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Hold That Ghost in Late 1941 Milton Berle Was Said to Have Quipped, "Things Are Slow in Hollywood
Those Slap-Happy Screamsters Go A’haunting! Saturday, October 23 at 2 & 8 pm only Abbott and Costello’s Hold That Ghost In late 1941 Milton Berle was said to have quipped, "Things are slow in Hollywood. Abbott and Costello haven't made a picture all day." And he was right. fter the smash success of their first starring feature,Buck Privates, (1941) burlesque and Aradio comics Bud Abbott and Lou Costello were the number one box office attraction in the country--and literally saved Universal Studios from bankruptcy. In fact, the only movie that outgrossed Buck Privates at the time was Gone with the Wind. Anxious to keep the team working, Universal Studios had already completed production on their next film, a non-music spoof of two popular film genres of the era--the Haunted House movie and Gangster melodrama--then titled Oh Charlie! (a reference to a running gag in the film where a dead gangster's body keeps turning up). But when the huge box office returns fromBuck Privates began rolling in, Universal temporarily shelved Oh Charlie! to put the team in an- other service themed follow-up, In the Navy. When they returned to Oh Charlie! , Universal discovered test audiences for the film wondered why the Andrews Sisters, who had been in the two previous hits, were absent in this one. So additional re-shoots were required to include the trio, now making it a horror/ comedy, with a couple of songs thrown in. The title was eventually changed to Hold That Ghost and became the third smash hit for Abbott and Costello that year, continuing a string of successes that would keep them among the top box office attractions for the next ten years and would also serve as the inspiration for another classic, 1948's Abbott and Costello Meet Frankenstein. -
A Study of the Work of Vladimir Nabokov in the Context of Contemporary American Fiction and Film
A Study of the Work of Vladimir Nabokov in the Context of Contemporary American Fiction and Film Barbara Elisabeth Wyllie School of Slavonic and East European Studies, University College London For the degree of PhD 2 0 0 0 ProQuest Number: 10015007 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10015007 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT Twentieth-century American culture has been dominated by a preoccupation with image. The supremacy of image has been promoted and refined by cinema which has sustained its place as America’s foremost cultural and artistic medium. Vision as a perceptual mode is also a compelling and dynamic aspect central to Nabokov’s creative imagination. Film was a fascination from childhood, but Nabokov’s interest in the medium extended beyond his experiences as an extra and his attempts to write for screen in Berlin in the 1920s and ’30s, or the declared cinematic novel of 1938, Laughter in the Dark and his screenplay for Stanley Kubrick’s 1962 film version of Lolita. -
Rd., Urbana, Ill. 61801 (Stock 37882; $1.50, Non-Member; $1.35, Member) JOURNAL CIT Arizona English Bulletin; V15 N1 Entire Issue October 1972
DOCUMENT RESUME ED 091 691 CS 201 266 AUTHOR Donelson, Ken, Ed. TITLE Science Fiction in the English Class. INSTITUTION Arizona English Teachers Association, Tempe. PUB DATE Oct 72 NOTE 124p. AVAILABLE FROMKen Donelson, Ed., Arizona English Bulletin, English Dept., Ariz. State Univ., Tempe, Ariz. 85281 ($1.50); National Council of Teachers of English, 1111 Kenyon Rd., Urbana, Ill. 61801 (Stock 37882; $1.50, non-member; $1.35, member) JOURNAL CIT Arizona English Bulletin; v15 n1 Entire Issue October 1972 EDRS PRICE MF-$0.75 HC-$5.40 PLUS POSTAGE DESCRIPTORS Booklists; Class Activities; *English Instruction; *Instructional Materials; Junior High Schools; Reading Materials; *Science Fiction; Secondary Education; Teaching Guides; *Teaching Techniques IDENTIFIERS Heinlein (Robert) ABSTRACT This volume contains suggestions, reading