Bside Fall20
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
MINKA FARTHING-KOHL Director of Photography
MINKA FARTHING-KOHL Director of Photography FEATURES DEMON HOUSE Lee Daniels Tucker Tooley Entertainment CONCRETE COWBOY Ricky Staub Netflix Official Selection, Toronto International Film Festival (2020) Official Selection, Telluride Film Festival (2020) THE NOWHERE INN Bill Benz IFC Official Selection, Sundance Film Festival (2020) Official Selection, SXSW Film Festival (2020) THANK YOU AND SORRY (Short) Bill Benz Independent HOURGLASS PAST, PRESENT & FUTURE Daniel Arsham & Benny Nicks Colossale (3 – 15 min. Shorts) THE CAGE (Short) Ricky Staub Neighborhood Film Company TELEVISION FREE MEEK Michael John Warren Amazon, Roc Nation DETROITERS Bill Benz , Oz Rodriguez Comedy Central Becky Martin, Nick Jasenov ADDITIONAL PHOTOGRAPHY DON’T LOOK UP Adam McKay Netflix TAR (NY Unit) Todd Field Focus Features DIRECTORS & COMMERCIALS AMBER GRACE JOHNSON Bacardi Les Twins, Fenty x Savage, Champion DEXTER NAVY Nike DAVID HELMAN Centrum MATT BARON AAF, Amazon QUINN WILSON Billie JULIE TAYMOR M Butterfly RENELL MEDRANO Coach MATHEW FIRPO Instagram, State Farm LUKE WHITE Adidas BENNY NICKS Adidas, Jefferson University GIOVANNI MESSNER Bose SHAUN COLLINGS ESPN SETH EPSTEIN Jordan UNC RONNIE FEIG Kith BRYCE WYNER Coach ARISU KASHIWAGI Prada DANIEL RAGEN Adidas THOR SAEVARSSON Staropramen STORM & HANSEN AETNA EMMA DALZELL Kate Spade RUTH HOGBEN American Ballet Theatre, Vogue LEA COLOMBO Fendi LACEY Target TUCKER BLISS & MAXIME BRUNEEL Gatorade JR & LOLA Burberry LAUREN SICK Bose DIRECTORS & MUSIC VIDEOS TRAVIS SCOTT & WHITE TRASH TYLER Travis Scott ft. M.I.A. Young Thug “Franchise” MATT BARON Koffee ft. Gunna “W” DEXTER NAVY A$AP Rocky ft. Skepta “Praise Da Lord” BRTHR Kris Wu, Rich Brian, Trippie Redd, Joji, & Baauer “18” TOM CJ BROWN Fischerspooner “Top Brazil” OLIVER GONDRY Joywave “Doubt” Languages: Fluent in Spanish 800 South Robertson Blvd. -
Garage Zine Scionav.Com Vol. 3 Cover Photography: Clayton Hauck
GARAGE ZINE SCIONAV.COM VOL. 3 COVER PHOTOGRAPHY: CLAYTON HAUCK STAFF Scion Project Manager: Jeri Yoshizu, Sciontist Editor: Eric Ducker Creative Direction: Scion Art Director: malbon Production Director: Anton Schlesinger Contributing Editor: David Bevan Assistant Editor: Maud Deitch Graphic Designers: Nicholas Acemoglu, Cameron Charles, Kate Merritt, Gabriella Spartos Sheriff: Stephen Gisondi CONTRIBUTORS Writer: Jeremy CARGILL Photographers: Derek Beals, William Hacker, Jeremy M. Lang, Bryan Sheffield, REBECCA SMEYNE CONTACT For additional information on Scion, email, write or call. Scion Customer Experience 19001 S. Western Avenue Company references, advertisements and/ Mail Stop WC12 or websites listed in this publication are Torrance, CA 90501 not affiliated with Scion, unless otherwise Phone: 866.70.SCION noted through disclosure. Scion does not Fax: 310.381.5932 warrant these companies and is not liable for Email: Email us through the contact page their performances or the content on their located on scion.com advertisements and/or websites. Hours: M-F, 6am-5pm PST Online Chat: M-F, 6am-6pm PST © 2011 Scion, a marque of Toyota Motor Sales U.S.A., Inc. All rights reserved. Scion GARAGE zine is published by malbon Scion and the Scion logo are trademarks of For more information about MALBON, contact Toyota Motor Corporation. [email protected] 00430-ZIN03-GR SCION A/V SCHEDULE JUNE Scion Garage 7”: Cola Freaks/Digital Leather (June 7) Scion Presents: Black Lips North American Tour The Casbah in San Diego, CA (June 9) Velvet Jones -
Tuareg Music and Capitalist Reckonings in Niger a Dissertation Submitted
UNIVERSITY OF CALIFORNIA Los Angeles Rhythms of Value: Tuareg Music and Capitalist Reckonings in Niger A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Eric James Schmidt 2018 © Copyright by Eric James Schmidt 2018 ABSTRACT OF THE DISSERTATION Rhythms of Value: Tuareg Music and Capitalist Reckonings in Niger by Eric James Schmidt Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Timothy D. Taylor, Chair This dissertation examines how Tuareg people in Niger use music to reckon with their increasing but incomplete entanglement in global neoliberal capitalism. I argue that a variety of social actors—Tuareg musicians, fans, festival organizers, and government officials, as well as music producers from Europe and North America—have come to regard Tuareg music as a resource by which to realize economic, political, and