Final Report CLP-Marquesan Kingfisher
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The Hakaea Beach Site, Marquesan Colonisation, and Models of East Polynesian Settlement
Archaeol. Oceania 45 (2010) 54 –65 The Hakaea Beach site, Marquesan colonisation, and models of East Polynesian settlement MELINDA S. ALLEN and ANDREW J. M cALISTER Keywords: Polynesia, settlement models, coastal geodynamics, climate change, colonisation process, sea level fall Abstract Field explorations at the newly recorded Hakaea Beach site, Nuku also the processes and mechanisms which might account for Hiva, Marquesas Islands were spread across a 12,500 m 2 area on regional patterns of mobility and settlement, is emphasized. the western coastal flat. The site’s geomorphic and cultural history is reconstructed based on nine strata and ten radiocarbon determinations. The Hakaea record illustrates the range of Hakaea Valley powerful environmental processes, including sea level fall, climate change, tsunamis, and tropical storm surges, which have operated Hakaea is a long narrow valley on the windward coast of on Marquesan shorelines for the last 800 years, and the ease with Nuku Hiva (Figure 1). It opens onto a ca. 300 m wide which past human activity can be obscured or erased. The results coralline sand beach (Figure 2) and a deep narrow bay. This highlight the need to systematically search for protected coastal coastline has a dynamic and complex geomorphic history, contexts and geomorphic settings where older surfaces might be with the narrow topography of both the valley and the bay preserved. Radiocarbon assemblages from the 13th century potentially aggravating the impact of terrestrial and marine Hakaea Beach site and seven other early Marquesan sites are forces, both of which have left dramatic signatures on the considered in light of three models of East Polynesian dispersal: 1) contemporary landscape. -
The White, Collared Kingfisher Halcyon Chlons
Philippines. A possible site for the facility is at Bacolod on the island of Negros to house the seriously endan by Martin Vince gered Negros Bleeding-heart G. keayi, Assistant Curator of Birds the subspecies identified by Mr. Oliver Riverbanks Zoo and Garden, SC as the one most urgently needing help. formerly of Sedgwick County Zoo, KS Combining both aspects of "conser vation aviculture" in relation to the Luzon Bleeding-heart, in captivity and in the wild, has given the CCAFA and Australian aviculturists the opportunity to actively participate in securing the The White, collared Kingfisher Halcyon chlons en families make up the order while the aquatic kingfishers tend to Coraciiformes; most are tropical excavate their own burrows in earthen Tor sub-tropical birds and all banks. Kingfisher eggs are white and have syndactyl feet, i.e., two ofthe for almost spherical, and number 2-3 in ward pointing toes are joined for at the tropics and up to 10 at higher lati least half of their length. Motmots, tudes. todies, bee eaters, and certain rollers The White-collared Kingfisher com and kingfishers nest in burrows that prises 47 sub-species which can be they usually excavate themselves in found over an enormous range, earthen banks, and their syndactyl feet stretching from the Red Sea, eastwards are presumably an important adapta through India, Burma, Thailand, tion to help in such work. Most of the Malaysia and Indonesia, affecting also species in this order are insectivorous the Philippines and many islands in or carnivorous, although the Asian the Pacific Ocean. Indeed, 40 of the hornbills also eat a considerable .sub-species can be found only on amount of fruit. -
Your Cruise Marquesas, the Tuamotus & Society Islands