lists, and instructional materials designed for the classroom teacher planning a unit or course on science fiction. Topics covered include "The Study of Science Fiction: Is 'Future' Worth the Time?" "Yesterday and Tomorrow: A Study of the Utopian and Dystopian Vision," "Shaping Tomorrow, Today--A Rationale for the Teaching of Science Fiction," "Personalized Playmaking: A Contribution of Television to the Classroom," "Science Fiction Selection for Jr. High," "The Possible Gods: Religion in Science Fiction," "Science Fiction for Fun and Profit," "The Sexual Politics of Robert A. Heinlein," "Short Films and Science Fiction," "Of What Use: Science Fiction in the Junior High School," "Science Fiction and Films about the Future," "Three Monthly Escapes," "The Science Fiction Film," "Sociology in Adolescent Science Fiction," "Using Old Radio Programs to Teach Science Fiction," "'What's a Heaven for ?' or; Science Fiction in the Junior High School," "A Sampler of Science Fiction for Junior High," "Popular Literature: Matrix of Science Fiction," and "Out in Third Field with Robert A. -
Abbott and Costello Still Leave Us Laughing
EXPLORER + n n n n ###*L*S###*R*>W, *>NTHE *D, PRESS *Y OF ATLANTIC CITY ###*RTHE PRESS###*L*>W, OF ATLANTIC *>N CITY *D,*S *Y New Jersey comedians About Explorer This summer our Explorer pages, which appear each Monday, look at the lives and achievements of famous New Jersey residents. The Education Abbott and Costello page will return in the fall. Who’s on First Here’s a taste of Abbott and Costello’s most famous routine. Keep in mind that ‘Who,’ ‘What’ and ‘I Don’t Know,’ are names of players on the team. Abbott: they give ball players nowadays very still leave us laughing peculiar names. Costello: Funny names? By DEVIN MCLAUGHLIN For the Press, 609-272-7274 Abbott: Nicknames, pet names. Now, on the St. One of Hollywood’s most popular comedy teams Louis team we have Who’s on first, What’s on had deep roots in the Garden State. second, I Don’t Know is on third — Not only were Bud Abbott and Lou Costello both Costello: That’s what I want to find out; I want you born here, but their wise-cracking humor was full of to tell me the names of the fellows on the St. New Jersey attitude. Louis team. The skinny half of the team, William Alexander Abbott: I’m telling you: Who’s on first, What’s on “Bud” Abbott, was born in Asbury Park, Monmouth second, I Don’t Know is on third. County, in 1897. His parents both worked for the cir- Costello: You know the fellows’ names? cus and he took to show business early, working the Abbott: Yes. -
Book Ideas for Middle Schoolers
Book for Middle Schoolers ● Chronicles of Narnia Series - By: C.S. Lewis ● The Hobbit - By: J.R.R. Tolkein ● The Lord of the Rings Trilogy - By: J.R.R. Tolkein ● The Saints Chronicles - Sophia Institute ● The Great and Terrible Quest - By: Margaret Lovett ● Fabiola - By: Nicolas Wiseman ● The Small War of Sergeant Donkey - By: Maureen Daly ● Madeleine Takes Command - By: Ethel C. Brill ● 7 Riddles to Nowhere - By: A.J. Cattapan ● A Horse and the Boy - By. C.S. Lewis ● The Story of Joan of Arc - By: Brother Ernst ● Ablaze: Stories of Daring Teen Saints - By: Colleen Swaim ● Radiate: More Stories of Daring Teen Saints - By: Colleen Swaim ● Adam of the Road - By: Elizabeth Gray Vining ● Blessed Marie of New France - By: Mary Fabyan Windeatt ● Saint Rose of Lima - By: Mary Fabyan Windeatt ● St. Thomas Aquinias- By: Mary Fabyan Windeatt ● St. Benedict, Hero of the Hills - By: Mary Fabyan Windeatt ● The Children of Fatima - By: Mary Fabyan Windeatt ● The Little Flower - By: Mary Fabyan Windeatt ● The Miraculous Medal - By: Mary Fabyan Windeatt ● Break in the Basilica - By: Diane Ahern ● Death Comes for the Archbishop - By: Willa Cather ● Holy Twins: Benedict and Scholastica - By: Kathleen Norris ● I Am David - By: Anne Holm ● Lilies of the Field - By: William E. Barrett ● Saint Catherine of Siena - By: F.A. Forbes ● The Innocence of Father Brown - G. K. Chesterton ● The Living Wood - By: Louis de Wohl ● The Restless Flame - By: Louis de Wohl ● The Spear: A Novel of the Crucifixion - By: Louis de Wohl ● Will Wilder Series - By: Raymond Arroyo Podcasts ● Catholic Sprouts ● Saint Stories for Kids ● Catholicism with my Kid ● Sunday, Sunday, Sunday with Mark Hart ● This Catholic Life ● How-to Catholic with Lisa and Kevin Cotter. -
