DAVID CLAERBOUT Bibliography
Selected Publications
2017 Claerbout, David and Ebeling, Knut. David Claerbout: Olympia: (The Real-Time Disintegration into Ruins of the Berlin Olympic Stadium over the Course of a Thousand Years). Berlin: Sternberg Press, 2017
2016 Claerbout, David. “The Silence of the Lens. About the Disappearance of the Lens and the Return of Dangerous Ideas,” in Magical Surfaces: The Uncanny in Contemporary Photography. London: Parasol Unit, 2016. Cohen, Brianne and Alexander Streitberger. The Photofilmic. Leuven: Leuven University Press, 2016. Roman, Mathilde. “David Claerbout: Porous Temporalities,” On Stage. The Theatrical Dimension of Video Image. Bristol: Intellect, 2016.
2015 Davila, Thierry. Shadow Pieces. David Claerbout. Geneva: mamco, 2015. Holm, Michael Jull and Marie Kallehauge Metter (eds). Africa. Architecture Culture Identity. Louisiana Museum of Modern Art, 2015. Grunenberg, Christoph. Last Year in Marienbad: A Film as Art. Cologne: Kunsthalle Bremen, 2015. Kelly, Sean, Christian Viveros-Fauné and David Claerbout, eds. David Claerbout: Drawings and Studies. Berlin: Hatje Cantz and Sean Kelly Gallery, 2015. Landau, Suzanne and Tel Aviv Museum of Art (eds.). Selected Exhibitions 2011- 2014, Tel Aviv, 2015. Laurenz Foundation, Schaulager Basel (eds.). Future Present. The Collection of the Emanual Hoffman Foundation. Basel: Laurenz Foundations/Schaulager, 2015. Ogor, Dider. Artists and Architecture: Variable Dimensions. Paris: Pavillion De L’Arsenal, 2015. Vergne, Jean-Charles. David Claerbout. Clermont-Ferrand: FRAC Auvergne, 2015.
2014 Engberg, Juliana, ed. 19th Biennale of Sydney. You Imagine What You Desire. Sydney, 2014, pp. 110-111, ill. Hoelzl, Ingrid, Marie, Rémi, 'Softimage. Towards a New Theory of the Digital Image', Bristol: Intellect, 2015, pp. 46-60. Kreuzer, Stefanie and Museum Morsbroich, ed. Propaganda für die Wirklichkeit/Propaganda for Reality. Germany: Verlag Kettler/Museum Morsbroich, 2014, ill. 9th International Biennial of Photography and Visual Arts. Pixels of Paradise, bip 2014, ed., Liège, 2014, ill. Krijnen, Marloes. le regardeur. La Collection Neuflize Vie, Paris: Editions Xavier Barral, 2014, p. 213, ill. Bad Thoughts, Amsterdam: Stedelijk Museum Amsterdam, ed. 2014, p. 42, ill.
2013 Bischoff, Ulrich and Luc Tuymans. A Shock to the Senses. Constable Delacroix Friedrich Goya. Die Erschütterung der Sinne. Dresden: Staatliche Kunstsammlungen Dresden/Galerie Neue Meister/Sandstein Verlag, 2013. De Zegher, Catherine. 5th Moscow Biennale of Contemporary Art. Bolshe Sveta/More Light. Moscow, 2013, ill. Eeckhout, Tanguy, Verschaffel, Bart / Museum Dhondt-Dhaenens. collectie collection Jeanne & Charles Vandenhove. 2013, ill. Frac Alsace, ed. Pièces montrées. 2013, p. 98, ill. Last updated: 24 September 2021
Guiot, Nathalie. Artistes et Collectionneurs. Conversations. Paris: Black Jack Editions, 2013, pp. 18-35, ill. Kreuger, Anders / MUHKA, eds. The M HKA Collection. The Collection as a Character. Antwerp: M HKA, 2013, ill. Long, Timothy /MacKenzie Art Gallery, eds. double or nothing. Problems of Presence in Contemporary Art. Regina, Saskatchewan, 2013, p. 12, ill. MOCA Jacksonville, ed. Slow. Marking Time in Photography and Film. Jacksonville: MOCA Museum of Contemporary Art, 2013, ill. Re:Emerge Towards a New Cultural Cartography. Sharjah Biennial 11. Sharjah Art Foundation, 2013, pp. 173-175, ill. Rondeau, Corinne. David Claerbout. L’oeil infini. Paris: Éditions Nicolas Chaudin, 2013. Schuppli, Madeleine / Aargauer Kunsthaus, eds. Rhythm in it. On Rhythm in Contemporary Art. Aarau: Aargauer Kunsthaus, ill. Streitberger, Alexander. “Return of the Panorama,” Pirenne, Raphael, Streitberger, Alexander, eds. Heterogenous Objects. Intermedia and Photography after Modernism. Leuven: Leuven University Press (Lieven Gevaert Series), 2013, ill. The Red Queen. Hobart Tasmania Australia: Museum of Old and New Art, 2013, pp, 108-109, ill. Unterdörfer, Michaela / Hauser & Wirth ed. Hauser & Wirth 20 Years. Germany: Hatje Cantz Publishers, 2013, ill. Weill, Benjamin/ Borusan Contemporary, ed. Datascape. Istanbul: Borusan Contemporary, 2013, ill.
2012 Ardalan, Ziba, Ingrid Hoelzl, and Dirk Snauwaert. David Claerbout. the time that remains. Ludion, 2012. Bellour, Raymond. La Querelle des Dispositifs. Cinéma – installations, expositions. Paris: P.O.L., 2012, ill. Busine, Laurent. De treurenden. Tranen van liefde. Brugge: Sint Janshospitaal – Hospitaalmuseum/MAC’s, 2012, ill. (exh.cat.) Claerbout, David. Sunrise Portfolio. Peill Stiftung/nicolai Verlag, 2012. David Claerbout. MART Museuo di arte moderna e contemporanea di Trento e Rovereto/Electa Publishers, 2012 (exh.cat.). Engler, Martin, Hollein, Max (eds.). Gegenwartskunst. 1945 – Heute im Städelmuseum. Hatje Cantz, 2012, p. 308, ill. Goetz, Ingrid, Rainald Schumacher (et. al.) (eds.). Klang und Stille. Synästhetische Aspekte von Film und Video/Resonance and Silence. Synesthetic Aspects of Film and Video – Sammlung Goetz im Haus der Kunst. Ostfildern: Hatje Cantz, 2012, pp. 42-47, ill. (exh.cat.). Istanbul Modern (ed.). La La La Human Steps. A Selection from the Collection of Museum Boijmans van Beuningen. Istanbul Modern: Istanbul, 2012, pp. 36-37, ill. (exh.cat.) Kalte Rinden – Selten Erden. Die Landschaft in der Gegenwartskunst – 12 Positionen. Stadtgalerie Kiel/Märkisches Museum Witten/Städtische Galerie Bietigheim- Bissingen: Kerber Verlag, Bielefeld/Berlin, 2012 (exh.cat.) ill. Mediacity Seoul (ed.). Mediacity Seoul 2012. Spell on You. Seoul, 2012, pp. 80-83, ill. (exh.cat.) Pacher, Jeanette/Secession (ed.). Diese Sonne strahlt immer. Vienna: Secession, Vereinigung bildender KünstlerInnen, 2012 (exh.cat.). Portraits / paysages: la transformation des genres. Collections du Musée des Beaux-Arts de Nantes. Exposition d’oeuvres d’art du 16ième au 21ième siècle. Musée des Beaux-Arts de Nantes/Centre national d’art contemporain/Musée d’art moderne de Moscou/Musée national des Beaux-arts de Nijni-Novgorod, 2013 (exh.cat.). Roman, Mathilde. On Stage. La Dimension Scénique de l’Image Vidéo. Le GAC Press, 2012. Sandbye, Mette. “It has not been-it is. The signaletic transformation of photography,” Journal of Aesthetics & Culture, Stockholm, vol 4, 2012. Last updated: 24 September 2021
2011 Beil, Ralf, Antje Ehmann (eds.). Serious Games. Krieg/Medien/Kunst War/Media/Art. Hatje Cantz/Mathildenhöhe Darmstadt, 2011, pp. 20-21, ill. (exh.cat.). Bourgeois, Caroline (ed.). The World Belongs to You. Palazzo Grassi François Pinault Foundation, 2011, ill. (exh.cat.). De Wolf, Hans (ed.). Jeff Wall. The Crooked Path. Brussels: BOZAR Books/Ludion, 2011 (exh.cat.) ill. Goetz, Ingvild, Susanne Touw and Stephan Urbaschek (eds.). Aschemünder. Sammlung Goetz im Haus der Kunst. Ostfildern: Hatje Cantz, 2011, pp. 28-33, ill. (exh.cat.). Mézil, Éric (ed.). Le Temps Retrouvé .Cy Twombly photographe & artistes invités vol. II. Avignon: Actes Sud / Collection Lambert Avignon, 2011, pp. 140-145, ill. (exh.cat.). Okamura, Keiko, Hiroko Tasaka et al (eds.). “Daydream Believer!” Yebisu Interntional Festival for Art & Alternative Visions 2011. Tokyo Metropolitain Museum of Photography, Tokyo Metropolitan Foundation for History and Culture, 2011, pp. 52-53, ill. (exh.cat.). Pontbriand, Chantal. Mutations Perspectives on Photography. Paris Photo/Steidl, 2011, pp. 170-174, 190-193, ill.Collection Vanmoerkerke. Brussels: Rispoli Books, 2011, pp. 40-45, ill. Van Gelder,Hilde, Westgeest, Helen. Photography Theory in Historical Perspective. Wiley-Blackwell, 2011, p. 96, ill.
