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Brokeback Mountain'' and the Oscars I Lesbijek
''Americans Don't Want Cowboys to Be Gay:'' Amerykanów, nawet wśród najbardziej liberalnych heteroseksualnych popleczników równouprawnienia gejów ''Brokeback Mountain'' and the Oscars i lesbijek. ______________________ William Glass When Crash (2005) was the surprise best picture winner at the 2006 Oscar ceremony, a variety of explanations were offered for the ("Amerykanie nie chcą kowbojów-gejów". "Brokeback Moutain" upset over the pre-Oscar favorite, Brokeback Mountain (2005). i Oskary) Some suggested a Brokeback backlash occurred; that is, that Brokeback Mountain, which had won critical praise and awards from STRESZCZENIE: Kiedy w 2006 roku Crash zdobył the time of its release and was the highest grossing picture of the five niespodziewanie Oskara za najlepszy film roku, pojawiło się wiele nominated, had worn out its welcome with the Academy voters. prób wyjaśnienia porażki, jaką poniósł przedoskarowy faworyt, Others argued that the Academy got it right: Crash was the superior Brokeback Mountain. Celem tego eseju nie jest porównanie film. A few mentioned the massive marketing campaign by the walorów artystycznych tych dwóch filmów, ani też ustalenie, czy studio on behalf of Crash, swamping the members of the Academy odrzucenie obrazu Brokeback Mountain przez Akademię with free copies of the DVD. Another popular explanation was that motywowane było ukrytą homofobią, ale raczej odpowiedź na since Crash was set in Los Angeles and since most Academy pytanie, czego można dowiedzieć się o powszechnych postawach members live in Los Angeles, the voters chose the movie that i wyobrażeniach dotyczących miejsca gejów i lesbijek reflected their experiences.[1] Larry McMurtry, one of the w społeczeństwie amerykańskim na podstawie dyskusji na temat screenwriters for Brokeback Mountain, offered two of the more zwycięstwa filmu Crash, która toczyła się w Internecie, na blogach insightful explanations, both of which turned on prejudice. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
From Disney to Disaster: the Disney Corporation’S Involvement in the Creation of Celebrity Trainwrecks
From Disney to Disaster: The Disney Corporation’s Involvement in the Creation of Celebrity Trainwrecks BY Kelsey N. Reese Spring 2021 WMNST 492W: Senior Capstone Seminar Dr. Jill Wood Reese 2 INTRODUCTION The popularized phrase “celebrity trainwreck” has taken off in the last ten years, and the phrase actively evokes specified images (Doyle, 2017). These images usually depict young women hounded by paparazzi cameras that are most likely drunk or high and half naked after a wild night of partying (Doyle, 2017). These girls then become the emblem of celebrity, bad girl femininity (Doyle, 2017; Kiefer, 2016). The trainwreck is always a woman and is usually subject to extra attention in the limelight (Doyle, 2017). Trainwrecks are in demand; almost everything they do becomes front page news, especially if their actions are seen as scandalous, defamatory, or insane. The exponential growth of the internet in the early 2000s created new avenues of interest in celebrity life, including that of social media, gossip blogs, online tabloids, and collections of paparazzi snapshots (Hamad & Taylor, 2015; Mercer, 2013). What resulted was 24/7 media access into the trainwreck’s life and their long line of outrageous, commiserable actions (Doyle, 2017). Kristy Fairclough coined the term trainwreck in 2008 as a way to describe young, wild female celebrities who exemplify the ‘good girl gone bad’ image (Fairclough, 2008; Goodin-Smith, 2014). While the coining of the term is rather recent, the trainwreck image itself is not; in their book titled Trainwreck, Jude Ellison Doyle postulates that the trainwreck classification dates back to feminism’s first wave with Mary Wollstonecraft (Anand, 2018; Doyle, 2017). -