Marquesas, The Tuamotus & Society Islands From 6/11/2021 From Papeete, Tahiti Island Ship: LE PAUL GAUGUIN to 20/11/2021 to Papeete, Tahiti Island From Tahiti, PAUL GAUGUIN Cruises invites you to embark on an all-new 15-day cruise to the heart of idyllic islands and atolls hemmed by stunning clear-water lagoons and surrounded by an exceptional coral reef. Aboard Le Paul Gauguin, set sail to discover French Polynesia, considered one of the most beautiful places in the world. Le Paul Gauguin will stop at the heart of the Tuamotu Islands to explore the marvellous depths of the atoll of Fakarava, a UNESCO-classified nature reserve. Discover the unique charms of Marquesasthe Islands. The singer- songwriter Jacques Brel sang about the Marquesas Islands and the painter Paul Gauguin was inspired by these islands which stand like dark green fortresses surrounded by the indigo blue of the Pacific. Here, you will find neither lagoons nor reefs. The archipelago’s charm lies in its wild beauty. In the heart of the dense forests of Nuku Hiva, droplets from the waterfalls dive off the vertiginous cliffs. As for the islands of Hiva Oa and Fatu Hiva, they still hide mysterious ancient petroglyphs. In the Society Islands, you will be dazzled by the incomparable beauty of Huahine, by the turquoise waters of the Motu Mahana, our private vanilla- scented little paradise, by the sumptuous lagoon of Bora Bora, with its distinctly recognisable volcanic silhouette, and by Moorea, with its hillside pineapple plantations and its verdant peaks overlooking the island. Discover our excursions without further delay - click here! The information in this document is valid as of 28/9/2021 Marquesas, The Tuamotus & Society Islands YOUR STOPOVERS : PAPEETE, TAHITI ISLAND Embarkation 6/11/2021 from 4:00 pm to 5:00 pm Departure 6/11/2021 at 11:59 pm Capital of French Polynesia, the city Papeeteof is on the north-west coast of the island of Tahiti. -
2020) Gauguin and Van Gogh Meet the Ninth Art. Euro- Pean Comic Art, 13 (1
Screech, Matthew (2020) Gauguin and Van Gogh Meet the Ninth Art. Euro- pean Comic Art, 13 (1). pp. 21-44. ISSN 1754-3797 Downloaded from: https://e-space.mmu.ac.uk/625715/ Version: Accepted Version Publisher: Berghahn Books DOI: https://doi.org/10.3167/eca.2020.130103 Please cite the published version https://e-space.mmu.ac.uk Gauguin and Van Gogh Meet the Ninth Art Postmodernism and Myths about Great Artists Matthew Screech Abstract This article analyses how a late twentieth-century/early twenty-first- century development in bandes dessinées, which combines historical novels with bi- ographies, expresses paradoxical attitudes towards mythologies surround- ing Paul Gauguin and Vincent Van Gogh. Firstly, I demonstrate that the paradox stems from a simultaneous desire for and suspicion of master narratives, identified as intrinsic to postmodernism by Linda Hutcheon. Then I establish how eight graphic novels perpetuate pre-existing mytho- logical master narratives about Gauguin and Van Gogh. Nevertheless, those mythologies simultaneously arouse scepticism: myths do not express ex- emplary uni versal truths; myths are artificial and fictionalised constructs whose status in reality is dubious. The albums convey tension between desire and suspicion regarding myths by a variety of devices. These include sequenced panels, circular plots, unreliable witnesses, fictional insertions, parodies and mock realism. Keywords: Gauguin, graphic novels, great artists, Linda Hutcheon, mythology, postmodernism, Van Gogh Over the period spanning 1990 to 2016 -
Paul Gauguin 8 February to 28 June 2015
Media Release Paul Gauguin 8 February to 28 June 2015 With Paul Gauguin (1848-1903), the Fondation Beyeler presents one of the most important and fascinating artists in history. As one of the great European cultural highlights in the year 2015, the exhibition at the Fondation Beyeler brings together over fifty masterpieces by Gauguin from leading international museums and private collections. This is the most dazzling exhibition of masterpieces by this exceptional, groundbreaking French artist that has been held in Switzerland for sixty years; the last major retrospective in neighbouring countries dates back around ten years. Over six years in the making, the show is the most elaborate exhibition project in the Fondation Beyeler’s history. The museum is consequently expecting a record number of visitors. The exhibition features Gauguin’s multifaceted self-portraits as well as the visionary, spiritual paintings from his time in Brittany, but it mainly focuses on the world-famous paintings he created in Tahiti. In them, the artist celebrates his ideal of an unspoilt exotic world, harmoniously combining nature and culture, mysticism and eroticism, dream and reality. In addition to paintings, the exhibition includes a selection of Gauguin’s enigmatic sculptures that evoke the art of the South Seas that had by then already largely vanished. There is no art museum in the world exclusively devoted to Gauguin’s work, so the precious loans come from 13 countries: Switzerland, Germany, France, Spain, Belgium, Great Britain (England and Scotland), -
