Knowing Other Countries Through Books - Fourth Year Leora J
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NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received 88-91 This reproduction is the best copy available. UMI INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. AccessinglUMI the World’s Information since 1938 300 North Zeeb Road, Ann Arbor, Mi 48106-1346 USA Order Number 8820263 Leigh Brackett: American science fiction writer—her life and work Carr, John Leonard, Ph.D. -
Ecrits De L'ombre Etudes & Essais Sur Le Roman Et Le Film D'espionnage
Belphégor Norbert Spehner Ecrits de l'ombre Etudes & essais sur le roman et le film d'espionnage Cette bibliographie de base comprend trois grandes parties : la littérature, le cinéma & la télévision et le mythe James Bond. La littérature sur Ian Fleming et son personnage fétiche est tellement abondante qu'elle mérite une partie distincte. Sauf rares exceptions portant spécifiquement et uniquement sur le genre, cette compilation ne recense pas les thèses et mémoires, ni les monographies de cinéastes comme Hitchcock et cie qui ont tourné toutes sortes de films. Elle est aussi très sélective à propos des écrivains qui, comme Graham Greene ou Joseph Conrad, ont écrit d'autres types de romans. Sommaire : 1. LITTERATURE Etudes générales et ouvrages de référence Choix d'études sur quelques auteurs 2. CINEMA & TELEVISION Etudes sur le film d'espionnage Etudes sur les Séries télévisées 3. A PROPOS DE Ian Fleming ET DE James Bond Biographies de Jan Fleming Sur James Bond 1. LITTERATURE Etudes générales et ouvrages de référence ÄCHTLER, Norman (dir.), Ikonographie des Terrors ? Formen ästhetischer Erinnerung an den Terrorismus in der Bundesrepublik 1987-2008, Heidelberg, Winter Verlag, 2010, 427 pages. AMBROSETTI, Ronald J., A Study of the Spy Genre in Recent Popular Literature, thèse de doctorat, Bowling Green State University, août 1973, 147 pages. ATKINS, John, The British Spy Novel : Styles in Treachery, London, John Calder & New York, Riverrun Press, 1984, 287 pages. BANNER, Classified Maneuvers : Spies and Nationalism in Twentieth-Century Fiction, thèse de doctorat/PhD, University of California, Los Angeles, 2001, 260 pages. BAUBE, Bruno (dir.), "L'espionnage des années 30", dans Rocambole, no 33, hiver 2005, 176 pages. -
Study of John Galsworthy's Justice As a Realistic Exposure of the English
==================================================================== Language in India www.languageinindia.com ISSN 1930-2940 Vol. 19:5 May 2019 India’s Higher Education Authority UGC Approved List of Journals Serial Number 49042 ==================================================================== Study of John Galsworthy’s Justice as a Realistic Exposure of the English Society Kailas Vijayrao Karnewar, M.A., NET College Road, Snehnagar, Vasmath Dist.- Hingoli. Pin- 431512 [email protected] ================================================================== Abstract John Galsworthy was an English playwright of 20th century. Alike G. B. Shaw he used drama as a vehicle for assigning communal criticism in each of his plays, he uncovered some social illness or other. John Galsworthy’s conception of drama is grounded on realism and general sense of morals. He supposed that drama is a noteworthy art form and capable of inspiring the attention and conveying consciousness of honorable ideologies in human life. Being a law graduate he was conscious of the severe restriction of a legalistic approach to men and matters. Galsworthy also becomes victim of rigid law and rigid society, since he was not married to his lover, Ada. In Justice he exposes all evil of the society like rigid divorce law, rigidity of society, solitary confinement and injustice done to prisoner. Galsworthy presented it by using naturalistic technique. Therefore, basic aim of this paper is to study the ills of English society which caused the demise of the main character Falder. Keywords: John Galsworthy, Justice, Realistic, English society, naturalistic technique, rigid law Introduction John Galsworthy is the best eminent problem writer and novelist in the 20th century. Like Bernard Shaw and his forerunner Ibsen, Galsworthy also presented some boiling problems or other in all his plays. -
The Eye of Zeitoon