2010 Bracey, Andrew, Dave Griffiths (eds.). UnSpooling – Artists & Cinema. Manchester: Cornerhouse, 2010 (exh.cat.) Busine, Laurent. À toutes les morts, égales et cachées dans la nuit. Hornu: Musée des Arts Contemporains de la Communauté française de Belgique Grand-Hornu, 2010, ill. (exh.cat.). Denaro, Dolores / Centre PasquArt (ed.). Felicità. Nürnberg: Verlag für Moderne Kunst / Centre PasquArt, 2010, pp. 54-57, ill. (exh.cat.). Goetz, Ingvild, Stephan Urbaschek (ed.). »fast forward 2. The Power of Motion. Media Art Sammlung Goetz. München: Sammlung Goetz/Ostfildern: Hatje Cantz, 2010, pp. 70-73, 271-273, ill. (exh.cat.) Graeve Ingelmann, Inka (ed.). David Claerbout. uncertain eye. München: Pinakothek der Moderne, 2010 (exh.cat.). Lambrecht, Luk. The Good, The Bad & The Ugly. cultuurcentrum Mechelen/cultuurcentrum Strombeck, 2010 (exh.cat.) ill. Lowry, Joanna. “Modern Time: Revisiting the Tableau,” Time and Photography (Jan Baetens, Alexander Streitberger, Hilde Van Gelder (eds), Leuven: Leuven University Press, 2010, pp. 47-64, ill. (cover). Mah, Sérgio. Between Times. Instants, intervals, durations, Madrid: PhotoEspana/La Fabrica, 2010, ill. (exh.cat.) van Meeuwen, Judith (ed.). ShadowDance. Amersfoort: Kunsthal KAdE, 2010, pp. 28, ill. (exh.cat.)
2009 Amman, Katharina and Beat Stutzer (ed.). Gefrorene Momente. Daniel Spoerris Fallenbilder im Dialog mit Judith Albert, David Claerbout, Caro Niederer, Beat Streuli, Jeff Wall. Bündner Kunstmuseum, 2009, pp. 26-29, ill. (exh.cat.). Comer, Stuart (ed.). Film and Video Art. London: Tate Publishing, 2009, p. 97, ill. Volpato, Elena. Cronostasi. Torino: FONDAZIONE TORINO MUSEI/GAM Galleria Civica d’Arte De Baere, Bart (ed.). A Story of The Image. Singapore/Shanghai: National Museum of Singapore/Shanghai Art Museum, 2009 (exh.cat.). Fondation Louis Vuitton (ed.). Louis Vuitton: A Passion for Creation – The Collection. Choice. Paris, 2009, p. 102, ill. (exh.cat.). Gioè, Angelo, Maria Rosa Sossai (ed.). Sounds & Vision. Artists’ Films and Videos from Europe. The Last Decade. Tel Aviv Museum of Art, 2009 (exh.cat.). Last updated: 24 September 2021
Hugh, Jessica, Móntagut Ramírez-Montagut (ed.). Revisiting the Glass House. Contemporary Art and Modern Architecture. New Haven/London: The Aldrich Contemporary Art Museum/Mills College Art Museum/Yale University Press, 2009 (exh.cat.). Institut Valencià d’Art Modern (ed.). Valencia 09/Confines. Pasajes de las Artes Contemporáneas. Valencia, 2009, ill. (exh.cat.). Olivares, Rosa, Amber Gibson (ed.). 100 Video Artists. Madrid: EXIT Publicaciones, 2009, pp. 142, ill. (text by JJ Charlesworth). Pagé, Suzanne (ed.). musée d’art moderne de la ville de paris. la collection. Paris: Paris musées, 2009. Vischer, Theodora (ed.). Holbein bis Tillmans. Prominente Gäste aus dem Kunstmuseum Basel. Basel: Schaulager/Steidl, 2009, p. 71, ill. (exh.cat.).Moderna e Contemporanea, 2009, ill. (exh.cat.).
2008 Boelen, Jan/Z33 (ed.). Zoom In Zoom Out. Hasselt, 2008, ill. (exh.cat.). De Wit, Dirk, Anne Judong (ed.). Arts Flanders 08 Compilation Box. Visual Arts. Ghent: Flemish Minister for Culture, Youth, Sport and Brussels Affairs/BAM, Flemish Institute for Visual, Audiovisual and Media Art, ill. + DVD. Friese, Peter/Clauss, Ingo et al./Museum für Moderne Kunst Weserburg (ed.). The Morning After.Videoarbeiten der Sammlung Goetz. Weserburg, 2008, pp. 60-63, ill. Kunsthalle Wien/Matt, Gerald (ed.). Western Motel. Edward Hopper and Contemporary Art. Nürnberg: Verlag für moderne Kunst, 2008, ill. (exh.cat.). Le Soir (ed.). 500 chefs-d’œuvre de l’art belge. De Wim Delvoye à Francis Alys. Bruxelles: Éditions Racine, 2008, ill. MKM Museum Küppersmühle für Moderne Kunst (ed.). Der eigene Weg. Perspektiven belgischer Kunst / Doing it my Way. Perspectives on Belgian Art. Duisburg, 2008 (exh.cat.). National Museum of Contemporary Art (ed.). David Claerbout. Athens, 2008 (exh.cat.). Tamir, Chen / Justine M. Barnicke Gallery, Hart House, University of Toronto. Stutter and Twitch. Toronto, 2008, ill. (exh.cat.). The Hunter College Art Galleries (ed.). to: Night. Contemporary Representations of the Night. New York, ill. (exh.cat.). Trummer, Thomas (ed.). Endless Sphere. Berlin: Siemens Arts Program/Goethe-Institut Ukraine, 2008, cover ill. (exh.cat.). Van Assche, Christine (ed.). The Shape of Time. Zürich: JRP Ringier/Centre Pompidou/MIT List Center of Visual Arts/De Pont Foundation/Kunstmuseum St. Gallen/Morris and Helen Belkin Art Gallery, 2008 (exh.cat.).
2007 Adolphs, Volker. gehen bleiben. Bewegung, Körper, Ort in der Kunst der Gegenwart / going staying. Movement, Body, Space in Contemporary Art. Ostfildern: Hatje Cantz Verlag/Kunstmuseum Bonn, 2007, pp. 104-106, ill. (exh.cat.). Albers, Katja, Kathrin Becker. “How to watch a videotape/How to judge a videotape. Kleiner Leitfaden zur Qualität der Videokunst,” Wolfram Völcker (ed). Was ist Gute Kunst?. Ostfildern: Hatje Cantz, 2007. Amman, Jean-Christoph. Bei näherer Betrachtung. Frankfurt/Main: Westend Verlag, 2007, pp. 241-244. Bitterli, Konrad/Kunstmuseum St. Gallen (ed.). Im Auge des Zyklons. In the Eye of the Storm. Verlag für moderne Kunst Nürnberg, 2007, pp. 48-53, ill. (exh.cat.). Cassagnau, Pascale. Future Amnesia. Enquêtes sur un troisième cinema. Paris: isthme éditions, 2007, pp. 96-97. Centro de Arte Caja de Burgos (ed.). El Hilo Conductor. The leading thread. Burgos, 2007 (exh.cat.). Filipovic, Elena/Argos (ed). Anachronism. Brussels, 2007, p. 12, ill. (exh. Brochure). Fraser, Marie. Explorations Narratives / Replaying Narrative. Le Mois de la Photo à Montréal 2007. Montréal, 2007, ill. + cover (exh.cat.). Last updated: 24 September 2021
Goetz, Ingvild, Gregor Jansen (et al). Imagination Becomes Reality. An Exhibition on the Expanded Concept of Painting. Works from the Goetz Collection. ZKM Zentrum für Kunst und Medientechnologie und Kunstverlag Ingvild Goetz, 2007, pp. 104- 105 and cover (exh.cat). Muhka (ed.). Jubilee-MuHKA 2007/1987/1967. Antwerp, 2007, pp. 168-169, 177, ill. (exh.cat.). Slager, Henk, Hyesoo, Woo/Leeum, Samsung Museum of Art (ed.). Flash Cube. Seoul, 2007, pp. 44-45, ill. (exh.cat.). Teeuwen, Marjan/KW14 (ed.). De Ontdekking van de Traagheid. 's-Hertogenbosch, 2007 (exh.cat.), pp. 11, 138, ill. Van Assche, Christine/Fundação Calouste Gulbenkian (ed.). Ida e Volta: Fição e Realidade/Come and Go: Fiction and Reality. 2007, pp. 40-45, ill. (exh.cat.). Van de Velde, Ronny (ed.). Artist’s Handbook. Ghent: Ludion, 2007.
