Raagotsav… Celebration of Monsoon – Part I

Total Page:16

File Type:pdf, Size:1020Kb

Raagotsav… Celebration of Monsoon – Part I A Report Raagotsav… Celebration of Monsoon – Part I Films Division presented ‘RAAGOTSAV…Celebration of Monsoon’, an online festival of select pick from the precious films on Indian classical music in its Archive, from 14th to 16th July, 2020 on FD You Tube channel and website. The Part I of the festival was dedicated to the rich and age-old tradition of instrumental music and legendary musicians-performers. The documentaries streamed at the festival introduced and exposed music lovers to the major streams of instrumental music - string, wind and percussion. They also made viewers to immerse in the life and works of great maestros like Ustad Allaudin Khan, legendary multi instrumentalist- composer, Ustad Ahmad Jaan Thirakwa & Ustad Alla Rakha -Tabla maestros, Bharat Ratnas - Ustad Bismillah Khan -Shehnai virtuoso and Pt. Ravi Shankar -Sitar exponent, Pt. Hariprasad Chaurasia -Flute maestro, Ustad Amjad Ali Khan -Sarod maestro, Pt. Ram Narayan - Sarangi exponent, Pt. Sivkumar Sharma -Santoor virtuoso, Sheikh Chinna Moulana -Nadaswaram exponent and others who have influenced music lovers, old and young alike, for centuries. ‘RAAGOTSAV’ aimed to double the celebration of Monsoon and to bring pure joy of music and celestial ecstasy to all music lovers uplifting their spirit in the present days of isolation and depression. The rare collection of documentaries were showcased on www.filmsdivision.org @ “Documentary of the Week” and Tube channel for free viewing. The three days’ online music film festival was well received by music lovers in India and across the globe and recorded an exciting number of more than 5400 online viewership. The festival has been covered by various print, electronic and social media, as annexed. Contd. on Pg.-2/….. : 2 : Day 1 Day 2 Day 3 Contd. on Pg.-3/…. : 3 : At Films Division’s Website Day 1 – RAAGOTSAV…Celebration of Monsoon Day 2 – RAAGOTSAV…Celebration of Monsoon Day 3 – RAAGOTSAV…Celebration of Monsoon Contd. on Pg.-4/….. : 4 : At Films Division’s YouTube Channel Day 1 - RAAGOTSAV…Celebration of Monsoon Day 2 - RAAGOTSAV…Celebration of Monsoon Day 3 - RAAGOTSAV…Celebration of Monsoon : 5 : Films Division’s Facebook page https://www.facebook.com/FilmsDivision/ Contd. on Pg.-6/…… : 6 : Films Division’s Twitter page https://twitter.com/Films_Division Contd. on Pg.-7/-…… : 7 : By Press Information Bureau…….. Contd. on Pg.-8/….. : 8 : Tweets of Press Information Bureau…….. Contd. on Pg.-9/…. : 9 : Clip at Pickle Magazine on Films Division’s RAAGOTSAV… Contd. on Pg.-10/…. : 10 : At pudhari.news, Marathi Blog on Films Division’s RAAGOTSAV… Contd. on Pg.-11/…. : 11 : Aviratvaatchal.com , a Marathi E-Paper, on Films Division’s RAAGOTSAV… Contd. on Pg.-12/….. : 12 : Cinestaan.com on Films Division’s RAAGOTSAV… Contd. on Pg.-13/…. : 13 : m.dailyhunt.in on Films Division’s RAAGOTSAV… Contd. on Pg.-14/…. : 14 : Mangaloremirror.com on Films Division’s RAAGOTSAV… Contd. on Pg.-15/…. : 15 : Bolly.com by Mayapuri on Films Division’s RAAGOTSAV… Contd. on Pg.-16/….. : 16 : nashikonweb on Films Division’s RAAGOTSAV… Contd. on Pg-17/…. : 17 : Contd. on Pg.-18/…. : 18 : Loksatta, Mumbai -Marathi Newspaper on Films Division’s RAAGOTSAV… Contd. on Pg.-19/…. : 19 : Baittambatmi, Mumbai -Marathi Newspaper on Films Division’s RAAGOTSAV… Contd. on Pg.-20/…. : 20: Anand Bazar Patrika, Kolkata on Films Division’s RAAGOTSAV… Translation: Ustad Amjad Ali Khan has spoken about his music & life in his bio-documentary directed by Gulzar. Pandit Ravi Shankar has described the values of gurukul, in a documentary made in early 70's. Or a documentary made in the mid 70's on Baba Allauddin Khan. Films Division has screened such rare gems on Indian Classical Music for the past three days. Titled "RAAGOTSAV", this online series was beamed by Films Division from Tuesday to Thursday, on their website and YouTube channel. ****************** .