other social ambitions. Such treatment of culture-as-resource is intimately linked to the global expansion of neoliberal capitalism, which has led individual and collective subjects around the world to take on a more entrepreneurial nature by exploiting representations of their identities for a variety of ends. While Tuareg collective identity has strongly been tied to an economy of pastoralism and caravan trade, the contemporary moment demands a reimagining of what it means to be, and to survive as, Tuareg. Since the 1970s, cycles of drought, entrenched poverty, and periodic conflicts have pushed more and more Tuaregs to pursue wage labor in cities across northwestern Africa or to work as trans- ii Saharan smugglers; meanwhile, tourism expanded from the 1980s into one of the region’s biggest industries by drawing on pastoralist skills while capitalizing on strategic essentialisms of Tuareg culture and identity. -
Nielsen Music Year-End Report Canada 2016
NIELSEN MUSIC YEAR-END REPORT CANADA 2016 NIELSEN MUSIC YEAR-END REPORT CANADA 2016 Copyright © 2017 The Nielsen Company 1 Welcome to the annual Nielsen Music Year End Report for Canada, providing the definitive 2016 figures and charts for the music industry. And what a year it was! The year had barely begun when we were already saying goodbye to musical heroes gone far too soon. David Bowie, Leonard Cohen, Glenn Frey, Leon Russell, Maurice White, Prince, George Michael ... the list goes on. And yet, despite the sadness of these losses, there is much for the industry to celebrate. Music consumption is at an all-time high. Overall consumption of album sales, song sales and audio on-demand streaming volume is up 5% over 2015, fueled by an incredible 203% increase in on-demand audio streams, enough to offset declines in sales and return a positive year for the business. 2016 also marked the highest vinyl sales total to date. It was an incredible year for Canadian artists, at home and abroad. Eight different Canadian artists had #1 albums in 2016, led by Drake whose album Views was the biggest album of the year in Canada as well as the U.S. The Tragically Hip had two albums reach the top of the chart as well, their latest release and their 2005 best of album, and their emotional farewell concert in August was something we’ll remember for a long time. Justin Bieber, Billy Talent, Céline Dion, Shawn Mendes, Leonard Cohen and The Weeknd also spent time at #1. Break out artist Alessia Cara as well as accomplished superstar Michael Buble also enjoyed successes this year. -
Nielsen Music 2017 Year End Music Report Canada
NIELSEN MUSIC 20I7 YEAR-END MUSIC REPORT CANADA 1 INTRODUCTION The music industry in Canada has never been stronger, with record consumption, growing live music attendance and a new class of emerging artists. Nielsen Music has also had an amazing, transformative year. Technological advancements and new partnerships have allowed us to provide robust, comprehensive data in more accessible, customizable and useful ways in 2017. Over the past year, we received a record number of requests for Nielsen Music research and insight reports. Welcome to the Nielsen Music Year-End Report, which examines the trends that shaped the Paul Shaver Canadian music industry in 2017 with definitive consumption figures and charts. Vice President/ Head of Nielsen Music Canada Overall consumption of albums, songs and On-Demand Audio streaming grew 13.6% year-over- year. On-Demand Audio streaming offset decreases in track and album sales and, on December 3, for the first time in history, it surpassed the 900 million per week mark. Ed Sheeran led all artists in Canada with overall consumption and had the top-selling album of the year. Six Canadians had No. 1 albums on the Billboard Canadian Albums chart in 2017, including The Weeknd’s Starboy, Drake’s More Life, Arcade Fire’s Everything Now, Shania Twain’s Now, Pierre Lapointe’s La Science Du Coeur and Gord Downie’s Introduce Yerself. The passing of Gord Downie captured the nation’s attention. In the week following his death, The Tragically Hip’s overall consumption increased by 1,000% over the previous week. Also, six of the group’s albums re-entered the Billboard Canadian Albums chart. -
Steve Pamon President & Chief Operating Officer Parkwood Entertainment
