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ASIAN CONTEMPORARY ART WEEK

2011 M A R C H 2 1 – 3 1

PARTICIPANTS Aperture Gallery • Asia Art Archive • Asian Cultural Council • Asia Society and Museum* • Bose Pacia* China Institute* • Chambers Fine Art • Ethan Cohen Fine Arts* • Gallery Korea/Korean Cultural Service Indo-American Arts Council • Jack Shainman Gallery* • Japan Society* • Leila Taghinia-Milani Heller Gallery* Location One • Meulensteen • Museum of Chinese in America (MOCA) • Museum of Modern Art* Priska C. Juschka Fine Art • Queens Museum of Art • Rubin Museum of Art • sepia EYE* • Sotheby’s Solomon R. Guggenheim Museum* • Sundaram Tagore Gallery • Taipei Cultural Center • Tally Beck Contemporary • Tyler Rollins Fine Art* • Zürcher Studio

*Members of Asian Contemporary Art Consortium n B M 7 T M 1 w p p t m A w T C F T h e i r 1 a r e s u r w w t h e o e o l o o u p i r r : r a $ e w w m r j f W a o s e d e m p o a 2 n 8 . . t k f c e e m m e r t o 1 o T , o l R i M A m : A O A A c L A D L c E l p a t n y h s v e r f M r 2 i s r a o o , o n n o e e t g t u o e D v t C C C r s a E - i n O s M m m i r D - 7 r o t s r a e c 5 e h o r m n i b C i d h A A A o u e M a s a r 0 o t e o o a a f 3 c n z s t a t k a e r E e e e W W W u c h f p l 8 i n M M m . . e e s a r s C n t r o i o t n o o n P n d a s t a n p n , g - e s n N e A i b r r g 2 9 i o n o T g t u d s r i C o t r d A t g g i d g b e 2 p s S o t u o I 4 r d r u n d a c i r / m m n O a t o h d a o d t t f e s r b a e 0 0 a e o a l v o r h f t r n o o i e ; N m n e e e r m r o r n h i i n 0 e e t o 1 y u s s . D t t w f t $ d m n e i d S a t s i s E r a a i l m i n e 1 t s I a e t a t t o 1 t e i w s n , : u D h p a / d b n t r l l t s t o 0 p m o d s f u n c y p s h p i c e A r a p M i E h o t l f t c s a a h l r A y f o a o e o r f e n e n a r p r i s t A a a X M b o i y n c l e d e r r s n f r , n g ; o r n r a o H n M r M r a E t e i d / s i a p $ n d t s a A n i n i g a r t I p d Y t i v n C r # c n c e a f u 5 s B m a d h i v o d u s o y i e o i f u d r e g a e a f n t t l u I r e i r i t i e a i n f c e T s c b l m a s i e s d y G r o y A t l + q m c a o t I t s i s d t s a . r o s n l f i h O i u n o a r n n e i g i p t r . A t i S s n g a t c e u i i t M T o e d g t N a D a n c o i r c e r C u t s n c h o t r t l g W k t P s t s n P v t p e i i d w i i r n t o e o V n r i a o e t a e h ’ a h e e s o l ( o W . r . t e n n i e n l b I e t h t e r i n r o t a r t A O o s n E u s f , e h a t t . t i h n e o g s c p g O i W e t r e t g g a k o t e o 1 r s s r i h g t e e r r 2 t n m n n o u M A m f h f o v 9 r a t I e a t e i k n ( t N g v r s m d c e e 7 e A n a h i m A a a p s 1 i e t e G s i f 8 n r s a r t e d z h t g a r r s C s o o i e r c ) e R S s i m n h e t , t s a a e p n a i e A d r – m i e h , e a n t p c s s o a b y s t m o d e W x n e A l h b e l t e s S e f r a a g t o w A s r C y T r y h , , a r