Michael Jackson Top 5O

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Michael Jackson Top 5O NR ARTIEST NUMMER 50 Michael Jackson Rock With You 49 The Jacksons & Mick Jagger State Of Shock 48 The Jacksons Lovely One 47 Michael Jackson This Is It 46 The Jacksons Shake Your Body (Down To The Ground) 45 Michael Jackson History 44 The Jacksons I Want You Back 43 Michael Jackson & Paul Mccartney Say Say Say 42 Michael Jackson Ain't No Sunshine 41 The Jacksons Blame It On The Boogie 40 Michael Jackson P.Y.T 39 Michael Jackson You Rock My World 38 The Jacksons I'll Be There 37 Michael Jackson In The Closet 36 Michael Jackson I Can't Help It NR ARTIEST NUMMER 35 Michael Jackson Who Is It 34 The Jacksons Abc 33 Michael Jackson & Justin TimberlakeLove Never Felt So Good 32 Michael Jackson Give In To Me 31 Michael Jackson Gone Too Soon 30 The Jacksons Can You Feel It 29 Michael Jackson She's Out Of My Life 28 Michael Jackson The Way You Make Me Feel 27 Michael Jackson & Paul Mccartney The Girl Is Mine 26 Michael Jackson You Are Not Alone 25 Michael Jackson Remember The Time 24 Michael Jackson Stranger In Moscow 23 Michael Jackson Off The Wall 22 Michael Jackson & Seidah Garrett I Just Can't Stop Loving You 21 Michael Jackson Leave Me Alone 20 Michael Jackson Wanna Be Startin' Something 19 Michael Jackson Will You Be There 18 Michael Jackson Don't Stop 'Til You Get Enough 17 Michael Jackson Liberian Girl 16 Michael Jackson Bad 15 Michael Jackson Human Nature 14 Michael Jackson Another Part Of Me 13 Michael Jackson One Day In Your Life 12 Michael Jackson They Don't Care About Us NR ARTIEST NUMMER 11 Michael Jackson Blood On The Dancefloor 10 Michael Jackson Black Or White 9 Michael Jackson Smooth Criminal 8 Michael Jackson Heal The World 7 Michael Jackson Dirty Diana 6 Michael Jackson Ben 5 Michael Jackson Thriller 4 Michael Jackson Man In The Mirror 3 Michael Jackson Beat It 2 Michael Jackson Earth Song 1 Michael Jackson Billie Jean.

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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
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Master's Thesis
I Know I Am Someone: Michael Jackson, Thriller, and American Identity by Sara Tenenbaum B.A. in American Studies, May 2006, Brandeis University A Thesis submitted to The Faculty of the Columbian College of Arts and Sciences of George Washington University in partial fulfillment of the degree requirements for the degree of Master of Arts May 15, 2011 Thesis Directed by James A. Miller Professor of English and American Studies © Copyright 2011 by Sara Tenenbaum All rights reserved ii Abstract of Thesis "I Know I Am Someone: Michael Jackson, Thriller, and American Identity" This thesis addresses the cultural phenomenon surrounding Michael Jackson's 1982 album Thriller and uses it as a lens through which to view and analyze the development of a distinct American, primarily youth, identity in 1983 and 1984. It is structured using a three-prong approach that first analyzes the sonic work of the music of Thriller, second explores the characteristics of Michaelmania and the youth identity being constructed within the Michael Jackson pop explosion, and third analyzes the backlash from both the white and African American communities against Jackson in that time to illuminate his subversion and danger to the status quo. I argue that Jackson's act of profound crossover during the Thriller era triggered within the American youth an equally profound act of identity formation that transcended racial stratification in America's past and created a foundational part of our contemporary identity that moves slightly beyond America's troubled racial history. Using both the voices of his fans and his critics to tease out the work his person and his music did in the early 1980's, I advocate we keep Jackson and his work foregrounded in our study of popular culture in the late 20th and early 21st centuries, as his pop explosion fundamentally and permanently effected how Americans understand ourselves and our relations with each other.
