Housekeeping by Marilynne Robinson
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Marilynne Robinson
For more information contact us on: North America 855.414.1034 International +1 646.307.5567 [email protected] Marilynne Robinson Topics Best Selling and Award Winning Authors Travels From Bio Marilynne Robinson is the recipient of a 2012 National Humanities Medal, awarded by President Barack Obama, for "her grace and intelligence in writing." She is the author of Gilead, winner of the 2005 Pulitzer Prize for Fiction and the National Book Critics Circle Award; Home, winner of the Orange Prize and the Los Angeles Times Book Prize; and Lila, winner of the National Book Critics Circle Award. Her first novel, Housekeeping, won the Hemingway Foundation/PEN Award. Robinson's nonfiction books include The Givenness of Things, When I Was a Child I Read Books, Absence of Mind, The Death of Adam, and Mother Country. Robinson began teaching at the Iowa Writers' Workshop in 1991 and retired in the spring of 2016. In 2016, Robinson was named in Time magazine's list of 100 most influential people. She lives in Iowa City, Iowa. In March 2021, Oprah announced The Gilead Novels as Oprah's Book Club Picks. Oprah recognized Robinson as "one of our greatest living authors” and referred to The Gilead novels as "masterpieces". SPEECHES page 1 / 9 For more information contact us on: North America 855.414.1034 International +1 646.307.5567 [email protected] A Conversation with Marilynne Robinson Marilynne can speak to the craft of writing novels and her prolific writing career. BOOKS HARDCOVER JACK A Novel Farrar, Straus and Giroux Jack is Robinson’s fourth novel in this now-classic series. -
Marilynne Robinson's Gilead and Home Jeffrey Gonzaleza a the Borough of Manhattan Community College Published Online: 06 Aug 2014
This article was downloaded by: [Jeffrey Gonzalez] On: 07 August 2014, At: 10:09 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Critique: Studies in Contemporary Fiction Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/vcrt20 Ontologies of Interdependence, the Sacred, and Health Care: Marilynne Robinson's Gilead and Home Jeffrey Gonzaleza a The Borough of Manhattan Community College Published online: 06 Aug 2014. To cite this article: Jeffrey Gonzalez (2014) Ontologies of Interdependence, the Sacred, and Health Care: Marilynne Robinson's Gilead and Home, Critique: Studies in Contemporary Fiction, 55:4, 373-388, DOI: 10.1080/00111619.2013.783780 To link to this article: http://dx.doi.org/10.1080/00111619.2013.783780 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
Grace: a Reflection on the Novels of Marilynne Robinson
Volume 48 Number 1 Article 3 September 2019 Grace: A Reflection on the Novels of Marilynne Robinson Elayne Apol Heynen Dordt University Follow this and additional works at: https://digitalcollections.dordt.edu/pro_rege Part of the American Literature Commons, and the Christianity Commons Recommended Citation Heynen, Elayne Apol (2019) "Grace: A Reflection on the Novels of Marilynne Robinson," Pro Rege: Vol. 48: No. 1, 14 - 16. Available at: https://digitalcollections.dordt.edu/pro_rege/vol48/iss1/3 This Feature Article is brought to you for free and open access by the University Publications at Digital Collections @ Dordt. It has been accepted for inclusion in Pro Rege by an authorized administrator of Digital Collections @ Dordt. For more information, please contact [email protected]. Editor’s Note: Elayne Apol Heynen wrote this paper for a Kuyper Scholars Seminar to precede the Prodigal Love of God Conference, held at Dordt, April 4-6, 2019, and co-sponsored by the Lilly Fellowship Program as a regional conference. Grace: A Reflection on the Novels of Marilynne Robinson the simple joy of the words on the page. For this joy in words is what makes her writing so memo- rable: each sentence is delectable, meant to be read and then re-read, reveled in and embraced before the reader moves on to see what the next sentence might bring. Her novels call the reader to slow down, to notice the beauty of the ordinary, both in the beauty of her writing and the beauty of the lives she writes about. If one could take a common kitchen sponge, saturate the sponge with the words from her novels, and then wring out the sponge, what one would see drip out slowly would unmis- takably be grace. -
Names in Marilynne Robinson's <I>Gilead</I> and <I>Home</I>