i a c m r ) g t G C s c e , e e . s c e i . B e y t ; r w s h t c o i A R i h i , s c o n p n t h a $ a o I o , u s E i a a r t n e u s v H r l n t 6 i h n u t b l e f n a E s n r n c h r a s e f o s n a d n N a a f i C h e t t o b C o t r r e r d r h a a e I t n i a u r e f o g r o N o o e o o r n a s c c c d a o n n s i L r G r r o n t o n d h p c m r t , i o a s u n f s d u o 2 m S n t i u h s n G v , s t o e l i d n t , o b g i e e z i d a m h h g e o r s m o a l e a , u o a o i A a t n u e h c c f n f v t n n i t t n i t p o n h u h i R 1 d n t y s s e s , d a i o r w i e o r ; m o i o t T g A n n f c d i n o a c I r r e e n d a a s l i S f o a u a s y e s e n n s M e e p ( T m A p . m o r r t c f t g d A t k S w y o s u r m c f h e T o i , o C r i , v o r f d n h a b e e a A m m o T a r r t A t c t A s r A e k u u y t h t A e a r i e C , r c p u g v r t s s r e L i t a , b y a h o t ) l l , o i K c , n t e i a n , u a D t c r i S i , d t p e . n h I i h s e i l s d l a A d e , t a e a e l N l i i g m h T 7 $ M f M J 6 A W V P M i o g t n d r o s p o e 1 w T S n 6 S T i l t S R D o 3 e a t r 2 1 i n a : h g h e o e g r t o d i l s e t e . 3 3 p o n e w a n : p 0 n l 5 i l l o n u p t g n W p n l s I W i : t i e s a 3 i $ i 0 F 1 o s r s w d 2 e n s c e a i h t r e u t e a l f m r c s t P 2 : 4 . e i 1 U s h e i 1 d m d o . e f e n / r a t s o o e a s s h a A 1 a p p F s 5 i i 2 i i r h H d b , / : r a s B o Y a a e e s r a d f r n 2 f L l m S e i - y t p E A e o t C k y c o e S i i t u w r . s s D f i r 5 v i s K i v - v ’ e h d k o c m u c r s r s e 6 h s R u r 1 e C : o s e 2 a E e t b A , k i e n l i e k T r t i s t i i a i o A 0 7 l p a a a o b a u v d h D m n s e H n a b i s l c r A m n d y R A D C l v 6 e u - I n i - . o n i t s a c y l o A t 0 S h o R i r e n o v a i n s s ’ A e n i i G b e f - a t s s t s t S l s e a u u c e g a 7 o S c n s . o n e e s e i O t W o u l H u . t s a l s p i a . a r s c u r h - s 0 c ’ I s d o s 1 c e a U m t m s A u s a t m n i i a ’ t o d i i ( N n ’ e e N s ; 0 s a e s g v i a e e d i s a s y k n b n G m n a a e G e w e a t d i ( e p 0 D u c d t u 1 a e b h s e i o w s t d m 2 d y m i R H v d t o o l i i e i a a i e m t A a o e r n w n o 7 g f a M 7 n i i l a n t w i m S o n b o l d a t i a t c P r 4 n o r n d E u 0 n w n c s o e h v i e N e e s l i e s u t T o s e a 2 o t d o e A a e M t h t e r i e a r , i e n d m ( h t f d n s g t t ) n s d w m o A o y k n a u U e l y w s e h a l e u k a i c i S j n o . b t o r r i S p d e i c r r n s e a o e s 7 e a s t t o A M e n Y e Y a A p o t u o n c a d i s r h 1 l x R t r S o t s s r g f b l e d o n r t n S l e r r a o o e s h s o r t h P v t i o t n s t j e i u o k f ; D i s o t m a l u c o i n m v e i o o n o E u a , a s . t f b C t I $ i o n a t t n b s n d r o t + t h d 1 R h h t r o r e i c 1 i n d t s j M d h e j S o n e o t t t e 9 e S o r e a t d i r d 2 h t i s e i s B i v A p o e u 5 a a o f