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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
NZ Top 40 9 May 2006.Qxd 5/9/06 4:17 PM Page 1
NZ Top 40 9 May 2006.qxd 5/9/06 4:17 PM Page 1 CHART 1511 9 May 2006 www.nztop40.com TOP 40 SINGLES TOP 10 COMPILATIONS TOP 40 ALBUMS CATALOGUE No. CATALOGUE No. CATALOGUE No. LABEL LABEL LABEL TITLE/ARTIST DISTRIBUTOR TITLE/ARTIST DISTRIBUTOR TITLE/ARTIST DISTRIBUTOR THIS WEEK LAST WEEK WEEKS ON CHART THIS WEEK LAST WEEK WEEKS ON CHART THIS WEEK LAST WEEK WEEKS ON CHART 9852802 3595692 1 82876819912 1 18BEEP THE PUSSYCAT DOLLS FEAT. WILL.I.AM UNIVERSAL 1 18NOW THAT'S WHAT I CALL MUSIC 20 VARIOUS 4 EMI 1 NEW 1 10,000 DAYS TOOL SBME 3572140 9837828 82876714672 2 410BATHE IN THE RIVER MT RASKIL PS FEAT. HOLLIE SMITH EMI 2 27WAITING FOR THE WEEKEND VARIOUS 1 UNIVERSAL 2 NEW 1 PEARL JAM PEARL JAM 1 SBME 82876827172 3466222 RR80882 3 26I'M IN LUV (WIT A STRIPPER) T-PAIN FEAT. MIKE JONES SBME 3 44MEMORIES ARE MADE OF THIS VOL 3 VARIOUS 1 EMI 3 131ALL THE RIGHT REASONS NICKELBACK 3 ROADRUNNER/UNIVERSAL 3648400 5101139972 82876812762 4 NEW 1 DROWN BLINDSPOTT CAPITOL/EMI 4 NEW 1 ACOUSTIC LOVE SONGS VARIOUS 1 WEA/WARNER 4 13 2 THE VERY BEST OF ROY ORBISON 1 SBME 99729 5101139952 9871823 5 73IF IT'S COOL NESIAN MYSTIK BOUNCE/UNIVERSAL 5 34BROKEN DREAMS II VARIOUS 1 WEA/WARNER 5 NEW 1 THE ITALIAN PATRIZIO BUANNE UNIVERSAL 9850564 3641662 7567837525 6 59PUMP IT BLACK EYED PEAS UNIVERSAL 6 72I LOVE MUM VARIOUS 1 EMI 6 241BACK TO BEDLAM JAMES BLUNT 7 WEA/WARNER 3567882 9837819 8602472 7 610PUT YOUR RECORDS ON CORINNE BAILEY RAE CAPITOL/EMI 7 52HIP HOP IV: THE COLLECTION VARIOUS UNIVERSAL 7 313EYE TO THE TELESCOPE KT TUNSTALL 1 VIRGIN/EMI 9852863 828768742012 -
Breath 2013 April 164 曲、11.4 時間、1.20 GB
1 / 6 ページ breath_2013_April 164 曲、11.4 時間、1.20 GB 名前 時間 アルバム アーティスト 1 You Go to My Head 7:07 After Hours Jeanne Lee & マル・ウォルドロン 2 I Could Write a Book 4:03 After Hours Jeanne Lee & マル・ウォルドロン 3 Every Time We Say Goodbye 5:10 After Hours Jeanne Lee & マル・ウォルドロン 4 We're In This Love Together 3:46 Breakin' Away アル・ジャロウ 5 Breakin' Away 4:14 Breakin' Away アル・ジャロウ 6 (Everybody) Get Up 4:38 Bridging the Gap Roger 7 You Should Be Mine 6:02 Bridging the Gap Roger 8 The Woman In You 5:41 Burn to Shine Ben Harper & The Innocent Criminals 9 Less 4:06 Burn to Shine Ben Harper & The Innocent Criminals 10 Two Hands of a Prayer 7:50 Burn to Shine Ben Harper & The Innocent Criminals 11 Please Bleed 4:38 Burn to Shine Ben Harper & The Innocent Criminals 12 Suzie Blue 4:29 Burn to Shine Ben Harper & The Innocent Criminals 13 Steal My Kisses 4:05 Burn to Shine Ben Harper & The Innocent Criminals 14 Burn to Shine 3:35 Burn to Shine Ben Harper & The Innocent Criminals 15 Show Me a Little Shame 3:44 Burn to Shine Ben Harper & The Innocent Criminals 16 Forgiven 5:17 Burn to Shine Ben Harper & The Innocent Criminals 17 Beloved One 4:04 Burn to Shine Ben Harper & The Innocent Criminals 18 In the Lord's Arms 3:06 Burn to Shine Ben Harper & The Innocent Criminals 19 Contort Yourself 4:26 Buy James Chance & the Contortions 20 Tin Tin Deo 2:56 Calypso Blues The Kenny Clarke - Francy Boland Sextet 21 Please Don't Leave 4:11 Calypso Blues The Kenny Clarke - Francy Boland Sextet 22 Lush Life 4:30 Calypso Blues The Kenny Clarke - Francy Boland Sextet 23 The Man From Potter's -