Predictable Evolution Toward Flightlessness in Volant Island Birds
Predictable evolution toward flightlessness in volant island birds Natalie A. Wrighta,b,1, David W. Steadmanc, and Christopher C. Witta aDepartment of Biology and Museum of Southwestern Biology, University of New Mexico, Albuquerque, NM 87131-0001; bDivision of Biological Sciences, University of Montana, Missoula, MT 59812; and cFlorida Museum of Natural History, University of Florida, Gainesville, FL 32611-7800 Edited by James A. Estes, University of California, Santa Cruz, CA, and approved March 9, 2016 (received for review November 19, 2015) Birds are prolific colonists of islands, where they readily evolve distinct predators (18). Alternatively, flightlessness may represent an ex- forms. Identifying predictable, directional patterns of evolutionary treme state of a continuum of morphological variation that reflects change in island birds, however, has proved challenging. The “island locomotory requirements for survival and reproduction. Across a rule” predicts that island species evolve toward intermediate sizes, but continuum of insularity, from continents to small islands, biotic its general applicability to birds is questionable. However, convergent communities exhibit gradients of species diversity (21) and corre- evolution has clearly occurred in the island bird lineages that have sponding ecological pressures (22). If flightlessness is illustrative of undergone transitions to secondary flightlessness, a process involving island bird evolution in general, reductions in predation pressure drastic reduction of the flight muscles and enlargement of the hin- associated with increased insularity should trigger incremental shifts dlimbs. Here, we investigated whether volant island bird populations in energy allocation from the forelimbs to the hindlimbs. Accord- tend to change shape in a way that converges subtly on the flightless ingly, we hypothesize that volant island birds, even those unlikely to form. -
Bird List Column A: We Should Encounter (At Least a 90% Chance) Column B: May Encounter (About a 50%-90% Chance) Column C: Possible, but Unlikely (20% – 50% Chance)
THE PHILIPPINES Prospective Bird List Column A: we should encounter (at least a 90% chance) Column B: may encounter (about a 50%-90% chance) Column C: possible, but unlikely (20% – 50% chance) A B C Philippine Megapode (Tabon Scrubfowl) X Megapodius cumingii King Quail X Coturnix chinensis Red Junglefowl X Gallus gallus Palawan Peacock-Pheasant X Polyplectron emphanum Wandering Whistling Duck X Dendrocygna arcuata Eastern Spot-billed Duck X Anas zonorhyncha Philippine Duck X Anas luzonica Garganey X Anas querquedula Little Egret X Egretta garzetta Chinese Egret X Egretta eulophotes Eastern Reef Egret X Egretta sacra Grey Heron X Ardea cinerea Great-billed Heron X Ardea sumatrana Purple Heron X Ardea purpurea Great Egret X Ardea alba Intermediate Egret X Ardea intermedia Cattle Egret X Ardea ibis Javan Pond-Heron X Ardeola speciosa Striated Heron X Butorides striatus Yellow Bittern X Ixobrychus sinensis Von Schrenck's Bittern X Ixobrychus eurhythmus Cinnamon Bittern X Ixobrychus cinnamomeus Black Bittern X Ixobrychus flavicollis Black-crowned Night-Heron X Nycticorax nycticorax Western Osprey X Pandion haliaetus Oriental Honey-Buzzard X Pernis ptilorhynchus Barred Honey-Buzzard X Pernis celebensis Black-winged Kite X Elanus caeruleus Brahminy Kite X Haliastur indus White-bellied Sea-Eagle X Haliaeetus leucogaster Grey-headed Fish-Eagle X Ichthyophaga ichthyaetus ________________________________________________________________________________________________________ WINGS ● 1643 N. Alvernon Way Ste. 109 ● Tucson ● AZ ● 85712 ● www.wingsbirds.com -
DNA Barcoding of the White-Collared Kingfisher Todiramphus Chloris (Boddaert 1783) (Alcedinidae) Using the Mitochondrial Cytochrome C Oxidase Subunit I Gene
