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Teenage Mutant Ninja Turtles 2 (2016)
TEENAGE MUTANT NINJA TURTLES 2 (2016) ● Directed by Dave Green ● Distributed by Paramount Pictures ● 112 minutes ● PG13 ● 135 million dollar budget (180 with promotion) QUICK THOUGHTS ● Phil Svitek ● Demetri Panos DEVELOPMENT ● After the 2014 film exceeded box office expectations, Paramount and Nickelodeon officially announced a sequel was greenlit, and set to be released in theatres on June 3, 2016 ○ The sequel was announced two days after Teenage Mutant Ninja Turtles (2014) was released ● They planned to incorporate Bebop, Rocksteady and Casey Jones ● Jonathan Liebesman and Brad Fuller were also interested in doing a storyline that involved Dimension X and Krang ● In December 2014, it was revealed Paramount was in early negotiations with Earth to Echo director Dave Green to helm the sequel, also revealing Jonathan Liebesman was no longer a part of the project ● Known briefly as Teenage Mutant Ninja Turtles: Half Shell, Paramount revealed in December 2015 that the title had officially been changed to Teenage Mutant Ninja Turtles: Out of the Shadows WRITING ● Josh Appelbaum and Andre Nemec, the writers of Teenage Mutant Ninja Turtles: Out of the Shadows, have inked a twoyear, firstlook feature deal with Paramount Pictures ○ The duo have become goto scribes for the studio, having worked on the Paramount franchise pic Mission: Impossible — Ghost Protocol, which earned nearly $700 million worldwide, and the initial Teenage Mutant Ninja Turtles reboot, which grossed almost $500 million. They also are -
SHAMELESS Sunday I SHOWTIME PLAN QUESTIONS with YOUR +DAISY TM WEEK! HAGGARD
SEASONPREMIERE November 10th – 16th, 2019 SHAMELESS sunday I SHOWTIME PLAN QUESTIONS WITH YOUR +DAISY TM WEEK! HAGGARD DOLLY PARTON CARRIE UNDERWOOD REBA MCENTIRE BEST BETS NEWSERIES DUBLIN MURDERS Sunday ISTARZ E! PEOPLE’S CHOICE AWARDS SUNDAY IE! THE 53RD NEWSERIES KINGS OF PAIN ANNUAL TUESDAY IHISTORY NEWMINISERIES THE PREPPY MURDER: CMA DEATH IN CENTRAL PARK WEDNESDAY IAMC SEASONPREMIERE THE MAN IN THE HIGH CASTLE AWALIVE! R WEDNESDAY D S IABC FRIDAY IAMAZONPRIMEVIDEO $3.99 ORIGINALFILM CHRISTMAS UNDER THE STARS SATURDAY HALLMARKCHANNEL New rate plans, now with more minutes! Easier is better with the Jitterbug. The Jitterbug® Flip, from the creators of the original easy-to-use cell phone, has big buttons and an exclusive 5Star® Urgent Response button on the keypad. EASY TO USE Today, cell phones are hard to hear, Plansdifficult as low to dialas Plans as low as and overloaded with features you may never use. That’s not the case with the Jitterbug Flip. A large screen and big buttons$ make99 it $ 99 $ easy to call family and friends. The powerful speaker ensures every month2 conversation will be loud and clear. Plus, straightforward14 YES and NO 14 1 buttons make navigating the menu simple. 2 EASY TO ENJOY Wherever you go, a built-in cameraPlans makes as low it easyas* andPlans fun as forlow you as to capture and share your favorite memories. And a built-in reading magnifier with LED flashlight helps you see in dimly lit areas. With all the $features you99 need,$ the Jitterbug99 $ 2 2 Flip also comes with a long-lasting battery, so you won’t have14 to worrymonth about14 runningmonth out 1 of power. -
Program: 2Nd Annual Global AYA Cancer Congress Atlanta 2017