o g V o i u E e c S i b o n A o 7 u ’ w f a P 1 8 n i t t d n i o o s N o h r y o o n m t e 2 o d : 9 , n e r s u r e c h c w s o u m l Y e n n k T 5 V 2 y l i g t o a o s b i f d o a b a e i h s d v w 1 e a 0 o t a W a n r e r , L F m e h e s A n l e n r 2 s E ’ n s l t s w n S a a s f s a o t i , d t t o p - Y i h o E t t . n o t 8 u o i e r g h 2 a e i r l o o r a a e N z c b n d m r F i r e r e 9 M n e m a d a d l r o R 5 s r a n y n s d e a d 4 c t w a h w k ) n a l r t p N e - t d h d a r l p A i h T - m t e r i o s r o 1 e n y s e w e e o r e n e s e C r ) o m , r 0 c a p f r d n w + c d i i a C c k n w h a a i t n i r 3 n o m t i e r e o e s t a o s n s v o w r s Y f t . 8 w t R y d a e c i t s m A l m a o t e r r e o i s . l C n e u r f t i v y e r f H w a c o p r m h o e a e a k r d a u c o e n r c f a e a d l e r e l a i a t n A c o t l r n l a c a t R K i a w n u p y s i o r s i f a a d e a t t H n t u e v r t t t u i t . h r h c s a i s n a n n e i i O n x i o t n o o n l n m d , o i c w s h s s t J S C e n n e C n w 2 v i r h r . i i t S i n i n o y t s u t s o a t o d i b h e e H h o c t c o c - u s I u l f o m M i e d i n o e i r u f o t e o n t H e a I g n a d i t D i g . e p w T t c p n r o h u o u y o h H r o i F ; 2 a p a a l n r r n m . u l t a , A r M E s r i e g s t a n k H f t N p s h s i t e e u a o r a K s o g c n i e u e y c d a s w s d H i d f r p s o w e p A e , e 2 a a a a a O i r a A e u C w x w i n r n e r i r i t Y n J t m n t n d a A o n e s s i o i e l g t n e W e p i B m i u r h i s a d A s g a k n t d D r O d a . n i n h a . 3 e n s n i 2 g i i O d w t g r n r c n d e m g i h e 0 s t t K a e a h e i c i 1 t i c s , f t - h , t o t 1 i e o i o o t l i a e e e , r e o s r w f l a n t d a n h a o c , r , i n o h g t d f h -

All ACAW Events Are Free Unless It Is Indicated Otherwise. PROGRAMS / EVENTS For Full/Detailed Image Captions, Please Visit: www.acaw.net and See ACAW 2011 Program. Opposite page, clockwise from upper leOft: Mariam Ghani, A GBrief History of Collapses, video, commissioned by the Sharjah Biennial X, 2011; S This page, clockwise from upper left: Xie Xiaoze, June–August 2008 G.Z.R.B., 2010, oil on canvas, 80 x 93 inches; AlmSagul Menlibayeva, Transoxiana Dream, 2011, film; Pat, Untitled (Bentley’s Hotel), 1998, gelatin silver print, 16 x 20 in, edition of 7; Rashid Rana, Aar Paar, 2000–2004, collaborative project by Shilpa Gupta and Huma Mulji in Karachi; M. F. Husain, Between the Spider and the Lamp, 1956, /Agus Suwage, The Name of the Rose, 2010, oil, acrylic, gold leaf on zinc, 70 x 92 cm; Hiroshi Senju, Waterfall, 2009, natural pigments on Japanese mulberry paper, 90.9 x 116.7 cm; Chen Wei, A lighthouse was winking in the far distance, 2010, oil and acrylic on masonite board, 243 x 122 cm, courtesy of the artist and Pundole Art Gallery. photograph, 500 x 600 mm; Vibha Galhotra, Veil, 2008, nickel-coated ghungroos and fabric, 7 x 4 1/2 