Impressionist, Modern & Contemporary Fine

Home , Hugues Claude Pissarro, Lucien Pissarro

IMPRESSIONIST, MODERN & CONTEMPORARY FINE ART AUCTION

JERUSALEM, OCTOBER 13, 2015, 8 PM SALE 138

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1 GUSTAVE LOUIS JAULMES 1873-1959 (Swiss) Femmes au puits, 1942 (preparatory drawing for tapestry) oil on canvas 300 x 480 cm (118 x 189 in.) signed lower right PROVENANCE: Private collection, Israel. $7,500-9,000 ←2 3 GEORGES ANTOINE ROCHEGROSSE SCHOOL OF COYPEL 1859-1938 (French) 18th century Arrival of Queen of Sheba La naissance de Bacchus oil on board oil on canvas 114 x 60 cm (45 x 24 in.) 220 x 238 cm (87 x 94 in.) PROVENANCE: PROVENANCE: Private collection, Israel. Sale: Christie’s South Kennsington, May 24, 2007, lot 211. Private European collection, acquired at the above sale. $9,500-12,000 $9,000-12,000 4 5 HENRY SOMM HENRY SOMM 1844-1907 (French) 1844-1907 (French) Elégante à l’ombrelle Elégante à l’éventail watercolor on paper watercolor on paper 25 x 19 cm (10 x 7 in.) 26 x 19 cm (10 x 7 in.) signed lower right signed lower right $900-1,200 $900-1,200

6 LOUIS ABEL-TRUCHET 1857-1918 (French) Boulevard, 1980 oil on canvas 30 x 45 cm (12 x 18 in.) signed and dated lower right $6,000-8,000 5 HENRY SOMM 1844-1907 (French) Elégante à l’éventail watercolor on paper 26 x 19 cm (10 x 7 in.) signed lower right 7 $900-1,200 EDOUARD LÉON CORTÈS 1882-1969 (French) Place Vendome oil on canvas 33 x 46 cm (13 x 18 in.) signed lower right $6,000-9,000

8 EUGÈNE GALIEN-LALOUE 1854-1941 (French) La crue de la Seine, quai de L’Hôtel de Ville, 1910 gouache on paper 20 x 32 cm (8 x 13 in.) signed lower left This work will be included in the forthcoming volume II of catalogue raisonné currently being prepared by Noé Willer. $12,000-14,000 9 KONSTANTIN ALEXEYEVITCH KOROVIN 1861-1939 (Russian) Giverny tempera on paper mounted on cardboard 11 x 16 cm (4 x 6 in.) signed lower right PROVENANCE: Sale: Camera EOS Auction, Moscow, beginning of the 20th century (label on the reverse). Collection of Victor Midler. Private European collection, gift of the Midlers family in 1980. $25,000-35,000

10 ←10 11 ZINAIDA EVGENIEVNA ISAAK IL’ICH LEVITAN SEREBRYAKOVA 1860-1900 (Russian) 1884-1967 (Russian) Twilight over a forest and a lake oil on canvas Neskuchnoe, 1910’s 24 x 32 cm (9 x 13 in.) gouache on paper 11 x 27 cm (4 x 11 in.) PROVENANCE: Yaakov Peremen Collection. signed lower left Private collection, Israel. PROVENANCE: Collection of Victor Midler. EXHIBITION: The Great Masters: 19th-century Jewish Private European collection, gift from the above, c.1970. Art and its Origins, Mané-Katz Museum, Haifa, May 17 - $10,000-12,000 October 2014. $60,000-80,000 12 VICTOR LEON CHARRETON 1864-1937 (French) Jardin en été, c.1930 oil on canvas 60 x 73 cm (24 x 29 in.) signed lower right $14,000-18,000

13 ALBERT GLEIZES 1881-1953 (French) Sous-bois en l’automne, c.1907 oil on canvas 65 x 54 cm (26 x 21 in.) signed lower right LITERATURE: Anne Varichon (ed.), Albert Gleizes: Catalogue Raisonné, Paris: Somogy Editions d’Art, 1998, n.87 (illustrated). $9,000-12,000 14 ROBERT ANTOINE PINCHON 1886-1943 (French) Maison au bord de l’eau à l’automne, 1917 oil on cardboard 38 x 46 cm (15 x 18 in.) signed lower right, dated on the reverse PROVENANCE: Private collection, France. $12,000-15,000

15 ROBERT ANTOINE PINCHON 1886-1943 (French) L’Orée du bois oil on canvas 54 x 73 cm (21 x 29 in.) signed lower left PROVENANCE: Private collection, France. $15,000-20,000 16 P. FONTAINE 20th century (French) In the park gouache on cardboard 46 x 55 cm (18 x 22 in.) signed lower left $1,200-1,500

17 EMMANUEL VICTOR AUGUSTE MARIE DE LA VILLÉON 1858-1944 (French) Moissons à Bitry oil on canvas 44 x 80 cm (17 x 31 in.) signed lower right, titled on the reverse PROVENANCE: Private collection, France. EXHIBITION: Salon des Independats, 1980 (label on the reverse). $2,800-3,500

18 19 FRENCH IMPRESSIONIST SCHOOL 20th century Femme contemplant le temple de l’Amour, c.1900 oil on canvas 89 x 146 cm (35 x 57 in.) $9,000-12,000

←18 20 MAURICE MILLIERE FRENCH 1871-1946 (French) IMPRESSIONIST Coucher de soleil sur SCHOOL la Guadeloupe, 1927 20th century oil on canvas Landscape 41 x 73 cm (16 x 29 in.) oil on canvasboard signed and dated lower left 33 x 24 cm (13 x 9 in.) PROVENANCE: Private collection, UK. initialled lower left $2,000-2,500 $3,000-4,000 21 22

21 ARNOLD MARC GORTER 1866-1933 (Dutch) Dutch landscape oil on canvas 76 x 96 cm (30 x 38 in.) signed lower right PROVENANCE: Private collection, acquired in Rotterdam in 1950’s. Thence by descent. Private collection, Israel. $1,200-1,500

22 DAVID OSIPOVICH WIDHOPFF 1867-1933 (Ukrainian) Printemps au champs, 1907 oil on panel 33 x 41 cm (13 x 16 in.) signed and dated lower left, titled on the reverse PROVENANCE: Private collection, France. 23 $1,800-2,200

23 GASTON VINCENT ANGLADE 1854-1919 (French) Paysage aux bruyeres oil on canvas 55 x 65 cm (22 x 26 in.) signed lower right $1,200-1,500

24 GASTON VINCENT ANGLADE 1854-1919 (French) Champs de bruyere oil on panel 42 x 51 cm (17 x 20 in.) signed lower left $900-1,200 25 26 CHARLES MALFROY CHARLES MALFROY 1862-1951 (French) 1862-1951 (French) Gathering flowers, 1904 View of the coast of France, 1900 oil on canvas oil on canvas 44 x 59 cm (17 x 23 in.) 73 x 116 cm (29 x 46 in.) signed and dated lower left signed and dated lower right $6,000-8,000 $2,500-3,000 27 CAMILLE PISSARRO 1830-1903 (French) Pommiers en fleurs, Eragny, c.1900 oil on cardboard mounted on panel 22 x 28 cm (9 x 11 in.) signed lower left PROVENANCE: Eugène Blot, Paris; sale, Hôtel Drouot, Paris, 9-10 May 1900, lot 139. Galerie Georges Petit, Paris. Private collection, Switzerland. Anon. sale: Palais Galliéra, Paris, June 11, 1974, lot 29. Reuben Hecht, Haifa. Nathan Bernstein, New York. Acquired by Achim Moeller Fine Art on behalf of John C. Whitehead, March 1983. Private European collcetion. EXHIBITION: Late 19th and Early 20th Century French Masters, The John C. Whitehead Collection, The Montclair Art Museum, April-June 1989, p. 32, no. 58. The Whitehead Collection, Late 19th and 20th Century French Masters, A Collection in Progress, Achim Moeller Fine Art, New York, 1997 (illustrated in exhibition catalogue, pp.88-90 - in color; detail illustrated in color; with incorrect support). LITERATURE: L’art français de la révolution à nos jours, Paris (illustrated). L.R. Pissarro and L. Venturi, Camille Pissarro, son art—son oeuvre, Paris, 1939, vol. I, p.239, no.1137 (illustrated, vol. II, pl.226; with incorrect support). Achim Moeller Fine Art (ed.), Late 19th and Early 20th Century French Masters, The John C. Whitehead Collection, A Collection in Progress, New York, 1987, p. 80 (illustrated in color, p. 81). Achim Moeller Fine Art (ed.), From Daumier to Matisse, Selections from the John C. Whitehead Collection, exh. cat., Achim Moeller Fine Art, New York, 2002, p. 14 (illustrated in color). J. Pissarro and C. Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, Paris, 2005, vol. III, p. 815, no. 1319 (illustrated in color; with incorrect support). $480,000-600,000 Camille Pissarro played a central part and was one of the most influential figures in the French Impressionist movement. Camille Pissarro was the only artist to participate in all the eight Impressionist exhibitions. He gained his important status not only as a faithful master of the movement and as a successful artist, but also as a teacher - Gauguin, Van Gogh and Cézanne being three of his more renowned pupils; and a father to five artists – having seven children, he taught all his sons to paint.