2006 Aupetitallot, Yves/Le Magasin (ed.). Review: Videos & Films. Collection Pierre Huber. Grenoble/Zürich: JRP/Ringier, 2006, ill. (exh.cat.). Casino Luxembourg – Forum d'art contemporain/Fonds régional d'art contemporain de Lorraine, Metz/Saarlandmuseum, Saarbrücken (ed.). ON/OFF. 2006, pp. 110- 113, ill. (exh.cat.). Demos, T.J. (ed.). Vitamin Ph: New Perspectives in Photography. London: Phaidon Press, 2006, pp. 54-55, ill. Kania, Elke/Museum Franz Gertsch (ed.). The Sublime is Now! Das Erhabene in der zeitgenössischen Kunst. Burgdorf/Bern: Benteli Verlag, 2006, pp. 66-69, ill. (exh.cat.). Martin, Sylvia, Grosenick, Ute (ed.). video Art. Köln: Taschen, 2006, pp. 42-43. Staatliche Museen zu Berlin, Hamburger Bahnhof – Museum für Gegenwart (ed.). Beyond Cinema: The Art of Projection Films, Videos and Installations from 1963 to 2005. Hatje Cantz Verlag, 2006, pp. 76-79, ill. (exh.cat.). Tawadros, Gilane (ed.). Brighton Photo Biennial 2006. Brighton: photoworks, 2006 (exh.cat.). Van Assche, Christine (ed.). Collection Nouveaux Medias. Installations. Paris: Éditions du Centre Pompidou, 2006, pp. 36-37, 110-113, ill. Villa Arson (ed.). Intouchable (L'Architecture de verre & L'Idéal transparence). Nice: Editions Xavier Barral et Villa Arson, 2006, ill. (exh.cat.). Vlaams Ministerie van Cultuur, Jeugd, Sport en Media, Agentschap Kunsten en Erfgoed (ed.). Collectie Vlaamse Gemeenschap Aanwinsten. Brussel, 2006, pp 13, 206- 208, 403-404, ill. Weski, Thomas/Haus der Kunst (ed.). click doubleclick. The Documentary Factor. Köln: Verlag der Buchhandlung Walther König, 2006, pp. 192-195, ill. (exh.cat.).
2005 Blume, Eugen, Gabriele Knapstein and Catherine Nichols (ed.). Fast nichts. Minimalistische Werke aus der Friedrich Christian Flick Collection im Hamburger Bahnhof. Berlin/Köln: SMB-DuMont, 2005 (exh.cat.). Camara Municipal de Lisboa-Direcçao Municipal de Cultura/PUBLICO-Comunicaçao Social, SA (ed.). Lisboa Photo 2005. 2005 (exh.cat.). Fonds Mercator/Palais des Beaux-Arts (ed.). La Belgique Visionnaire. Brussels, 2005 \ (exh.cat.). Kunsthallen Brandts Klaedefabrik (ed.). Shadow Play. Shadow and Light in Contemporary Art. A Homage to Hans Christian Andersen. Heidelberg: Kehrer Verlag, 2005 (exh.cat.). MAC's (ed.). 1999-2004 album. Collection du Musée des arts contemporains du Grand- Hornu. Hornu, 2005 (exh.cat.). Museum Kunst Palast (ed.). Slow Art – Zeitgenössische Kunst aus Flandern und den Niederlanden. Düsseldorf, 2005 (postcards bound as exh. Broschure). Snauwaert, Dirk. “Immobilität. David Claerbout, ‘The Bordeaux Piece,’ 2004,” Meschede, Last updated: 24 September 2021
Friedrich (ed.), Etwas von Etwas – Abstrakte Kunst (Jahresring 52. Jahrbuch für moderne Kunst). Köln, 2005, pp. 227-236. Swinnen, Johan. De lichte kamer. De onverborgen fotografie. Antwerp, 2005, p. 142 and cover, ill. Witte de With (ed.). Monopolis/Antwerpen. Rotterdam, 2005 (exh.broschure).
2004 Gaensheimer, Susanne, Friedrich Meschede et.al. (ed.). David Claerbout. Köln: Verlag der Buchhandlung Walther König, 2004 (exh.cat.). Green, David, Joanna Lowry. Visible Time: The work of David Claerbout. Herbert Read Gallery, Brighton: Photoworks, 2004 (exh.cat.). Krinzinger Projekte (ed.). Working Ethics. From a Certain Flanders. Vienna, 2004, p. 11, ill. (exh.broschure). Matt, Gerald. handlungsanweisungen. What is Art good for?. 100x Kunst am Karlsplatz. \ Vienna: Kunsthalle Wien/Steidl Verlag, 2004, p. 91. Taipei Fine Arts Museum (ed.). 2004 Taipei Biennial: Do You Believe in Reality?. Taipei, 2004 (exh.cat.). Yokohama Museum of Art. Non-Sect Radical: Contemporary Photography III. Yokohama, 2004 (exh.cat.).
2003 Cera Foundation (ed.). Decennium. Kunst in Belgie na Documenta IX/L'Art Belge et l'Après-Documenta IX. Gent/Amsterdam: Ludion, 2003. CGAC Centro Galego de Arte Contemporánea (ed.). David Claerbout. (texts by Stephan Berg, Rachel Kushner), Santiago de Compostela, 2003 (exh.cat.). Cream III. London: Phaidon, 2003, ill. Goetz, Ingvild, Stephan Urbaschek (ed.). Fast Forward: Media Works from the Goetz Collection. Munich: Kunstverlag Ingvild Goetz G.m.b.H., 2003, pp.118-123, ill. (exh. cat.). Kunsthalle Wien (ed.). Attack!. Vienna, 2003, ill. (exh.cat.). Lux, Harm (ed.). ...lautloses irren, ways of worldmaking, too.... Berlin 2003 (exh.cat). Museet for Samtidskunst (ed.). Body Matters. Oslo, 2003, p. 20-21, ill. (exh.brochure).
2002 Kunstverein Hannover (ed.). David Claerbout. Brussels: A Prior, 2002 (exh.cat.). Musée des Arts Contemporains, MAC's Grand-Hornu (ed.). L'Herbier & Le Nuage. Hornu, 2002, pp. 28-35, ill. (exh.cat.). Museum der bildenden Künste (ed.). Malerei ohne Malerei. Leipzig: E.A. Seemann Verlag, 2002 (exh.cat.).
2001 Berlin biennale für zeitgenössische Kunst (ed.). 2. berlin biennale 2001. Cologne: Oktagon, 2002, vol. 1, p. 66-71, vol. 2., p. 382-383, ill. (exh.cat.). Museum Dhondt-Dhaenens (ed.). Aubette. Het verlangen naar een (andere) plaats. (text by Edith Doove), 2001 (exh.cat.).
2000 Stichting World Wide Video Festival (ed.). 18 World Wide Video Festival. Amsterdam, pp. 142-143, ill. (exh.cat.).
1999 MUHKA (ed.). Trouble Spot•Painting. Ghent: Imschoot, 1999, p. 38, ill. (exh.cat.).
Selected Articles and Reviews 2021 Dessau, Ory. “Pursuing the Madness of the Image: A Conversation with David Claerbout.” Metropolis M. September 22, 2021. Mindlin, Valerie. “David Claerbout: Garage Museum of Contemporary Art.” Art Forum. April 24, 2021.
2020 Editor. “david claerbout dehumanizes jungle book’s animals in ‘the pure necessity’.” designboom. January 27, 2020. Last updated: 24 September 2021
2019 Kleindienst, Jürgen. "Back to the dark: David Claerbout about a future without light.” Leipziger Volkszeitung, January 18, 2019.
2018 Buckmaster, Luke. “Sydney film festival 2018: top 10 picks to see this year,” The Guardian, May 9, 2018. Bria, Ginevra. “David Claerbout. Humanizing the moving image,” Domus, August 8, 2018. Darblay, Louise. "Best of 2018: editor’s picks.” ArtReview. December 21, 2018.
“David Claerbout: Six Major Works,” Summerhall TV, Video, March 2018. Drnek, Angelika. “Our rapid image culture is frightening, says the important media artist David Claerbout – and is looking for a new relationship between life and time,” Neue Zürhcer Zeitung, September 19, 2018. Editors, “5 to See: This Weekend,” Aesthetica Magazine, July 13, 2018. Germano, Beta. “Arte Radar,” Casa Vogue, March 2018. Geranpayeh, Sarvy. “How we look at art,” Gulf News, October 10, 2018. Mansfield, Susan. “Art reviews: Rachel Maclean | David Claerbout | Marcelo Brodsky | Calum McClure,” The Scotsman, March 21, 2018. Rose, Beate. “Life Wakes Up,” Open Deur, November 2018. Rosenmeyer, Aoife. "David Claerbout: Kunsthaus Bregenz” ArtReview. October dcsfdffd2018.
