE'S PITCH SHEET SINCE 1992 Thursday, October 15, 2009 ONLINE DIRECTORY Copyright Connections Subscribers will find the directory at Garth Brooks revealed this morning www.musicrow.com/ that he is officially ending his retirement. He directory. If you haven't shared the news at a press conference in already created a new Nashville and plans to share more details at password for the directory, please email another press event this afternoon. For [email protected]. updates and details, visit the story at www.musicrow.com. ROWFAX POLICY Respect Intellectual Jason Morris has been Property. Sharing your hired to the post of Sr. subscription with others is prohibited. RowFax is for Creative Director for Universal Music Publishing Nashville has signed professional use only and Zavitson Music Group, songwriter Phillip White its roster. White is known does not guarantee song LLC, the publishing for compositions like “I’m a Survivor,” the theme pitching access. It is up to company jointly owned song of sitcom Reba, and Rascal Flatts' “I’m Movin’ the subscriber to use their On.” Pictured (L-R) Seated: White; Back: UMPG own resources and by Debbie Zavitson, Nashville Pres. Pat Higdon, UMPG Nashville’s contacts to submit Russ Zavitson, and Creative Manager Freeman Wizer, UMPG Nashville’s material. RowFax is Beverly Miller. Prior to Senior Vice President Kent Earls, Attorney Chip intended for information joining Zavitson, Morris only and is not responsible Petree. for business transactions or headed his own company, misadventures resulting Morris Code Music. Additionally he has held from use of this creative offices for Big Picture Entertainment, information. -
1971-06-05 the Main Point-Page 20
08120 JUNE 5, 1971 $1.25 A BILLBOARD PUBLICATION t..bl)b;,!RIKE100*-ri.3wZ9 F _) 72 ">¡Ai'2(HAl\I; J 4A1-EN SEVENTY -SEVENTH YEAR BOX 10005 The International i i;N;lEf?. CO 80210 Music-Record-Tape Newsweekly CARTRIDGE TV PAGE 16 HOT 100 PAGE 56 TOP LP'S PAGES 54, 55 C S Sales Soari Car Tapes osts p Puts Pub on ® 5 >s .f*'? Sets bîversiIîc .p t® Sign on rk; Asks 5 Mil By LEE ZHITO By MIKE GROSS NEW YORK - CBS Inter- and today has expanded its own- Ci;ssette Units national enters its second decade ership in foreign subsidiaries to NEW YORK -Capitol Rec- operation of the Capitol Record with an estimated $100 million 24 countries. Its representation By RADCLIFFE JOE ords is planning to unload Club. in annual sales, and a program in the international marketplace NEW YORK - Car Tapes, its music publishing division, Bhaskar Menon, newly ap- - Glenwood Music. of accelerated expansion and consists of countries which are Inc. will phase out two of its Beechwood of Capitol diversification. The asking price for the firm is pointed president responsible for approximately 95 three auto cassette units, pos- up The company started with percent of the record industry's reported to be $5 million. One Records, has been shaking sibly by year's end. The Cali- picture firms in three countries abroad, dollar volume outside of the fornia -based company had three of the bids under consideration the diskery's structural U.S. with price tags has come from Longine's, which during the past few weeks and units available of publishing t' : Harvey Schein, president of $80 to $160. -
Elvis Aron Presley Intelligence Project by Miles Mathis
return to updates Elvis Aron Presley Intelligence Project by Miles Mathis First published December 15, 2015 As usual, this is all just my opinion, arrived at by my own personal research. I don't expect this paper to be very popular. After all, most people like Elvis—at least early Elvis. To take some of the sting out of it, let me say I like Elvis, too. By outing him, I am not implying he wasn't talented or fun to watch. He was. He was a good looking guy with a nice voice and a lot of charisma. That is why he was chosen. That and other reasons. To get started, we will once again go down the Wikipedia page, looking for red flags. I will show you how to read those markers and how to link out to more important information. The first thing we find is that Elvis was a twin. We are told his twin died at birth, but not everything we are told is true. So we should put that on the shelf with a question mark by it. People often write to me asking me if the spooks are using cloning, and this question ties into that. My short answer is that they don't need to, since nature already does it. Intelligence looks for twins, which are already clones of a sort. We saw it in my last paper on David Irving, who is also a twin. As I said there, the nice thing about twins is that they can be in two places at once. -
21 One Month In, WUSN Chicago's New Morning Team Is Making Itself at Home
