The Good Governance of Mexico City's Zócalo: a Recent History of Spatial Use and Morphological Transformations
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Madero and Sdarez Shot to Prison
--—1 A. i CAVALRY IN FRONT OF THE NATIONAL PALACE MMIfiwww THE MORRIS CO. CHRONICLE r k 1 nw A Thdr Arriral- !; ■ TT C ■ ■■■■ -— ■■■■»■■■-! MILITANTS PUN f < "I & SURDAM, Publishers. MADERO AND PIEHSON SDAREZ SHOT | MAIL J and Departure J* *Mm MORRISTOWN N. J. ATTACK ON KING DEAD ON WAY TO PRISON for Dispatch England Is In acute need of elastic British Royal Family in Fear Tim* of Closing of M»ll» window glass. at P. O., Morristown. , of * Suffragettes «.0« A. It. Now York and ba- skirted wom- The President ol Mexico and His Yice-Pres:d3nt Die De- Newark, However, as for hobble Deposed yond, and Whlppany. ’’ York en, how can she expect to "win In a T.f* s K. P. O. sast. Now and bsyond. walk?” on a " Including fenceless Ride from Palace to TERROR ■ M a R. P. O. west. Midn'git Penitentiary, NATION IS IN GREAT all Western states. Ill " *a New Jersey & Penn R. *» A Peruvian aviator to fly " proposes and the Whole Civilized World Stands 9.60 • Mt. Freedom. over the Alps. In a Peruvian bark, Aghast 9.66 Newark, New York and be- Two Women Are Captured—Throw* yond. probably. i 10.10 • Whlppany. When Ar- •• Books at Magistrate 1S.M a N. Y., Scranton A Buffala, K. P. O. including Dover, "Bashi-baxoukesses" may fit the raigned—Their Act Is Highly * Rookaway, Boonton, Wnar crime, but it’s altogether too hard to Vandals. ton, Succasunna, o Central GUARDS SAY THEY TRIED TO “ESCAPE” Applauded by Branch and all stations pronounce. -
Nude and in Public Thousands Have Posed Nude for Artist Spencer Tunick
iPad App • Facebook • Twitter • Blogs • Mobile • ABC • ESPN HOT TOPICS: / Entertainment Rome Bombings • Rex Ryan • Holiday Terror Risk Home Video News Politics Blotter Health Entertainment Money Tech Travel World News Nightline This Week 20/20 Good Morning America MORE ENTERTAINMENT: Sexiest Man Alive 2010 Award Shows Lindsay Lohan Lady Gaga Star Scandals Michael Jackson Celebrity Photos Best in Film Watch WATCH: Christine WATCH: Girl Finds WATCH: Cop's WATCH: Lady O'Donnell Faces Porn in Her Son Attacks Gaga's Wild 2010 Video → Criminal Probe Christmas Gift Homeless Man Home > Entertainment Nude and In Public Thousands have posed nude for artist Spencer Tunick. He's at it again in N.Y. Print SHARE: Email Twitter Facebook Digg Buzz StumbleUpon More Nude and In Public 2 of 11 Like It. Tweet It. Digg It. Like 0 tweet 0 ABC News on Facebook Like Be the first of your friends to like this. 'Earthships' in the Desert Save Owners Cash 484 people shared this. Suspicious Hubby Faces Jail For E-Snooping 3,432 people shared this. Banned at Birth: Maryland Hospital Bans Delivery Room Pictures 806 people shared this. Facebook social plugin Hundreds of volunteers strip naked in Blarney Castle in Cork for photographer Spencer Tunick. Picture Date: Tuesday June 17, 2008. Spencer Tunick is recognized world-wide for his elaborately posed still and video images of multiple nude figures in public settings. His temporary site-specific installations have taken place around the globe in cities including Montreal, Melbourne, Lyon, Slideshows Santiago, New York, Mexico City and Barcelona Photo credit should read: Julien Behal/PA Wire URN:6056724 (Press Association via AP Images) PHOTOS: Daddy PHOTOS: Lady PHOTOS: Reese Diddy Shows Off Gaga's Wild 2010 Rebounds, Twins Engaged Again Sections Shows Tools About News Good Morning America iPad App Contact Us Politics World News with Diane Register Feedback External links are provided for reference purposes. -
Paradores & Pousadas