Country Rednex
Country Rednex Cotton eye joe La musique country, ou simplement country, est un mélange de musiques traditionnelles développé principalement dans le Sud-est des États-Unis et dans les provinces maritimes du Canada dans les années 19201. Elle a des millions d'amateurs dans le monde et notamment aux États-Unis, au Canada et en Australie, mais reste assez peu connue en France . Le siège de la country se trouve à Nashville, dans le Tennessee, ville qui doit son surnom "Music-City" au grand nombre de studios d'enregistrement et à la qualité de ses musiciens Blues Ben Harper Walk away Le blues est un style musical vocal et instrumental, dérivé des chants de travail des populations afro-américaines apparues aux États-Unis courant XIXe siècle. C'est un style où le (la) chanteur(euse) exprime sa tristesse et ses déboires. Le blues a eu une influence majeure sur la musique populaire américaine, puisqu'il est à la source du jazz, du rhythm and blues, du rock and roll entre autres. Gospel Whitney houston Oh happy day Le gospel est un chant religieux chrétien, protestant d'origine, qui prend la suite des negro spirituals. Le gospel est incontestablement une révolte musicale contre une Amérique raciste. C'est une expression de la souffrance des noirs récemment émancipés, mais encore sous l'autorité blanche, particulièrement dans les États du Sud. Le gospel comporte des quartets vocaux et des chanteurs de renom. Funk Kool and the gang Celebration Le funk est une forme de musique afro-américaine apparue aux États-Unis à la fin des années 1950, et qui s'est développée au cours des années 1960 et années 1970. -
The Profound, Progressive, and Occasionally Pointless History of Bay Area Punk from Dead Kennedys to Green Day
GIMME SOMETHING BETTER : THE PROFOUND, PROGRESSIVE, AND OCCASIONALLY POINTLESS HISTORY OF BAY AREA PUNK FROM DEAD KENNEDYS TO GREEN DAY Author: Jack Boulware Number of Pages: 512 pages Published Date: 04 Feb 2010 Publisher: Penguin Books Ltd Publication Country: London, United Kingdom Language: English ISBN: 9780143113805 DOWNLOAD: GIMME SOMETHING BETTER : THE PROFOUND, PROGRESSIVE, AND OCCASIONALLY POINTLESS HISTORY OF BAY AREA PUNK FROM DEAD KENNEDYS TO GREEN DAY Gimme Something Better : The Profound, Progressive, and Occasionally Pointless History of Bay Area Punk from Dead Kennedys to Green Day PDF Book " The Good Life in the Scientific Revolution: Descartes, Pascal, Leibniz and the Cultivation of VirtueThis book provides an up-to-date account of blind children's developing communicative abilities with particular emphasis on social cognition and language acquisition from infancy to early school age. With a tiny house you will learn how to live large and truly appreciate the things you have and not allow the things you dont need to control you. Beyond Freedom - Talks with Sri Nisargadatta MaharajAn irresistible look within the mind and behind the hit TV drama, HouseWhile House is a smart medical drama and Gregory House faces countless ethical quandaries as a doctor, what makes the show unique is that it's much more deeply rooted in psychology than in medicine. The collection is in the familiar AC Black songbook format with sturdy wire-o binding to keep the book open at the song you're singing. Readers of this book - be they arts managers, politicians, board members, city planners, foundation executives, or philanthropists - will find that book provides valuable perspective and insight about building cultural facilities, and that reading it will serve to make building projects go more smoothly in the future. -