Pissarro painted subjects of rural and urban French life, particularly landscapes in and around the village of Pontoise, as well as cityscapes of Montmartre. As a sympathizer of anarchist and socialist movements his mature works display an empathy for workers and peasants. “Pommiers en fleurs, Eragny, c.1900” represents a typical scene ina fruit garden in spring time. Apple trees in bloom in the left part of the composition are balanced by two peasant girls on the right. The overwhelming green of the grass is opposed to the pink tones of the blooming tree which are strengthened by the red skirt of one of the figures. Light blue tones of the sky are also repeated in the other girls’ clothes which makes them a focal point of the composition. 28 LUCIEN PISSARRO 1863-1944 (French) Summer fields, 1930 watercolor on paper 17 x 12 cm (7 x 5 in.) initialled and dated lower right PROVENANCE: Sale: James D. Julia, August 30, 2007, lot 488. Private collection. $1,800-2,500

Lucien Pissarro, the eldest son of Camille Pissarro and Julie Vellay, was born in Paris in 1863. His painting manner is well known for its combination of two artistic traditions – the French and the English. Lucien was skilled as a painter in oils and watercolor, a wood engraver and a lithographer.

29 GEORGES MANZANA-PISSARRO 1871-1961 (French) Paysage, 1954 oil on masonite 55 x 45 cm (22 x 18 in.) signed and dated lower left $12,000-15,000

Georges-Henri Pissarro, better known as Manzana, was the third of Camille Pissarro's seven children. As Lucien, he was taught by his father Camille from a very early age to love and observe nature. But his style was influenced by such distinguished artists of the Impressionist movement as Monet, Cézanne, Renoir and Gauguin, who were close friends of the Pissarro family and frequently frequented their home. He consequently adopted a more purely Impressionist style. 30 GEORGES MANZANA-PISSARRO 1871-1961 (French) Château Robert le Diable, 1937 oil on canvas mounted on cardboard 38 x 55 cm (15 x 22 in.) signed and dated lower left, signed again on the reverse $40,000-60,000

31 GEORGES MANZANA-PISSARRO 1871-1961 (French) Soleil couchant oil on canvas mounted on masonite 38 x 46 cm (15 x 18 in.) signed lower right, signed again and titled on the reverse $14,000-16,000 32 PAUL-EMILE PISSARRO 1884-1972 (French) Vieux saule au bord de l’Orne oil on canvas 46 x 61 cm (18 x 24 in.) signed lower right, signed again and titled on the reverse $5,000-7,000

33 PAUL-EMILE PISSARRO 1884-1972 (French) Paysage d’automne, chemin de la vallée oil on canvas 46 x 61 cm (18 x 24 in.) signed lower left, Paul-Émile Pissarro, Camille’s youngest son, was born in Eragny in 1884. signed again and titled on the reverse As his older brothers he was first taught by his father but as Manzana $8,500-10,000 much influenced by the artistic environment of the family home. More than his elders he was encouraged by his father to draw at an early age. Paulémile’s godfather was Claude Monet who became his teacher and close friend. During 1920’s, when he established his own Post-Impressionist style he was in close contact with such artists as Kees 34 Van Dongen and Maurice de Vlaminck. PAUL-EMILE PISSARRO 1884-1972 (French) Paysage vallon dans le midi watercolor on paper 26 x 27 cm (10 x 11 in.) 33 signed lower right $800-1,200 35 HUGUES CLAUDE PISSARRO b.1935 (French) L’avenue de la Gare sous la neige à Rennes oil on canvas 46 x 55 cm (18 x 22 in.) signed lower right, signed again and titled on the reverse $18,000-22,000 36 HUGUES CLAUDE PISSARRO b.1935 (French) Soleil du matin, sur la neige à Placy, c.1985-90 oil on canvas 51 x 61 cm (20 x 24 in.) signed lower right, signed again and titled on the reverse PROVENANCE: Philippe Bretonniere, St. Ouen, France. $16,000-18,000

37 HUGUES CLAUDE PISSARRO b.1935 (French) Les Fleurs du Bois de Deerpark à Virginia (County Cavan, Ireland) oil on canvas 50 x 61 cm (20 x 24 in.) signed lower left, signed and titled on the reverse $18,000-22,000 38 Hugues Claude Pissarro, the grandson of Camille Pissarro and son of HUGUES CLAUDE PISSARRO Paulémile Pissarro, is also known as Isaac Pomié. Same as his father b.1935 (French) he spent his childhood and youth in artistic atmosphere. Carrying on a family tradition established by Camille Pissarro, his father frequently Les foins à la Faverie, 1990 oil on canvas took Hugues on painting excursions, accompanied by his numerous 46 x 55 cm (18 x 22 in.) artist friends. Hugues Claude painted in variety of different styles and signed lower right, techniques – including abstract, avant-garde, minimalist and conceptual signed and titled on the reverse art. However he is now best known for his Impressionist-style works, which $18,000-25,000 he offer inscribes ‘Petit Fils’.

39 HENRI LIÉNARD DE SAINT-DELIS 1878-1949 (French) Plage animée de Honfleur oil on cardboard 27 x 36 cm (11 x 14 in.) signed lower right Accompanied by a certificate of authenticity signed by Jean-Pierre Hamon, dated February 6, 1993. $15,000-20,000 ←40 41 ACHILLE EMILE OTHON FRIESZ ALBERT MARQUET 1879-1949 (French) 1875-1947 (French)

Bord de mer, Cargos dans le port, c.1934 la promenade à Sainte Adresse, 1914 oil on panel oil on canvas 22 x 27 cm (9 x 11 in.) 54 x 73 cm (21 x 29 in.) signed lower left signed and dated lower right PROVENANCE: PROVENANCE: Anonymous sale: Palais Galliera, Paris, Paul Brame, Paris. December 5, 1968, lot 42 (label on the reverse). A. Tooth & Sons, London. Private European Collection, acquired from the above Estate of Viscount Radcliffe. sale. Thence by descent. Private collection, New Jersey. Sale: Sotheby’s, London, June 3, 1970, lot 55. Sale: Doyle New York, November 10, 2010, lot 30. Private collection. Private Europen collection. LITERATURE: Jean Claude Martinet & Guy Wildenstein, LITERATURE: R. Martin & O. Aittouares, Emile Othon Friesz, Marquet, L’Afrique du Nord, Catalogue de l’oeuvre peint, L’Oeuvre Peint, Paris, 1995, vol.I, p.65, no.51(illustrated). Paris, 2001, p.195, n.I193 (illustrated). $38,000-45,000 $30,000-40,000 42 43 MOÏSE KISLING LOUIS VALTAT 1891-1953 (Polish, French) 1869-1952 (French) Vase d’orchidées Bouquet de fleurs jaunes oil on canvas à la tenture rouge, c.1940 65 x 46 cm (26 x 18 in.) oil on canvas signed lower right 55 x 46 cm (22 x 18 in.) PROVENANCE: Galerie Romanet, Paris. initialled lower left Private collection, Holland (label on the reverse). PROVENANCE: Private collection. Private European collection. Thence by descent. Accompanied by a certificate of authenticity signed This work is recorded in the archives of by Jean Kisling and Marc Ottavi, dated February 25, 2015. l’Association Les amis de Louis Valtat. $80,000-100,000 $55,000-65,000 43 LOUIS VALTAT 1869-1952 (French) Bouquet de fleurs jaunes à la tenture rouge, c.1940 oil on canvas 55 x 46 cm (22 x 18 in.) initialled lower left PROVENANCE: Private collection. Thence by descent. This work is recorded in the archives of l’Association Les amis de Louis Valtat. $55,000-65,000 44 MAURICE UTRILLO 1883-1955 (French) Moulin de la Galette gouache on paper 28 x 24 cm (11 x 9 in.) signed and dated lower right PROVENANCE: Private collection, France. Jean Fabris has kindly confirmed authenticity of this work. $28,000-35,000 45 MAURICE UTRILLO 44 1883-1955 (French) MAURICE UTRILLO Le bureau de poste de la place des Abbesses, c.1939 1883-1955 (French) oil on cardboard mounted on canvas 46 x 61 cm (18 x 24 in.) Moulin de la Galette signed lower right, located lower left gouache on paper PROVENANCE: Galerie Paul Pétridès, Paris (label on the reverse). 28 x 24 cm (11 x 9 in.) Private collection, Cannes. signed and dated lower right LITERATURE: Paul Pétridès, L’oeuvre complet de Maurice Utrillo, Paris, 1969, PROVENANCE: Private collection, France. vol.ll, p.220, n.1937 (illustrated in black and white on p.221). Jean Fabris has kindly confirmed authenticity of this work. Jean Fabris has kindly confirmed the authenticity of this work. $28,000-35,000 $100,000-150,000 46 MOÏSE KISLING 1891-1953 (Polish, French) Bouquet de bleuets, 1947 oil on canvas 41 x 27 cm (16 x 11 in.) signed lower left, dated and located ‘Paris’ lower right PROVENANCE: Walter Klinkhoff Gallery, Montreal (label on the reverse). Estate of Adele Bloom.Private European collection. Accompanied by a certificate of authenticity signed by André Schoeller, dated July 15, 1974. $35,000-50,000