The Eye of Zeitoon Talbot Mundy The Project Gutenberg EBook of The Eye of Zeitoon, by Talbot Mundy (#4 in our series by Talbot Mundy) Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: The Eye of Zeitoon Author: Talbot Mundy Release Date: March, 2004 [EBook #5241] [Yes, we are more than one year ahead of schedule] [Most recently updated June 29, 2002] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK, THE EYE OF ZEITOON *** This eBook was transcribed by M.R.J. THE EYE OF ZEITOON By Talbot Mundy Author of Rung Ho, King--of the Khyber Rifles, Hira Singh, The Ivory Trail, etc. CONTENTS Chapter Page I Parthians, Medes and Elamites .............................. 1 II "How did sunshine get into the garden? By whose leave came the wind?" ............................................. -
New Age Fi N De Siècle
CHAPTER THIRTY-NINE NEW AGE FIN DE SIÈCLE Gary Lachman n this essay I’d like to address two points. First, that the fi n de siècle had an Ioptimistic, forward-looking, positive character, generally overshadowed by its more well-known “dark side”. And second, that the roots of much, if not all, of contemporary “alternative” thought and, for the sake of a better word, “New Age” philosophy can be found in this less well-known “positive” fi n de siècle. Establishing the second point will, I believe, do much to help establish the fi rst. That the fi n de siècle is generally characterized by “decadence” needs little arguing. Although the seeds of decline were planted earlier, 1884 can be seen as the offi cial starting date of the “decadent movement”. In that year, J.-K. Huysmans’ “breviary of decadence”, À Rebours, was published (Symons p. 76). Translated as “Against Nature” and “Against the Grain”, neither attempt quite captures the essence of the French, for which “up the asshole” would be a fair equivalent. This was the notorious “yellow-backed book” that sent Oscar Wilde’s Dorian Gray, as well as many others, on their exquisite roads to perdition. If we need more proof that decadence was in the air, eight years later Max Nordau’s bestselling Degeneration (1892) achieved world-fame by arguing that the spirit of the age was rife with exhaustion, hysteria, and enervation, expressed in the work of obvious “degener- ates” like Nietzsche, Ibsen, Wagner, and Baudelaire; that Baudelaire and Nietzsche died of syphilis, and that Ibsen wrote a play, Ghosts, about it, may suggest that Nordau had a point. -
Notions of the Gothic in the Films of Alfred Hitchcock. CLARK, Dawn Karen
Notions of the Gothic in the films of Alfred Hitchcock. CLARK, Dawn Karen. Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/19471/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version CLARK, Dawn Karen. (2004). Notions of the Gothic in the films of Alfred Hitchcock. Masters, Sheffield Hallam University (United Kingdom).. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus Sheffield S1 1WB Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE ProQuest Number: 10694352 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10694352 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Notions of the Gothic in the Films of Alfred Hitchcock Dawn Karen Clark A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Master of Philosophy July 2004 Abstract The films of Alfred Hitchcock were made within the confines of the commercial film industries in Britain and the USA and related to popular cultural traditions such as the thriller and the spy story. -
The BBC Television Audience Research Reports, 1957-1979: Recorded Opinions and Invisible Expectations
The BBC Television Audience Research Reports, 1957-1979: recorded opinions and invisible expectations Article Accepted Version Smart, B. (2014) The BBC Television Audience Research Reports, 1957-1979: recorded opinions and invisible expectations. Historical Journal of Film, Radio and Television, 34 (3). pp. 452-462. ISSN 0143-9685 doi: https://doi.org/10.1080/01439685.2014.937187 Available at http://centaur.reading.ac.uk/71886/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Published version at: http://dx.doi.org/10.1080/01439685.2014.937187 To link to this article DOI: http://dx.doi.org/10.1080/01439685.2014.937187 Publisher: Taylor & Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online THE BBC TELEVISION AUDIENCE RESEARCH REPORTS, 1957-79: RECORDED OPINIONS AND INVISIBLE EXPECTATIONS. Dr Billy Smart Introduction Between the 1950s and the 1980s, the BBC’s internal Audience Research Unit compiled up to 700 Audience Research Reports for television per annum, attempting to cover the complete spectrum of BBC TV programming. This article considers the form, value and possible future application of this material, reflections inspired by my own use of the collection when researching BBC adaptations of theatrical classics in order to examine the use of space in these dramas in the 1970s; the locations that programmes were made in, the fictional settings represented onscreen, and viewers’ spatial understanding of these programmes. -