Recommended publications
  • High Court for the State of Telangana
    COURT NO. 13 THE HONOURABLE SRI JUSTICE CHALLA KODANDA RAM To be Heard on Tuesday The 20th day of July 2021( AT 10:30 AM - VIRTUAL MODE ) (MOTION LIST) SNO CASE PETITIONER ADV. RESPONDENT ADV. DISTRICT FOR ADMISSION 1 CRP/1064/2021 U SHANTHI BHUSHAN RAO KARIMNAGAR IA 1/2021 2 CRP/1068/2021 M JANARDHAN RAO RANGA REDDY IA 1/2021 3 CRP/1069/2021 M JANARDHAN RAO KARIMNAGAR IA 1/2021 4 CRP/1070/2021 M JANARDHAN RAO KARIMNAGAR IA 1/2021 5 SA/130/2021 N ASHOK KUMAR NALGONDA IA 1/2021 6 TRCMP/124/2021 J SRI RAMA KRISHNA MAHABUBNAGAR INTERLOCUTORY 7 AS/161/2021 SHAIK MADAR KHAMMAM IA 1/2021 8 CCCA/63/2021 VEDULA CHITRALEKHA HYDERABAD IA 1/2021 D MADHAVA RAO R-1-DIED VIDE C.T.(PER LRS OF RR-2 TO 5) CAVEAT FILED BY M/S D.MADHAVA RAO(2620)FOR R-3 9 CCCA/64/2021 VEDULA CHITRALEKHA HYDERABAD IA 1/2021 D MADHAVA RAO R-1-DIED VIDE C.T.(PER LRS OF RR-2 TO 5) CAVEAT FILED BY M/S D.MADHAVA RAO(2620)FOR R-3 1 COURT NO. 13 THE HONOURABLE SRI JUSTICE CHALLA KODANDA RAM To be Heard on Tuesday The 20th day of July 2021( AFTER MOTION LIST - VIRTUAL MODE ) (DAILY LIST) SNO CASE PETITIONER ADV. RESPONDENT ADV. DISTRICT PART-HEARD 10 SA/173/2015 J V S H SASTRY SRINIVAS BOBBILI RANGA REDDY IA 3/2015(SAMP 2200/2015) C SUBBA RAO RAVI SHANKAR JANDHYALA IA 1/2016(SAMP 216/2016) S V RAMANA (P) Proof of payment Memo filed By Appellants Vide Usr No.4864 Dt 30/01/2021 ( HEARD-IN-PART ) INFRUCTUOUS MATTERS 11 CMA/971/2013 M SRIKANTH REDDY A TULSI RAJ GOKUL HYDERABAD IA 1/2015(CMAMP 541/2015) RR 1TO3 APP CRP/4686/2013 RR 4&7 UNSERVED RR 5,6&8 SERVED 12 CRP/4686/2013 A TULSI RAJ GOKUL M SRIKANTH REDDY HYDERABAD IA 1/2013(CRPMP 6376/2013) FOR JUDGMENT 13 CCCA/106/2006 THE ADVOCATE GENERAL (TG) A RAVINDER REDDY HYDERABAD IA 5/2006(CCCAMP S DWARAKANATH 6360/2006) ::Sri Raj Kumar Rudra,SC for TSHWCS for IA 1/2018 Appellant IA 1/2019 FOR APPEARANCE 14 CC/187/2021 KONDAPARTHY KIRAN KUMAR A P SURESH RAM NALGONDA RR 1TO 20 NOTICE SERVED.