47 MOÏSE KISLING 1891-1953 (Polish, French) Bouquet de fleurs, c.1920 oil on canvas 73 x 54 cm (29 x 21 in.) signed lower left PROVENANCE: Gustave Fayet, Béziers. Thence by descent. Private collection, Switzerland. Private European collection. EXHIBITION: Chagall and the Circle of Jewish Painters of the 20th Century, Wally Findlay Galleries, Palm Beach, December 2012 - January 2013 (illustrated in exhibition catalogue, pp. 26-27). Jean Kisling has kindly confirmed the authenticity of this work. $120,000-150,000

"In our life there is a single color, as on an artist's palette, which provides the meaning of life and art. It is the color of love."

Marc Chagall

L'Inspiration du peintre, c.1970-75 – painted in magnificent blues represents one of the most frequent and important motifs in Chagall’s oeuvre – artist at work. Artist with palette and a flower bouquet in his hands is painting couple of lovers. He is influenced by the scenes and atmosphere of Paris, but still not leaving behind his childhood memories - the donkey and the houses of Vitebsk on the background in the rays of the red sun.

48 MARC CHAGALL 1887-1985 (Russian, French) L’Inspiration du peintre, c.1970-75 oil and ink on canvas mounted on cardboard 27 x 22 cm (11 x 9 in.) estate signature stamp lower right PROVENANCE: Collection of Ida Chagall, Paris. Accompanied by a certificate of authenticity issued by Comite Chagall, signed by Jean Luis Prat, dated February 9, 2004, numbered 2004023B. $280,000-350,000

49 MARC CHAGALL 1887-1985 (Russian, French) Roses et Mimosas (from Nice et la Côte d’Azur), 1967 color lithograph 61 x 43 cm (24 x 17 in.) signed lower right, numbered ‘30/150’ lower left LITERATURE: Mourlot, CS 29. $6,000-8,000 50 MARC CHAGALL 1887-1985 (Russian, French) Le Magicien de Paris I, 1969 color lithograph on Arches paper 102 x 68 cm (40 x 27 in.) signed lower right, numbered ‘19/50’ lower left PROVENANCE: Private collection, Israel. LITERATURE: Mourlot, 597. U.Gauss (ed.), Marc Chagall: The Lithographs, La Collection Sorlier, p.279, no.597 (illustrated). $20,000-25,000 51 MARC CHAGALL 1887-1985 (Russian, French) Roméo et Juliette, 1964 color lithograph, the deluxe edition, before letters, aside from the edition of 200, published by the Tourist Francaise, Paris, printed by Mourlot, Paris 63 x 99 cm (25 x 39 in.) signed and dated lower right LITERATURE: Mourlot CS, 10. $14,000-18,000

52 MARC CHAGALL 1887-1985 (Russian, French) Les ateliers de Chagall (portfolio with text by Robert Marteau), 1976 color lithgraph as frontispiece, published by Mourlot 43 x 32 cm (17 x 13 in.) signed lower right, numbered ‘23/250’ lower left LITERATURE: U.Gauss (ed.), Marc Chagall: The Lithographs, La Collection Sorlier, p.352, no.899 (illustrated).Cramer, 101. $8,000-12,000 53 MARC CHAGALL 1887-1985 (Russian, French) Song of songs, 1975 color lithograph, published by Biblical Message Museum, printed by Mourlot 58 x 47 cm (23 x 19 in.) signed lower right, numbered ‘112/200’ lower left LITERATURE: Charles Sorlier, Chagall Lithographs 1974-1979, New York: Crown Publishers, Inc., 1984, p.243, no.CS47 (full page illustration in color). $18,000-22,000

54 MARC CHAGALL 1887-1985 (Russian, French) XXe Siecle, special issue, 1973 color lithograph, edition of 50 50 x 67 cm (20 x 26 in.) signed lower right, numbered ‘25/50’ lower left LITERATURE: Mourlot, 699. Cramer, 1995, n.93. U.Gauss (ed.), Marc Chagall: The Lithographs, La Collection Sorlier, p.313, no.699 (illustrated). $6,500-7,500 55 PABLO PICASSO 1881-1973 (Spanish) Toréador et taureau, 1959 wash and ink on paper 23 x 33 cm (9 x 13 in.) signed, dated ‘12.11.59’ and dedicated upper left PROVENANCE: B. Geiser, Paris. acquired directly from the artist. Private Collection, Switzerland. Claude Picasso has confirmed the authenticity of this work. $80,000-100,000

56 PABLO PICASSO 1881-1973 (Spanish) Modèle au repos dans un fauteil, 1965 aquatint on Richard de Bas paper, published by Galerie Louise Leiris, Paris, 1967 57 x 44 cm (22 x 17 in.) signed lower right, numbered ‘11/50’ lower left LITERATURE: Bloch, 1205. Baer, 1187. $9,000-12,000 57 PABLO PICASSO 1881-1973 (Spanish) Le Modèle, 1965 aquatint on Richard de Bas paper, published by Galerie Louise Leiris, Paris, 1967 58 x 44 cm (23 x 17 in.) signed lower right, numbered ‘23/50’ lower left LITERATURE: Bloch, 1200. Baer, 1182. $9,000-12,000

58 PABLO PICASSO 1881-1973 (Spanish) Portrait-Charge d’un Personnage, en Larmes, pl.194 (from Séries 347), 1968 etching on wove paper, edition of 50, published by Galerie Louise Leiris, Paris, 1969 23 x 17 cm (9 x 7 in.) signed lower right LITERATURE: Bloch, 1674. Baer, 1690. $4,000-5,000 59 PABLO PICASSO 1881-1973 (Spanish) Tête en forme d’horloge, 1956 white earthenware plate 43 x 43 cm (17 x 17 in.) stamped with ‘Empreinte Originale de Picasso’, ‘Madoura Plein Feu’ stamps, inscribed ‘C104’ and ‘Exeplaire Edituer’ on the reverse LITERATURE: Ramié, 325. $7,500-9,000

60 PABLO PICASSO 1881-1973 (Spanish) Jacqueline au chevalet, 1956 partly glazed ceramic plate 42 x 42 cm (17 x 17 in.) numbered ‘63/200’, stamped with ‘Madoura Plein Feu’ and ‘Empreinte Originale de Picasso’ stamps and inscribed ‘C119’ on the reverse LITERATURE: A. Ramié, 333. $30,000-36,000 61 PABLO PICASSO 1881-1973 (Spanish) Profil de Jacqueline, 1962 partialy glazed terracota plate 36 x 36 cm (14 x 14 in.) numbered ‘23/100’, stamped with ‘Edition Picasso’ and ‘Madoura Plein Feu’ stamps, inscribed ‘Edition Picasso’ on the reverse LITERATURE: A. Ramié, 457 . $22,000-25,000

62 PABLO PICASSO 1881-1973 (Spanish) Tête de femme à la couronne de fleurs, 1964 ceramic plaque 33 x 25 cm (13 x 10 in.) numbered ‘25/100’, stamped with ‘Madoura Plein Fue’ and ‘Empreinte Originale de Picasso’ stamps on the reverse LITERATURE: A. Ramié, 522. $22,000-28,000 63 JOAN MIRÓ 1893-1983 (Spanish) Affiche pour L’Exposition Miró, Louisiana Humelbaeck, 1974 color lithograph on Arches paper, aside from the edition of 75, published by Maeght, Paris 76 x 55 cm (30 x 22 in.) signed lower right, inscribed ‘H.C.’ lower left PROVENANCE: Private collection, Flat Rock, North California, USA. LITERATURE: Mourlot, 944. $2,600-3,200