2017 Baas, Michael, “Kunstspektakel mit Fixsternen” Badische Zeitung, June 17, 2017. Benhamou-Huet, Judith, “La démesure d'Art Basel trouve preneur,” Les Echos, June 16, 2017. Berentsen, Mirthe. “David Claerbout on His Time Based ‘Olympia’ Installation,” Sleek, January 2017. Blasom, Erika. “Dreamlands: Immersive Cinema and Art, 1905 – 2016.” Artforum, January 2017. Bruni, Lorenzo, “The video is back. Su Art Basel Unlimited” Artribune, June 18, 2017. Camarzana, Saioa, “Arte sin limites en Art Basel,” El Cultural, June 15, 2017. Chardon, Elisabeth, “Les petits trésors d’Art Unlimited,” Le Temps, June 14, 2017. Coste, Christine, “Photo Basel Se Reconfigure,” Le Journal des Arts, June 9, 2017. Crow, Kelly, “The Olympics of the Art World,” Wall Street Journal, May 8, 2017. “David Claerbout: Olympia,” ArtReview, May 18, 2017. Forrest, Nicholas. “Art Basel Announces 76 Projects for Unlimited 2017,” Blouin Artinfo, April 27, 2017. Gilbey, Ryan. “The 12 most interesting films without a distributor at the BFILondon Film Festival,” New Statesman, September 7, 2017. Gleadell, Colin, “Christmas has come early to Art Basel,” The Daily Telegraph, June 20, 2017. Gregoris, Naomi, “David Claerbout kennt dein Geheimnis,” Tages Woche, June 21, 2017. Johnston, Alex. “ Experimental Films to see at London Film Festival,” The List, September 12, 2017. Kefalas, Georgios. “Switzerland Art Projection,” The Gazette, June 1, 2017. Knolle, Julia, “Preview: Art Basel in 2017,” hey woman! June 13, 2017. Melster, Anne-Marie, “Tre Modi Di Dire Arte,” Exibart, June 20, 2017. Pes, Javier, “Baloo Finds a Good Home,” The Art Newspaper, June 14, 2017. Petersen, Palle, “Auf Die Plätze, Fertig, Kunstjahrmarkt!,” Hochparterre, June 15, 2017. Sanchez-Kozyreva, Cristina. “Down the Loophole”, Artforum, June 5, 2017. Sharpe, Emily, “The Kiss, a crash and Bikini Atoll,” The Art Newspaper, Online, June 16, 2017. Sharpe, Emily, “The Nazi Olympics in ruins,” The Art Newspaper, Art Basel in Basel Daily Edition, June 16, 2017. Studer-Carrot, Claudine, “2017, année vintage?” Derniéres Nouvelles d’Alsace, June 15, Last updated: 24 September 2021
2017. Szczesniak, Paulina, “Es geht um Umsatz, nicht um Nächstenliebe,” Tages Anzeiger, Online, June 15, 2017. VanDuffel, Dirk. “’Blessed are the poor in spirit’, but at age of 48 I’m no longer so blessed with that quality.’ David Claerbout.” Artdependence, December 14, 2017.
2016 “9 Art Events to Attend in New York This Week,” Artnews, March 14, 2016. Adam, Grace and Joshua White. “Magical Surfaces,” The Art Channel, May 3, 2016. “ArtReview Bar talk: David Claerbout,” ArtReview, April 1, 2016. “Aufbruch und Verfall.” Der Tagesspiegel, September 14, 2016. Brown, A. Will. “David Claerbout: I sculpt duration,” Studio International, May 5, 2016. Buck, Louisa. “Uncanny photography at Parasol Unit, tree peering and porn at the National Gallery, plus the rest of this week’s top London’s shows.” The Art Newspaper, May 14, 2016. “Capturing the Uncanny in Contemporary Photography,” This is Tomorrow, April 21, 2016. Chauvy, Laurence. “A Soleure, les artistes questionnent la notion du temps qui Passé,” Le Temps, August 2016. David, Eric. “Magical Surfaces: Uncanny Photography at the Parasol Unit in London,” Yatzer, March 23, 2016. “David Claerbout,” The New Yorker, April 11, 2016. “David Claerbout ‘Light/Work,” Artcards, March 2016. “David Claerbout,” Art in America, March 2016. “David Claerbout at Sean Kelly Gallery,” Musée Magazine, March 21, 2016. “David Claerbout – Future.” See All This, July 2016. “David Claerbout: Light/Work,” My Art Guides, March 2016. “David Claerbout | Olympia | KINDL – Centre of Contemporary Art | 11.09.2016- 28.05.2017.” Art Berlin, August 2016. Dunne, Aiden. “Fresh takes on Stephen Shore’s gas station,” The Irish Times, September 29, 2016. “East London in all its folly.” L’oeil de la Photographie, May 31, 2016. Epstein, Ian. “David Claerbout Stages a 1,000 Year Battle between Architecture and Time,” Artsy, March 23, 2016. Erizanu, Paula. “In pictures: the W* photography desk’s daily digest of visual inspiration,” Wallpaper, April 29, 2016. Geerts, John. “Future van David Claerbout open in De Pont.” Tilbugers, August 30, 2016. “Exhibition review, Video: David Claerbout – Olympia.” Art in Berlin, September 10, 2016. Haber, John. “4.22.16 – The Digital Experience,” Haber Arts, April 22, 2016. “Interview With Video Artist David Claerbout,” Aesthetica, March 24, 2016. Kent, Sarah. “Magical Surfaces: The Uncanny in Contemporary Photography, Parasol Unit,” The Art Desk, April 14, 2016. “KINDL – Centre for Contemporary Art, Berlin.” e-flux, September 2016. Kourkomelis, Aris. “Magical Surfaces: The Uncanny in Contemporary Photography.” This Is Tomorrow, May 24, 2016. “Kunst nach 1945: David Claerbout.” Staedel Museum, September 29, 2016. Kurstjens, Bas. “David Claerbout in De Pont: het slijten van een stadion.” De Tijd, September 17, 2016. Laster, Paul. “Weekend Edition: 10 Things to Do in New York’s Art World Before March 21,” Observer, March 17, 2016. “Magical Surfaces: The Uncanny in Contemporary Photography,” Financial Times, April 2016. Marasco, Giuseppe. “Magical Surfaces: The Uncanny in Contemporary Photography, Parasol Unit – art review.” Hackney Citizen, June 7, 2016. “Museum De Pont heft ere en nieuwe vleugel bij.” Tilburg, August 19, 2016. “Opening: David Claerbout. Olympia,” Visit Berlin, April 2016. “Parasol Unit Presents An Exploration of the Uncanny Through Contemporary Photography,” Widewalls, April 2016. Last updated: 24 September 2021
Pattyn, Chantal. “5 Exhibition Tips for Autumn,” DeMorgen, October 8, 2016. Sansom, Anna. “Countering the Classic: Cheeky David Claerbout,” Damn magazine, December 2016. Szczesniak, Paulina, “Es geht um Umsatz, nicht um Nächstenliebe,” Tages Anzeiger, June 15, 2017. “The Silence of the Lens,” e-flux, May 2016. “Troisvaux: Une experience temporelle a suivre en aout a la’abbaye de Belval.” La Voix Du Nord, July 24, 2016. “Uitbreiding Museum De Pont in Tilburg 'geen weggegooid geld'.” Brabants Dagblad, September 3, 2016. Woodward, Richard B. “David Claerbout, LIGHT/WORK @ Sean Kelly,” Collector Daily, April 26, 2016. “Yarat Contemporary Art Space presents exhibitions 300 Words on Resistance and Little Lies.” Azertac, June 10, 2016. “Que faire dans le Ternois ce week-end?” La Voix Du Nord, December 8, 2016.