PARADORES & POUSADAS HISTORIC LODGINGS OF SPAIN & PORTUGAL April 5-19, 2018 15 days for $5,178 total price from Dallas-Fort Worth ($4,495 air & land inclusive plus $683 airline taxes and fees) This tour is provided by Odysseys Unlimited, six-time honoree Travel & Leisure’s World’s Best Tour Operators award. An Exclusive Small Group Tour for Alumni, Parents, and Friends of Texas Christian University Dear TCU Alumni, Parents, and Friends, Join us on a special 15-day small group journey to discover the best of the Iberian Peninsula in Portugal and Spain. Our special two-week journey offers captivating sights, excellent cuisine, and memorable experiences. We begin in Lisbon, where our touring includes iconic Belém Tower, then see the National Palace of Queluz. Next, we visit the Alentejo region, staying in charming Evora – a UNESCO World Heritage site – in one of Portugal’s finestpousadas . Crossing into Spain, we visit Mérida, which boasts outstanding Roman ruins. Then, we enjoy Seville, the UNESCO World Heritage site of Cordoba, and Granada’s extraordinary Alhambra and Generalife Gardens. Our group explores Toledo, Spain’s medieval capital, concluding our tour in sophisticated Madrid. Space on this exclusive TCU departure is limited to a total of just 24 guests and will fill quickly. We encourage you to reserve your place quickly. Frog for Life, Kristi McLain Hoban ’75 ’76 Associate Vice Chancellor, University Advancement Phone: 817-257-5427 [email protected] TCU RESERVATION FORM – PARADORES & POUSADAS Enclosed is my/our deposit for $______ ($500 per person) for ____ person(s) on Paradores & Pousadas depart- ing April 5, 2018. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Re-Conceptualizing Social Medicine in Diego Rivera's History of Medicine in Mexico: The People's Demand for Better Health Mural, Mexico City, 1953. Permalink https://escholarship.org/uc/item/7038q9mk Author Gomez, Gabriela Rodriguez Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Re-Conceptualizing Social Medicine in Diego Rivera's History of Medicine in Mexico: The People's Demand for Better Health Mural, Mexico City, 1953. A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Gabriela Rodriguez-Gomez June 2012 Thesis Committee: Dr. Jason Weems, Chairperson Dr. Liz Kotz Dr. Karl Taube Copyright by Gabriela Rodriguez-Gomez 2012 The Thesis of Gabriela Rodriguez-Gomez is approved: ___________________________________ ___________________________________ ___________________________________ Committee Chairperson University of California Riverside Acknowledgements I dedicate my thesis research to all who influenced both its early and later developments. Travel opportunities for further research were made possible by The Graduate Division at UC Riverside, The University of California Humanities Research Institute, and the Rupert Costo Fellowship for Native American Scholarship. I express my humble gratitude to my thesis committee, Art History Professors Jason Weems (Chair), Liz Kotz, and Professor of Anthropology Karl Taube. The knowledge, insight, and guidance you all have given me throughout my research has been memorable. A special thanks (un agradecimiento inmenso) to; Tony Gomez III, Mama, Papa, Ramz, The UCR Department of Art History, Professor of Native North American History Cliff Trafzer, El Instituto Seguro Social de Mexico (IMSS) - Sala de Prensa Directora Patricia Serrano Cabadas, Coordinadora Gloria Bermudez Espinosa, Coordinador de Educación Dr. -
Cultural Management in the National Palace of Mexico: Use and Heritage Conservation
Ge-conservación Conservação | Conservation Cultural management in the National Palace of Mexico: use and heritage conservation Lilia Teresa Rivero Weber Abstract: Conservation of Mexico National Palace is a complex labor, since implies the preservation, not only of the material aspects of the building and the objects contained within, but also all the immaterial values reflected on the walls of the structure that mirrors the historic continuity of Mexico and therefore part of the national identity. Due these conditions, National Palace is in our days the most emblematic and symbolical government building of the country. In order to preserve the monument, a comprehensive conservation-cultural management program has been developed and implemented, considering operational aspects of the monument management, that is also part of the cultural infrastructure of Mexico City, since this historical complex attracts around 340 000 visitors each year. In addition, among the Conservator´s Office strategy has been to promote collaboration between different actors involved with the use, operation and conservation of the monument, in which are included external governmental offices and academic institutions, both