64 JOAN MIRÓ 1893-1983 (Spanish) Soleil d`Octobre mixed media and gouache on frontispiece of book Miró, Meaght Edituer, Paris, 1965 23 x 20 cm (9 x 8 in.) signed lower right and dedicated twice to Rene Bertele lower right and on another page $12,000-15,000 65 JOAN MIRÓ 1893-1983 (Spanish) Village d’oiseaux, 1969 etching in colors with carborundum on Arches paper, published by Maeght, Paris 110 x 75 cm (43 x 30 in.) signed lower right, numbered ‘35/75’ lower left PROVENANCE: Midwest Collection. Private European collection. LITERATURE: Dupin, 526. $9,000-12,000 66 VU CAO DAM 1908-2000 (Vietnamese, French) Palefrenier et son cheval, 1963 mixed media on cardboard 32 x 41 cm (13 x 16 in.) signed and dated lower left $7,500-9,000 67 LE PHO 1907-2001 (Vietnamese, French) Après le déjeunér, 1940 oil on silk mounted on board 79 x 53 cm (31 x 21 in.) signed and dated lower left PROVENANCE: Galerie Juarez, Palm Beach, Florida (label verso). Private collection, Florida. $14,000-18,000 68 69 JEAN JULES LOUIS CAVAILLÈS JEAN JULES LOUIS CAVAILLÈS 1901-1977 (French) 1901-1977 (French) Bouquet de fleurs (recto), Le fauteuil, Cannes Nature morte (verso) oil on canvas oil on canvas 73 x 46 cm (29 x 18 in.) 73 x 60 cm (29 x 24 in.) signed lower right, signed, titled and located on the reverse signed lower right PROVENANCE: Arthur Lenars & Cie, Paris (label on the reverse). PROVENANCE: Galerie de Paris (Paul de Montaignac), Paris. Laing Galleries, Toronto, since 1959. Private Collection, Toronto, acquired from the above. This work is registered in Jules Cavaillès Research Centre archive Thence by descent. Private collection. under number S14 015 and S14 016. This work is registered in Jules Cavaillès Research Center archive $9,000-12,000 under number W_15_005. $12,000-15,000

70 FRANÇOIS GALL 1912-1987 (French) Sidewalk in Paris oil on canvas 60 x 81 cm (24 x 32 in.) signed and located ‘Paris’ lower right PROVENANCE: Sale: Leslie Hindman, May 21, 2006, lot 57. Private collection, acquired at the above sale.Private European collection. $7,000-9,000

71 72 FRANÇOIS GALL FRANÇOIS GALL 1912-1987 (French) 1912-1987 (French) Parisian scene Le Pont Neuf, Paris, c.1946 oil on board oil on canvas 51 x 61 cm (20 x 24 in.) 50 x 62 cm (20 x 24 in.) signed and located ‘Paris’ lower left signed, titled and located 'Paris' lower left PROVENANCE: Private collection, USA. Private European collection. $3,000-4,000 $3,000-4,000 73 GEN PAUL 1895-1975 (French) Calèche devant le Moulin rouge, Edith Piaf, c.1960 oil on canvas 73 x 92 cm (29 x 36 in.) signed upper right Julien Roussard has kindly confirmed the authenticity of this work. $12,000-15,000

74 LOUIS VALTAT 1869-1952 (French) Figures by the sea watercolor and charcoal on paper 24 x 32 cm (9 x 13 in.) PROVENANCE: Important private collection, Israel. $2,500-3,500 75 FRANÇOIS GALL 1912-1987 (French) Beach scene oil on canvas 22 x 26 cm (9 x 10 in.) signed lower right Madame Marie-Lize Gall has kindly confirmed the authenticity of this work. $3,800-4,500

76 ROGER MÜHL 1929-2008 (French) Figures overlooking the sea oil on canvas 70 x 100 cm (28 x 39 in.) signed lower right PROVENANCE: Dr.A.Lerner, London (label on the reverse). $3,000-4,000 77 78 79 ANDRÉ HAMBOURG ANDRÉ GISSON ANDRÉ GISSON 1909-1999 (French) 1921-2003 (French, American) 1921-2003 (French, American) Le Matin, Marée Haute à Girl near the beach Mother and child in a park Deauville, 1985 oil on canvas oil on canvas oil on canvas 23 x 30 cm (9 x 12 in.) 40 x 51 cm (16 x 20 in.) 27 x 46 cm (11 x 18 in.) signed lower right signed upper left signed lower right $1,200-1,500 $1,800-2,200 $6,000-8,000

78 79 80 BERNARD LORJOU 1908-1986 (French) Vase de fleurs, c.1966 oil on canvas 101 x 74 cm (40 x 29 in.) signed lower right PROVENANCE: Galerie Stiebel, Paris. Private collection, Beverly Hills, California, acquired from the above in 1970. LITERATURE: Urban, André. Paris et les Fleurs en petit formats par B. Lorjou. Paris: Galerie Urban, 1966 (similar works illustrated). $6,500-8,000

81 GUY BARDONE b.1927 (French) Paysage oil on canvas 79 x 58 cm (31 x 23 in.) signed lower right $1,500-2,000 82 MARCEL DYF 1899-1985 (French) La mandoline, 1960 oil on canvas 55 x 46 cm (22 x 18 in.) signed lower right, signed again on the reverse PROVENANCE: Arthur James Galleries, December 7, 1999, lot 70. Claudine Dyf has kindly confirmed the authenticity of this work. This work is listed in the archives under number 1305. $8,000-12,000 83 JOSÉ HERRERILLA CRUZ HERRERA 1890-1972 (Spanish) Portrait d’une dame oil on canvas 80 x 65 cm (31 x 26 in.) signed lower left $6,500-8,000

84 LUCIEN PHILIPPE MORETTI 1922-2000 (French) 1er mai, Place du Tertre oil on canvas 65 x 50 cm (26 x 20 in.) signed lower left PROVENANCE: Private collection, acquired directly from the artist. Private European collection. $3,000-4,000

85 LUCIEN PHILIPPE MORETTI 1922-2000 (French) C’était un ange, 1980 oil on canvas 38 x 46 cm (15 x 18 in.) signed lower right, dated twice ‘13.2.80’ and ‘13.1.93’, titled and inscribed ‘Ste. Cecile Noël, 1996’ on the reverse $1,800-2,200

85 86 EDWARD CUCUEL 1875-1954 (American) The blue robe, c. 1910 oil on canvas 79 x 66 cm (31 x 26 in.) signed lower left PROVENANCE: Private collection Austria. Sale: Ketterer Kunst, December 5, 2006, lot 112. Private European collection. $15,000-18,000

87 ISAAC DOBRINSKY 1891-1973 (Russian) La chemise de nuit bleue (Madame Mondelbaum) c.1930 oil on canvas 54 x 73 cm (21 x 29 in.) signed upper left PROVENANCE: Private collection, Pierre Lévy. $2,000-3,000 88 LUCIEN ADRION 1889-1953 (French) Paris Cours Albert I, 1939 oil on canvas 65 x 81 cm (26 x 32 in.) signed and dated lower right, signed, monogrammed and titled on the reverse $5,000-7,000

89 LUCIEN ADRION 1889-1953 (French) Rue de village oil on canvas 92 x 73 cm (36 x 29 in.) signed lower right $4,000-5,000 90 LUCIEN ADRION 1889-1953 (French) Les grands boulevards oil on canvas 61 x 82 cm (24 x 32 in.) signed lower right $28,000-30,000 91 NAOMI SASI b.1992 (Israeli) Landscape with boats oil on canvas 21 x 15 cm (8 x 6 in.) signed lower left $1,200-1,800

92 NAOMI SASI b.1992 (Israeli) Young woman on the river bank oil on canvas 15 x 25 cm (6 x 10 in.) signed lower right $1,200-1,800 93 YVONNE CANU 1921-2008 (French) Vendanges en Aixois oil on canvas 27 x 35 cm (11 x 14 in.) signed lower left, signed and titled on the reverse $5,000-7,000

94 NAOMI SASI b.1992 (Israeli) Urban landscape in Autumn oil on canvas 15 x 30 cm (6 x 12 in.) signed lower left $1,200-1,800 95 ALPHONSE LÉON QUIZET 1885-1955 (French) Le Canal Saint Martin oil on canvas 90 x 131 cm (35 x 52 in.) signed lower right PROVENANCE: Estate of Francine Collignon, daughter of the artist. Private European collection. $6,000-8,000

96 ALPHONSE LÉON QUIZET 1885-1955 (French) Buttes-Chaumont, avenue Simon Bolivar oil on panel 60 x 93 cm (24 x 37 in.) signed lower right $4,000-5,000 97 98 99 ALPHONSE LÉON ALPHONSE LÉON QUIZET FRENCH SCHOOL QUIZET 1885-1955 (French) 20th century 1885-1955 (French) Carrefour au Lilas Place du Tertre à oil on canvas Rue animée Montmartre 43 x 50 cm (17 x 20 in.) oil on panel oil on masonite signed lower right 46 x 64 cm (18 x 25 in.) 33 x 41 cm (13 x 16 in.) signed lower right PROVENANCE: Estate of Francine Collignon, signed ‘Berres B.M.’ lower right daughter of the artist. Private European collection. $4,000-6,000 $800-1,000 $900-1.200