2015 “5 Shows & Events to See this Week in Berlin,” Blouin Art Info, June 24, 2015. “Art Basel in Hong Kong,” e-flux, March 2015. Bouruet-Aubertot, Veronique. “David Claerbout, l’epiphanie de l’image,” Connaissance des Arts, February 2015. Cascone, Sarah. “Art Basel in Hong Kong 2015 ‘Encounters’ Artists Announced,” artnet news, January 31, 2015. Colart, Jean-Max. “la revanche des spectateurs,” Les inrockuptibles, February 25, 2015. Dodon, Julien. “ Au temps pour moi, David Claerbout,” magdimanche de la Montagne, April 19, 2015. Fairley, Gina. “Australian adds weight to Art Basel Encounter,” Visual ArtsHub, February 20, 2015. Flohr, Thomas and Nina. “Our Highlights from The Armory Show 2015,” Artsy, February 26, 2015. Ghorashi, Hannah. “Hirshhorn Museum and Sculpture Garden Acquires a Dozen New Works,” Art News, July 8, 2015. Kurstjens, Bas. “David Claerbout in De Pont: het slijten van een stadion.” De Tijd, September 17, 2016. “Interview with David Claerbout ★ Teatrino di Palazzo Grassi, Venezia,” ATP Diary, June 7, 2015. Mathieu, Patricia. “Artist’s Studio: David Claerbout,” In the Mu City, September 15, 2015. Miller, M.H. “Art Basel Hong Kong Announces ‘Encounters’ Sector,” ARTnews, February 2, 2015. Morain, Odile. “"Travel" de David Claerbout : l'art de l'image imperceptiblement animée,” france tv info, February 27, 2015. Mottin, Matteo. “Interview with David Claerbout. Teatrino di Palazzo Grassi, Venezia, January 2015. “New Acquisitions: David Claerbout,” Newsdesk Newsroom of the Smithsonian, July 7, 2015. Régnier, Phillippe. “David Claerbout,” Le Quotdien De L’Art, March 2015. Rojas, Laurie. “Berlin’s summer of performance and film art starts this weekend,” The Art Newspaper, June 26, 2015. “The Specious Present brings together four artists,” Voxy, June 30, 2015. Walsh, David, Elizabeth Pearce and Jane Clark. “Stories of O,” Museum of Old and New Art, 2015.
2014 Azimi, Roxana. “Palazzo Grassi: Into the Light,” The Art Daily News, Paris, issue 36, April 16th, 2014, ill. Cooper, Ashton. “David Claerbout Joins Sean Kelly Stable,” Artinfo, June 3, 2014. Last updated: 24 September 2021
Crikey, Patricia Anderson. “19th Biennale of Sydney,” Daily Review, Sydney, April 16, 2014. “David Claerbout joins Sean Kelly,” Art Media Agency, June 12, 2014. Davila, Thierry. “Giving Away Time: On David Claerbout’s Shadow Piece,” Esse Magazine, June 2014. De Coninck, Frits. “Achter het avontuur aan,” museum museumtijdschrift, Amsterdam, no. 5, July/August 2014, pp. 18-25, ill. + cover. Duponchelle, Valérie. “La Biennale de Sydney, l’art des antipodes,” Le Figaro, Paris, April 3, 2014. Forbes, Alexander. “Berlin Gallery Beat: Five Must-See Shows in May,” Artnet News, May 16, 2014. Harris, Gareth. “Sydney Biennale survives crucible of controversy,” The Art Newspaper, March 26, 2014. Hartigan, Patrick. “Imagining desire at Sydney’s 19th Biennale,” The Saturday Paper, Sydney, April 12, 2014. Hegert, Natalie. “’Days of Endless Time’ at the Hirshhorn Delivers an Antidote to Information Overload,” Mutual Art, November 5, 2014. “Ins + Outs – Artist hops,” Blouinartinfo.com, September 2014. Loret, Éric. “Venise, hallu et halo,” Libération, Paris, April 20-21, 2014, p. 4. Steegmann Mangrané, Daniel. “David Claerbout: The video, performed,” ArtReview, September 2014. Vanhee, Isolde, “Achteruitkijken door de voorruit. Interview David Claerbout,” Rekto Verso, Gent, no 62, June-September 2014, pp. 62-67,ill.
2013 Balsom, Erika. “David Claerbout’s Indecisive Moments,” Afterall: A Journal of Art, Context, and Enquiry, no. 32, Spring 2013, pp. 82-93, ill. Claerbout, David. “100 Meisterwerke: Philippe Parreno, Anywhere, Anywhere, Out of the World,” 2013/14,” Monopol, Berlin, no 12, December 2013, p. 81. David, Eric. “Magical Surfaces: Uncanny Photography at the Parasol Unit in London,” Yatzer, March 23, 2016. Duponchelle, Valérie. “Les mirages de David Claerbout,” Figaroscope, weekly magazine of Le Figaro, Paris, November 20, 2013, p. 18, ill. Fischer, Katinka. “Unter der arrangierten Oberfläche,” Frankfurter Allgemeine Zeitung, Frankfurt, no. 71, March 25, 2013, p. 36, ill. Fowler, Catherine. “Obscurity and Stillness: Potentiality in the Moving Image,” art journal, New York, vol. 72, no. 1, Spring 2013, pp. 64-79, ill. Knapp, Gottfried. “Hallräume, in denen die Gedanken wander,” Süddeutsche Zeitung, April 8, 2013, p. 9, ill. Lequeux, Emmanuelle. “Galerie Yvon Lambert. La Fascination David Claerbout” Beaux Arts Paris, October 2013, p. 168, ill. Ruyters, Marc. “De Kijk van een embedded Reporter. Vijfde Biennale van Moskou,” H Art, Antwerp, no. 117, October 17, 2013, pp. 12-13, ill. Streitberger, Alexander. “le geste photofilmique du panorama,” infra-mince, revue
de photographie, Ecole Nationale Supérieure de la Photographie /Actes Sud, nr. 8, 2013, pp. 70-80, ill.
2012 Charlesworth, JJ. “David Claerbout. The Time That Remains,” Art Review, London, p. 124-125, ill. Dünser, Severin. “Es wird Licht,” Spike, Vienna, no. 32, June 2012, ill. Searle, Adrian. “Adrian Searle encounters...a teacup falling 70 times in a 14-hour film,” The Guardian online, May 2012. Spiegler, Almuth. “Lichtspiele in der dunklen Secession,” Die Presse, May 3, 2012. Spiegl, Andreas. “David Claerbout,” Eikon, Vienna, no 78, 2012, pp. 12-17, ill. Van Beek, Jozefien. “Zonder diefstal geen kunst,” De Morgen, July 27, 2012, ill. Watte, Diane. “Un geste de la main pour David Claerbout,” Savoirs et clinique, Revue Last updated: 24 September 2021
psychanalyse. Dessins de lettres, Psychanalyse, littérature, cinéma, théâtre, Toulouse: Editions érès, no. 15, March 2012, pp. 205-207.
2011 Baker, Kenneth. “Claerbout’s, American Room: First West Coast Show,” San Francisco Chronicle, August 20, 2011, p. E-1, ill. Duplat, Guy, “David Claerbout nous offre le temps,” La Libre Belgique, Brussels, February 17, 2011 Hölzl, Ingrid. “The Photographic Now: David Claerbout’s Vietnam,” Intermédialités/Intermediality, Reproduire/Reproducing, Montréal, no. 17, 2011, pp. 131-145, ill. Legrand, Dominique, “La politique du regard selon David Claerbout,” Le Soir, February 23, 2011, ill. Lequeux, Emmanuelle. “L’espace-temps sculpté de David Claerbout,” Le Monde, April 17, 2011. Marcus, J.S. “Still Images Turn Into a Moving Experience,” Wall Street Journal, March 11, 2011, ill. Müller, Hans-Joachim. “Dunkel ist die Welt der Bilder,” Die Welt, August 20, 2011, pp. 106-107, ill. Peeter, Thomas. “De kunst van het wachten,” De Tijd, February 22, 2011, ill. Rinckhout, Eric, “Ik houd mijn verhalen klein, net als bonsaiboompjes,” De Morgen, February 19, 2011, pp. 44-45, ill. Ruyters, Marc, “De Tijd als Sculptuur,” Hart, March 3, 2011, p. 4, ill. Sels, Geert, “Ik provoceer een beetje,” De Standaard, February 19-20, 2011, p. C12-C13, ill. Sterckx, Pierre. “David Claerbout: le temps qui ne s’écoule pas,” Le soir, Bruxelles, March 30, 2011, ill. Steverlinck, Sam. “De monumentaliteit van het allerkleinste,” Agenda Brussels, March 10, 2011, pp. 6-7. Ulrichs, David. “David Claerbout. Q/A,” Modern Painters, May 2011, pp. 64-66, ill. Walsh, Maria, “Believable Fictions,” Art Monthly, London, no. 342, Dec-Jan 2010-2011, pp. 11-14, ill.
