The Parallax View
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7.Castrillo-Echart
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Dadun, University of Navarra Pablo Castrillo Towards a narrative definition of [email protected] PhD Candidate and Lecturer. the American political thriller film University of Navarra. Spain. Pablo Echart Abstract [email protected] Senior Lecturer in The Hollywood political thriller is a film genre of unique Screenwriting. University of relevance in the United States, often acting as a reflection of the Navarra. Spain. fears and anxieties of its historical times. At the same time, however, the definition of its identity and boundaries still leaves Submitted room for further specification, perhaps due to the frequent June 4, 2015 consideration of the political thriller as part of the broader Approved September 30, 2015 categories of either thriller narratives or political films. By revising the available literature and filmography and analyzing the narrative features of the classical political thriller, this © 2015 Communication & Society article proposes a deeper definition of the genre that takes into ISSN 0214-0039 account the nature of the broader ‘thriller’ category of films E ISSN 2386-7876 springing from a specific mode of crime fiction that focuses on a doi: 10.15581/003.28.4. 109-123 www.communication-society.com victim or threatened individual as its protagonist, depicts and conveys intense emotional states, portrays an unbalanced and highly existentialist worldview, and travels into the 2015 – Vol. 28(4), pp. 109-123 extraordinary while at the same time holding on to very concrete expectations of verisimilitude. The political thriller How to cite this article: specifies this broader form of narration and links it to dramatic Castrillo, P. -
Johnston Publications List--April 2018
!1 Publications A. Monographs 1. (2005). Time Driven: Metapsychology and the Splitting of the Drive [with a foreword by Slavoj "i#ek], Evanston: Northwestern University Press. 2. (2008). Žižek’s Ontology: A Transcendental Materialist Theory of Subjectivity, Evanston: Northwestern University Press. 3. (2009). Badiou, Žižek, and Political Transformations: The Cadence of Change, Evanston: Northwestern University Press. 4. (2013). Prolegomena to Any Future Materialism, Volume One: The Outcome of Contemporary French Philosophy, Evanston: Northwestern University Press. 5. (2014). Adventures in Transcendental Materialism: Dialogues with Contemporary Thinkers, Edinburgh: Edinburgh University Press. 6. (2017). Irrepressible Truth: On Lacan’s ‘The Freudian Thing’, Basingstoke: Palgrave Macmillan. 7. (2018). A New German Idealism: Hegel, Žižek, and Dialectical Materialism, New York: Columbia University Press. 8. (2019). Prolegomena to Any Future Materialism, Volume Two: A Weak Nature Alone, Evanston: Northwestern University Press (forthcoming). 9. Infinite Greed: Money, Marxism, Psychoanalysis (in preparation; to be submitted to Columbia University Press). 10. Prolegomena to Any Future Materialism, Volume Three: Substance Also as Subject (in preparation; to be submitted to Northwestern University Press). B. Co-authored Books 1. (2013). with Catherine Malabou, Self and Emotional Life: Philosophy, Psychoanalysis, and Neuroscience, New York: Columbia University Press. C. Chapters in Books 1. (2002). “Jacques Lacan,” The Freud Encyclopedia: Theories, Therapies, and Culture [ed. Edward Erwin], New York: Routledge, pp. 315-319. !2 2. (2006). “Ghosts of Substance Past: Schelling, Lacan, and the Denaturalization of Nature,” Lacan: The Silent Partners [ed. Slavoj "i#ek], London: Verso Books, pp. 34-55. 3. (2007). “From the Spectacular Act to the Vanishing Act: Badiou, "i#ek, and the Politics of Lacanian Theory,” Did Somebody Say Ideology?: Slavoj Žižek in a Post-Ideological Universe [ed. -
It's a Conspiracy