2021 JUNE 21 CountryInsider.com | Sign Up For Daily Email Here One Month In, WUSN Chicago’s New Morning Team Is Making Itself At Home. On paper, the pairing of Melissa McGurren and Austin Huff should work perfectly as the morning team at Audacy “US99” WUSN Chicago. She’s a familiar voice in the market with 22 years of history at a crosstown station. He’s a Nashville native who grew up around the city’s music scene and has connections in the sports world. Even though neither has worked at a country station before coming to WUSN, they appear to have all the elements for success — comfort level, lifestyle music. It’s all there. Real life doesn’t always play out like planned scenarios. This time, though, things seem to be going okay. (Continued on page 4) COUNTRY INSIDER TOP 5: Country Fans Love 70s And 80s Music — But Is That Where Their Favorite Country Comes From? Why Country Radio In Los Angeles And Atlanta Wouldn’t Be The Same Without Norm Schrutt. Mike O’Malley: Radio And The Benefits of Limited Time Offers. Viva Las Vegas: Jason Aldean Headed Back To Sin City For Three Nights In December. Meanwhile In Virginia: Eddie Garcia Begins His West Virginia-To-Tennessee Walk. 1 | JUNE 21, 2021 CountryInsider.com Ryan Fox Joel Burke My Top 5 Favorite Mornings Top 5 Fave Songs Operations Manager NEW Songs: Westwood One Right Now: KBEY 103.9 Marble Falls, TX Hot Country Format 1. I Was on a Boat That Day - 1. Gone - Old Dominion Dierks Bentley 2. -
Elvis Aron Presley: Intelligence Project
return to updates Elvis Aron Presley Intelligence Project by Miles Mathis First published December 15, 2015 As usual, this is all just my opinion, arrived at by my own personal research. I don't expect this paper to be very popular. After all, most people like Elvis—at least early Elvis. To take some of the sting out of it, let me say I like Elvis, too. By outing him, I am not implying he wasn't talented or fun to watch. He was. He was a good looking guy with a nice voice and a lot of charisma. That is why he was chosen. That and other reasons. To get started, we will once again go down the Wikipedia page, looking for red flags. I will show you how to read those markers and how to link out to more important information. The first thing we find is that Elvis was a twin. We are told his twin died at birth, but not everything we are told is true. So we should put that on the shelf with a question mark by it. People often write to me asking me if the spooks are using cloning, and this question ties into that. My short answer is that they don't need to, since nature already does it. Intelligence looks for twins, which are already clones of a sort. We saw it in my last paper on David Irving, who is also a twin. As I said there, the nice thing about twins is that they can be in two places at once. -
Swedish Dance Chart Compiled by Dee Jay Promotions
Week 40 2020 Swedish Dance Chart Compiled By Dee Jay Promotions TW LW HP WC Artist-SongRecord Label BPM Share 1319JOEL CORRY & MNEK - Head & Heart Warner 123 6,66% 2 2 1 18LADY GAGA - Rain On Me ft. Ariana Grande UNI 123 6,56% 3 1 1 10KYGO & TINA TURNER - What's Love Got To Do With It Sony Music 105 5,53% 4 5 4 4AGNES - Fingers Crossed UNI 125 5,53% 5 4 2 9DAVID GUETTA & MORTEN - Kill Me Slow Warner 126 5,48% 6 6 1 13ROBIN SCHULZ & WES - Alane Warner 124 5,38% 7 877AVA MAX - Who's Laughing Now Warner 92 4,34% 8 10 8 4CLEAN BANDIT & MABEL - Tick Tock ft. 24kGoldn Warner 101 3,95% 9 7 5 8BOB MARLEY - Sun Is Shining ft. Robin Schulz UNI 124 3,9% 10 9 8 5JASON DERULO - Take You Dancing Warner 113 3,41% 11 13 11 5DUA LIPA - Levitating ft. Madonna Warner 116 3,26% 12 12 12 3MARTIN GARRIX - Higher Ground ft. John Martin Sony Music 128 3,11% 13 11 11 8HERTZBERG & FUNKE - Save Tonight ft. Affas Outfly 125 3,06% 14 23 14 2ALEX GAUDINO, JERMA - Little Love ft. Lil Love Spinnin'/Warner 125 2,71% 15 19 15 2DISCLOSURE - Douha (Mali Mali) UNI 124 2,67% 16 14 1 18DIPLO & SIDEPIECE - On My Mind Warner 123 2,62% 17 17 17 5LOVE REGENERATOR - Live Without Your Love Sony Music 128 1,97% 18 < NEW >DAVID GUETTA & SIA - Let's Love Warner 93 1,97% 19 20 19 3MELVO BAPTISTE - Bad Company ft. -
Global Music Report 2017 Annual State of the Industry
GLOBAL MUSIC REPORT 2017 ANNUAL STATE OF THE INDUSTRY Global top 10 recording artists of 2016 Never stop playing. GLOBAL MUSIC REPORT 2017: ANNUAL STATE OF THE INDUSTRY 3 WELCOME he IFPI Global Music Report tells a positive story of music being enjoyed by more people in more ways than ever before. At the heart of this story T are incredible artists, supported by the invest- ment and innovation from record companies and other partners that is helping them to share their music with the world. We are now in an exciting era in which streaming is making the depth and richness of every kind of music available to hundreds of millions of people, with artists Plácido Domingo connecting more directly and more quickly with their Chairman, IFPI audiences. Challenges remain, however, and the fair remunera- tion of those that create and invest in music must be a priority in this increasingly digital world. The whole community is uniting in its efforts to ensure that music is properly valued so that artists and their work can thrive. UNLOCK THE GLOBAL POWER OF NIELSEN MUSIC YOUR KEY TO THE BEST DATA-DRIVEN SOLUTIONS IN THE BUSINESS GAIN ACCESS TO MUSIC CONNECT The Industry’s Most Trusted Data & Insights with Over 20 International Charts CUSTOM RESEARCH, ANALYTICS and MORE GET THE INFORMATION YOU NEED TO GROW YOUR BUSINESS IN 2017 Contact [email protected] CONTENTS ANNUAL STATE OF THE INDUSTRY 01. Global music market 2016 figures 6 02. Introduction – Frances Moore 7 03. Global charts 8 UNLOCK 04. Global market overview 10 THE GLOBAL POWER OF 2016 figures by format and region 12 05. -