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Michael Jackson the Man and the Message
Michael Jackson The Man and the Message Getting to know his greatest concerns through his own words “I really do wish people could understand me some day.” Michael Jackson The following text consists of quotes that are taken from radio and TV interviews, speeches and public statements, poems and reflections, song lyrics, handwritten notes and letters. The earliest quote is from 1972, the latest from 2009. Since the media rather concentrated on questions in terms of gossip and scandal, this compilation should provide an opportunity to get a more complete impression of Michael Jackson's message and his most important concerns... L O V E There are two kinds of music. One comes from the strings of a guitar, the other from the strings of the heart. One sound comes from a chamber orchestra, the other from the beating of the heart's chamber. One comes from an instrument of graphite and wood, the other from an organ of flesh and blood. This loftier music [...] is more pleasing than the notes of the most gifted composers, more moving than a marching band, more harmonious than a thousand voices joined in hymn and more powerful than all the world's percussion instruments combined. That is the sweet sound of love. Human knowledge consists not only of libraries of parchment and ink – it is also comprised of the volumes of knowledge that are written on the human heart, chiseled on the human soul, and engraved on the human psyche. Food is something we all need physically, but so is love, the deeper nourishment, that turns us into who we are.
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Hothouse Flowers
MTM Checks Out Europe's Own MTV Unplugged. Also, GrooveMix Looks At French Club Charts. See page 10 & 12. Europe's Music Radio Newsweekly Volume 10 . Issue 11 . March 13, 1993 . £ 3, US$ 5, ECU 4 Radio Wins UK PolyGram Operating Copyright Battle Income Up 7% broadcasting revenue, including by Thom Duffy & income from sponsorship, barter Mike McGeever and contra deals for the first time, by Steve Wonsiewicz Record companies inthe UK as well as advertising revenue. Worldwide music and entertain- have been dealt a major setback The ratefor stations with net ment group PolyGram reported in their bid to boost the royalty broadcastingrevenuebetween a 7.3% increaseinoperating payments they receive from com- US$1.02 million and US$525.000 income to Dfl 789 million (app. mercial radio stations, under a will drop to 3% and 2% for those US$448 million) on a 4.6% rise ruling handed down March 2 by with net income below in sales to Dfl 6.62 billion last the Copyright Tribunal. US$525.000. The royaltiesare year, despite a severe recession DANISH GRAMMIES - Danish band Gangway (BMG/Genlyd Den- In an action brought by the retroactive to April 1, 1991. in several of its key European mark) received four prizes in this year's Danish Grammy Show while Association ofIndependent The total operating profit of markets. Lisa Nilsson (Diesel Music, Sweden) took two awards. Pictured (4) are: Radio Contractors (AIRC) to set the commercial UK radio indus- Net income for thefiscal Tonja Pedersen (musician, Lisa Nilsson), Lasse Illinton (Gangway), BMG new broadcast royalty rates for 79 try in 1990-91 was approximately year ended December 31 was up label manager Susanne Kier, Diesel Music MD Torbjorn Sten, Lisa Nils- commercialradiocompanies, US$11 millionwithCapital 13.5% to Dfl 506 million.
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Michael Jackson - Bad 25 (Deluxe 3CD+DVD Box Set)
Michael Jackson - Bad 25 (Deluxe 3CD+DVD Box Set) CD 1 – re-mastered CD 2 – Bonus Tracks, Demo, Rarities and 1. Bad Remixes 2. The Way You Make Me Feel 1. Don’t Be Messin’ Around 3. Speed Demon 2. I’m So Blue 4. Liberian Girl 3. Song Groove (A/K/A Abortion Papers) 5. Just Good Friends 4. Free 6. Another Part Of Me 5. Price Of Fame 7. Man In The Mirror 6. Al Capone 8. I Just Can’t Stop Lovin’ You 7. Streetwalker 9. Dirty Diana 8. Fly Away 10. Smooth Criminal 9. Todo Mi Amor Eres Tu (I Just Can't Stop 11. Leave Me Alone Loving You, Spanish Version) 10. Je Ne Veux Pas La Fin De Nous (I Just Can't Stop Loving You, French Version) 11. Bad (REMIX BY AFROJACK FEATURING PITBULL - DJ BUDDHA EDIT) 12. Speed Demon (REMIX BY NERO) 13. Bad (REMIX BY AFROJACK - CLUB MIX) CD 3 - CD Live at Wembley Stadium July DVD – Live at Wembley Stadium July 16, 16, 1988 1988 1. Wanna Be Startin' Somethin' 1. Wanna Be Startin' Somethin' 2. This Place Hotel 2. This Place Hotel 3. Another Part Of Me 3. Another Part Of Me 4. I Just Can't Stop Loving You 4. I Just Can't Stop Loving You 5. She's Out Of My Life 5. She's Out Of My Life 6. I Want You Back / The Love You Save / I'll 6. I Want You Back / The Love You Save / I'll Be There Be There 7.