Index to Academy Oral Histories Hans J. Salter
Index to Academy Oral Histories Hans J. Salter Hans Salter (Composer) Call number: OH114 Abbott and Costello, 96 ABENTEUR AM LIDO, 51 Academy Awards, 79-81, 108, 139-140, 158-159 Academy of Motion Picture Arts and Sciences, 80-81 Adler, Guido, 5 AGAINST ALL FLAGS, 152 American Federation of Musicians (Local 47, AFL), 113-114, 126-127, 148 American Society of Composers, Authors and Publishers (ASCAP), 65, 115-116, 129, 137 Amfitheatrof, Daniele, 122-123 The Andrews Sisters, 96-97 APACHE DRUMS, 93, 135-137 AUTUMN LEAVES, 141 "Autumn Leaves" (song), 141 Bakaleinikoff, Constantin, 123 BEAU GESTE (1966), 156-157 Becce, Giuseppe, 36-37, 42 BEDTIME STORY, 157 BEND OF THE RIVER, 135 Berg, Alban, 7, 10-11, 22-23, 87 Berg, Bengt, 44-45 Berlin State Opera, 20-21 Berman, Bert, 120 Bernhardt, Curt, 53 Bernstein, Elmer, 139 BLACK FRIDAY, 91-92, 94 THE BLUE ANGEL, 41 Bodansky, Rudolf, 30, 31 Borzage, Frank, 112 Brecht, Bertholt, 102 Bressart, Felix, 49-50 THE BRIDE OF FRANKENSTEIN, 87 Brown, B. B., 88 Brown, Johnny Mack, 108 Cain, Ted, 113, 124 CAN'T HELP SINGING, 84-85 Capitol (Berlin movie theater), 20, 21 CHRISTMAS HOLIDAY, 47, 68, 83-84 Coates, Albert, 29 THE COBWEB, 139 COME SEPTEMBER, 142 Conreid, Hans, 133 Copland, Aaron, 105 COUNTESS MARITZA (operetta), 20 THE CREATURE FROM THE BLACK LAGOON, 134, 150 DER BLAUE ENGEL, 41 DER MANN, DER DEN MORD BEGING, 34, 38-39 Dessau, Paul, 102-103 DIE BLONDE NACHTIGALL, 42, 45-46 DIE FRAU IM MOND, 27, 31 Directors Guild of America, 130 "Do Not Forsake Me" (song), 138 DRAGNET (radio program), 123 Durbin, Deanna, 53, 72-79, 81-85 THE DYBBUK (opera), 113 Eisler, Hans, 41 Elster, Elsa, 45 Fairchild, Edgar, 85, 106-107 THE FAR HORIZONS, 152 "Faro-La, Faro-Li" (song), 99 Finston, Nathaniel, 81 FIRST LOVE, 58-59, 74-75 THE 5,000 FINGERS OF DR. -
OLM 2019 Summer Reading List
OLM 2019 Summer Reading List Please select the reading requirements for the grade the student will be entering for the 2019/2020 school year Please check this list through the end of June to see if there are any additional requirements requested for your grade. Thank you. Click here for Mrs. Cambio’s Top Summer Picks for Grades K., 1 & 2 GRADE Kindergarten Kindergarteners are required to complete seven picture books of their choosing this summer. If your child can read independently, we encourage him/her to choose the seven picture books at their level. If your child is not yet reading independently, please read the picture books to your child. In addition to seven picture books, we suggest choosing a short chapter book. Find an eager adult reading buddy to read it to the child! Please print the following and return completed form to your teacher the first week of school: Kindergarten Summer Reading Form GRADE 1 First graders are required to read ten picture books of their choosing this summer. If your child can read independently, we encourage him/her to choose books at their level. If your child is not yet reading independently, please read the books that he/she chooses to him/her. In addition to ten picture books, it would be great to choose a beginning chapter book for an adult to read with the student. Please print the following and return completed form to your teacher the first week of school: 1st Grade Summer Reading Form GRADE 2 Please choose 1 chapter book at your level to read this summer. -
1941-11-03 [P B-9]