national and international. This collaborative approach has been crucial in order to implement the Management Program for the conservation of the monument. Key words: Cultural Management, Preventive Conservation, Strategic Planning. Gestión cultural en el Palacio Nacional de México: uso y conservación del patrimonio Resumen: La conservación del Palacio Nacional de México representa una labor compleja, ya que no solo contempla los aspectos materiales del edificio y los objetos contenidos en éste, sino que también todos los aspectos inmateriales del inmueble y que muestran la continuidad histórica de México, y por lo tanto, del desarrollo de la identidad nacional. -
Trespassory Art
The University of Iowa College of Law University of Iowa Legal Studies Research Paper Number 09-17 April 2009 Trespassory Art Randall P. Bezanson College of Law, University of Iowa & Andrew Finkelman Affiliation not provided This paper can be downloaded without charge from the Social Science Research Network electronic library at: http://ssrn.com/abstract=1393290 Electronic copy available at: http://ssrn.com/abstract=1393290 Trespassory Art Randall Bezanson* and Andrew Finkelman** CONTENTS I. Introduction................................................................................................................................. II. Five Examples of Trespassory Art ............................................................................................ A) Spencer Tunick.............................................................................................................. B) Billboard Liberation, Shopdropping, and the New Non-Propositional Urban Trespassory Art............................................................................................................... C) Graffiti and Laser Graffiti.............................................................................................. D) ImprovEverywhere ........................................................................................................ E) Parkour........................................................................................................................... III. Modifying the Common Law of Real Property and Tort!Trespass, Nuisance and -
The Reconstruction of Colonial Monuments in the 1920S and 1930S in Mexico ELSA ARROYO and SANDRA ZETINA
The reconstruction of Colonial monuments in the 1920s and 1930s in Mexico ELSA ARROYO AND SANDRA ZETINA Translation by Valerie Magar Abstract This article presents an overview of the criteria and policies for the reconstruction of historical monuments from the viceregal period in Mexico, through the review of paradigmatic cases which contributed to the establishment of practices and guidelines developed since the 1920s, and that were extended at least until the middle of the last century. It addresses the conformation of the legal framework that gave rise to the guidelines for the protection and safeguard of built heritage, as well as the context of reassessment of the historical legacy through systematic studies of representative examples of Baroque art and its ornamental components, considered in a first moment as emblematic of Mexico’s cultural identity. Based on case studies, issues related to the level of reconstruction of buildings are discussed, as well as the ideas at that time on the historical value of monuments and their function; and finally, it presents the results of the interventions in terms of their ability to maintain monuments as effective devices for the evocation of the past through the preservation of its material remains. Keywords: reconstruction, viceregal heritage, neo-Colonial heritage Background: the first piece of legislation on monuments as property of the Mexican nation While the renovation process of the Museo Nacional was taking place in 1864 during the Second Empire (1863-1867) under the government of the Emperor Maximilian of Habsburg, social awareness grew about the value of objects and monuments of the past, as well as on their function as public elements capable of adding their share in the construction of the identity of the modern nation that the government intended to build in Mexico. -
Paradores & Pousadas
