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Upcoming Programs and Announcements
Unless otherwise indicated*, all programs are held in the Koret Auditorium at the de Young Museum in Golden Gate Park, 50 Hagiwara Tea Garden Drive, San Francisco. Admission to the programs is FREE to TAC members, $10 for non-members, and $5 for FAMSF members and students with I.D. No additional !"#$"%&'(%)##)*+&,$$&)#&+$-$##'./0&1*"&%'/&$+2$.&,.*%&23$&4'.'4$&5$6$5&*.&23$&%')+&7**.&$+2.'+-$&8$29$$+&23$&%')+&'+(&#)($&(**.#&2*&23$&!"#$"%0&:;'52$.+'2$& location, when indicated, is the Legion of Honor Museum, 34th Ave. & Clement St., San Francisco.)
The Bay Area Forum for artists, Textile Arts Council !"#$%&!'%()*)#%++,#-%.()%/) 0,!1$&23).42()*)-!5,(-.$,(3) 6!(7,-(3)#%(-48,)*)0,!.!6+,)!.- 9,5-,86,. 2011 Upcoming Programs and Announcements Unless otherwise indicated*, all programs are held in the Koret Auditorium at the de Young Museum :%+48,);;:<3) in Golden Gate Park, 50 Hagiwara Tea Garden Drive, San Francisco. Admission to the programs is FREE Number 3 to TAC members, $10 for non-members, and $5 for FAMSF members and students with I.D. No additional !"#$"%&'(%)##)*+&,$$&)#&+$-$##'./0&1*"&%'/&$+2$.&,.*%&23$&4'.'4$&5$6$5&*.&23$&%')+&7**.&$+2.'+-$& between the main and side doors to the Museum. (*alternate location, when indicated, is the Legion of Honor Museum, 34th Ave. & Clement St., San Francisco.)
Saturday, September 17, 2011, 10 a.m. different edition formerly owned by the Burgos Redemption: The Restoration Of The Cathedral in Spain. One of the Met tapestries, Cloisters “Burgos” Tapestry entitled Christ is Born as Man’s Redeemer, is the fourth in a set of ten. This tapestry, from the Met’s With Tina Kane Cloisters’ collection, over time became unofficially A monumental set of tapestries known as The known as the “Burgos” tapestry. Redemption of Man depicts biblical narrative A new link between the FAMSF tapestries and from the Creation to Christ’s Last Judgment. the “Burgos” tapestry was established in the Woven circa 1510, this became one of the great last century through conservation projects. tapestry sets of the Middle Ages and was woven This began in San Francisco in the 1970’s in multiple editions. Today, incomplete sets from with Anna Bennett, a docent at the de Young five different editions can be found in museum Museum and Bruce Hutchison, a young weaver. collections around the world, including the Fine Together they pioneered a tapestry-specific Arts Museums of San Francisco (FAMSF) and conservation program that conserved many important pieces including the four Redemption panels. In 1976 this culminated in an exhibition, a catalogue, and an international tapestry symposium. This symposium broke new ground in the field of textile study with lectures that as a whole presented an interdisciplinary approach combining art historical perspective, technical analysis, and conservation practice.