■ — ■ Perole Quartet f String Comedy to Open at A PURCHASE OF YARDS OF Plays Center At the National SPECIAL 5,000 By ELENA DE SAYX. ‘‘Junior Miss.” new play by Last night, the National Center Jerome Chodorov and Joseph 98c to $1.29 SUAFAST, WASHABLE CRETOAAES Forum of the Jewish Community Fields, inspired by the short stories of Sally Benson in the Center auspiciously opened its art- New Yorker magazine, opens IS THE REASOA FOR THIS SLIP COYER OFFER! ist's series by presenting the Perole tonight at the National Theater. String Quartet. This organization The cast of the comedy in- is already familiar to concert-goers cludes Philip Ober, Barbara its through appearance here last Robbins, Alexander Kirkland. summer. Joseph Coleman, first vio- Francesca Bruning, Patricia linist of the group, is pleasantly re- Peardon, Lenore Lonergan, Matt membered also as solo violinist in Briggs, Paula Lawrence and his District debut at the Water Gate John Newton. with the National Symphony Or- There will be the usual mati- i chestra several years ago. nees Wednesday and Saturday. The Cafritz Auditorium, darkened for the occasion, with light centered only on a beige cvclorama and red opened the program. From the velvet sides of its attractive stage, first note of the allegro moderato” was conducive to sweet music, such to the last ‘'vivace" of the finale, as the members of the Perole Quar- throughout the sturdy "menuetto" tet drew from their instruments. and the "adagio cantabile" the en- ! Bloch's "Pastorale, as interpreted semble bespoke thoughtful care j by tnem, proved a beautiful tone given to details and contrasts. -
The Museum of Modern Art Department of Film
The Museum of Modern Art Department of Film 11 West 53 Street, New York, N.Y. 10019 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART THE ARTS FOR TELEVISION an exhibition organized by The Museum of Contemporary Art, Los Angeles and the Stedelijk Museum, Amsterdam THE ARTS FOR TELEVISION is the first major museum exhibition to examine television as a form for contemporary art : television as a gallery or theater or alternative space, even television as art . An international selection of artworks made for broadcast, the exhibi- tion documents the crossovers and collaborations that take place on this new television, between and among dancers, musicians, play- wrights, actors, authors, poets, and visual and video artists . And it investigates the artists' own investigation of one medium -- be it dance or music or literature -- through another . It examines the transformations video makes and the possibilities it allows . These provocative uses of television time and technology are organized in THE ARTS FOR TELEVISION according to the medium transformed by the electronic image ; the six categories are Dance for Television, Music for Television, Theatre for Television, Literature for Television, The Video Image (works that address video as a visual art, that make reference to the traditional visual arts and to seeing itself), and Not Necessarily Television (works that address the usual content of TV, and transform it) . The ARTS FOR TELEVISION also presents another level of collaboration in artists' television . It documents the involvement of television stations in Europe and America with art and artists' video . It recognizes their commitment and acknowledges the risks they take in allowing artists the opportunity to realize works of art . -
(Lb* B U T E M Qtbronitte EDITORIALS
EDITORIALS: YELLOW CAB Free Speech CALL F-141 (lb* Butem QTbronitte Same Old Gripe* Volume Tshirty-Eight-No. 3 Duke University, Durham, N. C. Tuesday, September 23, 1941 IMAGINE AIR RAID BOMBS CRASHING HERE FORTUNATELY THE AIRPLANE THAT FLEW PHOTOGRAPHER BEN PATRICK OVER WEST CAMPUS CARRIED ONLY HARMLESS FAST-ACTION CAMERAS INSTEAD OF BOMBS Even Hundred Seniors Bull Durham Goes Berserk; Coed Cheerleader Plan Those Uil Hats Make Fall Dean's List Tramples Manchester's Lawn Are Handicaps Lti'iv i by Is Several tales of woe concem- disbarment as official CHI Y Dance Season g freshman dinks have been columnist, Bull Durham made Unanimously Approved No Impromptu rcu lating around the campus. of the semester, don't worry; his first attempt at revenge Despite the claims of