98 100 ELISÉE MACLET 1881-1962 (French) La butte aux cailles oil on cardboard 46 x 60 cm (18 x 24 in.) signed lower right, titled on the reverse Jean Paul Villain has kindly confirmed the authenticity of this of this work. $2,500-3,000

101 ELISÉE MACLET 1881-1962 (French) Le moulin rouge oil on cardboard 49 x 67 cm (19 x 26 in.) signed lower right Jean Paul Villain has kindly confirmed the authenticity of this of this work. $3,500-4,500

102 ELISÉE MACLET 1881-1962 (French) Montmartre oil on canvas 27 x 35 cm (11 x 14 in.) signed lower left PROVENANCE: Galerie Juarez Inc., Los Angeles/Palm Beach (label on the reverse). Jean Paul Villain has kindly confirmed the authenticity of this of this work. $3,000-4,000 103 ELISÉE MACLET 1881-1962 (French) Neige sur le Moulin de la Galette, Paris oil on cardboard 42 x 36 cm (17 x 14 in.) signed lower left Jean Paul Villain has kindly confirmed the authenticity of this of this work. $3,000-4,000

104 ELISÉE MACLET 1881-1962 (French) 105 Rue de Montmartre ELISÉE MACLET oil on canvas 46 x 55 cm (18 x 22 in.) 1881-1962 (French) signed lower left Bateaux de pêche à Collioure PROVENANCE: Sale: Guy Loudmer, June 24, 1992 oil on canvas (label on the reverse). 46 x 55 cm (18 x 22 in.) Private collection, France. signed lower right Jean Paul Villain has kindly confirmed Jean Paul Villain has kindly confirmed the authenticity of this of this work. the authenticity of this of this work. $3,500-4,500 $2,500-3,000 106 CAMILLE BOMBOIS 1883-1970 (French) La maison au perron oil on canvas 33 x 41 cm (13 x 16 in.) signed lower left PROVENANCE: Perls Galleries, New York. $6,000-8,000

107 CAMILLE BOMBOIS 1883-1970 (French) La grande allée d’arbres oil on canvas 60 x 40 cm (24 x 16 in.) signed lower left PROVENANCE: Private collection, France. $8,000-10,000 108 JEAN DUFY 1888-1964 (French) Still life with flowers watercolor on paper mounted on cardboard 56 x 42 cm (22 x 17 in.) signed lower left PROVENANCE: Private collection, Sweden. $8,000-10,000 109 CLAUDE VENARD 1913-1999 (French) Nature morte oil on canvas 33 x 40 cm (13 x 16 in.) signed lower right PROVENANCE: Romanet Rive-Gauche, Paris. $5,000-7,000

110 CLAUDE VENARD 1913-1999 (French) Sur la plage oil on canvas 33 x 41 cm (13 x 16 in.) signed lower left $5,000-7,000

111 CLAUDE VENARD 1913-1999 (French) Le Soeurs oil on canvas 33 x 40 cm (13 x 16 in.) signed lower right $5,000-7,000 112 PAUL AIZPIRI b.1919 (French) Arlequin oil on cardboard mounted on panel 39 x 31 cm (15 x 12 in.) signed lower left $2,500-5,000

113 PAUL AIZPIRI b.1919 (French) Maquette de petrouchka dans la sauvage apprivoisée mixed media on paper mounted on cardboard 76 x 56 cm (30 x 22 in.) signed lower left, titled lower center $2,800-3,500 114 CLAUDE VENARD 1913-1999 (French) Cathedral oil on canvas 150 x 150 cm (59 x 59 in.) signed lower right PROVENANCE: The Lefevre Gallery, London (label on the reverse). $8,000-12,000 115 CLAUDE VENARD 1913-1999 (French) Untitled, 1965 oil on canvas 35 x 70 cm (14 x 28 in.) signed and dated lower right, dated '16.1.65' on the stretcher PROVENANCE: Reese and Marilyn Palley, Philadelphia, Pennsylvania (label on the reverse). Guy Loudmer (label on the reverse). $7,000-9,000 116 JOSEPH CONSTANT CONSTANTINOVSKY 1892-1969 (Russian, French, Israeli) Untitled wood 86 x 50 x 50 cm (34 x 20 x 20 in.) signed on the reverse $2,000-3,000

117 AFTER CONSTANTIN BRANCUSI 1876-1957 (Romanian) Mademoiselle Pogany III, 1931 (late cast) bronze with gold patina 31 x 15 x 11 cm (12 x 6 x 4 in.) signed and numbered ‘4/9’ on the base $2,000-3,000

118 119 JANKEL ADLER 1895-1949 (Polish) Abstract composition oil on board 26 x 38 cm (10 x 15 in.) signed lower left $6,000-8,000

120 UNKNOWN ARTIST 20th century Untitled marble 35 x 21 x 35 cm (14 x 8 x 14 in.) signed ‘Camargo’ $1,500-2,000 ←118 SERGE CHARCHOUNE 1888-1975 (Russian) Composition in brown, 1927 oil on canvas mounted on masonite 18 x 39 cm (7 x 15 in.) signed and dated 'VII-27' lower right PROVENANCE: Sale: Versailles Enchères, December 17, 2006, lot 78. Private European collection, acquired at the above sale. $12,000-15,000 121 122 HUGO SCHEIBER ISAAC PAILES 1873-1950 (Hungarian) 1895-1978 (Ukrainian, French)

121 Man seated on a bench Circus clowns gouache on paper oil on canvas 80 x 60 cm (31 x 24 in.) 73 x 91 cm (29 x 36 in.) signed lower left signed lower left PROVENANCE: Private collection, PROVENANCE: Private European London. collection. $3,000-4,000 $4,800-6,000

123 JOSEF HERMAN 1911-2000 (English) Spanish village at dusk, 1959 oil on board 17 x 22 cm (7 x 9 in.) PROVENANCE: Arthur Tooth & Sons Ltd., London (label on the reverse). 123 Dr. A. Lerner, London (label on the reverse). $2,500-3,500

124 JOSEF HERMAN 1911-2000 (English) Harvesting, Spain, 1959 oil on paper mounted on masonite 17 x 22 cm (7 x 9 in.) PROVENANCE: Arthur Tooth & Sons Ltd., London (label on the reverse). Dr. A. Lerner, London (label on the reverse). $700-900 125 JULES PERAHIM 1914-2008 (Romanian) White war, 1976 oil on canvas 50 x 61 cm (20 x 24 in.) signed and dated lower right $8,000-10,000

126 NIKOLAI PAVLOVICH AKIMOV 1901-1968 (Russian) Robespierre (decorations), 1930 gouache on paper mounted on cardboard 15 x 21 cm (6 x 8 in.) PROVENANCE: Private Russian collection, since 1932. Private European collection, gift of the previous owner, c.1970. EXHIBITION: Artists of the RSFSR over 15 years, 1917-1932, The State Russian Museum, Saint Petersburg, 1932 (label on the reverse). $4,000-6,000 127 THÉO TOBIASSE 1927-2012 (French) Un chant de violon qui nous sort de Mitzraim, 1970 gouache and mixed media on paper 51 x 67 cm (20 x 26 in.) signed upper right, dated center left and titled lower right Catherine Faust-Tobiasse has kindly confirmed the authenticity of this work. This work will be included in the forthcoming catalogue raisonné currently in preparation. $9,000-12,000

128 THÉO TOBIASSE 1927-2012 (French) Le viol de tamar, 1987 mixed media and collage on paper 102 x 70 cm (40 x 28 in.) signed upper left, dated center right, titled lower right PROVENANCE: Estate of the Artist. Nahan Galleries, New York (label on the reverse). Wolfgang & Anita Rapp, Philadelphia, Pennsylvania, acquired directly from the above in 1988. Catherine Faust-Tobiasse has kindly confirmed the authenticity of this work. This work will be included in the forthcoming catalogue raisonné currently in preparation. $8,000-12,000 129 THÉO TOBIASSE 1927-2012 (French) Raconte moi ton univers, 1974 oil on canvas 65 x 81 cm (26 x 32 in.) signed lower left, dated in center, titled upper right Catherine Faust-Tobiasse has kindly confirmed the authenticity of this work. This work will be included in the forthcoming catalogue raisonné currently in preparation. $15,000-20,000

130 THÉO TOBIASSE 1927-2012 (French) Les hommes sur un Pont, 1967 oil on canvas 50 x 61 cm (20 x 24 in.) signed lower right, dated center right, titled upper center Catherine Faust-Tobiasse has kindly confirmed the authenticity of this work. This work will be included in the forthcoming catalogue raisonné currently in preparation. $7,000-9,000 131 CHARLES NEAL b.1951 (British) Afternoon at Le Perchoir, the artist’s wife Susan, St.Croix, Teurthéville-Bocage, Normandie, France, August oil on canvas 122 x 102 cm (48 x 40 in.) signed lower right $8,000-10,000