Steve Pamon President & Chief Operating Officer Parkwood Entertainment Launch With GS External Advisory Council Steve Pamon is the President and Chief Operating Officer of global entertainer Beyoncé’s management and production company, Parkwood Entertainment. In his time at Parkwood Entertainment, the team has continued its history of critical and commercial success in the media, entertainment, and consumer products business, as evident in the Super Bowl 50 Halftime Show, Lemonade visual album, 22 Days Nutrition, The Formation World Tour, Coachella Homecoming, On the Run II world tour, Everything is Love album, Global Citizen Africa Festival, Adidas / Ivy Park partnership, Disney’s The Lion King: The Gift album, among many others. In addition, his team manages the careers of rapper/songwriter, Ingrid and actresses/musicians, Chloe x Halle. Prior to joining Parkwood Entertainment, Pamon was the head of sports and entertainment marketing for JPMorgan Chase, where he led a team responsible for the ongoing operations around the bank’s broad sponsorship portfolio, including Madison Square Garden (NY Knicks & NY Rangers), NY Jets, NY Giants, Radio City Music Hall, The Rockettes, The US Open Tennis Tournament, Chicago Theater, and the Los Angeles Forum. Before joining JPMC, Pamon was the Vice President of Strategy and New Business Development for the National Football League. He also served as the Senior Vice President and General Manager of HBO's digital distribution. His career began with stints at Merrill Lynch, Citigroup, McKinsey & Co., and Time Warner. Outside of his full-time role, Pamon recently completed a 10 year term as a board member of New York Road Runners ("NYRR"), a non-profit organization that produces more than 100 sports events each year - including the famed New York City Marathon. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Music on PBS: a History of Music Programming at a Community Radio Station
Music on PBS: A History of Music Programming at a Community Radio Station Rochelle Lade (BArts Monash, MArts RMIT) A thesis submitted for the degree of Doctor of Philosophy January 2021 Abstract This historical case study explores the programs broadcast by Melbourne community radio station PBS from 1979 to 2019 and the way programming decisions were made. PBS has always been an unplaylisted, specialist music station. Decisions about what music is played are made by individual program announcers according to their own tastes, not through algorithms or by applying audience research, music sales rankings or other formal quantitative methods. These decisions are also shaped by the station’s status as a licenced community radio broadcaster. This licence category requires community access and participation in the station’s operations. Data was gathered from archives, in‐depth interviews and a quantitative analysis of programs broadcast over the four decades since PBS was founded in 1976. Based on a Bourdieusian approach to the field, a range of cultural intermediaries are identified. These are people who made and influenced programming decisions, including announcers, program managers, station managers, Board members and the programming committee. Being progressive requires change. This research has found an inherent tension between the station’s values of cooperative decision‐making and the broadcasting of progressive music. Knowledge in the fields of community radio and music is advanced by exploring how cultural intermediaries at PBS made decisions to realise eth station’s goals of community access and participation. ii Acknowledgements To my supervisors, Jock Given and Ellie Rennie, and in the early phase of this research Aneta Podkalicka, I am extremely grateful to have been given your knowledge, wisdom and support. -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
Afrimerican Academy Town Hall 2 Summer Camp Start Dates: Arts Culture Arts (June 28Th - August 27Th 2021) May 15Th
KEY DATES Afrimerican Academy Town Hall 2 Summer Camp Start dates: Arts Culture Arts (June 28th - August 27th 2021) May 15th Creating Cultural Bridges Through Business Town Hall 3 Startups Cooking Virtual Online Classes In-Person Student Outings: June 5th Museums - Design Gardening Health & Application Dance S.T.E.A.M. Wellness and more… & Activism Deadline Located in Boston June 12th An Enriching Camp Designed to Educate and Empower Camp Start Who are we serving? The young POCs of Boston June 28th Email [email protected] for info Camp end REGISTER NOW! Aug 27th Welcome to ‘Afrimerican Academy: Community Town Hall & Info Session’ Please fill out polls and surveys. Ask your questions in the Q&A Section. Raise your hands to speak. 