Plan your visit to Plymouth Arts Cinema Film Diary News March Matinée Early Late March- We’ve made it to our new home at Plymouth College Friday 1 – Burning, 5.40pm Can You Ever Forgive Me, 8.30pm Saturday 2 Burning, 2pm Burning, 5pm Can You Ever Forgive Me, 8pm of Art! We’re so thrilled that so many familiar faces Plymouth Arts Cinema Tuesday 5 Can You Ever Forgive Me, 2.30pm Free Solo,6pm Can You Ever Forgive Me, 8.30pm April visited our new venue in January and February and at Plymouth College of Art Wednesday 6 – Can You Ever Forgive Me, 5.45pm Burning, 8.15pm would like to warmly thank our audience for their Tavistock Place Thursday 7 – Can You Ever Forgive Me, 6pm Free Solo, 8.30pm continued support and for moving with us from our Plymouth Friday 8 – Mary Queen of Scots, 6pm All is True, 8.30pm historical Looe Street venue into a new chapter for Saturday 9 All is True, 2.30pm Mary Queen of Scots, 5.30pm All is True, 8pm 2019 PL4 8AT Tuesday 12 Mary Queen of Scots, 2.30pm Mary Queen of Scots, 6pm All is True, 8.30pm Plymouth Arts Centre. You’ll notice that we’ve now Wednesday 13 All is True, 11am (BIB) All is True, 6pm Mary Queen of Scots, 8.30pm adopted Plymouth Arts Cinema as our trading name. Opening hours: Thursday 14 – Mary Queen of Scots, 6pm All is True, 8.30pm Plymouth Arts Centre will remain the registered Tuesday-Friday: 5-8.30pm Friday 15 – The Raft, 6pm If Beale Street Could Talk, 8.30pm charitable organisation. Saturday 16 RBG, 2.30pm If Beale Street Could Talk, 5.30pm The Raft, 8pm (open from 1pm on Tuesday when a Tuesday 19 – RBG, 6pm If Beale Street Could Talk, 8.30pm matinée screening is scheduled) Wednesday 20 – If Beale Street Could Talk, 6pm The Raft, 8.30pm Seating Plan: From March onwards, we are re-introducing allocated seating, so you can now Saturday: 1-8.30pm Thursday 21 – RBG, 6pm If Beale Street Could Talk, 8.30pm pick your seats when you book your tickets. Sunday and Monday: Closed Friday 22 – Jellyfish, 6pm Old Boys, 8.30pm Saturday 23 Jellyfish, 2.30pm Jellyfish, 5.30pm Old Boys, 8pm Access Information BIB screenings / Events : Box Tuesday 26 Old Boys, 2.30pm Jellyfish,6pm Old Boys, 8.30pm Seats A1 and A2 have been permanently removed Office and Café-Bar open 1 Wednesday 27 – Old Boys, 6pm Jellyfish, 8.30pm to create one space for wheelchair users. To book hour before start time Thursday 28 – Old Boys,5.45pm The Rocky Horror Picture Show, 8pm the wheelchair space (A2) and companion seat Friday 29 – Capernaum, 6pm The Aftermath, 8.30pm (A3) online, first log in to your customer account, Saturday 30 The Aftermath, 2.30pm The Aftermath, 5.30pm Capernaum, 8pm and update your Access Requirements in the Contact us: Other Preferences tab. You will then be able to 01752 206 114 April Matinée Early Late select the wheelchair space and companion seat [email protected] Tuesday 2 Capernaum, 2.30pm Capernaum, 6pm The Aftermath, 8.30pm on the seating plan and proceed to your booking. www.plymouthartscentre.org Wednesday 3 – The Gallery at PCA screening, 6pm The Aftermath, 8.30pm If A2 and A3 are unavailable, seats A11 and A12 Thursday 4 – Capernaum, 6pm The Aftermath, 8.30pm can be removed upon request to create a second Friday 5 – The Kindergarten Teacher, 6pm Hannah, 8.30pm wheelchair space. Please contact the Box Office Saturday 6 Hannah, 2.30pm The Kindergarten Teacher, 5.30pm Hannah, 8pm to book wheelchair space A11 and companion Tuesday 9 Ray and Liz, 2.30pm The Kindergarten Teacher + TALK & WORKSHOP, 6.30pm (RTF) seat A10. Where to find us Wednesday 10 – Hannah, 6pm The Kindergarten Teacher, 8.30pm Thursday 11 – Ray and Liz, 6pm The Kindergarten Teacher, 8.30pm WITH THANKS TO Our cinema is located inside Plymouth College of Art’s main campus at Tavistock Place. Go Friday 12 – Fisherman’s Friends, 5.45pm Everybody