IT’S A CONSPIRACY! As a Cautionary Remembrance of the JFK Assassination—A Survey of Films With A Paranoid Edge Dan Akira Nishimura with Don Malcolm The only culture to enlist the imagination and change the charac- der. As it snows, he walks the streets of the town that will be forever ter of Americans was the one we had been given by the movies… changed. The banker Mr. Potter (Lionel Barrymore), a scrooge-like No movie star had the mind, courage or force to be national character, practically owns Bedford Falls. As he prepares to reshape leader… So the President nominated himself. He would fill the it in his own image, Potter doesn’t act alone. There’s also a board void. He would be the movie star come to life as President. of directors with identities shielded from the public (think MPAA). Who are these people? And what’s so wonderful about them? —Norman Mailer 3. Ace in the Hole (1951) resident John F. Kennedy was a movie fan. Ironically, one A former big city reporter of his favorites was The Manchurian Candidate (1962), lands a job for an Albu- directed by John Frankenheimer. With the president’s per- querque daily. Chuck Tatum mission, Frankenheimer was able to shoot scenes from (Kirk Douglas) is looking for Seven Days in May (1964) at the White House. Due to a ticket back to “the Apple.” Pthe events of November 1963, both films seem prescient. He thinks he’s found it when Was Lee Harvey Oswald a sleeper agent, a “Manchurian candidate?” Leo Mimosa (Richard Bene- Or was it a military coup as in the latter film? Or both? dict) is trapped in a cave Over the years, many films have dealt with political conspira- collapse. -
UNIVERSITY of SOUTHERN QUEENSLAND Art in Parallax
UNIVERSITY OF SOUTHERN QUEENSLAND Art in Parallax: Painting, Place, Judgment A Dissertation Submitted by David J Akenson For the award of the degree PhD in Visual Art FACULTY OF ART, USQ 2008 Contents Certificate of Dissertation iii Acknowledgments iv List of Illustrations v Abstract ix Introduction 1 Chapters 1. Literature Review 43 2. The Avant-Garde and the Parallax of Art and Life 78 3. A Tale of Two Avant-Gardes 121 4. Minimal Difference: Painting, Object, Place 160 5. The Dialectics of Place: Installation, Site-Specific and Outside-Art 193 6. The Wall of Language: Wall/Painting in Parallax 233 Conclusion 271 Bibliography 288 CERTIFICATION OF DISSERTATION I certify that the ideas, argumentation and conclusions drawn by this thesis, are entirely the result of my own undertaking, except where acknowledged. I also certify that the work is original and has not been previously submitted for any other award. Signature of Candidate Date ENDORSEMENT Signature of Supervisor Date Signature of Supervisor Date iii Acknowledgements I would like to thank the following people for their support and assistance during the writing and completion of the dissertation. First of all, I would like to thank my principal supervisor Dr Kyle Jenkins for patiently guiding me through the process of writing to the point of completion. Thanks for your encouragement, friendship and support throughout the process. My thanks also go to Dr Uros Cvoro for assisting me through the very difficult final stages of completion. Thanks also for your critical comments and technical support. I would also like to say thanks to Associate Professor Robyn Stewart for guiding me through the initial planning stages of the thesis at a particularly difficult time in her life. -
Reading Unruly Zahi Zalloua
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln University of Nebraska Press -- Sample Books and University of Nebraska Press Chapters 2014 Reading Unruly Zahi Zalloua Follow this and additional works at: http://digitalcommons.unl.edu/unpresssamples Zalloua, Zahi, "Reading Unruly" (2014). University of Nebraska Press -- Sample Books and Chapters. 261. http://digitalcommons.unl.edu/unpresssamples/261 This Article is brought to you for free and open access by the University of Nebraska Press at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in University of Nebraska Press -- Sample Books and Chapters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Reading Unruly Buy the Book Symplokē Studies in Contemporary Theory Series Editor: Jeffrey R. Di Leo Buy the Book Reading Unruly interpretation and its ethical demands zahi zalloua University of Nebraska Press / Lincoln and London Buy the Book © 2014 by the Board of Regents of the University of Nebraska Acknowledgments for the use of copyrighted material appear on page x, which consti- tutes an extension of the copyright page. All rights reserved Manufactured in the United States of America Library of Congress Cataloging- in- Publication Data Zalloua, Zahi Anbra, 1971– Reading Unruly: Interpretation and Its Ethical Demands / Zahi Zalloua. pages cm.— (Symplokē Studies in Contemporary Theory) Includes bibliographical refer- ences and index. isbn 978- 0- 8032- 4627- 0 (pbk.: alk. paper)— isbn 978- 0- 8032- 5468- 8 (epub)— isbn 978- 0- 8032- 5470- 1 (mobi) —ISBN 978-0-8032-5465-7 (pdf) 1. French literature— History and criticism— Theory, etc. 2. Literature and morals. 3. -