132 133 GASTON SÉBIRE JOAN BELTRÁN BOFILL 1920-2001 (French) 1934-2009 (Spanish) Sous la pluie Cala figuera de formentor oil on canvas oil on canvas 50 x 73 cm (20 x 29 in.) 60 x 81 cm (24 x 32 in.) signed lower left signed lower right $5,000-7,000 $10,000-12,000 134 CHARLES NEAL b.1951 (British) Breakfast, garden near Lorgues, Provence, France, Morning, July oil on canvas 97 x 131 cm (38 x 52 in.) signed lower right $12,000-15,000

135 ISABELLE DE GANAY b.1960 (French) Jardin à Grigneuseville oil on canvas 73 x 92 cm (29 x 36 in.) signed lower right $8,000-10,000 136 GILLES GORRITI b.1939 (French) La nappe blanche, 2013 oil and mixed media on canvas 81 x 100 cm (32 x 39 in.) signed lowrr rigth $10,000-12,000

137 GILLES GORRITI b.1939 (French) La partition de musique II, 2013 oil and mixed media on canvas 100 x 81 cm (39 x 32 in.) signed lower right $8,000-10,000 136 138 GILLES GORRITI NICOLA SIMBARI b.1939 (French) 1927-2012 (Italian) La nappe blanche, 2013 Marrakech oil and mixed media on canvas acrylic on vellum paper 81 x 100 cm (32 x 39 in.) mounted on canvas signed lowrr rigth 110 x 120 cm (43 x 47 in.) signed lower left $10,000-12,000 $10,000-12,000

139 140 SIMEON BRAGUIN SIMEON BRAGUIN 1907-1997 (American) 1907-1997 (American) SB 1998.233, 1990-91 C96 SB 1998.149, 1984 acrylic on canvas acrylic on canvas 86 x 107 cm (34 x 42 in.) 76 x 86 cm (30 x 34 in.) signed and dated on the reverse signed and dated on the reverse $12,000-14,000 $10,000-12,000 141 PAUL JENKINS 1923-2012 (American) Phenomena Nimbus Sounds, 1976 acrylic on canvas 97 x 138 cm (38 x 54 in.) signed lower right, signed, dated and titled on the reverse PROVENANCE: Private collection, Tokyo. Private European collection. $24,000-28,000 142 ANDY WARHOL 1928-1987 (American) Truck, 1985 color screenprint on Lenox Museum Boar, aside from the edition of 60, printed by Rupert Jasen Smith, published by Hermann Wunsche, Bonn, Germany 100 x 100 cm (39 x 39 in.) signed and inscribed 'HC 2/15' lower right LITERATURE: F.Feldman & J.Spellmann, n.370. $25,000-30,000 144→ ROY LICHTENSTEIN 1923-1997 (American) Still life with crystal bowl, 1976 screenprint and lithograph on BFK Rives paper, published Multiples, Inc. and Castelli Graphics, New York, printed by Styria Studio, New York 96 x 125 cm (38 x 49 in.) 143 signed, dated and numbered ‘13/45’ lower right PROVENANCE: Private collection, North Carolina. TOM WESSELMANN LITERATURE: Corlett, 150. 1931-2004 (American) $18,000-24,000 Bedroom face, 1977 aquatint in colors on Arches paper, published by Multiples, Inc., New York, with their blindstamp and the blindstamp of Aero Press 57 x 76 cm (22 x 30 in.) signed and dated, numbered ‘64/75’ $9,000-12,000 145 ROY LICHTENSTEIN 1923-1997 (American) Sunrise, 1965 offset lithograph, published by Leo Castelli Gallery 44 x 59 cm (17 x 23 in.) signed lower right LITERATURE: Corlett, II.7. $9,000-12,000 147 KEITH HARING 1958-1990 (American) Dancer, 1984 felt-tip pen on the content page of the exhibition catalogue Figuration libre, France-USA, Modern Art Museum, Paris, December 20, 1984-February 17, 1985 12 x 8 cm (5 x 3 in.) signed and dated in center PROVENANCE: Private collection, France. Sale: Cornette de Saint Cyr, May 14, 1993, lot 109. Private collection. $3,500-5,000

147

146 KEITH HARING 1958-1990 (American) The man in the man, 1989 felt-tip pen on paper 15 x 10 cm (6 x 4 in.) signed, dated and inscribed ‘for Erwin’ lower center PROVENANCE: Private collection, gift of the artist to hotel employee at the Breidenbacher Hof, where the artist stayed. $6,000-8,000

148 DIMITRY GERRMAN b.1955 (Belarussian) Playing boys, 1995 bronze on granite base 46 x 86 x 10 cm (18 x 34 x 4 in.) signed, dated and numbered ‘1/7’ on the base $8,000-12,000 149 KEITH HARING 1958-1990 (American) Untitled, 1987 lithograph on wove paper 65 x 80 cm (26 x 31 in.) signed, dated and numbered ‘43/170’ lower right LITERATURE: Klaus Litmann, Hatje Cantz Verlag, Keith Haring, L’Oeuvre imprimé complet, Editions Hatje Cantz, 1997, p.84 (illustrated). $12,000-15,000

150 KEITH HARING 1958-1990 (American) Untitled, 1988 felt-tip pen on denim 52 x 62 cm (20 x 24 in.) signed and dated lower right $3,800-4,500 151 ROBERT INDIANA b.1928 (American) White on black chosen love, c.1995 hand tufted wool tapestry, for Master Contemporary Original Artist Rugs 300 x 300 cm (118 x 118 in.) signed and numbered ‘35/125’ on the label on the reverse $8,000-10,000 152 YVES KLEIN 1928-1962 (French) Table bleue glass, plexiglass and IKB pigment, edition started in 1963 38 x 125 x 100 cm (15 x 49 x 39 in.) signed and numbered on label on the base LITERATURE: Jean-Paul Ledeur, Yves Klein, Catalogue raisonné des éditions et sculptures éditées, Knokke, 2000, p.53. $12,000-15,000 153 ARNO b.1975 (French) Crowd, 2015 cut steel and polychrome 80 x 25 x 20 cm (31 x 10 x 8 in.) signed and dated on the base $2,000-3,000

154 ARMAN 1928-2005 (French, American) Violon pizzaiola, 2004 bronze with gold patina on black marble base, Trewell editor 72 x 20 x 18 cm (28 x 8 x 7 in.) signed and numbered ‘47/99’ lower right LITERATURE: Catalogue raisonné, p.132, n75. $4,500-6,000 155 ARMAN 1928-2005 (French, American) Untitled, 2004 bronze brown, black and gold patinas, edition of 8 plus 4 artist’s proofs 107 x 60 x 60 cm (42 x 24 x 24 in.) incised with artist’s signature and numbered ‘1/8’ on the base This work is recorded in the Arman Studio Archives New York under number APA# 8306.04.003. $38,000-45,000 156 ALEXANDER CALDER 1898-1976 (American) 157 Sun and moon, 1975 gouache and ink on paper ALEXANDER CALDER 55 x 74 cm (22 x 29 in.) 1898-1976 (American) signed and dated lower right, inscribed ‘26411A / 72’ on verso Faux vitrail, 1970 gouache on paper PROVENANCE: M. Knoedler & Co, Inc., New York. 108 x 75 cm (43 x 30 in.) Irving Galleries, Palm Beach, USA (label on the reverse). signed and dated lower right Private collection (with 1979 appraisal by Irving Luntz), Harrison, NY, acquired from the above in 1979. PROVENANCE: Galerie Maeght, Paris. Private collection. Sale: Sotheby’s New York, June 23 and 24, 1980, lot 347A. $90,000-120,000 Private collection, New York, acquired at the above sale. Sale: Sotheby’s New York, November 12, 2009, lot 284. Private collection, Miami. Puccio Fine Art, New York. Private collection. $40,000-50,000

←158 159 SERGE POLIAKOFF SERGE POLIAKOFF 1900-1969 (Russian) 1900-1969 (Russian) Composition in red, yellow, blue, green and Composition, 1966 gray model for fabric, 1946, number 26950 gouache on paper mounted on cardboard gouache on paper 47 x 62 cm (19 x 24 in.) 65 x 50 cm (26 x 20 in.) signed lower right signed and numbered ‘26950’ lower right PROVENANCE: PROVENANCE: Anon. sale: Christie’s Amsterdam, May 31, 1994, lot 376. Former collection of industrial manufarture of fabrics Private collection, acquired at the above. Galerie Sur cour, Paris. Opera Gallery, Paris. Private collection, Paris. Private European collection, acquired from the above. Private European collection. This work will be included in the forthcoming Serge Poliakoff Catalogue raisonné currently being prepared by Alexis Poliakoff. LITERATURE: Alexis Poliakoff, Serge Poliakoff: Catalogue Raisonné 1922-1954, Acatos, 2004, p.262-264 (illustrated). $55,000-70,000 Accompanied by a certificate of authenticity signed by Alexis Poliakoff, dated May 24, 2000, numbered 846062. $40,000-50,000 160 VICTOR VASARELY 1906-1997 (Hungarian, French) Laika, 1956 gouache and tempera on cardboard 40 x 32 cm (16 x 13 in.) signed lower center, signed dated, titled and inscribed ‘P24’ on the reverse PROVENANCE: Imre Pan Mezei, Budapest, c.1963. Private Collection, Toronto. Private European collection. LITERATURE: Werner Spies, Vasarely, 1969, p.13 (a similar work entitled Laika II illustrated, p.41). Pierre Vasarely has kindly confirmed authenticity of this works. This work will be included in the forthcoming catalogue raisonné de l’oeuvre peint de Victor Vasarely, currently being prepared by the Fondation Vasarely, Aix-en-Provence. $14,000-16,000