Pieces of a Woman
PIECES OF A WOMAN Directed by Kornél Mundruczó Starring Vanessa Kirby, Shia LaBeouf, Molly Parker, Sarah Snook, Iliza Shlesinger, Benny Safdie, Jimmie Falls, Ellen Burstyn **WORLD PREMIERE – In Competition – Venice Film Festival 2020** **OFFICIAL SELECTION – Gala Presentations – Toronto International Film Festival 2020** Press Contacts: US: Julie Chappell | [email protected] International: Claudia Tomassini | [email protected] Sales Contact: Linda Jin | [email protected] 1 SHORT SYNOPSIS When an unfathomable tragedy befalls a young mother (Vanessa Kirby), she begins a year-long odyssey of mourning that touches her husband (Shia LaBeouf), her mother (Ellen Burstyn), and her midwife (Molly Parker). Director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014) and partner/screenwriter Kata Wéber craft a deeply personal meditation and ultimately transcendent story of a woman learning to live alongside her loss. SYNOPSIS Martha and Sean Carson (Vanessa Kirby, Shia LaBeouf) are a Boston couple on the verge of parenthood whose lives change irrevocably during a home birth at the hands of a flustered midwife (Molly Parker), who faces charges of criminal negligence. Thus begins a year-long odyssey for Martha, who must navigate her grief while working through fractious relationships with her husband and her domineering mother (Ellen Burstyn), along with the publicly vilified midwife whom she must face in court. From director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014), with artistic support from executive producer Martin Scorsese, and written by Kata Wéber, Mundruczó’s partner, comes a deeply personal, searing domestic aria in exquisite shades of grey and an ultimately transcendent story of a woman learning to live alongside her loss. -
Indigenous Education North Vancouver School District September 14Th -Oct 2Nd 2020
Indigenous Education North Vancouver School District September 14th -Oct 2nd 2020 Table of Welcome back! Contents The NVSD Indigenous Education team would like to Page 1 Welcome Back. welcome everyone back for the 2020-2021 school year. Requesting a team member Page 2 Orange Shirt Day Page 3 Terry Fox Page 4 Professional Development Opportunities Page 5 NVSD Indigenous Requesting a Team Member Education Team Request Form Do you want to request a team member to visit your class, collaborate or work with your staff? Check out our request forms! Team members will be available starting October 1, K-5 2020 either virtually or in person, practicing safety protocols. Grade 6-12 Link Fine the request form for K-5 here and the 6-12 form here. We would like to thank the Coast Salish people, specifically the Skwxwú7mesh Nation and Tsleil- Waututh Nation, whose unceded traditional territory the North Vancouver School District resides on. We value the opportunity to learn, share and grow on this traditional territory. 1 Orange Shirt Day September 30, 2020 Orange Shirt Day across Canada is recognized nationally and annually on September 30th. This date is significant as it is the approximate date that children would be taken to residential school. North Vancouver School District will recognize Orange Shirt Day on Wednesday, September 30, 2020. History of Orange Shirt Day Orange Shirt Day was started by Phyllis Webstad, who is Northern Secwpemc (Shuswap) from the Stswecem’c Xgat’tem First Nation, to honour and recognize all those who attended a residential school because she believes that “Every Child Matters.” You can read more about Phyllis' Story here. -
BLACK SHEEP FILM, Fig Tree Wins the Prestigious Audentia Award at TIFF, 16/09/2018