names, Vol. 58 No. 3, September, 2010, 139–49 Names in Marilynne Robinson’s Gilead and Home Susan Petit Emeritus, College of San Mateo, California, USA The titles of Marilynne Robinson’s complementary novels Gilead (2004) and Home (2008) and the names of their characters are rich in allusions, many of them to the Bible and American history, making this tale of two Iowa families in 1956 into an exploration of American religion with particular reference to Christianity and civil rights. The books’ titles suggest healing and comfort but also loss and defeat. Who does the naming, what the name is, and how the person who is named accepts or rejects the name reveal the sometimes difficult relationships among these characters. The names also reinforce the books’ endorsement of a humanistic Christianity and a recommitment to racial equality. keywords Bible, American history, slavery, civil rights, American literature Names are an important source of meaning in Marilynne Robinson’s prize-winning novels Gilead (2004) and Home (2008),1 which concern the lives of two families in the fictional town of Gilead, Iowa,2 in the summer of 1956. Gilead is narrated by the Reverend John Ames, at least the third Congregationalist minister of that name in his family, in the form of a letter he hopes his small son will read after he grows up, while in Home events are recounted in free indirect discourse through the eyes of Glory Boughton, the youngest child of Ames’ lifelong friend, Robert Boughton, a retired Presbyterian minister. Both Ames, who turns seventy-seven3 that summer (2004: 233), and Glory, who is thirty-eight, also reflect on the past and its influence on the present. -
Marilynne Robinson, Wallace Stevens, and Louis Althusser in the Post/Secular Wilderness: Generosity, Jérémiade, and the Aesthetic Effect
humanities Article Marilynne Robinson, Wallace Stevens, and Louis Althusser in the Post/Secular Wilderness: Generosity, Jérémiade, and the Aesthetic Effect Daniel Muhlestein Department of English, Brigham Young University, Provo, UT 84602, USA; [email protected] Received: 3 September 2019; Accepted: 29 March 2020; Published: 7 April 2020 Abstract: In Restless Secularism (2017), Matthew Mutter points out that Wallace Stevens described three related techniques that could be used to attempt to purge secular life of its religious residue: adaptation, substitution, and elimination. Marilynne Robinson pushes back against such secularizing strategies by employing three related techniques of her own: negotiation, grafting, and invitation. She does so to attempt to bridge the gap between religious and humanistic perspectives and—in the process—mounts a spirited defense of religious faith and practice. Robinson uses a fourth technique as well: jérémiade. In its usual sacred form, jérémiade is a lamentation that denounces self-righteousness, religious hypocrisy, and social injustice. Much of what Robinson says about the Christian Right is essentially jérémiade. Robinson’s critique of parascientists is jérémiade as well, although its grounding assumptions are secular rather than sacred. While Robinson’s jérémiades against the Christian Right and against parascientists are effective in isolation, in aggregate they sometimes undercut her more generous and inclusive attempts at negotiation, grafting, and invitation. This may be because Robinson’s essays do not undergo the moderating influence of what Louis Althusser called the aesthetic effect of art, which in Housekeeping (1980), Gilead (2004), Home (2008), and Lila (2014) helps counterbalance the flashes of anger and tendencies toward judgement that periodically surface elsewhere in Robinson’s work. -
Reflections on the Ordinary: an Interview with Marilynne Robinson
Reflections on the Ordinary: An Interview with Marilynne Robinson The following interview took place on 4th November 2017 in Dey House, of the Iowa Writer’s Workshop in Iowa City. Cunning: The word ‘ordinary’ seems so important to your work, and the more I read your fiction, the more it stands out as a significant term. Your novels focus on profoundly ordi- nary things: family, ageing, light, water, loss, language, time, the natural world. I think this would be a good place to start our conversation. Where does your mind go when you hear the word ‘ordinary’ and what is behind your conscious decision to write novels so attentive to the ordinary? Robinson: I think the ordinary is very mysterious. I think the ordinary, given a reasonable span of time, might also