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Partyman by Title
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Aimoeilsillielve'rinee New Album
M&M Features Its Spring Jazz Special. Also, MTM Looks At The Sunshine Behind Eros Ramazzotti. See Pages 9-13 & 14. Europe's Music Radio Newsweekly . Volume 10 . Issue 20 . May 15, 1993 .2.95, US$ 5, ECU 4 Branson Discusses Virgin Bows With Exclusive Virgin Switch To FM Playlist UNITED KINGDOM Says Branson, "It is going to RichardBranson's 25 -year by Mike McGeever be much tougher for us [being on wish for a national rock station AM]. To me it seems strange that became reality at 12:15 on April Richard Branson is spearhead- a station playing such good music 30 with the launch of AOR Vir- inga campaignto move his is not able to do it on FM for lis- gin 1215 AM, the country's first recently launched AOR national teners who are used to hearing commercial rock network. "I've service Virgin 1215 AM to the music of the high quality sound been waiting for this moment FM band. Branson says he is to produced by CDs. We should for .25 years, along with many hold talks "in a few days" with have something like Radio 4's others," said Branson after he EUROPE JUMPS ON MUSIC VIDEO KARUSSELL - Music executives from BBC's director general John Birt [frequency].They havetalk officially launched thestation 10 countries got together in Hamburg recently to discuss setting up Karus about the possibility of swapping shows and don't need an FM fre- from one of his Virgin Megas- sell Musik & Video in their respective countries. Pictured OA are Poly - his station's AM slot with the cor- quency." tore record shops in Manch- Gram executives: Wolfgang Gramatke (Germany president), Werner poration'snews/talkRadio4 He contendsthatRadio 4 ester.
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Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay
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Liberian Girl from Wikipedia, the Free Encyclopedia
Liberian Girl From Wikipedia, the free encyclopedia "Liberian Girl" was the ninth single released from American recording artist Michael "Liberian Girl" Jackson's 1987 album Bad. The song was written as early as 1983 and was among those considered for The Jacksons' Victory album. It was reworked and rewritten for Bad. The song was released as a single in Europe and Australia. Contents 1 Critical reception 1.1 Reaction in Liberia Single by Michael Jackson 2 Chart performance from the album Bad 3 Music video 4 Track listing B-side "Girlfriend" 5 Covers and sampling Released July 4, 1989 6 Personnel 7 References Format CD single, 12" 8 External links Recorded 1987 Genre R&B Length 3:53 (album version) Critical reception 3:40 (edit) The New York Times editor Jon Pareles wrote Label Epic that a melody line from Billie Jean reappears in Writer(s) Michael Jackson [1] this song. Rolling Stone's Davitt Sigerson Producer(s) Quincy Jones praised the song: "'Liberian Girl' — is Michael's Michael Jackson (co- filler, which makes it richer, sexier, better than producer) Thriller's forgettables" and he also described that it "glistens with gratitude for the existence Michael Jackson singles chronology of a loved one."[2] In 2003, Q Magazine ranked "2300 "Liberian "Black or the song at number 1,001 in their list of the Jackson Girl" White" "1001 Best Songs Ever".[3] Street" (1989) (1991) (1989) Reaction in Liberia Bad track listing The song received a positive reception in "Speed "Liberian "Just Good Demon" Girl" Friends" [4] Liberia, with women from the country viewing (3) (4) (5) [4] the song as empowering.