AUDENTIA AWARD 2018 PRESS RELEASES BLACK SHEEP FILM, Fig Tree wins the prestigious Audentia Award at TIFF, 16/09/2018 BLICKPUNKT: FILM, Eurimages verleiht Audentia Award in Toronto, 14/09/2018 BROADWAY WORLD, The Toronto International Film Festival Announces 2018 Award Winners, 17/09/2018 The Toronto International Film Festival Announces 2018 Award Winners Sep. 17, 2018 CANADA GOOSE AWARD FOR BEST CANADIAN FEATURE FILM The Canada Goose ® Award for Best Canadian Feature Film goes to Sébastien Pilote's The Fireflies Are Gone (La disparition des lucioles). The jury said it was chosen, "For its true-to-life depiction of a young woman's quest to find meaning and hope in a world that has constantly disappointed her." This award carries a cash prize of $30,000 and a custom award, sponsored by Canada Goose®. THE PRIZES OF THE INTERNATIONAL FEDERATION OF FILM CRITICS (FIPRESCI PRIZES) For the 27th year, the Festival welcomed an international FIPRESCI jury. This year's jury is comprised of Jury President Lesley Chow (Australia), Andrés Nazarala (Chile), Astrid Jansen (Belgium), Pierre Pageau (Canada), James Slotek (Canada), and Viswanath Subrahmanyan (India). The Prize of the International Federation of Film Critics (FIPRESCI) for the Discovery programme is awarded to Carmel Winters for Float Like a Butterfly, which the jury called "a pastoral and traditional bucolic film, capturing the familiar angst and anxiety a young adult woman undergoes in order to have her say in the scheme of things in a predominately male-driven patriarchal society." "Through her spectacular and deft narrative, nuanced understanding of the dilemmas women face, and a pitch- perfect performance by Hazel Doupe, this film is a triumph of free spirit." Honourable mention goes to Laura Luchetti's Twin Flower. -
Canadian Canada $7 Spring 2020 Vol.22, No.2 Screenwriter Film | Television | Radio | Digital Media
CANADIAN CANADA $7 SPRING 2020 VOL.22, NO.2 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA The Law & Order Issue The Detectives: True Crime Canadian-Style Peter Mitchell on Murdoch’s 200th ep Floyd Kane Delves into class, race & gender in legal PM40011669 drama Diggstown Help Producers Find and Hire You Update your Member Directory profile. It’s easy. Login at www.wgc.ca to get started. Questions? Contact Terry Mark ([email protected]) Member Directory Ad.indd 1 3/6/19 11:25 AM CANADIAN SCREENWRITER The journal of the Writers Guild of Canada Vol. 22 No. 2 Spring 2020 Contents ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Cover Publisher Maureen Parker Diggstown Raises Kane To New Heights 6 Editor Tom Villemaire [email protected] Creator and showrunner Floyd Kane tackles the intersection of class, race, gender and the Canadian legal system as the Director of Communications groundbreaking CBC drama heads into its second season Lana Castleman By Li Robbins Editorial Advisory Board Michael Amo Michael MacLennan Features Susin Nielsen The Detectives: True Crime Canadian-Style 12 Simon Racioppa Rachel Langer With a solid background investigating and writing about true President Dennis Heaton (Pacific) crime, showrunner Petro Duszara and his team tell us why this Councillors series is resonating with viewers and lawmakers alike. Michael Amo (Atlantic) By Matthew Hays Marsha Greene (Central) Alex Levine (Central) Anne-Marie Perrotta (Quebec) Murdoch Mysteries’ Major Milestone 16 Lienne Sawatsky (Central) Andrew Wreggitt (Western) Showrunner Peter Mitchell reflects on the successful marriage Design Studio Ours of writing and crew that has made Murdoch Mysteries an international hit, fuelling 200+ eps. -
Screendollars