    [Show full text]
  • Saregama India Limited Music | Films | Web Series | Tv Serials
    SAREGAMA INDIA LIMITED MUSIC | FILMS | WEB SERIES | TV SERIALS ANNUAL REPORT 2020-21 B O A R D O F D I R E C T O R S Dr. Sanjiv Goenka Mr. Santanu Bhattacharya (DIN: 00074796) (DIN: 01794958) Chairman (Non-Executive) Non-Executive Independent Director Mrs. Preeti Goenka Mr. Arindam Sarkar (DIN: 05199069) (DIN: 06938957) Non-Executive Director Non-Executive Independent Director Mrs. Avarna Jain Mr. Noshir Naval Framjee (DIN: 02106305) (DIN: 01646640) Non-Executive Director Non-Executive Independent Director Mr. Vikram Mehra Mr. Umang Kanoria (DIN: 03556680) (DIN: 00081108) Managing Director Non-Executive Independent Director Ms. Suhana Murshed Ms. Kusum Dadoo (DIN: 08572394) (DIN: 06967827) Non-Executive Independent Director Non-Executive Independent Director (w.e.f March 23, 2021) (period June 5, 2020 - Feb 4, 2021) Registered Office - Kolkata Chief Financial Officer - Mr. Vineet Garg 33, Jessore Road, Dum Dum, Kolkata - 700028, West Bengal. Company Secretary - Ms. Kamana Goenka Phone: (033) 2551 2984, 2551 4773 e-mail: [email protected] Bankers CIN : L22213WB1946PLC014346 Punjab National Bank (erstwhile United Bank of India) Website : www.saregama.com State Bank of India ICICI Bank Limited Head Office - Mumbai 2nd Floor, Spencer Building, 30, Forjett Street, Statutory Auditor Grant Road (W), Mumbai – 400 036 BSR and Co. LLP, Chartered Accountants Phone: (022) 6688 6200 (ICAI Firm Registration Number - 101248W/W-100022) Regional Offices Internal Auditor Ernst and Young LLP Delhi Secretarial Auditor A-62, 1st Floor, FIEE Complex, Okhla Industrial Area, MR & Associates Phase – II, New Delhi – 110 020 Phone: (011) 4051 9759 Cost Auditor Shome and Banerjee Chennai rd Door No.
    [Show full text]
  • Application Employee of High Sr No
    Application Employee of High Sr No. Seq No Rollno Applicant Full Name Father's Full Name Applicant Mother Name DOB (dd/MMM/yyyy) Domicile of State Category Sub_Category Email ID Gender Mobile Number Court Allahabad Is Present Score 1 1000125 2320015236 ANIL KUMAR SHIV CHARAN ARYA MAHADEVI 6/30/1990 Uttar Pradesh OBC Sports Person (S.P.)[email protected] Male 9911257770 No PRESENT 49 2 1000189 2320015700 VINEET AWASTHI RAM KISHOR AWASTHI URMILA AWASTHI 4/5/1983 Uttar Pradesh General NONE [email protected] 8423230100 No PRESENT 43 3 1000190 2110045263HEMANT KUMAR SHARMA GHANSHYAM SHARMA SHAKUNTALA DEVI 3/22/1988 Other than Uttar Pradesh General [email protected] 9001934082 No PRESENT 39 4 1000250 2130015960 SONAM TIWARI SHIV KUMAR TIWARI GEETA TIWARI 4/21/1991 Other than Uttar Pradesh General [email protected] Male 8573921039 No PRESENT 44 5 1000487 2360015013 RAJNEESH KUMAR RAJVEER SINGH VEERWATI DEVI 9/9/1989 Uttar Pradesh SC NONE [email protected] Male 9808520812 No PRESENT 41 6 1000488 2290015053 ASHU VERMA LATE JANARDAN LAL VERMA PADMAVATI VERMA 7/7/1992 Uttar Pradesh SC NONE [email protected] Male 9005724155 No PRESENT 36 7 1000721 2420015498 AZAJUL AFZAL MOHAMMAD SHAHID NISHAD NAZMA BEGUM 2/25/1985 Uttar Pradesh General NONE [email protected] 7275529796 No PRESENT 27 8 1000794 2250015148AMBIKA PRASAD MISHRA RAM NATH MISHRA NIRMALA DEVI 12/24/1991 Uttar Pradesh General NONE [email protected] Male 8130809970 No PRESENT 36 9 1001008 2320015652 SATYAM SHUKLA PREM PRAKASH
    [Show full text]
  • Fusion Without Confusion Raga Basics Indian