Meanwhile, an extensive conservation project had also commenced for the Cloisters “Burgos” tapestry. This tapestry, at some unknown time in its history, had been severely vandalized and cut into four pieces. Because of its fragile condition, Episode from The Story of the Redemption of Man: Christ is Born as Man’s Redeemer, 1500-1520, South Netherlandish, The Cloisters Collection, 1938 it took a team of conservators many years to rejoin the pieces and restore missing images. the Metropolitan Museum of Art, New York Throughout the project, the Met conservators (Met). The collection at FAMSF comprises four often turned to the four FAMSF Redemption tapestry panels from the Toledo Cathedral, tapestries for information regarding the missing Fine Arts which had been generously donated by the images, thus reestablishing the link of the two Museums of Hearst Foundation in 1954. And later, in 1992, editions. San Francisco an additional fragment showing one scene from the third panel in the series was also donated The “Burgos” tapestry project was completed de Young in December 2009. This was commemorated Legion to the FAMSF collection. The panels at the Met were acquired earlier, in 1938. They are from a of Honor Programs continue on page 2, col. 2 1 From the Board’s Chair Programs continued from page 1 September 2011 with another important international tapestry symposium, hosted by the Met. This time the It is autumn and change is in the air! We have many exciting programs aim was to rethink old problems in the light and special events lined up for our members in the coming months, so of more advanced conservation solutions. don’t forget to renew your membership if you haven’t done so already. The history and significance of this landmark Membership renewal started on July 1st. conservation project will be the subject of a This year finds our program committee planning many exciting lectures, presentation by Tina Kane, manager of the many of which reflect the Textile Department’s exhibitions, such as The Art project for over twenty years. of the Anatolian Kilim: Highlights from the McCoy Jones Collection which Tina Kane is a Textile Conservator in private opens September 10th. Our Textile Bazaar: Treasures from Around the practice, an adjunct instructor at Vassar World, October 16th, is a not-to-be-missed opportunity to acquire one- College, and the author of The Troyes Mémoire, of-a-kind items from 28 TAC member vendors and a special table offering a monograph on medieval tapestry design. She amazing cloths donated from the Christensen Fund to benefit TAC. This is holds an M.A. from the University of California, a great chance to collect from the collectors! Berkeley. In 1978, she joined the Department of One of the benefits of membership is being able to participate in the Textile Conservation at many special tours and workshops organized by the Textile Arts Council. the Met and, under the Our newsletter is full of fun events and our new email blast will keep you supervision of Nobuko informed of special events that come up after the newsletter is published. Kajitani and Alice Blohm, worked on the early The Textile Arts Council’s Endowment Fund was recently put to good use phases of the Burgos to help the Textile Department acquire an early 18th Century textile panel tapestry project, which with bizarre silk patterning, an important addition to the department’s she later managed from collection. We also continue to support the Textile Conservation 1987 until its completion department. in 2009. This is also a time of change for the TAC board as I will be stepping down after six wonderful and personally enriching years on the board, and a Saturday, October 15, 2011, 10 a.m. year and a half as its Chair. The Textile Arts Council continues to grow Discontinuing Wefts: The Brilliance and thrive due, in great part, to the efforts of the members of its board And Beauty Of Anatolian Kilims who are dedicated to the promotion of textile arts and the support of the The Caroline & H. McCoy Jones Collection Textile Department. While I will no longer be a voting board member, I will continue to be enthusiastically involved in the many activities offered by With Cathryn M. Cootner TAC to benefit its members. Because one board member left before her The inaugural exhibition of this Collection term was up, the board has appointed Sue Willows-Raznikov to serve the took place at the M.H. de Young Memorial term of that person, as per the board’s by-laws. Museum on November 9, 1990. It was the In addition to TAC’s active board, I would like to thank the many member first comprehensive presentation of pre-19th volunteers that support TAC by helping out at our lectures, special events, century Anatolian kilims to be held in the and receptions, and who also help promote TAC at the annual Arts of Asia history of oriental carpets. The McCoy Jones Pacific and the Tribal and Textiles shows. Collection is the finest in the world.