2005 NMPA Annual Meeting
Soundcheck Volume V Number 6 July/August 2005 2005 NMPA Annual Meeting A few words from Gary Churgin, HFA President & CEO fact that we had a very large royalty Our parent organization, the NMPA, just compliance settlement in the first quarter of had its annual meeting in June, and I want to 2004. We are cautiously encouraged by the share with you some of my remarks from fact that core mechanical collections through that meeting. This includes a preview of our May are actually up almost 2% compared to next technology release, which will take the same period in 2004, especially in light place on Labor Day weekend. of the reported Soundscan album units’ declining year-over-year in Q-4 2004 and The playing field for music publishers is Q-1 2005. rapidly changing, and both publishers and the organizations that support them need to Based on retail trends to date, we don’t become more flexible – and even reinvent expect the mechanical market to greatly themselves – in order to remain competitive improve, and we may be challenged to in today’s creative marketplace. sustain the gains in core mechanicals we’ve seen so far this year. But we have planned This is absolutely true for HFA. When I for this, and have been charting a joined the company in January 2001, I was conservative course. I do want to remind charged with transforming HFA’s processes everyone that the NMPA activities are and technology to better handle the financially supported by a portion of HFA’s challenges of the 21st-century marketplace, proceeds. -
2020 ASCAP Annual Report
BILLIE EILISH PERFORMS DURING THE 62ND ANNUAL GRAMMY AWARDS Photo by Emma McIntyre/Getty Images for The Recording Academy WE ARE… grateful to serve our family of songwriters, composers and music publishers so they can keep creating the music the world needs now. ASCAP is 100% committed to protecting the value of our members’ music. We give them the tools, support and guidance they need to grow their careers, and the vital connections they need to succeed. USHER PERFORMS DURING THE 62ND ANNUAL GRAMMY AWARDS Photo by Kevin Mazur/Getty Images for The Recording Academy 2020 ANNUAL REPORT 2 A MESSAGE FROM ASCAP PRESIDENT AND CHAIRMAN OF THE BOARD PAUL WILLIAMS I hope all of you and your loved ones are staying but innovated and optimized to help our writers and healthy, finding positive ways to cope and seeing publishers. In fact, in 2020 ASCAP executed not one the light at the end of this long tunnel. We all are but ten distributions to our members entirely re- still facing hard challenges, as individuals, as fami- motely for the first time in ASCAP history. lies, as a community and as a country. ASCAP is its members – a gloriously diverse family Yet, the eternal optimist in me sees great hope, of music creators, and in 2020 we came together change and opportunities as we rise above this dark like never before to make a genuine impact. We chapter. That’s because I believe in you and the power took strong action to support our community, fos- of our collective. As music creators, you are instru- ter innovation, educate our members, protect equi- ments of healing and your music is giving solace, in- ty in the workplace, boost participation in the 2020 spiration and strength to the world. -
Don't Be Cruel
Don’t Be Cruel (Elvis Presley) [Verse 1] Don't be cruel to a heart that's You know I can be found true Sitting home all alone Why should we be apart? If you can't come around I really love you baby, cross my At least please telephone heart Don't be cruel to a heart that's true [Verse 4] Let's walk up to the preacher [Verse 2] And let us say I do Baby, if I made you mad Then you'll know you'll have me For something I might have said And I'll know that I'll have you Please, let's forget the past Don't be cruel to a heart that's The future looks bright ahead true Don't be cruel to a heart that's I don't want no other love true Baby it's just you I'm thinking of I don't want no other love Baby it's just you I'm thinking of [Verse 5] Don't be cruel to a heart that's [Verse 3] true Don't stop thinking of me Don't be cruel to a heart that's Don't make me feel this way true Come on over here and love me I don't want no other love You know what I want you to Baby it's just you I'm thinking of say 51 "Don't Be Cruel" is a song recorded by Elvis Presley and written by Otis Blackwell in 1956. It was inducted into the Grammy Hall of Fame in 2002.