SHORT COMMUNICATION DNA barcoding of the White-Collared Kingfisher Todiramphus chloris (Boddaert 1783) (Alcedinidae) using the mitochondrial cytochrome c oxidase subunit I gene Adrian U. Luczon*, Abdel Hadi M. Mohammad Isa, Jonas P. Quilang, Perry S. Ong, Ian Kendrich C. Fontanilla DNA Barcoding Laboratory, Institute of Biology, University of the Philippines, Diliman 1101, Quezon City, Philippines he White-Collared Kingfisher (Todiramphus KEY WORDS: chloris) is a resident Philippine bird species. In accordance with the objective of the All Birds molecular phylogeny, White-collared Kingfisher, Alcedinidae, Barcoding Initiative (ABBI) to barcode all bird cytochrome c oxidase subunit I (COI), DNA barcoding species in the world, this study reports the first Tbarcodes of T. chloris using the mitochondrial gene cytochrome INTRODUCTION c oxidase subunit I (COI). COI sequences from this species as well as from other members of the family Alcedinidae available The White-Collared Kingfisher, Todiramphus chloris in Genbank and the Barcodes of Life Data (BoLD) Systems (Boddaert 1783), is a medium-sized kingfisher belonging to the were compared in order to test for the utility of COI to delineate family Alcedinidae, subfamily Daceloninae, sometimes under species. Monophyly of the species was established, supporting the alternative family Halcyonidae (Moyle 2006, Christidis and the use of barcodes for species discovery. Sequences between T. Boles 2008). The genus Todiramphus is composed of 22 species chloris and T. sanctus, however, revealed a close association (Dickinson 2003). Todiramphus was for a time placed under between the two species which warrants further taxonomic Halcyon, with T. chloris previously named as H. chloris in light review. of DNA hybridization experiments (Sibley and Monroe 1990) but was then ‘unlumped’ when it became clear that Halcyon was polyphyletic and is most likely composed of at least two *Corresponding author lineages, an Afro-Asian Halcyon and Australasian Todiramphus Email Address: [email protected] (Schodde and Mason 1997, Woodall 2001). -
Birds Breeding No
Tropical Topics A n i n t e r p r e t i v e n e w s l e t t e r f o r t h e t o u r i s m i n d u s t r y Birds breeding No. 52 January 1999 Helpful offspring Notes from the Kookaburras like to chorus, family groups of up to a dozen together producing a cacophony which proclaims their Editor territory. The more birds, the louder the chorus and the The excellent David Attenborough stronger their territorial claim. Kookaburras therefore television series, Life of Birds, (ABC benefit from living in large families. 7.30pm on Sundays) has recently been focussing our attention on the varied Most birds drive their offspring from There are several and often entertaining behaviour of their territories as soon as they are theories and no birds. This issue of Tropical Topics independent, but young kookaburras doubt some are takes a look at some of our local birds continue to live at home for about four valid for some and, in particular, their breeding years. During this time their parents species and some behaviour. put them to good use; young laughing for others. Possibly a kookaburras perform about a third of young helper: Birds are a bit like tropical reef fish. incubation and brooding duties for the • unable to breed and pass Unlike so many other animals, they next generation and supply the on its own genes, does the are colourful, visible, act out their nestlings with over half of their food. -
Marquesan Adzes in Hawai'i: Collections, Provenance
University of Hawai‘i at Hilo HOHONU 2015 Vol. 13 outside the Marquesas have never been found in the Marquesan Adzes in Hawai‘i: island group (Allen 2014:11), but this groundbreaking Collections, Provenance, and discovery was spoiled by the revelation that a yachtsman who had visited both places had donated the artifacts, Sourcing and apparently mixed them up before doing so (202). Hattie Le‘a Wheeler Gerrish Researchers with access to other sources of information Anthropology 484 can avoid possible pitfalls. Garanger (1967) laments, Fall 2014 “What amount of dispersed artifacts were illegally exported by the numerous voyagers drawn by the Abstract mirage of the “South Seas” and now irrevocably lost to In 1953, Jack and Leah Wheeler returned to science?” (390). It is my intent to honor the wishes of Hawai'i with 13 adze heads and one stone pounder my