Mary F. Connors The Textiles Department is mounting another Chair kilim exhibition (Sept 10, 2011–June 10, 2012), NEXT NEWSLETTER curated by Jill D’Alessandro. It’s a distilled DEADLINE presentation, a selection of some of the most significant and aesthetically arresting examples. November 16 The lecture, given by Cathryn M. Cootner, will Please send your copy to the illustrate how Anatolian kilims (once functioning TAC office. [email protected] as wall/floor covers and walls) are about the
Programs continue on page 3, col. 1 2 Programs continued from page 2 Saturday, November 12, 2011, 10 a.m. architecture of color, about dividing interactions, however, are within and Cochineal Red: space with differently colored forms. between colors. Notice the internal The Art History Of A Color and external eruption of dovetailed The first step is to understand slit- With Elena Phipps concentric blocks of colors in one tapestry weave’s huge capacity for panel: yellow-purple-orange The publication, COCHINEAL RED: The Art color expression. The second step is followed by brown/red, blue/red, History Of A Color (Metropolitan Museum to recognize that each color has its and brown/red. Then there’s the of Art/Yale University Press, 2010), traces special character. Henri Matisse once intervening high relief of narrower the origins of the famous red dye from the commented that, “With color one bands streaming with multi-colored, ancient Americas through its spread around obtains an energy which seems to hand-like/leaf-like motives on a the world, particularly in concert with global stem from witchcraft.”1 More than one, white ground. trade through sea routes that opened in the possibly two, hundred years earlier, By contrast, figure 2 has a 15th century with the Spanish encounters of Anatolian women weavers had learned continuous ground color whose the New World. Becoming the most sought the magic of making and using colors subtle changes in values constitute after source of red dye throughout the world, from their mothers and grandmothers, a writhing undercurrent on which cochineal was used in Europe, Asia, and the a continuous chain extending back the columns, varying in size, color, Middle East. The study, based on 30 years of many millennia. and form, contract and expand. research and in collaboration with scientists Cathryn believes that it’s only by Humming contrapuntally, the who conducted dye- looking at the individual kilims that the continuous rows of wildly altering analysis, concretizes brilliance of these kilims is realized. So triangles on the lateral or vertical the historical the following descriptions of figures (depending on orientation) sides research by tracing 1-2 (catalogue pls. 3 and 28, 5’1” x impart the sense of other, invading the movement of 13’ 3”, 6’0” x 12’7” respectively) give a currents, giving the sense of infinite the dyestuff through 2 taste of Cathryn’s approach. motion. selected examples from the collection The robust syncopated thrust of Cathryn M. Cootner is Emerita of the Metropolitan overlaying denticulated forms make Curator of Textiles, Fine Arts Museum of Art. Detail, Textile Fragment, Recuay the ground color ambiguous (fig. 1). Museums of San Francisco. Phipps will present Culture, Peru, 4th-6th century. Probably the most compelling Metropolitan Museum of Art, Gift the story of of George D. Pratt, 1930 (30.6.7). (detail) the dyestuff and Kilim, 18th century illustrate a variety of examples that pose Turkey, Anatolia Wool; slit tapestry weave interesting cultural, technical, and historical 154.9 x 403.9 cm (61 x questions. 159 in.) The Caroline and H. Elena Phipps is an Independent Scholar (former McCoy Jones Collection Gift of Caroline McCoy- Senior Museum Conservator, Metropolitan Jones (detail) Museum of Art) with a PhD from Columbia 1990.56.6 Kilim, 17th century Turkey, Central Anatolia University (1989) in Pre-Columbian Art History Wool; slit tapestry weave and Archaeology, and was a textile conservator 383.5 x 182.9 cm (151 x 72 in.) at the Metropolitan Museum of Art (MMA) for The Caroline and H. McCoy Jones Collection Gift of Caroline McCoy-Jones 34 years. She was co-curator of the exhibition 2003.87.4 Colonial Andes: Tapestries and Silverwork 1530-1830 at the MMA in 2004, and co-author fig. 1 fig. 2 of the catalogue that won the College Art Association Alfred H. Barr Jr. Award, as well as 1 Schneider, Pierre, Matisse, Rizzoli, New York, 1984, pg. 209 the Mitchell Prize, for best exhibition catalogue 2 The Caroline & H. McCoy Jones Collection: 2004-2005. She is currently the President of the Anatolian Kilims by Cathryn Cootner, FAMSF, Textile Society of America. Hali Publications, 1990 Programs continue on page 5, col. 1