Sonic, Infrasonic, and Ultrasonic Frequencies
SONIC, INFRASONIC, AND ULTRASONIC FREQUENCIES: The Utilisation of Waveforms as Weapons, Apparatus for Psychological Manipulation, and as Instruments of Physiological Influence by Industrial, Entertainment, and Military Organisations. TOBY HEYS A thesis submitted in partial fulfilment of the requirements of Liverpool John Moores University for the degree of Doctor of Philosophy March 2011 1 ABSTRACT This study is a trans-disciplinary and trans-historical investigation into civilian and battlefield contexts in which speaker systems have been utilised by the military-industrial and military-entertainment complexes to apply pressure to mass social groupings and the individuated body. Drawing on authors such as historian/sociologist Michel Foucault, economist Jacques Attali, philosopher Michel Serres, political geographer/urban planner Edward Soja, musician/sonic theorist Steve Goodman, and cultural theorist/urbanist Paul Virilio, this study engages a wide range of texts to orchestrate its arguments. Conducting new strains of viral theory that resonate with architectural, neurological, and political significance, this research provides new and original analysis about the composition of waveformed geography. Ultimately, this study listens to the ways in which the past and current utilisation of sonic, infrasonic, and ultrasonic frequencies as weapons, apparatus for psychological manipulation, and instruments of physiological influence, by industrial, civilian, entertainment, and military organisations, predict future techniques of socio spatialised organisation. In chapter one it is argued that since the inception of wired radio speaker systems into U.S. industrial factories in 1922, the development of sonic strategies based primarily on the scoring of architectonic spatiality, cycles of repetition, and the enveloping dynamics of surround sound can be traced to the sonic torture occurring in Guantanamo Bay during the first decade of the twenty-first century. -
Indigenous Critiques of Colonialism
The Transit of Empire This page intentionally left blank The Transit of Empire Indigenous Critiques of Colonialism Jodi A. Byrd University of Minnesota Press Minneapolis | London Publication of this book was made possible, in part, with a grant from the Andrew W. Mellon Foundation. A version of chapter was published as “‘Been to the Nation, Lord, but I Couldn’t Stay There’: American Indian Sovereignty, Cherokee Freedmen, and the Incommensurability of the Internal,” Interventions: International Journal of Postcolonial Studies , no. (). Copyright by the Regents of the University of Minnesota All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photo- copying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press Third Avenue South, Suite Minneapolis, MN - http://www.upress.umn.edu Library of Congress Cataloging-in-Publication Data Byrd, Jodi A. The transit of empire : indigenous critiques of colonialism / Jodi A. Byrd. p. cm. — (First peoples : new directions in indigenous studies) ISBN ---- (hardback : acid-free paper) ISBN ---- (paperback : acid-free paper) . Indians of North America—Government relations—History. Indians of North America—Colonization—United States. Imperialism—Social aspects—United States. Racism—United States—History. I. Title. E.B .—dc Printed in the United States of America on acid-free paper The University of Minnesota is an equal-opportunity educator and employer. For Jay This page intentionally left blank Onward, James, and remember me as a goddess on your transit. Let this trip be the transit of night— not the loss of a faint speck in the wilderness of sky . -
Degruyter Opphil Opphil-2020-0105 314..334 ++