Monday, May 24, 2021 | No. 169 When Star Wars opened May 25, 1977 no one but Steven Spielberg thought it would be a hit. George Lucas had been turned down by Universal, United Artists and Disney before pitching 20th Century Fox his sci-fi epic inspired by 1930's serials like Flash Gordon and Buck Rogers, the 1966 TV series Star Trek and Frank Herbert's 1965 novel Dune. Fox creative affairs chief Alan Ladd, Jr. greenlighted SW, but Fox's distribution arm never considered it a likely hit. Fox marketers wanted to change the title because moviegoers might think Star Wars was about the Vietnam War or, perhaps, superstars Elizabeth Taylor and Richard Burton's divorce. When Lucas screened a rough cut for some director pals, they weren't impressed. Brian De Palma reportedly called it the "worst movie" ever made. Spielberg, however, predicted SW would be "the biggest movie of all time." Lucas thought SW was doomed and skipped its premiere to vacation with Spielberg in Hawaii where they heard SW was a boxoffice phenomenon and then came up with a new project to do together -- Raiders of the Lost Ark (1981), the first Indiana Jones blockbuster. Exhibitors were reluctant to book SW, thinking only kids and sci-fi buffs would buy tickets, so it opened at just 32 theatres. Two days later, it was in 43 theatres and a week later in 157. It peaked in mid-August at 1,096, a very wide run then. Produced for $11 million, its original release did $461 million domestically and $196 million abroad – huge numbers at Theatrical Poster for Star Wars, the time. -
Voided Certificate of Employee Information Reports
Public Contracts Equal Employment Opportunity Compliance Monitoring Program Voided Certificate of Employee Information Report Report run on: June 6, 2017 3:22 PM Name of Company Cert Street City State Zip (PC) 2 HD 37407 245 EAST 30TH NEW YORK CITY NY 10016 1515 BOARDWALK, INC 18317 121 WASHINGTON ST TOMS RIVER NJ 08753 174 NEWARK AVENUE ASSOCIATES, LP 34742 103 EISENHOWER PARKWAY ROSELAND NJ 07068 1993-N2 PROPERTIES, NO. 3 LIMITED PARTNERSHI 19621 12100 WILSHIRE BLVD LOS ANGELES CA 90025 1ST CALL PAINTING CONTRACTORS, LLC 37000 980-B DEHART PLACE ELIZABETH NJ 07202 3-2-1 QUALITY PRINTING 21779 100 JERSEY AVENUE NEW BRUNSWICK NJ 08901 3-D MFG.-DBA- AMERICAN LA-FRANCE 2831 500 S. AIRPORT ROAD SHAWANO WI 54166 4 FRONT VIDEO DESIGN INC. 22299 1500 BROADWAY #509 NEW YORK NY 10036 55 WASHINGTON STREET LLC 28132 P.O. BOX 66 CLOSTER NJ 07624 9-15 SOUTH MAIN STREET CORP. 20587 1125 ATLANTIC AVE., SUITE 617 ATLANTIC CITY NJ 08401 A & A ENGINEERING 9780 300 CORPORATE CENTER DRIVE MANALAPAN NJ 07726 A & B WIPER SUPPLY, INC. 6848 116 FOUNTAIN ST. PHILADELPHIA PA 19127 A & E CARPENTRY, INC. 8048 584 STUDIO RD. RIDGEFIELD NJ 07657 A & L UNIFORMS, L L C 37818 2605 SOUTH BROAD STREET TRENTON NJ 08610 A & P TUTORING, LLC 34701 4201 CHURCH ROAD #242 MT. LAUREL NJ 08054 A & R AUTO SUPPLY, INC. 7169 300 ATLANTIC CITY BLVD. TOMS RIVER NJ 08757 A & S FUEL OIL CO. INC. 25667 95 CALAIS ROAD PO BOX 22 IRONIA NJ 07845 A & W TECHNICAL SALES, INC. 33404 420 COMMERCE LANE, SUITE 3 WEST BERLIN NJ 08091 A AND C LABORATORIES, INC 17387 168 W. -
Benjamin Loeb Director of Photography
BENJAMIN LOEB DIRECTOR OF PHOTOGRAPHY FILM SICK OF MYSELF Director: Kristoffer Borgli Production Company: Oslo Pictures WHEN I FINISH SAVING THE WORLD Director: Jesse Eisenberg Production Company: A24 PIECES OF A WOMAN Director: Mundruczó Kornél Production Company: BRON Studios & Netflix Nominated, Best Leading Actress, Academy Awards (2021) Nominated, Best Leading Actress, BAFTA Awards (2021) Official Selection, Toronto Film Festival (2020) Official Selection, Venice Film Festival (2020) AFTER YANG Director: Kogonada Production Company: A24 Official Selection, Cannes Film Festival (2021) GERMANY. A WINTER’S TALE Director: Jan Bonny Production Company: Heimatfilm MANDY Director: Panos Cosmatos Production Company: SpectreVision Official Selection, Sundance Film Festival (2018) Official Selection, Cannes Film Festival (2018) Official Selection, London Film Festival (2018) LUX ARTISTS | 1 EL PESCADOR Director: Eliot Rausch Production Company: Über Content & Goodgate Film Prod HELLO DESTROYER Director: Kevan Funk Production Company: Variable Official Selection, Toronto Film Festival (2016) KING COBRA Director: Justin Kelly Production Company: Yale Productions & SSS Entertainment Official Selection, London Film Festival (2016) Official Selection, Tribeca Film Festival (2016) YELLOWHEAD Director: Kevan Funk Production Company: Everything at Once SAINT PIERRE Director: Kevan Funk Production Company: Variable DIRECTOR/COMMERCIAL TOM TAGHOLM BA ANDREAS STRINGER Beats, Nike Jordan ELIOT RAUSCH Facebook DUNCAN WINECOFF New Balance, Campari HENRIK -