PARADORES & POUSADAS HISTORIC LODGINGS OF SPAIN & PORTUGAL September 19-October 3, 2020 15 days for $4,974 total price from Washington, DC ($4,395 air & land inclusive plus $579 airline taxes and fees) An Exclusive Small Group Tour for Members of the Virginia Museum of Fine Arts Dear VMFA Members, Join VMFA on an exclusive 15-day small group journey to discover the best of the Iberian Peninsula. Enjoy cap- tivating sights, excellent cuisine, and memorable experiences while traveling overland from Lisbon to Madrid. Begin with an exploration of Lisbon, including iconic Belém Tower and the National Palace of Queluz. Next, visit the Alentejo region, staying in one of Portugal’s finestpousadas in charming Evora – a UNESCO World Heritage site. Crossing into Spain, you’ll see Mérida, with its outstanding Roman ruins. Enjoy visits to Seville, the UNESCO World Heritage site of Cordoba, and Granada’s extraordinary Alhambra and Generalife Gardens. Explore Toledo, Spain’s medieval capital, before concluding your tour in sophisticated Madrid. For those guests wishing to visit Spain’s bustling cultural and commercial capital, an optional four-day/three-night post-tour “Barcelona – On Your Own” extension is available. Space on this exciting program is limited to only 24 guests and will fill quickly. Your early reservations are encouraged to secure your place on what promises to be an unforgettable tour! Sincerely, Adele “Hutch” Livingston Coordinator of Member Travel VMFA RESERVATION FORM: PARADORES & POUSADAS Enclosed is my/our deposit for $______ ($500 per person) for ____ person(s) on Paradores & Pousadas, departing September 19, 2020. I/We understand the final payment is due at least 95 days prior to departure. -
M U R a L I S M Identity & Revolution January 30 - February 29, 2020
M U R A L I S M Identity & Revolution January 30 - February 29, 2020 1.XXX Tina Modotti XXX Diego Rivera Mural, "The World Today and Tomorrow", Palacio Nacional, Mexico City 1929-1935 Gelatin Silver Print 7 3/8 x 9 1/2 in. n.s (Inv# 73859) 2.XXX Tina Modotti XXX "Sickle, Bandolier & Guitar" ca. 1927 Platinum print 6 7/8 in. x 8 3/4 in. 5/30 Signed, titled and dated on recto and verso (Inv# 64908) 3.XXX Edward Weston XXX Tina Reciting 1926 Gelatin silver print, printed later 9 1/2 x 7 1/4 in. Printed by Cole Weston (Inv# 32799) 4.XXX Florence Arquin XXX Frida Kahlo with Corset Painted with Fetus and Hammer & Sickle. 1951 Gelatin silver print 10 x 8 in. n.s (Inv# 60897) 5.XXX Lucienne Bloch XXX Frida in Front of Proletarian Unity from the mural "Portrait of America" for the New Workers School, NY 1933 Gelatin Silver Print 11 1/2 x 7 1/2 in. Signed in pencil on recto (Inv# 76522) 6.XXX Anonymous XXX Mural by David Alfaro Siqueiros, De Porfirismo a la Revolucion (From the Dictatorship of Porfirio Díaz to the Revolution) Chapultepec Castle, Chapultepec Park, Mexico City 1944 Gelatin silver print 8 x 10 in. Labeled on verso (Inv# 60001) 7.XXX Guillermo Zamora XXX David Alfaro Siqueiros 1946 Gelatin silver print 13 1/2 x 10 1/2 in. n.s (Inv# 100769) 8.XXX Héctor García XXX José Clemente Orozco 1945 Gelatin silver print, printed 1996 14 x 11 in. -
The Grace of a Gesture Rafael Lozano-Hemmer Angelica Mesiti EM15
Already Fifty Years! The Grace of a Gesture Rafael Lozano-Hemmer Angelica Mesiti EM15 • BIAN Ryoji Ikeda Artur Zmijewski Printemps du MAC Nocturnes Magazine of the contemporain Musée d’art de Montréal Volume 25, Number 1 — Summer 25, 2014 Volume editorial | 1 In his classic work The Gift, French anthropologist Marcel Mauss theorizes and reflects upon the giver, the gift and the recipient: “The objects are never completely separated from the men who exchange them,” he writes tellingly. An indissoluble link between the giver and the gift— the gift being a part of the giver—makes the act of giving not as innocent a transaction as it might seem. Indeed, it creates a social bond and an obligation to reciprocate on the part of the recipient. It creates relationships. Reciprocity and exchange are the basis of friendship, perhaps also of just and prosperous societies. Ultimately, reciprocity promotes a better way of living. Photo: George Fok © 2013 The month of June marks the fiftieth anniversary of the founding of the Musée d’art con- temporain, a museum that grew out of the wishes, the enterprise and, perhaps most impor- tantly, the donations of collectors and artists. The Musée’s very inception is the result of the kindness of givers. The Grace of a Gesture is our sprawling homage to the builders and makers of the MAC, a celebratory exhibition comprising some 200 artworks donated over the last fifty years—a formal act of reciprocity, in the form of an exhibition, for the generosity of the museum’s many donors and supporters. -