Knows, 8.15pm through Plymouth College of Art’s main entrance and turn right, you will face our Box Office Saturday 13 Everybody Knows, 2.30pm Everybody Knows, 5.15pm Fisherman’s Friends, 8pm Our funders, sponsors and partners and Café-Bar. There are then a few steps down to the Box Office and Café-Bar, with disabled Tuesday 16 Fisherman’s Friends, 2.30pm Fisherman’s Friends, 5.45pm Everybody Knows, 8.15pm access via a wheelchair lift. Wednesday 17 – Everybody Knows, 5.45pm Fisherman’s Friends, 8.30pm Thursday 18 – Fisherman’s Friends, 5.45pm Everybody Knows, 8.15pm Friday 19 – The White Crow, 6pm Out of Blue, 8.30pm Bus stops Saturday 20 Out of Blue, 2.30pm Out of Blue, 5.30pm The White Crow, 8pm Our venue is a short walk away from many bus stops in the City Centre, served by numerous Tuesday 23 The White Crow, 2.30pm The White Crow,6pm Out of Blue, 8.30pm bus lines; 1-min walk from the bus stops on Charles Street, 2-min walk from the University Wednesday 24 – Out of Blue, 6pm The White Crow, 8.30pm Our Café-Bar has merged with Thursday 25 – The White Crow,6pm Out of Blue, 8.30pm our Box Office. You can now buy and Library bus stops on North Hill and 3-min walk from the Viaduct and Jury’s Inn bus stops Friday 26 – At Eternity’s Gate, 6pm Happy as Lazzaro, 8.30pm Bringing in Baby on Exeter Street. Saturday 27 Happy as Lazzaro, 2.30pm Happy as Lazzaro, 5.30pm At Eternity’s Gate, 8pm snacks and drinks with your tickets screenings are back! Tuesday 30 At Eternity’s Gate, 2.30pm At Eternity’s Gate,6pm Happy as Lazzaro, 8.30pm in a single transaction. We work Cycle May Matinée Early Late with local suppliers to provide you For parents, grandparents and carers There are cycle racks just outside the main entrance to the College. Wednesday 1 At Eternity’s Gate, 11am (BIB) Happy as Lazzaro, 6pm At Eternity’s Gate, 8.30pm with a range of hot drinks, soft of babies under 12 months to enjoy a Thursday 2 – At Eternity’s Gate, 6pm Happy as Lazzaro, 8.30pm drinks, wine, beers and snacks sociable trip to the cinema. All tickets that you can enjoy before the film £8.50, hot drink included! Where to park Improvement works to the (BIB) - Bringing in Baby; (RTF) - Reclaim The Frame On street pay and display parking is available Charles Cross roundabout in the foyer or take in the cinema. Whilst every effort is taken to ensure the accuracy of the information within this guide, mistakes do happen. PAC reserves the right to make changes to the on Tavistock Place and Regent Street. started in February 2019, involving programme as necessary. Please check our website for the latest updates on our programme. Please support us by buying your All is True some road, lane and bus stop cinema drinks and snacks from Wed 13 March, 11am Right next to Plymouth College of Art, the Regent closures. We encourage you to How to book our bar. To find out how else Street Car Park is a multi-storey car park with 268 factor in possible delays when you Visit our website to book online or contact our Box Office on 01752 206 114 (Tue-Fri: 5-8.30pm, Sat: 1-8.30pm). you can support us by making a At Eternity’s Gate spaces (including 22 disabled bays), open from plan your journey to Plymouth Arts donation, setting up a sponsorship Wed 1 May, 11am 6am to midnight. Opposite our venue, Drake Cinema. Works are expected to have Ticket Prices or becoming a Friend of Plymouth Cinema Tickets Standard £9.00 / Concessions, students, OAPs £7.75 / Matinees £7.00 / Circus shopping centre multi-storey car park is finished by Winter 2019. Check our Plymouth Arts Cinema is a trading Arts Centre, visit our website: www. We are also re-introducing Bringing in Baby £8.50 / 25 & Under £4 (please bring ID) / PCA staff and students £4 (please name of Plymouth Arts Centre, Box Office: 01752 206114 | www.plymouthartscentre.org | Tavistock Place, PL4 8AT open from 6.30am to midnight, with 1,270 parking website for more information or visit plymouthartscentre.org/support- weekday matinées on Tuesday show card) / Friends 75p discount. Online booking fee £1.50. Registered Charity No 800664 [email protected] | /plymartscinema | @PlymArtsCinema spaces including bays for disabled drivers. www.plymouth.gov.uk/charlescross NT Live / RSC Live Tickets: £14 / £12 concessions. Front Cover Image: At Eternity’s Gate us/ afternoons at 2.30pm. Advance booking recommended. We have two wheelchair spaces in the cinema. PROGRAMMER’S PICK DOCUMENTARY DOCUMENTARY PROGRAMMER’S PICK RECLAIM THE FRAME PROGRAMMER’S PICK

Burning (15) Can You Ever Forgive Free Solo (12A) If Beale Street Could RBG (PG) Jellyfish (15) The Aftermath (tbc) The Kindergarten Teacher (12A) Everybody Knows (15) The White Crow (tbc) Out of Blue (tbc) Fri 1 – Wed 6 March Me (15) Tue 5 –Thu 7 March Talk (15) Sat 16 – Thu 21 March Fri 22 – Wed 27 March Fri 29 March – Thu 4 April Fri 5 – Thu 11 April Fri 12 – Thu 18 April Fri 19 – Thu 25 April Fri 19 – Thu 25 April Dir. Lee Chang-Dong, South Korea, 2018, 148 Fri 1 –Thu 7 March Dir. Elizabeth Chai Vasarhelyi/Jimmy Chin, US, Fri 15 – Thu 21 March Dir. Betsy West/Julie Cohen, US, 2018, 97 mins. Dir. James Gardner, UK, 2018, 101 mins. Dir. James Kent, UK, 2018, 108 mins. Cast. Keira Dir. Sara Colangelo, US, 2018, 96mins. Cast. Maggie Gyllenhall, Gael Garcia Bernal, Michael Chernus. Dir. , , 2018, subtitled. Cast. Dir. Ralph Fiennes, UK, 2018, 122 mins. Cast. Dir. Carol Morley, UK, 2018, 110 mins. Cast. mins, subtitled. Cast. Ah-In Yoo, Steven Yeun. 100 mins. With. Tommy Caldwell, Jimmy Chin, With. Ruth Bader Ginsburg, Gloria Steinem, Bill Cast. Liv Hill, Sinead Matthews, Cyril Nri. Knightley, Alexander Skarsgard, Jason Clarke. Penelope Cruz, , Ricardo Darin. Oleg Ivenko, Louis Hofmann. Patricia Clarkson, James Caan, Jacki Weaver. Dir. Marielle Heller, US, 2018, 106 mins. Cast. Dir. Barry Jenkins, US, 2018, 119 mins. Cast. KiKi Caring, patient Staten Island kindergarten teacher Lisa spends her days Melissa McCarthy, Richard E. Grant, Dolly Wells. Alex Honnold. Layne, Stephan James, Regina King. Clinton. A Seoul deliveryman’s routine is Between being bullied at school, Rachael Morgan arrives in the ruins teaching and her evenings attending poetry classes in Manhattan. When Laura travels from to The White Crow is a gripping, Recovering alcoholic Detective pleasantly disrupted when he runs A jaded, out-of-work biographer This is a stunning, intimate and Barry Jenkins (Moonlight) brings At the age of 84, U.S. Supreme put upon by her overbearing boss of Hamburg in the bitter winter she discovers her five-year-old student Jimmy is gifted, she becomes her small home town in Spain for revelatory look at the incredible Mike Hoolihan (Clarkson) is called into childhood acquaintance and (McCarthy) resorts to selling unflinching portrait of free soloist James Baldwin’s 1974 novel to Court Justice Ruth Bader Ginsburg at the local arcade and having to of post-war 1946, to be reunited determined to nurture his talent before his family destroy it. Both a her sister’s wedding, bringing her story of legendary dancer Rudolf out to the scene of a possible they begin a romance. Featuring a forged historical letters on the climber Alex Honnold, as he the screen with heart-breaking, has developed a breath-taking look after her younger brother, with her husband, a British colonel nuanced trip into the psyche of a disillusioned woman and a remarkably two children along. Amid the joyful Nureyev, from his poverty-stricken homicide at an observatory where missing girl (and her missing cat), black market and grapples prepares to achieve his lifelong visually audacious results. This