B.O.S. and they're probably just enjoying against his persecutors Sunday Opens Saturday Dates on Hand the fruits of dean's list privi afternoon when he invaded Dean leges. Pep Meet Friday practical drawbacks which ean- Alan K. Manchester's yard with Defense Conscious Women "ie overlooked. For An even hundred members of what, according to onlookers, "I want a girl." the senior class made grades of t y night was definitely malice afore First dance of the year will be To Launch Season owl, who \s ; tryin This very commonplace West high enough to place them on held by the Y in the Woman's Inaugurate Special Courses thought. e from East ci pus aft- campus statement is raising the lists released today by the gym Saturday evening from 7:45 Coed cheerleaders were unan havoc for the girls on the desk The Bull, discharged bovine deans' offices. -
“Abbott and Costello Meet Frankenstein” File
FEATURE PRODUCTION THE #1572 “ABBOTT AND COSTELLO MEET FRANKENSTEIN” FILE Part I he inspired idea of melding two of Universal’s most famous franchises had been kicking around the Tstudio for a few years, but it was producer Robert Arthur who got the chance to bring it to life. He gave the concept to a few screenwriters, including Oscar Brodney, Bertram Milhauser, and the team of Robert Lees and Fred Rinaldo. “The minute the studio told Fred and I the basic idea,” Lees recalled in Abbott and Costello in Hollywood, “we said ‘This is the greatest idea for a comedy that ever was!’ But that’s all they gave us. We came up with the rest.” Lees and Rinaldo, who had written Hold That Ghost (1941), came back with a promising treatment. Titled “Ab- bott and Costello Meet Frankenstein,” their first crack at the story was delivered April 21, 1947. It has most of the elements that will be in the final film: the boys are inept baggage handlers who deliver crates to MacDougal’s House of Horrors; the “exhibits” get up and walk away; Larry Talbot, on Dracula’s trail, persuades the boys to help him; there’s a Abbott and Costello Quarterly—7 FEATURE ” “THE BRAIN OF FRANKENSTEIN PRODUCTION # 1572 OCTOBER 1947 START DATE: FEBRUARY 5, 1948 CAST: BUD ABBOTT ........... CHICK LOU COSTELLO ......... WILBUR LON CHANEY ........... TALBOT IAN KEITH ............ DRACULA BELA LUGOSI .......... DRACULA PATRICIA MORISON ..... SANDRA LENORE AUBERT ........ SANDRA GLENN STRANGE ........ THE MONSTER DOROTHY HART ......... JOAN ELLA RAINES .......... JOAN as the linchpin, and JANE RANDOLPH ........ JOAN appropriately re-titled CHARLES BRADSTREET .. -
Dancing Lady Robert Z. Leonard M-G-M USA 1933 16Mm 5/6/1972
Listed Screening Season Title Director Studio Country Year Format runtime Date Notes Dancing Lady Robert Z. Leonard M-G-M USA 1933 16mm 5/6/1972 The first screening ever! 11/25/1972 Per Trib article from 11/23/1972, "our meeting this Saturday will be our last until after the Holidays" Go Into Your Dance Archie Mayo Warner Bros. USA 1935 16mm 1/18/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Sunny Side Up David Butler Fox Film Corp. USA 1929 16mm 1/25/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Shall We Dance Mark Sandrich RKO USA 1937 16mm 2/1/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 You'll Never Get Rich Sidney Lanfield Columbia USA 1941 16mm 2/8/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 - subbed in for A Night at the Opera Stand-In Tay Garnett United Artists USA 1937 16mm 2/15/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 - subbed in for No Man Of Her Own Now And Forever Henry Hathaway Paramount USA 1934 16mm 2/22/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 Spy Smasher Returns William Witney Republic USA 1942 16mm 3/1/1975 per Chuck Schaden's Nostalgia Newsletter 3/1975 - subbed in for Sing You Sinners White Woman Stuart Walker Paramount USA 1933 16mm 3/8/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Broadway Gondolier Lloyd Bacon Warner Bros. USA 1935 16mm 3/15/1975 per Chuck Schaden's Nostalgia Newsletter 4/1975 Argentine Nights Albert S.