    Fusion Without Confusion Raga Basics Indian Rhythm Basics Solkattu, also known as konnakol is the art of performing percussion syllables vocally. It comes from the Carnatic music tradition of South India and is mostly used in conjunction with instrumental music and dance instruction, although it has been widely adopted throughout the world as a modern composition and performance tool. Similarly, the music of North India has its own system of rhythm vocalization that is based on Bols, which are the vocalization of specific sounds that correspond to specific sounds that are made on the drums of North India, most notably the Tabla drums. Like in the south, the bols are used in musical training, as well as composition and performance. In addition, solkattu sounds are often referred to as bols, and the practice of reciting bols in the north is sometimes referred to as solkattu, so the distinction between the two practices is blurred a bit. The exercises and compositions we will discuss contain bols that are found in both North and South India, however they come from the tradition of the North Indian tabla drums. Furthermore, the theoretical aspect of the compositions is distinctly from the Hindustani, (north Indian) tradition. Hence, for the purpose of this presentation, the use of the term Solkattu refers to the broader, more general practice of Indian rhythmic language. South Indian Percussion Mridangam Dolak Kanjira Gattam North Indian Percussion Tabla Baya (a.k.a. Tabla) Pakhawaj Indian Rhythm Terms Tal (also tala, taal, or taala) – The Indian system of rhythm. Tal literally means "clap".
    [Show full text]
  • Smt. Kala Ramnath Concert
    presents in association with UC Worldfest 2009 ART at its best Internationally Renowned Hindustani Violinis Smt. Kala Ramnath accompanied by Shri Prithwiraj Bhattacharjee on Tabla Date: 25 th April, 2009 (Saturday) Venue: 4400 Aronoff (DAAP Auditorium) Time: 6 :00 pm Parking: Langsam Garage Artiste Biography Maestro KALA RAMNATH , the contemporary torch bearer of the Mewati Gharana, stands today Prithwiraj Bhattacharjee another young and amongst the most outstanding instrumental musicians in the North Indian classical genre. Born upcoming artist began his initial training under into a family of prodigious musical talent, which his guru Dhiranjan Chakraborty at the tender has given Indian music such violin legends as Prof. age of seven. In the year 1994 his life long T.N. Krishnan and Dr. N. Rajam, Kala's genius with the violin manifested itself from childhood. She ambition of learning under the tabla maestro began playing the violin at the tender age of three Ustad Alla Rakha and Ustad Zakir Hussain came under the strict tutelage of her grandfather true. Blessed with highly cultivated fingers, Vidwan. Narayan Aiyar. Simultaneously she received training from her aunt Dr. Smt. N. Rajam. absorbing all the aspects of his guru’s style For fifteen years she put herself under the training through vigorous riyaz under the ever watchful of Mewati vocal maestro, Sangeet Martand Pandit eyes of his guru have made him progress into a Jasraj. This has brought a rare vocal emotionalism to her art. Kala's violin playing is characterized by very promising upcoming tabla player. Prithwi an immaculate bowing and fingering technique, has performed in many solo concerts and command over all aspects of laya, richness and travelled extensively all over India and abroad clarity in sur.