be called the ephemeral. It presents itself as if it were not, as something that allows itself to be taken for granted, when nothing is finally granted. There’s a sort of metaphysical mystery, I think, because the ordinary can be so over- looked, even though it’s basically the fabric of life. It is so important that it has to be very meaningful and at the same time so sort of self-effacing in a way that it is so seldom put into the model of reality from which people extrapolate statements about reality. Cunning: It seems that it is overlooked, yet the more attention that is paid to it the more it seems to open up. In your fiction there is the sense that the ordinary is inexhaustible. -
The Poetics and Politics of Liminality: New Transcendentalism in Contemporary American Women’S Writing
The Poetics and Politics of Liminality: New Transcendentalism in Contemporary American Women’s Writing by Teresa O’Rourke A Doctoral Thesis Submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy of Loughborough University 21st June 2017 © by Teresa O’Rourke 2017 ABSTRACT By setting the writings of Etel Adnan, Annie Dillard, Marilynne Robinson and Rebecca Solnit into dialogue with those of the New England Transcendentalists, this thesis proposes a New Transcendentalism that both reinvigorates and reimagines Transcendentalist thought for our increasingly intersectional and deterritorialized contemporary context. Drawing on key re-readings by Stanley Cavell, George Kateb and Branka Arsić, the project contributes towards the twenty-first-century shift in Transcendentalist scholarship which seeks to challenge the popular image of New England Transcendentalism as uncompromisingly individualist, abstract and ultimately the preserve of white male privilege. Moreover, in its identification and examination of an interrelated poetics and politics of liminality across these old and new Transcendentalist writings, the project also extends the scope of a more recent strain of Transcendentalist scholarship which emphasises the dialogical underpinnings of the nineteenth-century movement. The project comprises three central chapters, each of which situates New Transcendentalism within a series of vertical and lateral dialogues. The trajectory of my chapters follows the logic of Emerson’s ‘ever-widening circles’, in that each takes a wider critical lens through which to explore the dialogical relationship between my four writers and the New England Transcendentalists. In Chapter 1 the focus is upon anthropological theories of liminality; in Chapter 2 upon feminist interventions within psychoanalysis; and in Chapter 3 upon the revisionary work of Post-West criticism. -
Home by Marilynne Robinson Readers of Marilynne Robinson's
Home by Marilynne Robinson Readers of Marilynne Robinson’s Gilead will find themselves viewing familiar events from an unfamiliar perspective in Home. —Robinson’s third novel, like her second, is set in Gilead, Iowa, in 1956, but the home around which the story is centered is not that of John Ames, narrator of Gilead, but of Ames’ longtime friend and colleague, Presbyterian pastor Robert Boughton. For many years, the large house, inherited from his frugal and foresighted parents, and the boisterous family of eight children he and his late wife raised there, have ―embodied for [Boughton] the general blessedness of his life, which,‖ in his eyes, ―was manifest, really indisputable.‖ Now retired and increasingly frail in both body and mind, Boughton clings tenaciously to this worldview, greeting the smallest indication that all is well with his home and family with an enthusiastic ―Yes!‖ But such determined optimism has its costs, not only for Boughton himself, but also for his family, especially the two children whose less-than-happy lives cause their father the most anxiety. Robinson focuses her narrative on these siblings, telling the story from the perspective of the youngest daughter, Glory, who has returned home to care for her father after a thirteen-year career as an English teacher and a failed engagement, and centering the novel’s action around the reappearance after twenty years of Jack, the black sheep of the family. Jack’s disproportionate power in the family has always derived from his absences, actual and anticipated. Jack’s badness – his tendencies to drinking, theft, and other petty crimes – creates undeniable but ultimately manageable challenges for his parents. -
Souls in the Dark: Theodicy and Domesticity in Home