3 THE ART OF THE ANATOLIAN KILIM: HIGHLIGHTS FROM THE MCCOY JONES COLLECTION
Wais and Knowles Galleries of Textile Arts de Young Museum Opens September 10, 2011 another they lent warmth and comfort. The kilim was also an important part of a bride’s dowry. The Art of the Anatolian Kilim highlights two dozen dazzling flat- woven kilims drawn from the Museums’ world-class collection These surviving examples, in their fragmented states, show of 125 such pieces acquired by Caroline and H. McCoy Jones the passage of time. Although structural disintegration has over the course of several years. The kilims were part of an interrupted the design field on some of these pieces, their important gift initiated in 1988 and the basis for a landmark colors remain deeply saturated, and their patterns simple exhibition at the de Young, Anatolian Kilims: The Caroline and and powerful. H. McCoy Jones Collection (1990–1991). Major patrons to the The first presentation of works from this collection signified a department of textile arts, Caroline and H. McCoy Jones have breakthrough in the appreciation of this weaving tradition. Not donated more than 800 textile works to the Museums. only was it the first time a Western museum had mounted a
Detail, Kilim, 18th major exhibition dedicated to Anatolian kilims, but it was also century, Turkey, Anatolia the first time that kilims of this age, rarity, and fragility were Wool; slit tapestry weave, eccentric weft contour seen by the public; subsequently, the Anatolian kilim entered bands into the pantheon of the textile arts. With more than 20 years 459.7 x 147.3 cm (181 x 58 in.) passing since this important collection made its public debut, The Caroline and H. McCoy Jones Collection. many visitors, scholars, and textile enthusiasts will be able to Gift of Caroline McCoy- enjoy and study them for the first time. Jones 1994.163.2 Jill D’Alessandro These dynamic Curator weavings were The Caroline and H. McCoy Jones Department of Textile Arts produced between The Fine Arts Museums of San Francisco would like to thank the 15th and 18th the following donors for their early support of The Art of the centuries by semi- Anatolian Kilim: nomadic and village Major Sponsors women of Anatolia, Francesca Passalacqua and D. E. Hardy the geographic region that Lead Sponsors constitutes much George Hecksher of present-day Turkey. Woven in the slit-tapestry technique, S. Peter Poullada and Nancy Sheppard primarily from the wool of sheep, goats, or camels, the weavings San Francisco Bay Area Rug Society obtained their rich, earthy hues from natural dyes derived from Sponsors locally harvested sources with the exception of indigo (which Bruce P. and Olive W. Baganz is imported). These works are characterized by bold, abstract Dr. Donald Breyer designs that have been translated as symbolic renderings of Mary F. Connors architectural, human, animal, and floral motifs tracing back to Levon Der Bedrossian Neolithic times. Thomas Murray Asiatica—Ethnographica Kilims are not only created for personal use, but also serve Support for the exhibition is also provided by the as an expression of group identity, a representation of wealth, H. McCoy Jones Trust. and a source of currency. Over the centuries and up to modern times, both technique and design have been passed down from TAC HOLIDAY PARTY 2011 generation to generation of Anatolian women. Traditionally, they were used as floor and table coverings, room dividers, door Watch for your invitation to this year’s fabulous celebration. flaps, prayer rugs, and burial cloths. Many were given to local We have a new venue and a bigger and better-than-ever mosques to be used as floor coverings—layered one on top of Silent Auction to tempt you! Hold the date: Friday, December 2, 2011. TAC Newsletter 4 Programs TAC BOARD TOUR TO UZBEKISTAN AND continued from page 3 Mary Connors KYRGYZSTAN SEPTEMBER 2012 Sunday, November 13, 10 a.m.–3:30 p.m. IN THE WORKS Chair