    [Show full text]
  • Part 2 - Mcqs ★ Menti Quiz 1 ★ Summary of Part 2 ★ Vocabulary ★ Extract Based Mcqs ★ Assertion and Reason Type Mcqs ★ Homework Question ★ Menti Quiz 2 1
    Part 2 - MCQs ★ Menti Quiz 1 ★ Summary of part 2 ★ Vocabulary ★ Extract based MCQs ★ Assertion and Reason type MCQs ★ Homework Question ★ Menti Quiz 2 1. Ayush Kumar Singh 2. Priyal Shrivastava 3. Aditya kr Maurya 4. Simran Gupta 5. ARYAN Choudhary 9b 6. mopal mahalakshmi 7. Shailendra Singh 8. TANMAY AGRAWAL 9. TULIP OJHA 10.Nishant buwa Amit RohraEnglish ● 10+ Years of teaching experience. ● Taught & mentored more than 40,000 students. In my class you will learn to Be a Reader, a Writer and an Achiever. The Shehnai of Bismillah Khan ● Shehnai replaced pungi which had a shrill unpleasant sound. Shehnai Pungi ● Pungi’s tonal quality was improved by a nai (barber) of shah (emperor Aurangzeb) hence it was named as shehnai. Aurangzeb ● Ustad Bismillah Khan is a Shehnai Maestro. ● Bismillah khan took to music early in life when he was 3 years old in the company of his maternal uncle. ● He used to sing ‘Chaita’ in Bihariji temple and practicing shehnai in Vishnu temple and Mangala Maiya temple of Varanasi. ● His life is a source of simplicity and communal harmony. ● Bismillah khan got his big break with the opening of All India Radio in Lucknow in 1938. ● He also played shehnai on 15 August, 1947 from Red fort in presence of Pandit Nehru. ● Bismillah khan gave many memorable performance both in India and abroad. ● He also gave music in two movies ‘Gunj Uthi shehnai’ and ‘Sanadhi Apanna’. ● He was so fond of his motherland India, Benaras and the holy Ganga that he refused an offer to be the Head of Shehnai school in USA.
    [Show full text]
  • New and Bestselling Titles Sociology 2016-2017
    New and Bestselling titles Sociology 2016-2017 www.sagepub.in Sociology | 2016-17 Seconds with Alice W Clark How is this book helpful for young women of Any memorable experience that you hadhadw whilehile rural areas with career aspirations? writing this book? Many rural families are now keeping their girls Becoming part of the Women’s Studies program in school longer, and this book encourages at Allahabad University; sharing in the colourful page 27A these families to see real benefit for themselves student and faculty life of SNDT University in supporting career development for their in Mumbai; living in Vadodara again after daughters. It contributes in this way by many years, enjoying friends and colleagues; identifying the individual roles that can be played reconnecting with friendships made in by supportive fathers and mothers, even those Bangalore. Being given entrée to lively students with very little education themselves. by professors who cared greatly about them. Being treated wonderfully by my interviewees. What facets of this book bring-in international Any particular advice that you would like to readership? share with young women aiming for a successful Views of women’s striving for self-identity career? through professionalism; the factors motivating For women not yet in college: Find supporters and encouraging them or setting barriers to their in your family to help argue your case to those accomplishments. who aren’t so supportive. Often it’s submissive Upward trends in women’s education, the and dutiful mothers who need a prompt from narrowing of the gender gap, and the effects a relative with a broader viewpoint.
    [Show full text]
  • WOODWIND INSTRUMENT 2,151,337 a 3/1939 Selmer 2,501,388 a * 3/1950 Holland
    United States Patent This PDF file contains a digital copy of a United States patent that relates to the Native American Flute. It is part of a collection of Native American Flute resources available at the web site http://www.Flutopedia.com/. As part of the Flutopedia effort, extensive metadata information has been encoded into this file (see File/Properties for title, author, citation, right management, etc.). You can use text search on this document, based on the OCR facility in Adobe Acrobat 9 Pro. Also, all fonts have been embedded, so this file should display identically on various systems. Based on our best efforts, we believe that providing this material from Flutopedia.com to users in the United States does not violate any legal rights. However, please do not assume that it is legal to use this material outside the United States or for any use other than for your own personal use for research and self-enrichment. Also, we cannot offer guidance as to whether any specific use of any particular material is allowed. If you have any questions about this document or issues with its distribution, please visit http://www.Flutopedia.com/, which has information on how to contact us. Contributing Source: United States Patent and Trademark Office - http://www.uspto.gov/ Digitizing Sponsor: Patent Fetcher - http://www.PatentFetcher.com/ Digitized by: Stroke of Color, Inc. Document downloaded: December 5, 2009 Updated: May 31, 2010 by Clint Goss [[email protected]] 111111 1111111111111111111111111111111111111111111111111111111111111 US007563970B2 (12) United States Patent (10) Patent No.: US 7,563,970 B2 Laukat et al.