is legal legacy while becoming an sister and manic-depressive charged with rebuilding the tense thriller, the film is a fantastically compelling moral drama. reunion and festivities, the eldest childhood in the Soviet city of Ufa, an expert on black holes has been an arsonist and a possible murder, with the ethical complications dream: climbing the face of the the story of Tish, a newly engaged unexpected pop culture icon. But mother, life isn’t easy for Sarah. But shattered city. Rachael is stunned The screening on Tuesday 9 April is part of Birds’ Eye View’s daughter is abducted. In the tense to his blossoming as a student shot. Adapted from Martin Amis’ Chang-Dong has crafted a slow- that arise in Heller’s funny and world’s most famous rock, the Harlem woman who races against her unique personal journey has when her drama teacher channels to discover that they will be sharing Reclaim The Frame campaign to bring ever greater audiences days that follow, various family dancer in Leningrad, to his nail- Night Train, Morley has created a burning study about male rage, charming true-life biopic about 3,200-foot El Capitan in Yosemite the clock to prove her lover’s been largely unknown. A revelatory her energies into a stand-up a house with its previous owners, a to films by women to offer a wider perspective of the world. The and community tensions surface biting escape from the KGB and moody detective story with heart class conflict, and unrequited love bestselling writer Lee Israel. National Park, without a rope. innocence while carrying their first- documentary exploring Ginsburg’s comedy routine, Sarah discovers German widower and his troubled screening will be followed by a panel discussion and a poetry and deeply hidden secrets are defection to the West at the height and soul, with a compellingly that is alight with mystery. born child to term. exceptional life and career. that she may have a hidden talent. daughter. workshop led by Be Manzini, please see our website for details. revealed. of the Cold War. idiosyncratic female character.

DOCUMENTARY INTO FILM EVENT PROGRAMMER’S PICK LOCAL INTEREST ARTIST MOVING IMAGE

Mary Queen of Scots (15) All Is True (12A) The Raft (12A) Old Boys (12A) The Rocky Horror Capernaum (15) Hannah (tbc) Ray and Liz (tbc) Fisherman’s Friends (12A) At Eternity’s Gate (tbc) Happy as Lazzaro (tbc) Tyneside Projections Fri 8 – Thu 14 March Fri 8 – Thu 14 March Fri 15 – Wed 20 March Fri 22 – Thu 28 March Picture Show (15) Fri 29 March – Thu 4 April Fri 5 – Wed 10 April Tue 9 – Thu 11 April Fri 12 – Thu 18 April Fri 26 April – Thu 2 May Fri 26 April – Thu 2 May commissions 2019 Dir. Josie Rourke, UK, 2018, 124 mins. Cast. Dir. Kenneth Branagh, UK, 2018, 101 mins. Cast. Dir. Marcus Lindeen, Denmark/Sweden, 2018, Dir. Toby Macdonald, UK, 2018, 96 mins. Cast. Thu 28 March, 8pm Dir. Nadine Labaki, Lebanon/US, 121 mins, Dir. Andrea Pallaoro, Italy/France/Belgium, 2017, Dir. Richard Billingham, UK, 2018, 108 mins. Cast. Dir. Chris Foggin, UK, 2018, 112 mins. Cast. Dir. Julian Schnabel, US/UK/France, 2018, 110 Dir. Alice Rohrwacher, Italy, 2018, 125 mins, The annual Projections Saoirse Ronan, Margot Robbie, Jack Lowden. Kenneth Branagh, , Ian McKellen. 97 mins, subtitled. Cast. Daniel Giménez Cacho, Pauline Etienne, Jonah Hauer-King, Alex Lawther. subtitled. Cast. Zain Al Rafeea, Yordanos 95 mins. Cast. Charlotte Rampling, André Wilms. Richard Ashton, Michelle Bonnard, James Eeles. Daniel Mays, James Purefoy, Tuppence mins. Cast. Willem Defoe, , subtitled. Cast. Adriano Tardiolo, Sergi Lopez, Dir. Jim Sharman, UK, 1975, 95 mins. Cast. Tim commissions from Tyneside Maria Björnstam, Mary Gidley. Curry, Richard O’Brien, . Shiferaw, Boluwatife Treasure Bankole. Middleton, Dave Johns. Oscar Isaac, Emmanuelle Seigner. Alba