Open Philosophy 2020; 3: 314–334 Object-Oriented Ontology and Its Critics Graham Harman* The Battle of Objects and Subjects: Concerning Sbriglia and Žižek’s Subject Lessons Anthology https://doi.org/10.1515/opphil-2020-0105 received April 8, 2020; accepted June 16, 2020 Abstract: This article mounts a defense of Object-Oriented Ontology (OOO) from various criticisms made in Russell Sbriglia and Slavoj Žižek’sco-edited anthology Subject Lessons. Along with Sbriglia and Žižek’s own Introduction to the volume, the article responds to the chapters by Todd McGowan, Adrian Johnston, and Molly Anne Rothenberg, the three in which my own version of OOO is most frequently discussed. Keywords: Ljubljana School, Object-Oriented Ontology, Slavoj Žižek, G. W. F. Hegel, Jacques Lacan, thing- in-itself, materialism, realism Russell Sbriglia and Slavoj Žižek’sco-edited collection Subject Lessons: Hegel, Lacan, and the Future of Materialism has long been awaited in circles devoted to Object-Oriented Ontology (OOO).¹ All twelve chapters in the anthology (eleven plus the editors’ Introduction) are written from the merciless Lacano- Hegelian standpoint that defines the Ljubljana School, one of the most fruitful trends in the continental philosophy of recent decades.² The Slovenian core of the group is here – Žižek, Mladen Dolar, and Alenka Zupančič – as are many of their most capable international allies (though Joan Copjec is keenly missed), along with some impressive younger voices. As a rule, the book is most impressive when making a positive case for what G. W. F. Hegel and Jacques Lacan still have to offer contemporary philosophy; all of the chapters are clearly written, and some are among the most lucid statements I have seen from the Ljubljana group. -
The Shoah on Screen – Representing Crimes Against Humanity Big Screen, Film-Makers Generally Have to Address the Key Question of Realism
Mémoi In attempting to portray the Holocaust and crimes against humanity on the The Shoah on screen – representing crimes against humanity big screen, film-makers generally have to address the key question of realism. This is both an ethical and an artistic issue. The full range of approaches has emember been adopted, covering documentaries and fiction, historical reconstructions such as Steven Spielberg’s Schindler’s List, depicting reality in all its details, and more symbolic films such as Roberto Benigni’s Life is beautiful. Some films have been very controversial, and it is important to understand why. Is cinema the best way of informing the younger generations about what moire took place, or should this perhaps be left, for example, to CD-Roms, videos Memoi or archive collections? What is the difference between these and the cinema as an art form? Is it possible to inform and appeal to the emotions without being explicit? Is emotion itself, though often very intense, not ambivalent? These are the questions addressed by this book which sets out to show that the cinema, a major art form today, cannot merely depict the horrors of concentration camps but must also nurture greater sensitivity among increas- Mémoire ingly younger audiences, inured by the many images of violence conveyed in the media. ireRemem moireRem The Shoah on screen – www.coe.int Representing crimes The Council of Europe has 47 member states, covering virtually the entire continent of Europe. It seeks to develop common democratic and legal princi- against humanity ples based on the European Convention on Human Rights and other reference texts on the protection of individuals. -
The Development of the British Conspiracy Thriller 1980-1990
The Development of the British Conspiracy Thriller 1980-1990 Paul S. Lynch This thesis is submitted to the University of Hertfordshire in partial fulfilment of the requirements of the degree of Doctor of Philosophy. January 2017 Abstract This thesis adopts a cross-disciplinary approach to explore the development of the conspiracy thriller genre in British cinema during the 1980s. There is considerable academic interest in the Hollywood conspiracy cycle that emerged in America during the 1970s. Films such as The Parallax View (Pakula, 1975) and All the President’s Men (Pakula, 1976) are indicative of the genre, and sought to reflect public anxieties about perceived government misdeeds and misconduct within the security services. In Europe during the same period, directors Costa-Gavras and Francesco Rosi were exploring similar themes of state corruption and conspiracy in films such as State of Siege (1972) and Illustrious Corpses (1976). This thesis provides a comprehensive account of how a similar conspiracy cycle emerged in Britain in the following decade. We will examine the ways in which British film-makers used the conspiracy form to reflect public concerns about issues of defence and national security, and questioned the measures adopted by the British government and the intelligence community to combat Soviet subversion during the last decade of the Cold War. Unlike other research exploring espionage in British film and television, this research is concerned exclusively with the development of the conspiracy thriller genre in mainstream cinema. This has been achieved using three case studies: Defence of the Realm (Drury, 1986), The Whistle Blower (Langton, 1987) and The Fourth Protocol (MacKenzie, 1987). -