2010 Bellour, Raymond. “Wie sehen?,” ZAK Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft, Hamburg: Felix Meiner Verlag, Vol. 55, no. 1, 2010. Claerbout, David. “Riverside,” Max Joseph. Magazin der Bayerischen Staatsoper, Munich, no. 6, Summer 2010, pp. 60-71, ill. Clarke, Chris. “Unspooling: Artists & Cinema,” Art Monthly, London, November 2010, pp. 18-19. “David Claerbout: uncertain eye,”Monopol, Berlin, December 2010, p. 130, ill. Harnung, Peter Michael. “Når tiden nærmer sig evigheden,” Politiken, Copenhagen, June 1, 2010, ill. Jamart, Christine, “ABC Art Belge Contemporain,” L’Art Même, no. 49, 2010, pp. 20-21. Lambrecht, Luk, “Menschen am Sonntag; de schitterende keuze van David Claerbout!,” Knack online, 2010. Legrand, Dominique. “Territories of Time,” Le Soir, Brussels, March 17, 2010, p. 50, ill. Lorch, Catrin. “Anspruch auf Zeitlosigkeit,” Süddeutsche Zeitung, October 5, 2010, ill. Lorent, Claude. “Le temps de l’attente et du silence,” La libre Belgique, Brussels, April 9 – 15, 2010, p. 4, ill. Lorent, Claude. “L’instant, la durée, la repetition,” Arts Libre / La libre Belgique, Brussels, March 26 - April 1, 2010, p. 5, ill. Manganaro, Silvano. “David Claerbout. The incredible essence of Time,” Drome Magazine, Rome, no. 17, Spring 2010, pp. 48-52, ill. Mayer, Gabriele. “Die Kunst des Abschieds,” FAZ Frankfurter Allgemeine Zeitung, November 13/14, 2010, p. 36, ill. Phoca, Sophia. “PhotoFilm: Stillness and Movement,” Art Monthly, London, no. 336, May Last updated: 24 September 2021
2010, p. 39 Sanbye, Mette. “Det udstrakte øjeblik,” weekendavisen, Kultur, Copenhagen, May 19-20, 2010, ill. Stevenheydens, Ive. “Time and Space,” Agenda, Brussels, March 26 to April 1, 2010, p. 41, ill. “Schöpfer hybrider Film-Foto-Wesen,” www.br-online.de, September 29, 2010. Scherf, Martina. “Parabeln über den unaufhaltsamen Lauf der Zeit,” Süddeutsche Zeitung (Extra Austellungen & Literatur), no. 226, September 30, 2010, ill Theys, Hans. “De grot van Plato in modern tenue,” H>ART, April 22, 2010, p. 9. Van Bogaert, Pieter. “Territories of Time,” H>ART, March 25, 2010, p. 27. “Wie haben Sie das gemacht, David Claerbout?,” Monopol, no. 7, July 2010, pp. 22-23, ill.
2009 Berendse, Manon. “David Claerbout. Meester van de tussentijd,” Museum Tijdschrift, Amsterdam, no.2, March-April 2009, pp. 42-45, ill. Caetano, Maria João. “O tempor que passa sobre as imagens,” Diário de Notícias Quinta-feira, Lisbon, November 12, 2009, p. 49, ill. Claerbout, David / Eneman, Lieze. “Dancing Couples. A Dance To The Music Of Time (Portfolio for foam),” foam international photography magazine, Amsterdam, no. 21, Winter 2009, pp. 55-74, ill. Cluitmans, Laurie. “Het zichtbar maken van de tijd; David Claerbout in De Pont,” Metropolis M, April 11, 2009, ill. Den Hartog Jager, Hans, “David Claerbout. Betovert en Ontregelt,” NRC Handelsblad, Amsterdam, April 3, 2009, ill. Den Hartog Jager, Hans. “De touschouwer de macht ontnemen,” NRC Handelsblad, October 16, 2009. Faro, Pedro. “Parque humano', L+arte, December 2009, pp. 28-32, ill. Geldard, Rebecca. “David Claerbout,” Time Out, London, June 11-17, 2009, ill. Gersht, Ori. “Ori Gersht puts five questions to David Claerbout,” Modern Painters, London, May 2009, p. 80, ill. Lambrecht, Luk. (Review), www.knack.be, April 29, 2009. Leij, Machteld. “Onderhuids,”
sculpturing,” Visual Studies, Birminham: Birmingham Institute of Art and Design, University of Central England, vol. 24, no. 2, September 2009, ill. Ward, Ossian. “Extrasensorial. David Claerbout,” Art in America, June/July 2009.
2008 Badrutt Schoch, Ursula. “Langes Glücksgefühl,” St. Galler Tagblatt, St. Gallen, May 27, 2008, ill. Banai, Nuit. “David Claerbout (Boston MIT List Visual Arts Center),” Modern Painters, London, April 2008, ill. Basting, Barbara. “Von der Kunst, einen Glücksmoment festzuhalten,” Tagesanzeiger, Zürich, June 9, 2008, ill. Demos, TJ. “Eine Frage der Zeit,” DU. Das Kulturmagazin, Zürich, no. 783, February 2008, pp. 54-61, ill Eyres, Harry. “Between yak and yeti,” Financial Times, London, December 6/7, 2008, p. 22 Feeney, Mark. “Is it a photo? Is it a video? Time will tell,” The Boston Globe, March 16, 2008. Godfrey, Shane. “In Review David Claerbout, “ Art in Context, 2008. Mack, Gerhard. “Das Glück der Täuschung,” NZZ am Sonntag, Zürich, July 6, 2008, p. 58, ill. Mayer, Michael. “David Claerbout: The Shape of Time,” Möglichkeitssinn, www.artnet.de, 2008 Scharrer, Eva. “David Claerbout. Kunstmuseum St. Gallen (review),” Artforum, November 2008, p. 368, ill. Smith, Roberta, (review), New York Times, April 25, 2008. Strosnider, Luke, “Still, Moving (review),” Afterimage: The Journal of Media Arts and Cultural Criticsm, no. 35.6, May/June 2008. Trezzi, Nicola. “David Claerbout (review),” Flash Art International, no. 41, September 2008, ill. Vandenbussche, Bert. “The theatricality of the image in contemporary art,” Sint- Lukasgalerie, Brussels, June-August 2008, pp. 8-29, ill. Völke, Daniel, “David Claerbout umtanzt in New York das Geheimnis des schönen Augenblicks,” Monopol, Berlin, May 2008, p. 140, ill. Wilson Lloyd, Ann. “David Claerbout: MIT List Visual Arts Center,” Art in America, October 2008, ill.
2007 Bailly, Bérénice. “L'art à portée d'oreilles et de doigts dans un labyrinthe d'obscurité,” Le Monde, January 14/15, 2007. Bance, Richard. “Le Frac et les Arts rivalisant,” Le Républicain Lorrain, January 18, 2007. Bonnet, Frédéric. “Éteins la lumière!,” Le Journal des Arts, Paris, February, 2007. Da Costa, Valérie. “David Claerbout, un temps pluriel,” Artpress, Paris, August 2007, ill. Daenen, Ward, “Zeg maar dag tegen de zwarte doos,” de Morgen, October 24, 2007, ill. “David Claerbout exposeert in Parijs en Boston,” de Morgen, January 3, 2007. Davidts, Wouter. “David Claerbout (preview),” Artforum, New York, vol. XLVI, no. 1, September 2007, p. 200. Davies, Lillian. “Critic pics: David Claerbout. Espace 315, Centre Pompidou,” artforum.com, November 2007, ill. Domino, Christoph. “Paroles d'Artiste. David Claerbout,” Le Journal des Arts, Paris, no. 269, October 19 – November 1, 2007, p. 13 and cover, ill. “En Lorraine,” Kulturissimo, no. 54, January 2007, p. 25. Escalle, Clotilde, “L'émergence du temps,” Kultur Tageblatt, Luxembourg, November 16, 2007, p 16, ill. Guy Duplat. “David Claerbout ou les mutations de la photo,” La Libre Belgique, Brussels, April 21/22, 2007, p.21. Kwakkenbos, Lars. 'Trage kunst,” Elle (Belgium), October 1, 2007, ill. Leenaerts, Danielle. “Les Dialogues du Temps et de L’Espace,” L’Art Même, Bruxelles, no. 37, 2007, pp. 14-15, ill. Last updated: 24 September 2021
Lefort, Gérard, “Claerbout projections privées,” Libérations, Paris, October 9, 2007. Lequeux, Emmanuelle. “On/Off de Metz au Luxembourg,” Beaux Arts, Paris, February 2007. Lorent, Claude. “Voir le temps qui passe. David Claerbout en solo au Centre Pompidou: esthétique soignée, vidéo, durée,” La Libre Belgique, December 12, 2007 Mathonnet, Philippe. “La pluralité culturelle en dix videos,” Le Temps, Genève, October 16, 2007. “Moving Still. David Claerbout: An Invitation To Reconsider,” DAM, no. 14, December 2007/January 2008, pp. 14-18, ill. “ON/OFF la lumière dans tous ses états...,” Fluxnews, January/February/March, 2007. Parfait, Françoise. “Pas si vite! Brefs souvenirs de durées vidéographique,” L’art même, no. 29, 2007, ill. Reyes Álvarez, Juan Antonio. “Estilo Internaciona y Utopía Social,” ABCD Las Artes y La Letras, Madrid, November 24, 2007, ill. Rinckhout, Eric. “David Claerbout presenteert nieuw videowerk in Parijs,” De Morgen, October 2, 2007, p. 22, ill. Sennewald, Jens Emil, “David Claerbout im Centre Pompidou, Espace 315,” Kunstbulletin, Zürich, November 2007, ill. V., Thomas. “Dans L'Intimité de la Nuit,” Poly, Strasbourg, January 2007. Van Bogaert, Pieter. “Aanwezig Zijn. David Claerbout in het Centre Pompidou,”
2006 Amman, Jean-Christoph. “Commentary from our expert: A masterpiece at ART/37/Basel: David Claerbout's ‘White House’,” UBS art banking news, July/August 2006, ill. Baron, Marie-Guy. “Luxembourg, le parti pris contemporain,” Le Figaro/et vous, Paris, December 11, 2006 Doub, Hélène. “A l'ombre d'un clair de terre,” La Voix, December 16, 2006, p. 21 Henkes, Alice, 'Griff nach dem Ungreifbaren', in: Der Bund, Bern, April 8, 2006, p. 15. Koenot, Jan. “Een 'zien' dat raakt. Spiritualiteit in de hedendaagse beeldende kunsten,” Vlaanderen Kunsttijdschrift, vol. 55, no. 310, April 2006, pp. 74-79, ill. Maggia, Filippo. “Ma sarà vero?,” Flair, no. 4, April 2006. Reed, Robert. “David Claerbout captures time on tape,” The Daily Yomiuri, November 25, 2006, p. 20, ill. Tawadros, Gilane, Julian Stallabrass. “Interview: Gilane Tawadros, Brighton Photo Biennial,” photoworks, Autumn/Winter: November/April 2006/7, pp. 18-23, ill. Van Bogaert, Pieter. “Architectuur van Licht,” H>ART, November 2006, p. 11, ill. Ward, Ossian. “David Claerbout's violent assault on the eyes,” The Art Newspaper. Art Basel Daily Edition, June 13, 2006, p. 8, ill. Tobler, Konrad. “Wie das Ei Bewunderung erregt. ‘Das Erhabene’ im Museum Franz Gertsch,” Berner Zeitung, Bern, April 3, 2006, p. 7. Schuster, Katrin. “Der manipulierte Blick auf die Wirklichkeit,” Nürnberger Nachrichten, March 17, 2006. De Righi, Roberta. “Lichtregie der Aufklärung. Die Foto-Schau ‘click-doubleclick’ iim Haus der Kunst,” Abendzeitung, München, February 8, 2006. Ulrichs, David. “Projections: Interview with David Claerbout,” Lapiz, vol. XXV, no. 219, January 2007, pp. 56-71, cover, ill. Murraciole, Marie. “Le bruit des images. Conversation avec David Claerbout,” Les Last updated: 24 September 2021
Cahiers du Musée national d'art moderne, Paris, no. 94, winter 2005/2006, pp. 124-134, ill.