161 VICTOR VASARELY 1906-1997 (French) Album Cinetique NB (portfolio of 9), 1975 silkscreens, published by Editions Denise René, Paris 83 x 83 cm (33 x 33 in.) signed lower right, numbered ‘77/250’ lower left $2,000-2,500 162 YAACOV AGAM b.1928 (Israeli) Étude carrée, 1965 oil on aluminium 40 x 60 cm (16 x 24 in.) signed, dated, titled, located and inscribed ‘to Nate and Jacqueline with friendship, Agam’ in English and in Hebrew on the reverse PROVENANCE: Marlborough-Gerson Gallery, New York. Collection of Nicolas Landau and Jacqueline Goldman, acquired from above in 1966. Private European collection. $40,000-60,000 163 VICTOR VASARELY 1906-1997 (Hungarian, French)  Cyclon, 1984 164 acrylic on canvas VICTOR VASARELY 52 x 51 cm (20 x 20 in.) 1906-1997 (Hungarian, French) signed lower right, signed, dated, titled and numbered on the reverse Vega-Pi, 1978-92 PROVENANCE: Galleria Centro Steccata, Parme, Italy. acrylic on canvas Private collection, Italy. 100 x 100 cm (39 x 39 in.) Private European collection. signed lower right, Pierre Vasarely has kindly confirmed authenticity of this works. signed, dated and titled on the reverse This work will be included in the forthcoming catalogue raisonné de PROVENANCE: Michele Vasarely, Puerto Rico. l’oeuvre peint de Victor Vasarely, currently being prepared by the Private collection, London. Fondation Vasarely, Aix-en-Provence. Private collection, San Francisco. Private Collection, New York. $28,000-35,000 Privae European collection. Conceived in 1978, this work was executed c.1992. Pierre Vasarely has kindly confirm the authenticity of this work. This work will be included in the forthcoming catalogue raisonné de l’oeuvre peint de Victor Vasarely, which is currently being prepared by the Fondation Vasarely, Aix-en-Provence. $80,000-100,000

165 YAACOV AGAM b.1928 (Israeli) Magic rain, 1979 polymorph silkscreen 48 x 69 cm (19 x 27 in.) signed, numbered ‘93/150’ and dated on the reverse $9,000-12,000

166 YAACOV AGAM b.1928 (Israeli) Untitled, c.1990 prismograph 72 x 105 cm (28 x 41 in.) signed lower right and numbered ‘108/144’ lower right $7,500-9,000

167 YAACOV AGAM b.1928 (Israeli) 2+3=4, 1981 polymorph silkscreen on folded PVC on plastic base 63 x 90 cm (25 x 35 in.) signed lower right and numbered ‘175/180’ lower left $10,000-12,000 168 YAACOV AGAM b.1928 (Israeli) Untitled, 1974 gouache on paper 90 x 73 cm (35 x 29 in.) signed and dated lower right $23,000-26,000

169 YAACOV AGAM b.1928 (Israeli) Pentateuch (The Five Books of Moses), 1992 polymorph on the cover of Pentateuch in a plexiglass box 29 x 23 cm (11 x 9 in.) signed lower center and numbered ‘669/750’ on the first page $2,500-3,500 170 LEONID OBOLSKY b.1951 (Russian, Israeli) Ballet oil on canvas 80 x 100 cm (31 x 39 in.) signed lower right, signed again and titled on the reverse $6,000-8,000

171 172 ROSANNA ZHANG ROSANNA ZHANG 20th century (Chinese) 20th century (Chinese) The charming piper The lady of Eden gouache with glitter on rice paper gouache with glitter on rice paper 60 x 61 cm (24 x 24 in.) 60 x 61 cm (24 x 24 in.) signed lower right signed lower right $1,800-2,500 $1,800-2,500 170 LEONID OBOLSKY b.1951 (Russian, Israeli) Ballet oil on canvas 80 x 100 cm (31 x 39 in.) signed lower right, signed again and titled on the reverse $6,000-8,000

173 BEN AVRAM b.1937 (Israeli) Hommage to Picasso oil on canvas 60 x 90 cm (24 x 35 in.) signed lowert left, signed again on the reverse $6,000-8,000

Pablo Picasso. Les femmes d’Alger

Absentee Bid Form Impressionist, Modern & Contemporary Fine Art Auction 13 October 2015 8:00 pm Matsart Gallery, Jerusalem Matsart Auctioneers & Appraisers Absentee bids should be received 24 hours prior to the auction. Matsart will confirm receipt of bids. If you do not receive confirmation, please contact bid department at +972-2-6251049. Please fax bids to +972-2-6257779 or email [email protected]

Name

Address

mobile telephone

lot # max bid US$ (hammer)/telephone lot # max bid US$ (hammer)/telephone

I hereby request that MATSART bid on my behalf on the lots as listed above, yet not to exceed the maximum bid that I have fixed for each lot as above. I understand that if I am the successful bidder, I am obligated to pay in addition to the hammer price a buyer’s premium in the sum of 25% on the initial $100,000, 20% on the balance beyond $100,000 (per lot), and 12% on balance beyond $1,000,000 (per lot). All lots are sold as is and at their current location. To this will be added local taxes where applicable. Please see conditions of sale. It is my understanding that my bid is in accordance and subject to the conditions of purchase as published in this catalogue. In order to insure acceptance of the bids, potential buyers bidding for the first time withMATSART are requested to furnish us with references. Please refer to paragraphs 6 and 11 of the conditions of purchase.