Red Dyes Workshop We are finalizing dates for an incredible Ruth Anderson With Elena Phipps opportunity to travel to the fabled lands of Vice-Chair Samarkand and Bukhara, in order to meet with As part of a two-day program on red dyes, crafts people who create exquisite suzani and Peggy Gordon Elena Phipps will follow her Saturday TAC ikat and felted wool textiles. Look for more Treasurer lecture on cochineal with a hands-on dye details in future newsletters and email blasts. workshop on Sunday. The workshop will Barbara Kelly ______explore the nature of three varieties of red Secretary dyes: cochineal, madder, and safflower. INSIDERS TOUR TO THREE BAY AREA ARTWEAR DESIGNERS Barbara Beckmann Participants will have an opportunity Thursday, October 6, 2011, 10 a.m.—4 p.m. Mikki Bourne to experience the We invite you into the studios of three Jean Cacicedo magical making prominent Bay Area wearable art designers Sharon Christovich of some amazing who hold a special relationship with the shades of red/orange/ Textile Arts Council: Ana Lisa Hedstrom, Marlene Golden violet. The basic Jean Cacicedo (both featured in the Fine Arts Robin Hampton concept of dyeing Museums’ 2005 exhibition, Artwear: Fashion on silk and wool with and Anti-fashion) and Babette Pinsky. David Holloway different mordants Our tour begins at the Emeryville studio of Darlene Jurow will be introduced; Ana Lisa Hedstrom. Internationally known for each participant “The nopal plant that is grown Shirley Juster in America and produces grana signature shibori textiles used in art clothing will take home the [cochineal]” Document from and studio art quilts, Ana Lisa will discuss her Connie Levy dyed samples with 1620-49. Newberry Library, latest work in modular, heat-set, and transfer- handout instructions. Chicago, Vault Judy Norman Ayer MS 1106 D2. printed poly felt. Participants may bring We will then go to the Berkeley Hills home of Heather Oelerich some materials of their own (a scarf or T-shirt Jean Cacicedo for a gourmet lunch and studio or some yarns, for example) for experimental Peter Poullada visit. We will see her many fine examples of dyeing with the excess dye, or some jars to Artwear and wall textiles. Jean will discuss her Sandra Sardjono bring home the remainders of the dyepots. signature process of resist paste printing on Suzanne Stassevitch The workshop will take place at a TAC Board wool gauze. member’s studio in the Berkeley Hills. It will Sue Willows-Raznikov Last, we visit Babette Pinsky’s factory in run from approximately 10 am–12 noon, Oakland, to see examples from her collection. with a 40-minute break for lunch, then will Advisory Babette’s signature pleated garments will re-commence until 3:30 pm. Participants will Serena Harrigan be the focus as we look behind the scenes. provide their own transportation and lunches Forty years later the evolving pleats have been Ana Lisa Hedstrom (drinks will be supplied). matched with innovative prints. Karine Langan This event is limited to 10 participants. Cost Cost for this special members-only event $80. is $140 (includes a $20 TAC donation) plus a Barbara Shapiro Participants will provide their own transport to nominal materials fee of $20 per person. and from each venue. Laurel Sprigg We ask that all participants please plan to For reservations, please contact the TAC office Gretchen Turner attend the Saturday TAC lecture. at 415-750-3627 or [email protected] Susan York Please contact Trish at the TAC office to make your reservations: [email protected]; 415-750- 3627. Space is available on a first-come, first- served basis. 5 Welcome to our Behind-the-Scenes Tour of Textile and North American Basket Collections,
New TAC Members Phoebe A. Hearst Museum of Anthropology, Berkeley Through July 15, 2011 Wednesday, October 26, 2011, 10 a.m.–12:30 p.m.