Robbie Williams Another Saturday Night
Classic Pop / Dance A little less conversation - Elvis Angels - Robbie Williams Let's dance - Chris Rea Another Saturday night - Sam Cook Let's groove tonight - Earth wind n fire Baby did a bad bad thing - Chris Isaac Let's stick together - Bryan Ferry Better be home soon - Crowded House Life is a rollercoaster - Ronan Keating Big Yellow Taxi - Counting Crows Lips of an Angel - Hinder Billy Jean - Michael Jackson Love foolosophy - Jamiroquai Black fingernails - Eskimo Joe love is in the air - John Paul Young Blame it the Boogie - Jacksons Love really hurts without you - Billy Ocean Born to be Alive - Patrick Hernandez Love shack - B52's Boys of Summer - The Ataris Love the one you're with - Luther Vandross Brandy - Looking Glass Make Luv - Room 5 Bright side of the road - Van Morrison Makes me wonder - Maroon 5 Breakfast at Tiffanys - Deep blue something Man I feel like a woman - Shania Twain Cable Car - The Fray New York - Eskimo Joe Can't get enough of you baby - smashmouth No such thing - John Mayer Catch my disease - Ben Lee Not in Love - Enrique Iglesius Celebration - Kool and the Gang On the Beach - Chris rea Chain Reaction - John Farnham One more time - Britney Spears Chasing Cars - Snow Patrol Play that funky music - Average white band Cheap Wine - Cold Chisel Pretty Vegas - INXS Cherry cherry - Neil Diamond Rehab - Amy Winehouse Choir Girl - Cold Chisel Save the last dance for me - Michael Buble Clocks - Coldplay Second Chance - Shinedown NEW Closing time - Semisonic September - Earth wind and fire Come undone - Robbie Williams -
Punk Preludes
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work Summer 8-1996 Punk Preludes Travis Gerarde Buck University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Recommended Citation Buck, Travis Gerarde, "Punk Preludes" (1996). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/160 This is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. Punk Preludes Travis Buck Senior Honors Project University of Tennessee, Knoxville Abstract This paper is an analysis of some of the lyrics of two early punk rock bands, The Sex Pistols and The Dead Kennedys. Focus is made on the background of the lyrics and the sub-text as well as text of the lyrics. There is also some analysis of punk's impact on mondern music During the mid to late 1970's a new genre of music crept into the popular culture on both sides of the Atlantic; this genre became known as punk rock. Divorcing themselves from the mainstream of music and estranging nlany on their way, punk musicians challenged both nlusical and cultural conventions. The music, for the most part, was written by the performers and performed without worrying about what other people thought of it. -