religions Article Souls in the Dark: Theodicy and Domesticity in Home Mark S. M. Scott Department of Religious Studies, Thorneloe University at Laurentian, 935 Ramsey Lake Road, Sudbury, ON P3E 2C6, Canada; [email protected]; Tel.: +1-705-673-1730 (ext. 403) Received: 17 October 2017; Accepted: 15 December 2017; Published: 19 December 2017 Abstract: Theodicy typically addresses the problem of evil in the public square, focusing on instances of paradigmatic evil that raise the issue broadly. Theodicy, however, also operates in the private sphere, where the conflict and chaos of family life raise doubts about God’s goodness and power. Domestic suffering—here defined as the hurt, sorrows, and heartbreaks of family life, apart from domestic abuse, which belongs to a separate category—has often been neglected by theodicists. In this article, I will analyze Marilynne Robinson’s fictional novel Home for insights into the problem of evil in the domestic realm. While it does not offer a domestic theodicy per se, Robinson’s Home sheds light on the reality of suffering love and its bias toward hope, which charts new theological pathways in theodicy that have hitherto been underexplored. Keywords: Marilynne Robinson; Home; Gilead trilogy; problem of evil; theodicy; suffering love; hope “But the soul finds its own home if it ever has a home at all” (Home, 282) Classic theological and philosophical treatments of the problem of evil cast the question onto a vast canvass, enumerating the most egregious examples of suffering around the globe, both historically and currently. Most often, these are infamous spectacles whose shockwaves were felt far and wide: the Plague, the Inquisition, the Lisbon Earthquake, the World Wars, the Holocaust, 9/11, and so on. -
Pulitzer Prize Winners and Finalists
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
Selfhood and Transparency in Marilynne Robinson's Housekeeping
'The Empty Mirror': Selfhood and Transparency in Marilynne Robinson's Housekeeping Cunning, A. (2017). 'The Empty Mirror': Selfhood and Transparency in Marilynne Robinson's Housekeeping. Irish Journal of American Studies, (6). Published in: Irish Journal of American Studies Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2017 IJAS. This work is made available online in accordance with the publisher’s policies. Please refer to any applicable terms of use of the publisher. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:30. Sep. 2021 “THE EMPTY MIRROR”: SELFHOOD AND THE UTILITY OF LANGUAGE IN MARILYNNE ROBINSON’S HOUSEKEEPING ANDREW CUNNING We remain unknown to ourselves. Nieztsche, On the Genealogy of Morals 3. Nietzsche places this declaration right at the beginning of his Genealogy of Morals (1887) as an unequivocal statement of fact. -
HOME by Marilynne Robinson Discussion Questions
HOME by Marilynne Robinson Discussion Questions 1. What does “home” mean to Robert Boughton and his children? What does the Boughton house signify to his family? With whom do they feel most at home? 2. How does Glory’s opinion of Jack change throughout the novel? What enables them to trust each other? In what ways is that trust strained? How does their relationship compare to yours with your siblings? 3. How is the Boughton household affected by the presence of a television set? How does this reflect a shift that took place in many households throughout America in the 1950s? Were you surprised by Robert Boughton’s comments about African Americans, and by his reaction to the televised race riots? 4. Why do you think Robert loves Jack best, despite Jack’s shortcomings? What is your understanding of Jack’s wayward behavior? How would you have responded to his theological questions regarding redemption? 5. Discuss the friendship between John Ames and Robert Boughton. What has sustained it for so many years? How did they nurture each other’s intellectual lives, approaching life from Congregationalist and Presbyterian perspectives? 6. What did Glory’s mother teach her about the role of women? How was the Boughton family affected by the death of its matriarch? 7. How do the Boughtons view prosperity and charity? What is reflected in th way Glory handles the household finances, with leftover money stored in the piano bench? What is the nature of Jack’s interest in Marxism? What is demonstrated in the incident of the book on England’s working classes (the stolen library volume that Robert Boughton considered dull)? 8.