2005 Berk, Anne. “Het Bewustzijn van Tijd,” Kunstbeeld, June 2005, ill. Borcherdt, Gesine. “Come to where the Mauer is,” Monopol, Berlin, October/November 2005, pp. 122-127, ill. Christofori, Ralf. “David Claerbout,” Frieze, London, Vol. 90, April 2005, pp. 117-119, ill. Daenen, Ward. “Als de foto beweegt, staat de film stil,” De Morgen, June 7, 2005, p. 15, ill. Daenen, Ward. “Er is leven naafst Luc Tuymans,” de Morgen, February 12, 2005, p. 3, ill. “David Claerbout,” NRC Handelsblad, June 9, 2005, p. 19. Domino, Christophe. “Centre d'art. La douce accélération du Plateau,” Le Journal des Arts, Paris, February 4-17, 2005. Drake, Cathryn. “David Claerbout,” Artforum, New York, May, 2005, p. 259, ill. Francblin, Catherine. “Ralentir vite,” Art Press, Paris, January 2005. Green, David. “Profile: David Claerbout,” Contemporary Magazine, London, no. 71, 2005. Jordan, Randolph. “Life on the Edge of Perception: Immobility in Recent Video Installations,” Ciel Variable, Montréal, no. 67, 2005, pp. 28-19, ill. Koenot, Jan. “Verstilling Tegen Verstikking. De Kunst van David Claerbout en Michaël Borremans,” Streven, October 2005, pp. 825-832, ill. Kuhn, Nicola. “Zwei Männer und ein Thunderbird,” Der Tagesspiegel, Berlin, January 28, 2005. Lamontagne, Valérie. “David Claerbout: le spectre du temps,” Ciel Variable, Montréal, no. 67, 2005, pp. 24-27, ill. Laurens, Jeroen. “Een trage, stille aanval op de conventionele speelfilm,” De Tijd, June 29, 2005, p. 15, ill. Laurent, Claude. “La Hollande muséale revivifiée,” La Libre Belgique, July 30/31, pp. 34- 35, ill. Lehner, Sabine Dorothée. “David Claerbout. Lenbachhaus Kunstbau Munich,” Flash Art, Milan, vol. XXXVIII, no. 240, January-February 2005, pp. 122-123, ill. Lorent, Claude. “Ponctuations estivales belges,” La Libre Belgique, August 23, 2005, p. 36. Lorscheider, Antje. “Slow Art,” Grenz Echo, Eupen, July 16, 2005, p. 20. Meister, Helga. “Das Tempo einer Schnecke,” Westdeutsche Zeitung, Düsseldorf, August, 8, 2005, p. 18 Medeiros, Margarida. “Novos estados da fotografia,” Público, June 18, 2005. “Para além da fotografia,” Expresso, June 4, 2005. Ruthe, Ingeborg. “Auf der Lauer,” Berliner Zeitung, Berlin, January 28, 2005. Ruyters, Marc. “Monopolis,” De Tijd, September 14, 2005, p. 15. Ruyters, Marc. “Trage kunst in een snelle samenleving,” De Tijd, August 31, 2005. Schärer, Caspar. “Eine enorme Spannweite,” Tages-Anzeiger, Zurich, September 26, 2005, p. 21, ill. Schmeltz, Jeanne. “Ralentir vite,” Art 21, January/February 2005. Schulz, Bernhard. “Die reine Leere,” Der Tagesspiegel, Berlin, September 24, 2005, p. 24, ill. Seedamm Kulturzentrum Bulletin. “REALIT;-)T. 30 Videoarbeiten aus der Sammlung Goetz in München. Von Olaf Breuning bis Sam Taylor-Wood,” No. 73, 2005. Smallenburg, Sandra. “Je hebt de echte wereld nodig. De implosies van David Claerbout,” NRC Handelsblad, June 3, 2005. Stevenheydens, Ive. “Licht, architectuur en melancholie. Recent werk van David Claerbout in Berlijn,” de Tijd, Antwerp, February 23, 2005, p. 15, ill. Van Hove, Jan. “Magie van het beeld. Tentoonstelling van Claerbout in Van Abbemuseum,” De Standaard, June 6, 2005, ill. Van Pary, Yoan. “Might It Just Be That Time Passes? David Claerbout,” Camera Austria, no. 91, 2005, p. 91, ill. Werneburg, Brigitte. “Tendenziös in vieler Hinsicht,” die Tageszeitung, Berlin, September Last updated: 24 September 2021
29, 2005, p. 17, ill.38. Wulffen, Thomas. “David Claerbout,” Kunstforum, Ruppichteroth, Vol. 175, April-May 2005, pp. 265-266, ill. Youssi, Yasmine. “Urgent: prenez votre temps,” Le Journal du Dimanche, January 23, 2005.
2004 Fassi, Luigi, Francesca D. Shaw. “Focus Belgium,” Flash Art, Milan, vol. XXXVII, no. 235, March-April 2004, pp. 84-89, ill. Garrett, Craig. “Raf Simons,” Flash Art, Milan, vol. XXXVII, no. 235, March-April 2004, pp. 6-67, ill. Gauville, Hervé. “L'effet frein à plusieurs mains,” Libération, Paris, December 17, 2004. Gayer, John R. “Rewind: David Claerbout,” Canadian Art, Summer 2004, ill. Green, David. “David Claerbout (review),” Photoworks, Brighton, May/October 2004, p. 66, ill. Heingartner, Douglas. “David Claerbout,” Flash Art, Milan, 2004. Herzog, Samuel. “Wo Wünsche Ware werden. Die vierte Kunstbiennale von Taipeh,” Neue Zürcher Zeitung, Zürich, no. 302, December 27, 2004, p. 21. Herzog, Samuel. “Und sie bewegt sich doch. Medienkunst aus der Sammlung Goetz im ZKM Karlsruhe,” Neue Zürcher Zeitung, Zürich, January 24, 2004. Karcher, Eva. “Paralyse im Ford Thunderbird. Mr. Freeze: Der belgische Künstler David Claerbout bringt im Münchner Lenbachhaus die Welt zum Stillstand,” Süddeutsche Zeitung, Munich, no. 239, October 14, 2004, p. 15, ill. Kendzulak, Susan. “Taipei Biennial brings stars of art to Taiwan,” Taipei Times, September 24, 2004, p. 15 Koplos, Janet. “David Claerbout at the Museum Boijmans,” Art in America, February 2004 Maak, Niklas. “Vor Sonnenaufgang,” Frankfurter Allgemeine Zeitung, September 11, 2004, p. 35, ill. Mayerle, Astrid. “München: David Claerbout im Lenbachhaus. Ein Tag, der das Leben verändert,” Kunstzeitung. Regensburg, no. 100, December 2004, p. 10, ill. Sonna, Birgit. “Zwölf Stunden sind ein Tag. David Claerbout im Münchner Lenbachhaus,” Neue Zürcher Zeitung, Zürich, no. 306, December 31, 2004, p. 44. Wagner, Thomas. “24. Kritiker-Umfrage. Bilanz 2004: Die alten Helden kehren zurück,” Art, Hamburg, December 2004, pp. 58-63, ill. Wittneven, Katrin. “David Claerbout's Stillhaltestrategie,” Monopol, Berlin, no. 5, December/January 2005, pp. 129-131, ill. Zeyn, Martin. “Digitales Daumenkino,” Frankfurter Rundschau, Frankfurt, December 21, 2004, ill.