THE 2nd GLOBAL ADOLESCENT & YOUNG ADULT CANCER CONGRESS | DECEMBER 5 - 7, 2017 ATLANTA, GA, USA CONTENTS USA PLANNING COMMITTEE PAGE NO: l Simon Davies, Co-Chair l Stuart Siegel, Co-Chair WELCOME FROM THE HOSTS 4 - 5 l Archie Bleyer l Damon Reed GENERAL INFORMATION 6 - 7 l Rebecca Block l Nita Seibel INSTRUCTIONS TO PRESENTERS l Lindsay Frazier l Pam Simon 6 l Hilary Gan l Sam Watson SOCIAL PROGRAM 7 l Brandon Hayes-Lattin l Brad Zebrack l John Perentesis DAY BY DAY PROGRAM 8 - 10 INTERNATIONAL ADVISORS SPEAKER BACKGROUNDS 11 - 25 US POSTER LISTING 26 - 32 l Karen Albritton l Leonard Sender l Gerald Grant l Glenn Taylor GLOBAL EXCHANGE LISTING 33 l Rebecca Johnson l Kate Yglesias Houghton l John Letterio AUTHORS’ INDEX 34 - 38 CANADA ORAL PRESENTATION ABSTRACTS 40 - 41 l Ronald Barr POSTER PRESENTATION ABSTRACTS 41 - 95 ITALY LATE BREAKER ABSTRACTS l Andrea Ferrari 96 AUSTRALIA ACKNOWLEDGMENTS 97 l Antoinette Anazodo l Pandora Patterson BACKGROUND TO PARTNERS, SUPPORTERS AND EXHIBITORS 98 -108 l Peter Orchard l David Thomas FRANCE THANKS 109 l Laurence Brugieres l Valerie Laurence EXHIBIT HALL LAYOUT 110 INDIA SAVE THE DATE 2018 Inside back page l Prakash Chitalkar UK l Maria Cable l Sue Morgan The AYA Global Accord is a collaboration between three l Lorna Fern l Sam Smith charitable organizations: Teen Cancer America, Teenage l Simon Fuller l Daniel Stark Cancer Trust and CanTeen Australia. Together they have l Faith Gibson l Jeremy Whelan developed an annual event that will rotate between the UK, USA and Australia. We hope it will become the most GERMANY important event for professionals working in the AYA field. -
Versatile Fox Sports Broadcaster Kenny Albert Continues to Pair with Biggest Names in Sports
FOR IMMEDIATE RELEASE Contact: Erik Arneson, FOX Sports Wednesday, Sept. 21, 2016 [email protected] VERSATILE FOX SPORTS BROADCASTER KENNY ALBERT CONTINUES TO PAIR WITH BIGGEST NAMES IN SPORTS Boothmates like Namath, Ewing, Palmer, Leonard ‘Enhance Broadcasts … Make My Job a Lot More Fun’ Teams with Former Cowboy and Longtime Broadcast Partner Daryl ‘Moose’ Johnston and Sideline Reporter Laura Okmin for FOX NFL in 2016 With an ever-growing roster of nearly 250 teammates (complete list below) that includes iconic names like Joe Namath, Patrick Ewing, Jim Palmer, Jeremy Roenick and “Sugar Ray” Leonard, versatile FOX Sports play-by-play announcer Kenny Albert -- the only announcer currently doing play-by-play for all four major U.S. sports (NFL, MLB, NBA and NHL) -- certainly knows the importance of preparation and chemistry. “The most important aspects of my job are definitely research and preparation,” said Albert, a second-generation broadcaster whose long-running career behind the sports microphone started in high school, and as an undergraduate at New York University in the late 1980s, he called NYU basketball games. “When the NFL season begins, it's similar to what coaches go through. If I'm not sleeping, eating or spending time with my family, I'm preparing for that Sunday's game. “And when I first work with a particular analyst, researching their career is definitely a big part of it,” Albert added. “With (Daryl Johnston) ‘Moose,’ for example, there are various anecdotes from his years with the Dallas Cowboys that pertain to our games. When I work local Knicks telecasts with Walt ‘Clyde’ Frazier on MSG, a percentage of our viewers were avid fans of Clyde during the Knicks’ championship runs in 1970 and 1973, so we weave some of those stories into the broadcasts.” As the 2016 NFL season gets underway, Albert once again teams with longtime broadcast partner Johnston, with whom he has paired for 10 seasons, sideline reporter Laura Okmin and producer Barry Landis. -
48 Annual Daytime Emmy Awards NOMINATIONS – June 25Th
48th Annual Daytime Emmy Awards NOMINATIONS – June 25th Please read below and check your entries for the correct spelling, title, and to make sure nobody who is eligible is missing. This list marks everyone who is officially a Daytime Emmy nominee in these categories and is the list we will use to verify statue orders in the event of a win. To make changes to this list, please read below carefully for the instructions: Please send an email to Daytime Administration at [email protected] with the subject line “Nominee Corrections and Additions – June 25th” and list the following information in the body of the email: Category Show Title Entrant’s Name Entrant’s Title # of Episodes