SIGNATURE DATE

21 King David St., Jerusalem • 15 Frishman St., Tel Aviv • 415 East 72 St., New York, NY CONDITIONS OF SALE

The auction will be conducted by the auctioneer's representatives of Matsart Auctioneers & Appraisers (Matsart). Unless otherwise specified, Matsart is acting as an agent on behalf of the seller. The contract for the sale of the property is between the seller and the buyer. The auctioneer has sole discretion and authority at any time to determine the winner in the auction or to withdraw any lot or lots from the sale or to re-offer and resell any lot, all according to his sole judgment, including yet not limited to prior to the auction, during the auction, and following the auction. Purchasing an item is legitimate only when the auctioneer lowers his hammer and announces a card number of a participant in the room or a bidder in writing or a bidder by phone or by internet. Notwithstanding the above, it is the auctioneer’s sole judgment to reopen a lot and/or cancel a sale. The auctioneer reserves the right to reject any bid. The prices quoted in the catalogue are estimate prices of the lots. These prices are estimates, normally different from the minimum prices. A sale will be only at the minimum price or above, all according to the auctioneer’s discretion. If, in the auctioneer’s opinion, any opening bid is below the reserve of the lot, he may withdraw the lot from the sale. Following an opening bid, the auctioneer may reject further bids if, in his opinion the advance is not sufficient. All lots are sold "as is". Neither Matsart nor the seller makes any express or implied warranty of any kind with respect to the description, attribution, literature, former owners, period, provenance, condition and/or frame concerning the lots offered in the auction. No statement in the catalogue or in the sale or the invoice or the bill of sale given to purchasers shall be deemed such a warranty. All bidders are responsible to examine the work and its condition and its authenticity prior to bidding. It is important and recommended to examine all items before bidding. The details of this exhibition are published in the catalogue. Condition reports and catalog entries are to be used as guidance only by the buyers. Prior to bidding, bidders should personally inspect the lots. Following the auction, if the bidder has questions regarding authenticity and wishes to show the work to a recognized expert (acceptable to Matsart), the item must be paid for in full and the buyer must arrange (at his expense) to show the work to the expert and receive a response within 30 days following date of sale. Prior arrangements must be made with Matsart to allow that payment be withheld from the seller. Should the expert declare that the painting is not authentic, Matsart will refund money paid for lot (less expenses) under the condition that confirmation of lack of authenticity is received within 30 days of sale. To remove all doubt, following 30 days, Matsart will have no responsibility. All potential bidders must register prior to bidding by completing all necessary registration forms and provide proper identification. Matsart reserves the right to request bank and/or other financial references. Upon registration, potential bidders will receive a paddle number, which serves as identification in the event that the participant is the successful high bidder of any lot in the sale. The purchaser, whether present in the auction room at the time of sale or bidding by writing or by phone, whether for himself or for any third party, will be irrevocably committed to pay for the article and to accept it. The auctioneer and/or Matsart may take any measures necessary for realizing the commitment, i.e. to force the winner to pay expenses, bank interest and/or inflation index appropriation, to sue compensations, to withhold the articles that the buyer purchased or left in company's hold, to deduct the debt from any sum of money that Matsart owes the winner. Matsart accepts absentee bids with no additional fee. Attached herewith a form enabling buyers unable to be present at the time of auction to make their bids. By this form potential buyers authorize Matsart representatives to represent them during the auction in the interest of purchasing and/or to contact them by telephone to allow to bid during the auction by telephone. This service is given at no additional fee, beyond the buyer’s premium as stated below. A bid cannot be revoked in any form and is an obligation for purchasing. We will take all reasonable measures to process the bid, yet take no liability in the event that for any reason a bid was not processed. Bids can be delivered via fax: +972-2-6257779 or by email: [email protected]. Auctions are conducted in U.S. dollars. Payment is to be made in US$. However, payment can be accepted in Euros or in N.I.S., according to the high rate of exchange published by Bank Leumi Le'Israel on the day of the sale, or the day of the payment, the higher of the two. In many instances, works may not be present in the saleroom at time of sale and may be digitally exhibited. Discrepancies may occur. Matsart accepts no liability for such errors. Unless otherwise indicated, all lots are offered subject to a reserve price. This reserve will not exceed the low estimate. The reserve price is the minimum price for which the item will sell and is confidential. The auctioneer may open bidding on any lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the reserve by placing successive or consecutive bids for a lot, or by placing bids in response to other bidders. The highest bidder acknowledged by the auctioneer shall be the buyer (as above), from among the bidders present in the auction room at the time of sale or the bidders in writing or by phone. The bidders in writing or by phone authorize Matsart representatives to represent them and to bid on their behalf at the time of auction in the interest of purchasing. All lots must be paid for and collected not later than 3 business days following the auction. Special expenses including yet not limited to, forwarding and the forwarding insurance, special packaging, messengers etc., will be borne by the buyer. It is the responsibility of the high bidder to insure the purchase within three days after sale. Should the high bidder wish, he may inform Matsart to insure the work on his behalf and at his expense. Payment for the article, plus a buyer’s premium of 25% on the first $100,000, 20% on all sums beyond $100,000 (per lot), and 12% on sums beyond $1,000,000 (per lot) plus all local taxes where applicable, will be paid in full immediately and not later than three days from the date of sale. From the seller we deduct seller's commission plus local taxes on commission where applicable. Payment will be accepted only in these manors: Checks drawn on US or Israeli banks, money transfers, Credit cards: Visa, American Express and Mastercard (with an addition of 3.5% on total payment via credit card). All bank fees in regards to transfers, both those of the buyer and those of Matsart, are the responsibility and at the expense of the buyer. The buyer is responsible for all local taxes where applicable including, yet not limited to VAT, sales tax, customs duties and VAT on imports, etc. New York sales tax will be charged for all items picked up and/or delivered in New York. For items shipped out of state, or imported to the USA from other locations, Matsart may be exempt from charging sales tax on hammer price. For items to be picked up and/or delivered in Israel, local VAT laws apply. For items to be picked up and/or delivered in Europe, local VAT laws apply. For more information, please contact bid department. All expenses caused by storing the article in the company after final date for collecting the article will be charged to buyer's accounts. We recommend to our customers to make sure, in advance, the availability of place in the auction. Seats will be reserved until 15 minutes before the sale. Unsold lots will be returned to their owner. Sale of a lot by Matsart after the auction is legitimate and will be guided by the same conditions as those that apply to items sold at auction. Items may be displayed in one of three locations. A v beside a lot number indicates an item that Israeli VAT will be charged on the hammer price as well as the premium if the item is collected from Matsart in Israel. In all cases, transit costs, import costs and all other costs are the responsibility of the buyer. Jurisdiction – if Matsart decides to file a laws+uit against a seller or a buyer Matsart can choose the venue either in New York or in Paris or in Israel and the reigning law will be according to the venue chosen by Matsart. However, without derogating from this, any lawsuit against Matsart can ONLY be filed in Israel, according to Israeli law, and the SOLE jurisdiction for any legal action of any kind against Matsart is ONLY in Israel and ONLY according to Israeli law. ART

WALLY FINDLAY 1870 EST.

WALLY FINDLAY GALLERIES NEW YORK • PALM BEACH

neW York: 124 east 57th street • neW York, nY 10022 • (212) 421 5390 Palm beach : 165 Worth avenue • Palm beach, Fl 33480 • (561) 655 2090 WWW.WallYFinDlaY.com index Abel-Truchet, Louis 6 Jenkins, Paul 141 Adler, Jankel 119 Kisling, Moïse 42, 46-47 Adrion, Lucien 88-90 Klein, Yves 152 Agam, Yaacov 162, 165-169 Korovin, Konstantin Alexeyevitch 9 Aizpiri, Paul 112-113 Le Pho 67 Akimov, Nikolai Pavlovich 126 Levitan, Isaak Il’ich 11 Anglade, Gaston Vincent 23-24 Lichtenstein, Roy 144-145 Arman 154-155 Lorjou, Bernard 80 Arno 153 Maclet, Elisée 100-105 Bardone, Guy 81 Malfroy, Charles 25-26 Ben Avram 173 Manzana-Pissarro, Georges 29-31 Bofill, Joan Beltrán 133 Marquet, Albert 41 Bombois, Camille 106-107 Milliere, Maurice 18 Braguin, Simeon 139-140 Miró, Joan 63-65 Brancusi, Constantin 117 Moretti, Lucien Philippe 84-85 Calder, Alexander 156-157 Mühl, Roger 76 Canu, Yvonne 93 Neal, Charles 131, 134 Cavaillès, Jean Jules Louis 68-69 Obolsky, Leonid 170 Chagall, Marc 48-54 Pailes, Isaac 122 Charchoune, Serge 118 Paul, Gen 73 Charreton, Victor Leon 12 Perahim, Jules 125 Constant Constantinovsky, Joseph 116 Picasso, Pablo 55-62 Còrtes, Edouard Léon 7 Pinchon, Robert Antoine 14-15 Cucuel, Edward 86 Pissarro, Camille 27 de Ganay, Isabelle 135 Pissarro, Hugues Claude 35-38 de la Villéon, Emmanuel Victor 17 Pissarro, Lucien 28 Auguste Marie Pissarro, Paul-Emile 32-34 de Saint-Delis, Henri Liénard 39 Poliakoff, Serge 158-159 Dobrinsky, Isaac 87 Quizet, Alphonse Léon 95-98 Dufy, Jean 108 Rochegrosse, Georges Antoine 2 Dyf, Marcel 82 Sasi, Naomi 91-92, 94 Fontaine, P. 16 Scheiber, Hugo 121 French Impressionist School 19-20 School of Coypel 3 French School 99 Sébire, Gaston 132 Friesz, Achille Emile Othon 40 Serebryakova, Zinaida Evgenievna 10 Galien-Laloue, Eugène 8 Simbari, Nicola 138 Gall, François 70-72, 75 Somm, Henry 4, 5 Gerrman, Dimitry 148 Tobiasse, Théo 127-130 Gisson, André 78-79 Unknown artist 120 Gleizes, Albert 13 Utrillo, Maurice 44-45 Gorriti, Gilles 136-137 Valtat, Louis 43, 74 Gorter, Arnold Marc 21 Vasarely, Victor 160-161, 163-164 Hambourg, André 77 Venard, Claude 109-111, 114-115 Haring, Keith 146-147, 149-150 Vu Cao Dam 66 Herman, Josef 123-124 Warhol, Andy 142 Herrera, José Herrerilla Cruz 83 Wesselmann, Tom 143 Indiana, Robert 151 Widhopff, David Osipovich 22 Jaulmes, Gustave Louis 1 Zhang, Rosanna 171-172

Benjamin Mizrahi | Production Manager [email protected] • Ivan Bogod | Graphic Designer [email protected] Nitzevet Krief | Photography [email protected] NEW LOCATION IN NEW YORK

YOU ARE INVITED TO VISIT OUR NEW REPRESENTATIVE GALLERY, LOCATED ON THE UPPER EAST SIDE OF MANHATTAN.

MATSART BELOOSESKY GALLERY 415 East 72nd Street New York, NY 10021

(same block as Sotheby’s)

Eyal Beloosesky Mobile (917) 749 4557 Glenn Spellman Certified Member of the Appraisers Association of America Mobile (646) 339 8463 Gallery (646) 837 6428 e-mail: [email protected]