    [Show full text]
  • COMMENCEMENT CONCERT 2017 COMMENCEMENT CONCERT FRIDAY, June 9, 2017 • 8 P.M
    COMMENCEMENT CONCERT 2017 COMMENCEMENT CONCERT FRIDAY, june 9, 2017 • 8 P.m. Lawrence Memorial chapel Maggie Anderson ’19 Jack Breen ’18 Allison Brooks-Conrad ’18 Elisabeth Burmeister ’17 Sarah Clewett ’17 Isabel Dammann ’17 Garrett Evans ’17 Nathan Gornick ’17 Raleigh Heath ’17 Andrew Hill ’18 Ming Hu ’17 Emmett Jackson ’18 Nicholas Kalkman ’17 Kate Kilgus ’18 Jason Koth ’17 Sara Larsen ’17 Alaina Leisten ’17 Mingfei Li ’17 Madalyn Luna ’17 Gabriella Makuc ’17 Mikaela Marget ’18 Evan Newman ’17 Nick Nootenboom ’17 Froya Olson ’17 Sam Pratt ’17 Kaira Rouer ’17 Bryn Rourke ’18 Madeline Scholl ’17 Shaye Swanson ’17 Gawain Usher ’18 Lauren Vanderlinden ’17 Erec VonSeggern ’18 1 PROGRAM From Rusalka Antonín Dvořák “Měsíčku na nebi hlubokém” (1841-1904) Etude in D minor, op. 2, no. 1 Sergei Prokofiev Froya Olson ’17, soprano (1891-1953) Susan Wenckus, piano Evan Newman ’17, piano ✦ INTERMISSION ✦ From Partenope George Frideric Handel “Furibondo spira il vento” (1685-1759) Solo Improvisation Sam Pratt Shaye Swanson ’17, mezzo-soprano (b. 1995) Nathan Birkholz, piano Sam Pratt ’17, saxophone Karate Alex Mincek Four Fragments from the Canterbury Tales Lester Trimble (b. 1975) IV. The Wyf of Biside Bathe (1923-86) Jack Breen ’18, saxophone Jason Koth ’17, saxophone Lauren Vanderlinden ’17, voice Sara Larsen ’17, flute Kate Kilgus ’18, clarinet Abegg Variations, op. 1 Robert Schumann Madeline Scholl ’17, harpsichord (1810-1856) Mingfei Li ’17, piano Toccata, op. 15 Robert Muczynski (1929-2010) Concertino Erwin Schulhoff Ming Hu ’17, piano I. Andante con moto (1894-1942) IV. Rondino: Allegro gaio Kaira Rouer ’17, flute Summer Music, op.
    [Show full text]
  • PRESS INFORMATION BUREAU GOVERNMENT of INDIA PRESS NOTE RESULT of the CIVIL SERVICES (PRELIMINARY) EXAMINATION, 2019 Dated: 12Th July, 2019
    PRESS INFORMATION BUREAU GOVERNMENT OF INDIA PRESS NOTE RESULT OF THE CIVIL SERVICES (PRELIMINARY) EXAMINATION, 2019 Dated: 12th July, 2019 On the basis of the result of the Civil Services (Preliminary) Examination, 2019 held on 02/06/2019, the candidates with the following Roll Numbers have qualified for admission to the Civil Services (Main) Examination, 2019. The candidature of these candidates is provisional. In accordance with the Rules of the Examination, all these candidates have to apply again in the Detailed Application Form-I (DAF-I) for the Civil Services (Main) Examination, 2019, which will be available on the website of the Union Public Service Commission (https://upsconline.nic.in) during the period from 01/08/2019 (Thursday) to 16/08/2019 (Friday) till 6:00 P.M. All the qualified candidates are advised to fill up the DAF-I ONLINE and submit the same ONLINE for admission to the Civil Services (Main) Examination, 2019 to be held from Friday, the 20/09/2019. Important instructions for filling up of the DAF-I and its submission will also be available on the website. The candidates who have been declared successful have to first get themselves registered on the relevant page of the above website before filling up the ONLINE DAF-I. The qualified candidates are further advised to refer to the Rules of the Civil Services Examination, 2019 published in the Gazette of India (Extraordinary) of Department of Personnel and Training Notification dated 19.02.2019. It may be noted that mere submission of DAF-I does not, ipso facto, confer upon the candidates any right for admission to the Civil Services (Main) Examination, 2019.