Black Cinema in North America, 1
FILM REFERENCE LIBRARY RESEARCH GUIDE: Black Cinema in North America, 1 Black Cinema in North America This guide is designed to assist our patrons in understanding Black Cinema in North America by providing key resources to use as a starting point in their research. Use this information to refine your search, and contact library staff with any follow-up questions or for further research assistance. Subject Headings A subject heading can help you refine your search, making it easier to find exactly what you are looking for. To find books on Black Cinema in North America that are Examples of subject headings related to available at the Film Reference Library, use the following Black Cinema in North America: subject headings: AFRICAN AMERICANS IN MOTION PICTURES AFRICAN AMERICANS IN THE MOTION PICTURE INDUSTRY AFRICAN AMERICANS IN MOTION PICTURES - CANADA AFRICAN AMERICAN WOMEN MOTION PICTURE PRODUCERS AND DIRECTORS AFRICAN AMERICAN MOTION PICTURE ACTORS AND ACTRESSES RACE IN MOTION PICTURES AFRICAN AMERICANS - RACE IDENTITY **Note: The Film Reference Library uses Library of Congress Subject terms, some of which may use nomenclature that is outdated. Created February, 2020 FILM REFERENCE LIBRARY RESEARCH GUIDE: Black Cinema in North America, 2 Recommended Books Books provide a comprehensive overview of a larger topic, making them an excellent resource to start your research with. Black directors in Hollywood by Melvin Burke Donalson. Publisher: University of Texas Press, 2003 Black on screen : images of black Canadians, 1950's-1990's by Studio D, The Women's Studio of the National Film Board. Publisher: Studio D, The Women's Studio of the National Film Board, 1992 Cinemas of the black diaspora : diversity, dependence, and oppositionality by Michael T. -
PRESS Dossier
PRESS DOSSIER 20th may 2015 press conference At the maison des Auteurs N st rd 1 > 3 JULY 2015 SEASO 4 PRESS DOSSIER 2015 PRESS DOSSIER 2015 2 3 SÉRIE SERIES, A UNIQUE EVENT WHICH IS: Works thought up, written and developed by SERIE SERIES SEASON 4 men and women of TALENT, talent which is difficult to identify and draw out. Talent 1ST TO 3RD JULY 2015 with the rare and unique capacity of creating CONTENT which is daring, seductive, FONTAINEBLEAU moving, frightening, surprising... in short, of An event created by and for professionals Entire teams invited to present exceptional A showcase for European creation with a An event on a human scale in a very creating works which are likely to entertain us with the involvement of an editorial committee case studies, chaired by professionals, authors selection of very remarkable and/or surprising convivial atmosphere with real proximity to whilst helping us better understand the world chaired by Nicole Jamet (screenwriter), Philippe and/or producers, giving access to behind-the- series, all recent or unreleased. series’ creators from all four corners of Europe, we live in and opening ourselves to other ways Triboit (director) and Jean-François Boyer scenes aspects of great quality series. as much for professionals and students in the SEASON 4 : of thinking and other cultures. (producer), with Bénédicte Lesage (producer), audiovisual sector, as for the general public who Nicolas Jorelle (composer), Hervé Hadmar have free access to 90% of the programme. Série Series is a think tank dedicated to (screenwriter and director) and David Kodsi TALENT European creation and to the talent that brings (producer).