Ben Harper and Relentless7 White Lies for Dark Times Mp3, Flac, Wma
Ben Harper And Relentless7 White Lies For Dark Times mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues Album: White Lies For Dark Times Country: US Released: 2009 Style: Folk Rock, Alternative Rock, Hard Rock MP3 version RAR size: 1738 mb FLAC version RAR size: 1362 mb WMA version RAR size: 1626 mb Rating: 4.1 Votes: 245 Other Formats: AIFF TTA APE MP4 AAC RA TTA Tracklist Hide Credits Number With No Name 1 Bass – Jesse IngallsDrums, Tambourine – Jordan RichardsonGuitar – Jason MozerskySlide 3:05 Guitar, Vocals – Ben HarperWritten-By – B. Harper*, J. Mozersky* Up To You Now Bass, Electric Piano [Wurlitzer] – Jesse IngallsDrums, Shaker, Tambourine – Jordan 2 5:01 RichardsonGuitar, Organ [B-3] – Jason MozerskyGuitar, Vocals – Ben HarperWritten-By – B. Harper*, J. Mozersky* Shimmer & Shine Backing Vocals – C.C. White Bass – Jesse IngallsBass [Additional] – Juan NelsonDrums 3 3:06 [Additional] – Oliver CharlesDrums, Tambourine – Jordan RichardsonGuitar – Jason MozerskySlide Guitar, Vocals – Ben HarperWritten-By – Ben Harper Lay There & Hate Me Bass, Piano, Electric Piano [Wurlitzer], Backing Vocals, Synthesizer [Arp], Backing Vocals – Jesse IngallsDrums, Percussion, Vibraphone [Vibes], Backing Vocals – Jordan 4 4:14 RichardsonGuitar, Backing Vocals – Jason MozerskySlide Guitar, Vocals, Drums [Additional], Piano, Electric Piano [Wurlitzer], Backing Vocals – Ben HarperWritten-By – B. Harper*, J. Ingalls* Why Must You Always Dress In Black 5 Bass – Jesse IngallsDrums, Tambourine – Jordan RichardsonGuitar – Jason MozerskySlide 4:41 Guitar, Vocals – Ben HarperWritten-By – Ben Harper Skin Thin Acoustic Guitar, Electric Guitar, Piano – Jason MozerskyBass, Piano – Jesse IngallsDrums – 6 4:32 Jordan RichardsonSlide Guitar, Guitar [12-string Baritone], Vocals, Backing Vocals – Ben HarperWritten-By – Ben Harper Fly One Time Acoustic Guitar, Electric Guitar, Baritone Guitar [12-string], Mandolin [Electric] – Jason 7 4:12 MozerskyBass – Jesse IngallsDrums, Shaker, Tambourine – Jordan RichardsonGuitar, Vocals, Piano – Ben HarperWritten-By – B. -
Dead Kennedys and the Yippie-Punk Continuum I Michael Stewart Foley
Political Pie-Throwing: Dead Kennedys and the Yippie-Punk Continuum i Michael Stewart Foley To cite this version: Michael Stewart Foley. Political Pie-Throwing: Dead Kennedys and the Yippie-Punk Continuum i. Sonic Politics: Music and Social Movements in the Americas, 2019, 1138389390. hal-01999010 HAL Id: hal-01999010 https://hal.univ-grenoble-alpes.fr/hal-01999010 Submitted on 30 Jan 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Political Pie-Throwing: Dead Kennedys and the Yippie-Punk Continuumi MICHAEL STEWART FOLEY By the time Dead Kennedys released their first LP, Fresh Fruit for Rotting Vegetables, in 1980, the band had established itself as the leading American political punk band, hailing from a city that seemed to specialize in political art. In many ways, the band and its music represented the culmination of nearly three years of subcultural political struggle on a host of issues facing not only young people in San Francisco but American youth everywhere – enough that, to this day, many of the city’s punk veterans refer to their experience in the “movement.” Political historians of the United States in the 1970s and 1980s have mostly ignored punk, but this essay examines Dead Kennedys’ early career as a way to illuminate the political experience of one segment of American youth in the late 1970s. -