2 mins limit. Feel free to comment in the chat. ‘Building cultural bridges in the African diaspora through Education, Technology & Travel’ afrimericanone.org WATCH [email protected] AFRIMERICAN TV ON Afrimerican Academy Team Marlon Solomon - President Dapo Olagbaju - Vice President Kiara M. - Intern Uche O. - Intern Glorya Fernandez Cultural Nutrition Instructor/ Outreach Coordinator ‘Building cultural bridges in the African diaspora through Education, Technology & Travel’ Afrimerican Culture Initiative Inc. Afrimerican Culture Initiative Inc. founded in 2015 African Diaspora Cultural Education Consultancy African American, AfroLatinX, Afro-Carribean, African Immigrant and other community members. Develops Independent Research - Northeastern University Redline Sprawl - Nigerian Annuity Project (#Endsars) Social Justice Project Management Afrimerican Academy - BPCS Cultural Nutrition Program Educational Content Creator Afrimerican Academy - Cultural Events - ‘Lives in Me’ Challenge Afrimerican Academy Afrimerican Academy launched in 2020 African Diaspora Cultural Education Resource African Diaspora Cultural Competency (Community Unity & Understanding) Afterschool & Summer programming Free for low income youth in Boston, MA. -
Mirror, Mediator, and Prophet: the Music Indaba of Late-Apartheid South Africa
VOL. 42, NO. 1 ETHNOMUSICOLOGY WINTER 1998 Mirror, Mediator, and Prophet: The Music Indaba of Late-Apartheid South Africa INGRID BIANCA BYERLY DUKE UNIVERSITY his article explores a movement of creative initiative, from 1960 to T 1990, that greatly influenced the course of history in South Africa.1 It is a movement which holds a deep affiliation for me, not merely through an extended submersion and profound interest in it, but also because of the co-incidence of its timing with my life in South Africa. On the fateful day of the bloody Sharpeville march on 21 March 1960, I was celebrating my first birthday in a peaceful coastal town in the Cape Province. Three decades later, on the weekend of Nelson Mandela’s release from prison in February 1990, I was preparing to leave for the United States to further my studies in the social theories that lay at the base of the remarkable musical movement that had long engaged me. This musical phenomenon therefore spans exactly the three decades of my early life in South Africa. I feel privi- leged to have experienced its development—not only through growing up in the center of this musical moment, but particularly through a deepen- ing interest, and consequently, an active participation in its peak during the mid-1980s. I call this movement the Music Indaba, for it involved all sec- tors of the complex South African society, and provided a leading site within which the dilemmas of the late-apartheid era could be explored and re- solved, particularly issues concerning identity, communication and social change. -
Top 200 Concert Grosses
2018 YEAR END | TOP 200 CONCERT GROSSES Artist Tickets Sold Artist Tickets Sold Date Facility/Promoter Support Capacity Gross Date Facility/Promoter Support Capacity Gross 07/20/18 Taylor Swift Camila Cabello 165,654 $22,031,385 06/28/18 Eagles/Jimmy Buffett Vince Gill 48,122 $9,055,130 07/21-22 MetLife Stadium Charli XCX 55,218 Coors Field 48,122 East Rutherford, NJ 100% Denver, CO 100% 3 shows Messina Touring Group / AEG Presents 49.50 - 499.50 1 Live Nation 47.00 - 397.00 23 07/26/18 Taylor Swift Camila Cabello 174,764 $21,779,845 08/25/18 Taylor Swift Camila Cabello 56,112 $9,007,179 07/27-28 Gillette Stadium Charli XCX 58,255 Nissan Stadium Charli XCX 56,112 Foxboro, MA 100% Nashville, TN 100% 3 shows Messina Touring Group / AEG Presents 49.50 - 499.50 2 Messina Touring Group / AEG Presents 49.50 - 499.50 24 08/10/18 Taylor Swift Camila Cabello 116,745 $18,089,414 08/24/18 Drake Migos 67,446 $8,992,078 08/11/18 Mercedes-Benz Stadium Charli XCX 58,373 08/25/18 Madison Square Garden Arena Roy Wood$ 16,861 Atlanta, GA 100% 08/27-28 New York, NY 100% 2 shows Messina Touring Group / AEG Presents 49.50 - 499.50 3 4 shows Live Nation 53.50 - 263.50 25 05/18/18 Taylor Swift Camila Cabello 118,084 $16,251,980 06/25/18 U2 55,575 $8,705,673 05/19/18 Rose Bowl Stadium Charli XCX 59,042 06/26/18 Madison Square Garden Arena 18,525 Pasadena, CA 100% 07/01/18 New York, NY 100% 2 shows Messina Touring Group / AEG Presents 49.50 - 499.50 4 3 shows Live Nation Global Touring 41.00 - 325.00 26 10/05/18 Taylor Swift Camila Cabello 105,002 $15,006,157