Rohrwacher. Queen of France at 16 and A film about the little-known Taking inspiration from the story of Charlotte Rampling won Best Renowned photographer and Cinema ask artists to make widowed at 18, Mary returns to period in the final years of William In 1973, five men and six women Cyrano de Bergerac, but unfolding Join PAC and Into Film for a very Filming on location in Beirut, Actress at the Venice Film Festival artist Richard Billingham makes his Based on the true story of the Port Painter and director Julian Following on the cinematic short films specifically for the her native Scotland to reclaim her Shakespeare’s life. By 1613, from different nationalities, races, against the British backdrop of special screening brought to acclaimed Lebanese filmmaker for this intimate portrait of a feature-film debut with this family Isaac sea shanty group, this is a Schnabel (The Diving Bell footsteps of Fellini, this is a context of the cinema. The four rightful throne. But Scotland and Shakespeare is acknowledged religions and social backgrounds an all-boys boarding school, this you by the students of Plymouth Labaki delivers an astonishing and woman drifting between reality portrait, inspired in part by his own lovely, heart-warming South West and the Butterfly) has created luminous magic-realist fable films commissionned for 2019 England fall under the rule of the as the greatest writer of his age sailed across the Atlantic on a feature debut is a gently eccentric College of Art. Dust down your heart-wrenching depiction of life in and denial when she is left alone memories and shot on stunning tale. A fast-living, cynical London this unorthodox but reverent which deservedly won the Best will be shown unannounced – a compelling Elizabeth I. Female but faced with the aftermath of raft. Over 40 years later, director charmer of a film. At its heart is a corsets and grab your feather the shadows. Zain is a young boy to grapple with the consequences 16mm. Defying chronology, the music executive heads to a remote account of Vincent van Gogh’s Screenplay award at Cannes surprise encounter! – before regents in a masculine world, the his renowned Globe Theatre Marcus Lindeen has re-created precariously balanced love triangle boas for the cult film that is sure from an impoverished family. Along of her husband’s imprisonment. film is something of a memory- Cornish village on a stag weekend troubled last days. Devoted to 2018. Lazzaro is a beautiful selected films in our March-April two young Queens behold each burning to the ground, he returns the raft in a studio and invited the between the daughter of the new to give you both chills and thrills. the way, he forges an unlikely She has stood by him, believing induced tone poem that feels a where he is pranked by his boss the act of creation itself, this is a peasant whose sweet nature programme. Information about other in fear and fascination and to Stratford, where he must face seven survivors of the expedition French master, the sports star Discounts available to students bond with a toddler, the child of an his innocence but she stumbles million miles from the kitchen sink into trying to sign a group of shanty kaleidoscopic and immersive film makes people mistake him for each film will be made available must decide how to play the game a troubled past and a neglected to reflect on this fascinating and handsome thicko, and the and young people. Ethiopian maid working illegally in on information which changes drama. singing fishermen. about being alive and reaching, simple-minded. His local village is to audiences after the screening. of marriage versus independence. family. experiment. unpopular scholarship boy. Lebanon. everything. through art, for the eternal. ruled over by the cruel Marchesa.