S/Erialurreal (Re)Presentation, Or, a Žižekian 'Sustainability' for Architects
580 WHERE DO YOU STAND S/erialurreal (Re)Presentation, or, a Žižekian ‘Sustainability’ for Architects ROBERT SVETZ Syracuse University Mike Twohy. The New Yorker; Kunaver/Mohar. Slavoj Žižek Does Not Exist “Sure, the picture is in my eye, but I, I am also in the my ‘material existence.’ Materialism means that the picture.” -Jacques Lacan1 reality I see is never ‘whole’ - not because a large part of it eludes me, but because it contains a stain, a blind spot, which indicates my inclusion in it.’” “Materialism is not the direct assertion of my in- 2 clusion in objective reality (such an assertion pre- -Slavoj Žižek supposes that my position of enunciation is that of an external observer who can grasp the whole of It is perhaps taken for granted that architectural reality); rather it resides in the reflexive twist by discourse should regularly reinvest itself with test- means of which I myself am included in the picture constituted by me - it is this reflexive short circuit, ing and debating its different practices for integrat- this necessary redoubling of myself as standing both ing - most often by accommodating or excluding outside and inside my picture, that bears witness to - the competing and sometimes wholly contradic- S/ERIALURREAL (RE)PRESENTATION 581 tory demands among its economic, social, material, most fundamental to his Marxist project, the rela- technological, aesthetic, and other design interests tionship of these and other themes to the fostering - comprehensive and sustainable design no less than of “emancipatory politics” under global capitalism. If complex geometry, custom fabrication, and design- to an architectural readership this terrain of Žižekian build studios offering cases in point. -
Lacanian Psychoanalysis Has a Tense Relationship with Political Philosophy
IJŽS Vol 2.1 - Graduate Special Issue Symptomatic Readings: Žižekian theory as a discursive strategy. Chris McMillan - Massey University, Auckland Campus, New Zealand. Lacanian psychoanalysis has a tense relationship with political philosophy. The Lacanian world of desire, fantasy, jouissance, and the Real can appear quite divorced from contemporary politics. Indeed, Jacques Lacan himself was sceptical about the relationship between psychoanalysis and politics. This unease continues amongst contemporary readers of Lacan. Many regard Lacanian philosophy to be inherently conservative and nihilistic, based as it is on a fundamental lack which constitutes the impossibility of society and thus utopian politics. This impossibility has lead some theorists, such as Elizabeth Bellamy , to suggest that psychoanalysis and politics do not mix. However, although Lacan established his system of thought - following Sigmund Freud - primarily for application in the clinical field, through the work of Slavoj Žižek in particular Lacanian theory has become a vastly popular tool for the analysis of socio- political formations. The central psychoanalytic insight into the socio-political realm is the incompleteness of the social/symbolic order. The symbolic is always characterised by a lack, which is the primary site of interest for Lacanian study. Conversely, the operation of fantasy and jouissance is such that the lack in the Other cannot be revealed. It is only through subjects’ attempts to suture this lack that the social maintains its stability. Thus, because reality is symbolically constructed and the symbolic is essentially contingent, any partial fixation of meaning that occurs is political in nature. As Lacanian psychoanalysis is able to both understand and reveal the stabilising influences, the limit 1 points and the symptoms of the social, it is inherently political and is thus capable of sustaining direct interventions into politics.