Ellen Anders The Phoebe A. Hearst Museum has one of the world’s best Bonnie MacMaster Andersen collections of Native Californian basketry, as well as exceptional Victoria Balchas Christine Bosnian textiles from around the world. The Textile Arts Council and the Erin Canoy Hearst Museum are offering a rare opportunity for a limited number Melissa Castillo of TAC members to tour highlights of these collections in storage. Colleen Chafian Participants will see Asian textiles (China, Japan, India, Philippines); Charlotte Christensen Kathryn Clark Guatemalan textiles (many from the famed Eisen Collection); and Kate Colwell Pomo, Miwok, Washo, and other Native Californian baskets. Joyce Corbett The Hearst Museum’s storage facility is a vast treasure trove closed to the general public, Purva Dandona Marlene Dehn and space for this special event is strictly limited. Light refreshments will be served and the Mimi Delin Museum will present each visitor with a special gift. Lee Feinstein Judy Greenwald The cost is $55 per participant. For reservations, please contact the TAC office: 415-750-3627 Mickey Griffin or [email protected]. Further information and directions will be sent to participants in October. Sharon Griffin Transportation to and from Berkeley is not included. Jan Gunn Christi Hassel-Shearer TEXTILE BAZAAR: Treasures from Around the World Maren Hicks Sunday, October 16, 10 a.m.–4 p.m. Amy Higgins Laura Hilgers Moriarty Hall, St. Anne of the Sunset Church Carol Imber 1300 Funston (at Judah), San Francisco Sara Isadore Kristi Johnson TAC presents the third annual Textile Leslie Katz Bazaar–bigger and better than ever– Catherine Markey featuring 28 TAC member vendors Maureen Miller offering an extraordinary selection of Susan Miller Patricia Moore rare and unusual textiles and jewelry. Joan Nahurski Add to your collection. Buy unique gifts. Jan Newman TAC’s Textile Bazaar is one of the Bay Heather Nishimura Area’s best events for acquiring textiles Eve Ogden and jewelry from around the world! Elisa Overholt Sarah Padgham This year’s offerings include Central Asian, Southwest Chinese, and Indian tribal textiles Young Mi Angela Pak and jewelry; Zimbabwean quilts, dolls, and wall hangings; Japanese indigo and banana Melissa Panages Mary Hall Patrone fiber textiles; jewelry from North Africa and the Arabian Peninsula; Indonesian antique batiks Barbara Perry and hand-woven cloths; Amazon Shipibo cloths; Mexican and Guatemalan huipiles and Joseph Poli handwoven table linens; Peruvian textiles; Moroccan and Turkish carpets, as well as textiles Marilyn Pomeroy donated to TAC by the Christensen Fund. David Reyes Madeleine Russell-Shapiro DO NOT MISS THIS FANTASTIC OPPORTUNITY TO COLLECT FROM THE COLLECTORS! Cynthia Samake Monique Saviano FREE PARKING in the huge lot adjacent to Michael Silverman CONGRATULATIONS the Church. Public transportation: N Judah to Robin Stelling TAC member Margot Blum Schevill Funston at Judah; Muni bus lines 6, 43, 44. Elizabeth & David Their ATMs located nearby–only cash and checks Carol Van Zandt recently joined the Board of Friends accepted. Suzanne Vuko of the Ixchel Museum, the textile Lucinda Walker museum in Guatemala City. Nancy Scott Walker http://www.imcos.ufm.edu/ufm/ Charmaine Wong ixchel.asp Suzanne Zurinaga
TAC Newsletter 6 ! !"#"$%&'(%&"#)%$' !"#$%"#& & & *+,(+81+2&.?&>&:<"+&.?&&?*A&71'&"%&'*A&7+/'"$(/+&@($(E-& '"(%)&*+,(-&./&&!"#$%#$&!'(')*(+,-&./')*0"12&3#($'4&56& R(,*$(,*'4&%1"E&'*A&M)S"6&T"+A4&S"$$A)'("+<&L%I)-<%! 7%1()/+4&8!(99(4:&(+&;+9(/<& >/<<%,F5!@%!b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c%,V%<%F8![DQ!RP9NT:SQ!*))2GHH&C;20D&49&&S/$(%"1+(/&NA4(,+<&UVWXIUVYZ-& PQR!STDNQ9:9! [J(O(+,&(+&/&M"9A1+&>/6\& ! _'$!+0=%<%$!U'#0)F!"#$%#&!'(!+,)8!eM%,!9QQ!'CO%.)$5! '"(%)&!0($1+2&44&&>1/==(+,&?1/9('("+4-&@"1A/+&?AB'($A4& -0.<#@-0=!(#,0-)#,%5!)%I)-<%$!/0@!(/$*-'08! C"0<&"#$%#&!'(!U,/()!/0@!7'
7 Textile Arts Council September Don’t miss these exciting TAC events! 2011 Redemption: The Restoration Of The Cloisters “Burgos” Tapestry With Tina Kane Saturday, September 17, 2011, 10 a.m.
Discontinuing Wefts: The Brilliance And Beauty Of Anatolian Kilims The Caroline & H. McCoy Jones Collection
With Cathryn M. Cootner Saturday, October 15, 2011, 10 a.m.
Cochineal Red: The Art History Of A Color With Elena Phipps Saturday, November 12, 2011, 10 a.m.
Red Dyes Workshop Fine Arts With Elena Phipps Museums of Sunday, November 13, 10 a.m.–3:30 p.m. San Francisco de Young Legion of Honor Textile Arts Council de Young Museum 50 Hagiwara Tea Garden Drive Golden Gate Park San Francisco, CA 94118-4501 415-750-3627
OFFICERS Chair Mary Connors Treasurer Peggy Gordon
!"#$%&'()(*%+ Trish Daly
Editor Rosalie Cooke
September 2011 Visit our web site: www.textileartscouncil.org