in 2020 (if a Series) Job Description (if an off-list title)** **All off-list titles, or individuals with less than the required minimum percentage of episodes, are subject to approval by the Awards Committee. All changes made prior to the ceremony on June 25th will be gratis for this year. We accept changes for $150 per change for 30 days after the ceremony. Changes beyond 30 days after the ceremony will not be accepted under any circumstances. Deadlines are established by the ceremony date in which that category is rewarded. This list will be updated with accepted changes once a week on Fridays at 5pm ET! OUTSTANDING DRAMA SERIES The Bold and the Beautiful CBS Bradley P. Bell, Executive Producer Edward J. Scott, Supervising Producer Casey Kasprzyk, Supervising Producer Cynthia J. Popp, Producer Mark Pinciotti, Producer Ann Willmott, Producer Days of Our Lives -
Fox Sports Highlights – 3 Things You Need to Know
FOR IMMEDIATE RELEASE Wednesday, Sept. 17, 2014 FOX SPORTS HIGHLIGHTS – 3 THINGS YOU NEED TO KNOW NFL: Philadelphia Hosts Washington and Dallas Meets St. Louis in Regionalized Matchups COLLEGE FOOTBALL: No. 4 Oklahoma Faces West Virginia in Big 12 Showdown on FOX MLB: AL Central Battle Between Tigers and Royals, Plus Dodgers vs. Cubs in FOX Saturday Baseball ******************************************************************************************************* NFL DIVISIONAL MATCHUPS HIGHLIGHT WEEK 3 OF THE NFL ON FOX The NFL on FOX continues this week with five regionalized matchups across the country, highlighted by three divisional matchups, as the Philadelphia Eagles host the Washington Redskins, the Detroit Lions welcome the Green Bay Packers, and the San Francisco 49ers play at the Arizona Cardinals. Other action this week includes the Dallas Cowboys at St. Louis Rams and Minnesota Vikings at New Orleans Saints. FOX Sports’ NFL coverage begins each Sunday on FOX Sports 1 with FOX NFL KICKOFF at 11:00 AM ET with host Joel Klatt and analysts Donovan McNabb and Randy Moss. On the FOX broadcast network, FOX NFL SUNDAY immediately follows FOX NFL KICKOFF at 12:00 PM ET with co-hosts Terry Bradshaw and Curt Menefee alongside analysts Howie Long, Michael Strahan, Jimmy Johnson, insider Jay Glazer and rules analyst Mike Pereira. SUNDAY, SEPTEMBER 21 GAME PLAY-BY-PLAY/ANALYST/SIDELINE COV. TIME (ET) Washington Redskins at Philadelphia Eagles Joe Buck, Troy Aikman 24% 1:00PM & Erin Andrews Lincoln Financial Field – Philadelphia, Pa. MARKETS INCLUDE: Los Angeles, Philadelphia, Washington, Miami, Raleigh, Charlotte, Hartford, Greenville, West Palm Beach, Norfolk, Greensboro, Richmond, Knoxville Green Bay Packers at Detroit Lions Kevin Burkhardt, John Lynch 22% 1:00PM & Pam Oliver Ford Field – Detroit, Mich. -
THE NATIONAL ACADEMY of TELEVISION ARTS & SCIENCES ANNOUNCES NOMINATIONS for the 44Th ANNUAL DAYTIME EMMY® AWARDS
THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES NOMINATIONS FOR THE 44th ANNUAL DAYTIME EMMY® AWARDS Daytime Emmy Awards to be held on Sunday, April 30th Daytime Creative Arts Emmy® Awards Gala on Friday, April 28th New York – March 22nd, 2017 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 44th Annual Daytime Emmy® Awards. The awards ceremony will be held at the Pasadena Civic Auditorium on Sunday, April 30th, 2017. The Daytime Creative Arts Emmy Awards will also be held at the Pasadena Civic Auditorium on Friday, April 28th, 2017. The 44th Annual Daytime Emmy Award Nominations were revealed today on the Emmy Award-winning show, “The Talk,” on CBS. “The National Academy of Television Arts & Sciences is excited to be presenting the 44th Annual Daytime Emmy Awards in the historic Pasadena Civic Auditorium,” said Bob Mauro, President, NATAS. “With an outstanding roster of nominees, we are looking forward to an extraordinary celebration honoring the craft and talent that represent the best of Daytime television.” “After receiving