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Michael Jackson
GIVE INTO ME As recorded by Michael Jackson (From the 1991 Album DANGEROUS) Transcribed by breadfan_2 Words by Michael Jackson Music by Michael Jackson, Bil Bottrell, Gilby Clarke and Slash Arranged by Michael Jackson, Bil Bottrell and Slash E5 C5 D5 B5 Em C Dadd11 Am Em (type 2) Dsus2 Cmaj13/F B5 (type 2) xxx x xx 3 fr. x xx 5 fr. x xx xx x x x x 3 fr. x x xx x A Intro Moderate Rock = 90 N.C. P Em C Dadd11 Em C Dadd11 Gtr IV c c ^ _ _ ^ ^ _ _ ^ 1 g 4 W W V V I 4 W W V V V V V V V V V V V V V V V V V V V V V V V V W W V V V V V V Gtr IV Gtrs I, II 1 let ring 0 T 3 3 0 0 0 0 0 0 0 A 2 4 4 2 2 4 2 4 4 2 2 4 B 2 2 3 5 2 2 3 5 (3) 0 0 sl. P sl. P B Verse To Coda EmT D Dadd11 Em C Dadd11 c c ^ _ _ ^ ^ _ _ ^ 6 g V V I V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V let ring T 3 3 0 0 0 0 0 0 A 2 4 4 2 2 4 2 4 4 2 2 4 B 2 2 3 5 2 2 3 5 0 0 sl.
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Michael Jackson the Perform a N C
MICHAEL JACKSON 101 THE PERFORMANCES MICHAEL JACKSON 101 THE PERFORMANCES &E Andy Healy MICHAEL JACKSON 101 THE PERFORMANCES . Andy Healy 2016 Michael gave the world a wealth of music. Songs that would become a part of our collective sound track. Under the Creative Commons licence you are free to share, copy, distribute and transmit this work with the proviso that the work not be altered in any way, shape or form and that all And for that the 101 series is dedicated to Michael written works are credited to Andy Healy as author. This Creative Commons licence does not and all the musicians and producers who brought the music to life. extend to the copyrights held by the photographers and their respective works. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. This special Performances supplement is also dedicated to the choreographers, dancers, directors and musicians who helped realise Michael’s vision. I do not claim any ownership of the photographs featured and all rights reside with the original copyright holders. Images are used under the Fair Use Act and do not intend to infringe on the copyright holders. By a fan for the fans. &E 101 hat makes a great performance? Is it one that delivers a wow factor? W One that stays with an audience long after the houselights have come on? One that stands the test of time? Is it one that signifies a time and place? A turning point in a career? Or simply one that never fails to give you goose bumps and leave you in awe? Michael Jackson was, without doubt, the consummate performer.
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Gone Too Soon
Gone too Soon Navigating grief and loss as a result of substance use At First Nothing makes sense. You think you won’t survive. Somewhere deep down you know the reality, but on the surface it is unbelievable, unbelievable. You may sense a small relief as now the worst imaginable has happened. There will be no more unrelenting, debilitating worry, but then there’s guilt at the sense of relief. You sleep away the days or you can’t sleep, you question your god, your own intelligence, your memory, you may lose your appetite or the will to even drink water, you feel exhausted all the time you feel out of control, ungrounded, or you may wish for total control over your environment All these things, and sometimes all it at once. Then You want everything back to the way it was – house clean and orderly, work, bills, laundry but you find you have a new job now: obituary, funeral plans, condolence cards, visitors, the loved one’s possessions, official business with the hospital, the coroner, the police. Grief may hide behind the door for a moment or an hour, but it never walks away. —Leslie McBain About this Handbook This handbook was written by the British Columbia Centre on Substance Use in collaboration with the British Columbia Bereavement Helpline and the Affected Persons Liaison with the British Columbia Coroners Service. It has been adapted for a Canadian audience and translated into French by Health Canada. The handbook was created with the guidance of Leslie McBain and Jennifer Woodside, who generously shared their stories and experiences and what they wish they had known in the immediate days after they lost children to drug-related harms, as well as what they wished they had known in the months and years after.
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