    [Show full text]
  • (Dr) Utpal K Banerjee
    About the Book IGNCA is a treasure-trove of cultural artifacts including a rich repository of Video documentaries (published) and Audio and Video DVDs (unpublished). This book – based on the author’s two-year project -- envisions an on-line A-V cultural archive KALASAMPADA that consists of A-V materials stored at IGNCA for the categories of: Interviews; Ritual Documentation; Archaeological Sites and Walk-through; Events; Festivals; Performances (music-dance-theatre-puppetry-mime); Lectures; Seminars; and Workshops. In order to make such a wide variety of materials available on-line – initially on the Intranet, subsequently on a potential Extranet, and eventually (although very selectively) on the Internet – the following digitisation road-map is observed in the project: Conversion of primary A-V materials from analogue to digital format; Creation of data sheets for metadata tagging, following the international standard of Dublin Core Metadata Element Set (DCMES); Integration of metadata with primary A-V material in IGNCA’s Intranet; Access and retrieval by “simple search” with keywords for casual browsers and “advanced search” for users, researchers and scholars with reference to groups of keywords from the intranet. The objectives of the project of on-line A-V cultural archive are: to bring it into public domain; to make it inter-active for scholars; and to make it internationally compatible. Basic advantages of such a project are really five-fold. First, a digital A-V archive assures the near permanent durability of the A-V material. Secondly, it allows need-based quality enhancement. Thirdly, an archive of this kind makes room for highly economic storage of vulnerable Audio and Video files.
    [Show full text]
  • Chapter 6 Instruments, Melodic and Rhythmic ______(1) 7-12, C/U Pages 65 the Indian Violin
    Chapter 6 Instruments, Melodic and Rhythmic ______________________________________________________________________ (1) 7-12, C/U Pages 65 The Indian Violin As have those in other nations and cultures, Indians have imported the violin from Europe and have used it with those instruments that are indigenous to the region. Explore with students the acculturation process by which the violin has become integral to Indian musical traditions, listening, observing, and discussing the distinctive manner in which Indians have fashioned (1) its tuning (a-d-a-d), (2) its playing position (at an oblique angle from under the chin to where the scroll rests on the foot), and (3) its timbre (played with a straight, non-vibrato tone). Invite students to play with these possibilities. Look to other journeys the violin has made--to Turkey, Indonesia, Mexico, eastern Canada, the Apache nation, and Bolivia, by searching keywords like "violin", "fiddle" and "lute, bowed", and compare the violin on the three facets which Indians have shaped to their liking and use. _____________________________________________________________________ (2) 7-12, C/U Pages 65-66 Instrumental Influences Challenge students to search for examples of Indian instruments in the musical styles of neighboring countries. What instruments exist in Burma, China, Iraq, Iran, and Nepal that resemble the Indian sāntur (hammered dulcimer), sitār, and tablā? (For illustrations of instruments, see Ruth Midgley et. al., editors, 1997, Musical Instruments of the World, New York: Sterling Publishers). ____________________________________________________________________ (3) AA Pages 66-68 The Drone Have students explore the function of the tānpura in providing a drone to create a fixed tonal center for a melodic performance by a singer or instrumentalist.
    [Show full text]