Grunge: 20 Anni Dopo
12 Periodico di informazione musicale del Centro Professione Musica a cura del Master di Giornalismo Musicale - Anno IX, Numero 12, giugno 2011 CPM MUSIC INSTITUTE EDITORIALE GRUNGEGRUNGE:: 2020 ANNIANNI DOPODOPO “Vuoi capire la musica dei Nirvana? FABRIZIOFABRIZIO DEDE ANDRE’ANDRE’ Vai ad Aberdeen…”. LaLa MostraMostra Così mi aveva detto un amico di Seattle quando, agli inizi degli anni 90,la città più fred- MTVMTV da e piovosa del nordovest 3030 annianni didi videomusicavideomusica americano era diventata d’improvviso la Mecca del MATTEOMATTEO nuovo rock. Mi voleva far capire che il GUARNACCIAGUARNACCIA grunge non era soltanto un L’arteL’arte delladella psichedeliapsichedelia mix di punk e metal o la divi- sa dei ragazzi di fine millen- nio. Ricordate? Capelli lun- ghi, camice di flanella, stiva- DePRODUCERSDePRODUCERS loni Dr. Martens… Non solo: con quel “vai ad STAFFSTAFF BENDABENDA BILILIBILILI Aberdeen” (per la cronaca, cittadina natale di Kurt Cobain e Krist Novoselic) lui intendeva dire “vai alle radici di quel suono, di quell’attitu- dine, di quell’immaginario”. E’ proprio quello che faccia- mo noi, al Master in Giorna- lismo e Critica Musicale con- vinti che il rock sia un even- to culturale che ha influenza- to la vita di miliardi di perso- ne sul pianeta e, al tempo OPEN WEEK stesso,una forma d’espressio- Intervista a ne artistica assoluta che ha Luciano Ligabue elevato lo spirito degli esseri umani. IMPERDIBILI Per questo lo studiamo in - Hugh Laurie maniera seria e rigorosa, - Ben Harper andando oltre le apparenze. - AC/DC -
Musica Straniera
MUSICA STRANIERA AUTORE TITOLO UBICAZIONE 4 Hero Two pages Reinterpretations MSS/CD FOU 4 Non Blondes <gruppo musicale>Bigger, better, faster, more! MSS/CD FOU 50 Cent Get Rich Or Die Tryin' MSS/CD FIF AA.VV. Musica coelestis MSS/CD MUS AA.VV. Rotterdam Hardcore MSS/CD ROT AA.VV. Rotterdam Hardcore MSS/CD ROT AA.VV. Febbraio 2001 MSS/CD FEB AA.VV. \Il \\mucchio selvaggio: agosto 2003 MSS/CD MUC AA.VV. \Il \\mucchio selvaggio: aprile 2004 MSS/CD MUC AA.VV. Tendenza Compilation MSS/CD TEN AA.VV. Mixage MSS/CD MIX AA.VV. Hits on five 3 MSS/CD HIT AA.VV. \Il \\mucchio selvaggio: ottobre 2003 MSS/CD MUC AA.VV. \The \\Brain storm selection MSS/CD BRA AA.VV. Solitaire gold MSS/CD SOL AA.VV. Casual love MSS/CD CAS AA.VV. Oh la la la MSS/CD OHL AA.VV. \The \\magic dance compilation MSS/CD MAG AA.VV. Balla la vita, baby vol. 2 MSS/CD BAL AA.VV. \Il \\mucchio selvaggio: dicembre 2003 MSS/CD MUC AA.VV. Harder they come. Soundtrack (The) MSS/CD HAR AA.VV. Cajun Dance Party MSS/CD CAJ AA.VV. \Les \\chansons de Paris MSS/CD CHA AA.VV. \The \\look of love : the Burt Bacharach collection MSS/CD LOO AA.VV. \Le \\canzoni del secolo : 7 MSS/CD CAN AA.VV. Burning heart CD1 MSS/CD BUR AA.VV. \The \\High spirits: spirituals dei neri d'America MSS/CD HIG AA.VV. Dark star rising MSS/CD DAR AA.VV. Merry Christmas from Motown MSS/CD MER AA.VV.