maternal grandparents, Jack and Leah Wheeler, that they had obtained during their travels in the Marquesas, the artifacts they (legally) brought home to Hawai'i from Tuamotus, and Society Islands. The rather general the East Pacific not be “irrevocably lost to science.” I provenance of these artifacts presents a challenge will attempt to source their stone artifacts, and discover that illustrates the benefits of combining XRF with what geochemistry can tell us of these tools of uncertain other sources of information, and the limits of current provenance. My experience strengthens my belief that knowledge of Pacific geochemistry. EDXRF reveals that combining non-destructive EDXRF with other sources five of the artifacts are likely made of stone from the of information such as oral history, written accounts, Eiao quarry, and the rest may represent five additional and morphological comparison, enhances the value of sources. -
The Marquesas
© Lonely Planet Publications 199 The Marquesas Grand, brooding, powerful and charismatic. That pretty much sums up the Marquesas. Here, nature’s fingers have dug deep grooves and fluted sharp edges, sculpting intricate jewels that jut up dramatically from the cobalt blue ocean. Waterfalls taller than skyscrapers trickle down vertical canyons; the ocean thrashes towering sea cliffs; sharp basalt pinnacles project from emerald forests; amphitheatre-like valleys cloaked in greenery are reminiscent of the Raiders of the Lost Ark; and scalloped bays are blanketed with desert arcs of white or black sand. This art gallery is all outdoors. Some of the most inspirational hikes and rides in French Polynesia are found here, allowing walkers and horseback riders the opportunity to explore Nuku Hiva’s convoluted hinterland. Those who want to get wet can snorkel with melon- headed whales or dive along the craggy shores of Hiva Oa and Tahuata. Bird-watchers can be kept occupied for days, too. Don’t expect sweeping bone-white beaches, tranquil turquoise lagoons, swanky resorts and THE MARQUESAS Cancun-style nightlife – the Marquesas are not a beach holiday destination. With only a smat- tering of pensions (guesthouses) and just two hotels, they’re rather an ecotourism dream. In everything from cuisine and dances to language and crafts, the Marquesas do feel different from the rest of French Polynesia, and that’s part of their appeal. Despite the trap- pings of Western influence (read: mobile phones), their cultural uniqueness is overwhelming. They also make for a mind-boggling open-air museum, with plenty of sites dating from pre-European times, all shrouded with a palpable historical aura. -
PAUL GAUGUIN (Paris 1848 - 1903 Hiva Oa)
PAUL GAUGUIN (Paris 1848 - 1903 Hiva Oa) Mask of a Savage Patinated plaster 9 7/8 x 7 3/4 inches (250 x 195 mm) Executed between 1893-1897 PROVENANCE: Vollard Collection, Paris, France John Rewald 1957-58 The Phillips Family Collection Dr. Joachim Theye, Zurich Private Collection, Switzerland EXHIBITED: Washington, D.C., National Gallery of Art, The Art of Paul Gauguin, 1 May – 31 July 1988; Chicago, Art Institute of Chicago, 17 September – 11 December 1988; Paris, Grand Palais, 10 January – 10 April 1989, illustrated catalogue no. 210 Dallas, Dallas Museum of Art, on extended loan, 1991 – 1994 Baltimore, The Walters Art Gallery, Gauguin and the School of Pont-Aven, 20 November 1994 – 15 January 1995, illustrated in addendum Boston, Museum of Fine Arts, 1995 Williamston, Massachusetts, Sterling and Francine Clark Art Institute, on extended loan 1997 – 1998 Martigny, Switzerland, Fondation Pierre Gianadda, Gauguin, 10 June – 22 November 1998, illustrated, catalogue no. 117 London, England, Ordovas, Tales of Paradise Gauguin, 4 February – 18 April 2014, illustrated p. 60 Riehen/Basel, Switzerland, Fondation Beyeler, Paul Gauguin, 8 February – 28 June 2015 As were many symbolist artists, Gauguin was fascinated by the idea of a disembodied face or mask.1 In 1893, at the very end of his first trip to Tahiti, Gauguin developed the essential characteristics of our mask in Hina Te Fatou (Fig. 1), now in the Museum of Modern Art, New York. It is interesting to note that Degas purchased this painting from the Paris exhibition of Gauguin’s work held at the Galerie Durand-Ruel in the autumn of 1893.