THE BASILISK and ITS ANTIDOTE: a STUDY of the CHANGING IMAGE of CHOPIN in LITERATURE by ALICE CAROLYN MAY WOOTTON B.A., Universi
THE BASILISK AND ITS ANTIDOTE: A STUDY OF THE CHANGING IMAGE OF CHOPIN IN LITERATURE by ALICE CAROLYN MAY WOOTTON B.A., University of Victoria, I966 A.R.CT. (Toronto), L.R.S.M. (London) A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in Comparative Literature We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1970 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree tha permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of Comparative Literature The University of British Columbia Vancouver 8, Canada Date March 17„ 1970 Supervisor: Professor Joyce Hallamore ABSTRACT One area related to Fryderyk Chopin which has received little attention is his influence upon literature. In order to de• velop two aspects of this theme a key word "basilisk" has been introduced which Robert Schumann as music critic used in explaining the unusual impression that Chopin's music first presented on the printed page. This word, with its overtones both magical and ominous, suggests the symbol for the growing wave of aestheticism with which the cult of Chopin came to be associated. Translated into literature the expression of the Chopin cult found its way into the early writings of Thomas Mann, Hermann Hesse, and John Galsworthy. -
Anthony Mann, Geoffrey Shurlock, and the Cult of Theosophy John Wranovics
UNCOMMON GROUND ANTHONY MANN, GEOFFREY SHURLOCK, AND THE CULT OF THEOSOPHY John Wranovics hroughout his career, Anthony Mann pushed the envelope regarding what could be shown on Caldwell’s God’s Little Acre (1958), stories that for years had been stalled by censors and branded as unfilmable. screen. With unprecedented acts of violence, such as Raymond Burr throwing molten Cherries As he moved from Poverty Row to major studios, Mann routinely battled the Production Code Administration (PCA), the Jubilee in Chili Williams’ face in Raw Deal (1948), George Murphy slashed to pieces by a motor- industry’s self-policing censorship office, headed by Irish-Catholic Joseph I. Breen. From its inception in 1932 until 1954, ized harrow in Border Incident (1949), or Alex Nicol firing a bullet through Jimmy Stewart’s hand in Geoffrey Manwaring Shurlock served as Breen’s right-hand man. Shurlock even ran the PCA during Breen’s brief stint as general The Man from Laramie (1955), Mann constantly tested the limits. He didn’t shy away from contro- manager of RKO from 1941-1942. He formally took the reins when Breen retired in ’54, serving as America’s chief film censor T versial sexual subjects either, filming adaptations of James M. Cain’s Serenade (1956) and Erskine until his own retirement in January 1968, when introduction of the ratings system made the PCA superfluous. 26 NOIR CITY I NUMBER 21 I filmnoirfoundation.org filmnoirfoundation.org I NUMBER 21 I NOIR CITY 27 In 1900, Katherine Tingley founded the International Theosophical Headquarters, aka “Lomaland,” in Point Loma, a seaside community in San Diego, California “The code is a set of self-regulations based on sound morals pool, England. -
Indian Summer of a Forsyte and in Chancery
Indian Summer of a Forsyte and In Chancery John Galsworthy Indian Summer of a Forsyte and In Chancery Table of Contents Indian Summer of a Forsyte and In Chancery.......................................................................................................1 John Galsworthy............................................................................................................................................1 i Indian Summer of a Forsyte and In Chancery John Galsworthy THE FORSYTE SAGA VOLUME II TO ANDRE CHEVRILLON Indian Summer of A Forsyte "And Summer's lease hath all too short a date." −−Shakespeare I In the last day of May in the early 