a record number of submissions, we are thrilled by this talented and gifted list of nominees that will be honored at this year’s Daytime Emmy Awards,” said David Michaels, SVP, Daytime Emmy Awards. “I am very excited that Michael Levitt is with us as Executive Producer, and that David Parks and I will be serving as Executive Producers as well. With the added grandeur of the Pasadena Civic Auditorium, it will be a spectacular gala that celebrates everything we love about Daytime television!” The Daytime Emmy Awards recognize outstanding achievement in all fields of daytime television production and are presented to individuals and programs broadcast from 2:00 a.m.-6:00 p.m. -
Gorinski2018.Pdf
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both. -
Two Weeks Notice Online Subtitrat
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The Apatow Aesthetic: Exploring New Temporalities of Human Development in 21St Century Network Society Michael D
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 12-7-2016 The Apatow Aesthetic: Exploring New Temporalities of Human Development in 21st Century Network Society Michael D. Rosen University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Rosen, Michael D., "The Apatow Aesthetic: Exploring New Temporalities of Human Development in 21st Century Network Society" (2016). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6579 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Apatow Aesthetic: Exploring New Temporalities of Human Development in 21st Century Network Society by Michael D. Rosen A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in American Studies Department of Humanities and Cultural Studies College of Arts & Sciences University of South Florida Major Professor: Scott Ferguson, Ph.D. Amy Rust, Ph.D. Andrew Berish, Ph.D. Date of Approval: December 11, 2016 Keywords: adulthood, bromance, comedy, homosocial, Judd Apatow, neoliberalism Copyright © 2016, Michael D. Rosen Table of Contents Abstract .......................................................................................................................................... -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
Loki Production Brief
PRODUCTION BRIEF “I am Loki, and I am burdened with glorious purpose.” —Loki arvel Studios’ “Loki,” an original live-action series created exclusively for Disney+, features the mercurial God of Mischief as he steps out of his brother’s shadow. The series, described as a crime-thriller meets epic-adventure, takes place after the events Mof “Avengers: Endgame.” “‘Loki’ is intriguingly different with a bold creative swing,” says Kevin Feige, President, Marvel Studios and Chief Creative Officer, Marvel. “This series breaks new ground for the Marvel Cinematic Universe before it, and lays the groundwork for things to come.” The starting point of the series is the moment in “Avengers: Endgame” when the 2012 Loki takes the Tesseract—from there Loki lands in the hands of the Time Variance Authority (TVA), which is outside of the timeline, concurrent to the current day Marvel Cinematic Universe. In his cross-timeline journey, Loki finds himself a fish out of water as he tries to navigate—and manipulate—his way through the bureaucratic nightmare that is the Time Variance Authority and its by-the-numbers mentality. This is Loki as you have never seen him. Stripped of his self- proclaimed majesty but with his ego still intact, Loki faces consequences he never thought could happen to such a supreme being as himself. In that, there is a lot of humor as he is taken down a few pegs and struggles to find his footing in the unforgiving bureaucracy of the Time Variance Authority. As the series progresses, we see different sides of Loki as he is drawn into helping to solve a serious crime with an agent 1 of the TVA, Mobius, who needs his “unique Loki perspective” to locate the culprits and mend the timeline.