2003 Braet, Jan. “Die stilte, lang na de storm' [interview], in: Knack, September 24, 2003, pp. 62-65 Chao, David. “Sugerente sucesión de imagines,” Arte, vol. 4, no. 55, September 2003, p. 94, ill. “Das novas linguaxes da arte,” Galicia Hoxe, July 12, 2003, p. 51, ill. De Catalina, Ana Marta. “Más que fotografía de David Claerbout,” De Samaniego, Alberto Ruiz. “David Claerbout: imágenes reanimadas,” Blanco y Negro Cultural, July 19, 2003, pp. 25-26, ill. Delgado, Carlos. “David Claerbout en el CGAC,” Nacional, August 1 – September 4, 2003, p. 24, ill. Díaz-Guardiola, Javier, [interview], in: Blanco y Negro Cultural, July 19, 2003, p. 27, ill. Engler, Martin. “Im Schatten der Bilder', in: Kunstbulletin, Zurich, no. 3, March 2003, pp. 32-37, ill. Flor, Harald. “Ingen plass i sola,” Dagbladet, Oslo, October 12, 2003, p. 54, ill. Hermida, Xosé. “Dos propuestas sobre la percepción, la tecnología y la creación de la imagen,” El País, July 12, 2003, p. 36 “Ins Netz gegangen. Kompostwärts,” Stuttgarter Zeitung, Stuttgart, January 20, 2003. Last updated: 24 September 2021
Laureyns, Jeroen. “Niets nieuws onder de zon (interview),” Tijd cultur, vol. 6, no. 262, September 17, 2003 Lowry, Joanna. “Slowing Down. Stillness, Time and the Digital Image,” Portfolio, Edinburgh, no. 37, June 2003, pp. 51-53, ill. Menin, Samuele, Valentina Sansone. “Focus Video and Film. Contemporary Video Art (Part II),” Flash Art, Milan, vol. XXXVI, no. 229, March-April 2003, pp. 92-99, ill. Muscionico, Daniele. “Bilder, die nach sich selbst suchen,” Neue Zürcher Zeitung, Zurich, February 10, 2003. “O CGAC e o Marco, á abordaxe das fronteiras da linguaxe creative,” El Correo Gallego, July 12, 2003, p. 75. “O CGAC estrea a David Claerbout e volve ós fondos con 'Pegadas de luz,” El Correo Gallego, July 11, 2003, p. 67. Pereira, Raul. “David Claerbout', in: art.es, Spain, no. 0, November-December 2003, p. 76, ill. Piekenbrock, Marietta. “Bitte noch einmal,” Frankfurter Allgemeine Sonntagszeitung, May 18, 2003, p. M2, ill. Pino, Concha, “David Claerbout crea unha atmósfera de cine no CGAC coas súas obras,” La Voz de Galicia, July 12, 2003, p. L9. Rozas, Mercedes. “El espectador es cómplice,” Agenda de Galicia, September 7, 2003, ill. Spiegler, Marc. “David Claerbout,” Artnews, May 2003, p. 166, ill. Vele, Ivanmaria. “David Claerbout (interview),” Boilermagazine, Milano, no. 2, June – September 2003, pp. 104-111, ill. Villar, Carmen. “El artista belga David Claerbout sumerge al CGAC en las tinieblas,” Faro de Vigo, July 12, 2003, ill. “Das novas linguaxes da arte,” Galicia Hoxe, July 12, 2003, p. 51, ill. Wendland, Johannes. “Die Folgen der Flut. Dresden räumt noch immer auf,” Kunstzeitung, Regensburg, no. 80, April 2003, p. 8. Van den Ven, Suzanne. “David Claerbout,” Metropolis M, no. 6, December 2002/January 2003, pp. 24- 31, cover, ill. Kyriacou, Sotiris. “David Claerbout,” Contemporary, London, no. 47/48, 2003.
2002 Amitai, Paul. “David Claerbout,” New Art Examiner, Chicago, vol. 29, no. 5, May-June 2002, ill. Bettinger, Sven-Claude. “‘Geschlossene Welt, offene Bücher’,”DeutschlandRadio Berlin, August 13, 2002. Glanz, Alexandra. “Laub und Leere,” Hannoversche Allgemeine Zeitung, Hanover, August 23, 2002. “Kataloge und Publikationen aus Museen und Kunstvereinen,” Informationsdienst Kunst, Regensburg/D, no. 261, September 26, 2002, p. 15 Laureyns, Jeroen. “Nachtelijke wandelingen,” Tijd Cultuur, Berchem, September 11, 2002, ill. Prince, Mark. “Painting & Photography,” Art Monthly, London, no. 260, October 2002, pp. 1-5, ill. Queren, Henning. “Im Dunkel taucht ein düsteres Venedig auf,” Neue Presse, August 23, 2002. Stoeber, Michael, “David Claerbout/Peter Pommerer,” Kunstforum International, Ruppichteroth, no. 162, November 2002, pp. 306-307, ill.
2001 Auer, James. “Abstract photography creates mind-boggling delight at inova,” Milwaukee Journal Sentinel, December 13, 2001. Dorn, Anja. “David Claerbout,” Frieze, London, no. 61, September-October 2001. Dumont-Mergeay, Martine. “‘Rappresentatione’ hésitante,” La Libre Belgique, Brussels, February 6, 2001, ill. Erfle, Anne. “Stillstand in der Villa Corthout,” Süddeutsche Zeitung, Munich, July 11, 2001, p. 19. Last updated: 24 September 2021
Gibbs, Michael. “Say it with flowers,” Art Monthly, London, no. 249, September 2001, p. 58. Jungheinrich, Hans-Klaus. “Unwiderleglichkeit des schönen Platonismus,” Frankfurter Rundschau, Frankfurt, February 5, 2001, ill. Lambrecht, Luk. “Het verlangen naar een (andere) plaats,” De Morgen, Brussels, November 3, 2001. Laureyns, Jeroen. “Terugkeer van de romantiek,” DeStandaard (Belgium), October 16, 2001. Levin, Thomas Y. “‘Le tremblement de la représentation’ Ute Friederike Jürss et l'estétique de l'image hétérochronique,” Les Cahiers du Mnam, no. 78, Winter 2001-2002. Lucas, Jean. “Bruxelles – La Monnaie: S'agit-t-il réellement du premier opéra? ‘Rappresentazione di Anima e di Corpo,’ de Cavalieri: tentative de mise en scène,” La Voix du Luxembourg, February 5, 2001. Maes, Frank. “belle comme la femme d'un autre', in: Janus (BE), no. 7, 2001, ill. Marcelis, Bernard. “Review: Berlin Biennale 2001,” Paris, no. 270, 2001, ill. “Metropolis oder das Netz? Wo findet die Gegenwartskunst statt?,” Neue Zürcher Zeitung, Zürich, June 9, 2001. Reininghaus, Frieder. “Agitprop, katholisch. De'Cavalieris ‘Rappresentazione di Animoa et di Corpo’,” Frankfurter Allgemeine Zeitung, Frankfurt, February 6, 2001, ill.
1999 “Diffuse Spannung mit Videos,” Westdeutsche Allgemeine Zeitung, Essen, September 14, 1999. Doswald, Christoph. “Eingefrorene Zeit,” Neue Bildende Kunst, Berlin, no. 1/2, February 1999, pp. 49-50, ill. Lambrecht, Luk. “De gestolde blik van David Claerbout,” De Morgen, Brussels, June 21, 1999, p. 28, ill. LL. “Kunst in de fabriek,” June 21, 1999. Matzer, Ulrike. “Salzburg: Elke Boon, Dirk Braekman, David Claerbout: ‘Interference: Locations in Memory and Time’,” Springerin, Vienna, vol. 5, no. 4, Winter 1999.
1998 Engel, Beate. (review), WOZ die Wochenzeitung, Zurich, December 1998. Roelandt, Els. “Denken over de tijd,” Tijd-Cultuur, Berchem, October 28, 1998, p. 18, ill.
1997 Willlemsen, Paul. “David Claerbout reanimeert oude beelden,” De Standaard (Belgium), September 30, 1997, p. 9.
Last updated: 24 September 2021