An Art Lover's
A custom-designed tour by International Seminar Design, Inc. © for Smith College An Art Lover’s MEXICO Art, Archaeological & Architectural Treasures of Mexico City & Oaxaca NOVEMBER 9–16, 2018 INTERNATIONAL SEMINAR DESIGN, INC. | 4115 Wisconsin Avenue, NW, Suite 101, Washington, DC 20016 | (202) 244-1448 | [email protected] Recommended Tour Dates: November 9–16, 2018 DAY ACTIVITY ACCOMMODATION MEALS 1 USA to Mexico City Four Seasons D.F. D 2 Mexico City Four Seasons D.F. B, L 3 Mexico City Four Seasons D.F. B, L, R 4 Mexico City to Oaxaca Quinta Real B, L, D 5 Oaxaca Quinta Real B, L, R 6 Oaxaca Quinta Real B, L 7 Oaxaca Quinta Real B, L, D 8 Departure to USA — B B = Breakfast, L = Lunch, D = Dinner, R = Reception Suggested Custom Itinerary Friday, November 9 USA / Mexico City • Fly to Mexico City. • Transfer independently to the Four Seasons D.F., Mexico City’s most luxurious five-star hotel, ideally situated by the entrance of Chapultepec Park. • In the late afternoon, gather in the hotel’s lobby and walk to the incomparable National Anthropology Museum, probably the crown jewel of all Latin American cultural institutions. Our guide will provide a whirlwind tour of the very best relics and artworks from the many civilizations that thrived in various parts of Mexico, including the Olmecs, Aztecs, Maya, and Zapotecs. • Enjoy an elegant welcome dinner in the Four Season’s superb Zanaya restaurant on the private outdoor terrace. The food is mostly seafood from the state of Nayarit. The seasonings and the local “zarandeado” cooking style place this restaurant at the top of Mexico City’s list of best places to dine. -
Mexico City: Art, Culture & Cuisine!
Mexico City: Art, Culture & Cuisine! Art History of Mexico Available Anytime! Cultural Journeys Mexico | Colombia | Guatemala www.tiastephanietours.com | (734) 769 7839 Mexico City: Art, Culture & Cuisine! Art History of Mexico On this journey of learning and discovery, we explore the history and expressions of Art in Mexico. In order to understand the vision and temperament of Diego and Frida, we will learn of History and Politics of Mexico, that is the only way to contextualize their art and lives. While Diego’s Art was overtly political, Frida’s was more personal, as we will see. The Mexican Muralism Movement will also be explored. If you are interested in Art, His- tory, Culture, Muralism, Diego and Frida, this trip is for you! Join us to explore art in Mexico City! Program Highlights • Explore the Zocalo • Visit Templo Mayor, Ceremonial Center of the Aztecs • Learn of Mexican History & Indigenous LOCATION Past at the National Palace Murals, painted by Diego Rivera • Ocotlan and the Southern Craft Route. • Visit the Palacio de Bellas Artes • Museum of Modern Art • Rufino Tamayo Museum • Frida Kahlo Museum • Dolores Olmedo Museum • UNAM Campus Itinerary Day 1: and the Cathedral of the Assumption of mural iconography and techniques of the Arrive Mexico City, Transfer to our Mary, constructed in a medley of Ba- ancient civilizations of Mexico. Diego Rivera Centrally Located Hotel and explore the roque, Neoclassical, and Mexican chur- studied the Prehispanic fresco technique to Historic Center! rigueresque architectural styles. Then we apply to his own work. (B, L) Enjoy a Light Lunch move to the National Palace to view Diego Explore the Zocalo, the Largest Square in Rivera’s mural masterpiece The Epic of the Day 3: the Americas! Mexican People, where he depicted major Today we explore the Antiguo Colegio San Visit Templo Mayor, Ceremonial Center of events in Mexico’s history, and the indig- Idelfonso, home to the first mural painted the Aztecs enous cultures of Mexico.