'nineties, about six o'clock of the evening, old Jolyon Forsyte sat under the oak tree below the terrace of his house at Robin Hill. He was waiting for the midges to bite him, before abandoning the glory of the afternoon. His thin brown hand, where blue veins stood out, held the end of a cigar in its tapering, long−nailed fingers−−a pointed polished nail had survived with him from those earlier Victorian days when to touch nothing, even with the tips of the fingers, had been so distinguished. His domed forehead, great white moustache, lean cheeks, and long lean jaw were covered from the westering sunshine by an old brown Panama hat. His legs were crossed; in all his attitude was serenity and a kind of elegance, as of an old man who every morning put eau de Cologne upon his silk handkerchief. At his feet lay a woolly brown−and−white dog trying to be a Pomeranian−−the dog Balthasar between whom and old Jolyon primal aver−sion had changed into attachment with the years. Close to his chair was a swing, and on the swing was seated one of Holly's dolls −−called 'Duffer Alice'−−with her body fallen over her legs and her doleful nose buried in a black petticoat. -
Simply-Hitchcock-1587911892. Print
Simply Hitchcock Simply Hitchcock DAVID STERRITT SIMPLY CHARLY NEW YORK Copyright © 2017 by David Sterritt Cover Illustration by Vladymyr Lukash Cover Design by Scarlett Rugers All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher at the address below. [email protected] ISBN: 978-1-943657-17-9 Brought to you by http://simplycharly.com Dedicated to Mikita, Jeremy and Tanya, Craig and Kim, and Oliver, of course Contents Praise for Simply Hitchcock ix Other Great Lives xiii Series Editor's Foreword xiv Preface xv Acknowledgements xix 1. Hitch 1 2. Silents Are Golden 21 3. Talkies, Theatricality, and the Low Ebb 37 4. The Classic Thriller Sextet 49 5. Hollywood 61 6. The Fabulous 1950s 96 7. From Psycho to Family Plot 123 8. Epilogue 145 End Notes 147 Suggested Reading 164 About the Author 167 A Word from the Publisher 168 Praise for Simply Hitchcock “With his customary style and brilliance, David Sterritt neatly unpacks Hitchcock’s long career with a sympathetic but sharply observant eye. As one of the cinema’s most perceptive critics, Sterritt is uniquely qualified to write this concise and compact volume, which is the best quick overview of Hitchcock’s work to date—written with both the cineaste and the general reader in mind. -
Character and Credibility in the Forsyte Saga
D. J. Dooley CHARACTER AND CREDIBILITY IN THE FORSYTE SAGA DiscussiNG VINCENT SHEEAN's Dorothy and Red in the New York Review of Books several years ago, Steven Marcus wrote that Dorothy Thompson and Sinclair Lewis belonged to "the last generation of Americans who were able to believe that one could give a full and reliable account of oneself in strictly conscious terms." "They did not", he went on, "think of themselves as we have come to do. They did not think of themselves as having unconscious minds, which were overwhelmingly powerfu~ largely uncontrollable, and a central part of themselves." So Lewis was among the last of the external, realistic school of novelists, and the strength of his sociological images lay in their breadth of representativeness, a breadth somehow inseparable from their shallowness. In Marcus's view, we can no longer look at character in this way or accept fiction based on such assumptions concerning people and their relation to their environment. That ought to seem completely platitudinous. Was Lawrence not tell ing his readers many years ago that they must not look in his novels for the old stable ego of character? Was Virginia W oolf not right in "Mr. Bennett and Mrs. Brown", when she said that whatever human personality may be we cannot feel that such writers as Wells, Bennett, and Galsworthy have done anything but bury it under the accumulation of external, realistic details in their novels? Even if Freudianism is now on the wane, has not our approach to personality altered so drastically that the attempts of older novelists to capture it strike us as completely unconvincing? What have Wells, Bennett, or Galsworthy to say to the world of Enderby or Portnoy' s Complaint? Curiously, whether he ought to or not, one particular exponent of the early twentieth-century sociological novel does seem to have a great deal to say to our times.