feet; Jungjin Lee, Wind 07-106, 2007, photo emulsion on handmade mulberry paper, 30 x 56.5 in. I w T i t w T 5 v l r g t a C 6 M s o w a a I V 5 J I 6 C T L d w T 5 A P h M w T 5 e H t C t b n i n n i o e h a N e e e h i m f e 1 1 x o l f r n i a a e l a r u 2 o u a i o w w w – – – e e s e u f g e t l t l l h t h e b n 1 n p 3 u t s c a l : : : y r m t i a l r w i 2 t s a w w w e 8 8 8 e s e o r e c l s A a h i k e o & u h e , e l i o - U b a n 2 2 2 t a e l H l i t c c t x h n . . . p W d t o s W a y l r n r b W l u h n k L j c m t a r d i g 1 1 1 e . u h t e t p p p a i a a C P l t a G u h r b A S m g m s c v . s i h e l e e e o e i d 2 2 2 a m i b n e t y l c m m m n e t n s e e Y b f a o E : r a G . i r a s & s m s f i e e m s e s r g r - - - o S k u t a g u y o r i l , r b . 6 4 6 i l a t o m R E t a R b U t t t a s : : : s a t n t h s i n i x n l b n H n i a 1 a d o y r m a L n t P o 3 I 4 ( e n h h 2 i n 2 h o t i F o H 1 l ’ a e n i b E O O d o a o L n e o 4 u t c u s i i l C g o m h n h c 3 o 5 d a n 2 J 0 m s s t i l E o d 9 i e n c s x l a d g k s c r i s s p p r - o a n y s h t w o t - i r - c 1 d n e t d i h a . r t C 1 R e , s h n t 6 I l y o w l o e t t m m h o i R e e s h y a n i A l 1 s t s ( d s e E e e i ’ n 7 o i e m a e i L n b r 9 n f T v o s o V f n f r o b I s n n e n d 6 n s y e r p e a i f a S n u 0 n i S e e a s e 9 t n D S r n n f r , g i d a b e l i i i i g 9 n l s a F W s m n W d r 1 i o a A , i t l m n n t a t i L e 9 i t o h e e n e l C r Y e S r l W . i s r s w t m s i w r S n n C s a Y r r e E c o g g a e a i a a s n s u l a . l e e e h s t O e g a h e ) c f h n o t e A a e l e e a r n n t S ’ s n e o s e i m r o d a e i i e s o n i o s t t R R n o i R t n m n r g W t m l n t g - t g t i . l r - r a i s e f - n , b r f m s a g e r c f b i n s e t V e e l . , f n k L r u X n o D , e n e c a o a a o c n p o s e w l t E c c i e Q D P i n s p A g e p v c u r h d r e a s n n m e k o a , A G p e e w i d e r g d a e r i o l e e … t e l l g w d o , u C i t b f t r e e p p l h b s n i l u d o i A r i , e n f U i a r h s i t y . A s t t t e o T X r r n - s t C t t i t i i i n - m r h s n o i h i n o o l s X e g n a h i e s l g : k e e v n n e c g o i e o e s e s s Y a C o r D , n f k r r e e + r r o h a a c i s s r d i n i Z a e n u y i z c n n , a t e d C h w n u e r y d d r T d A a o . t u l i i o i p W a n t r u a n X M s r e o f t t n g a , n t e i e u v r s s a e w L t e i r C X p o i , o t e i n n n s i e e f a C , r t M e p s t n h i e s t o h t v v a a h t i e d a . i e l e n e p l d e e l A X r n g r l D e a i e W a , i , ) H b g a r n o e t , N s a e i a o a d , p R o H n e f z m l R t a a o n a k o w e d e u r n r , n m - n t e t h X d Z X , m X Y e h e i h i o i i s T C e r n a a r i e r o g r e h n o t o o k n y i u e e s s u y , a z t t n u e p g a Y t t t o H h a o h i l h i t f X l l n i n h s u e a s i s e , e n - i . - 2 4 A t i p p S F i P ( p i T J 6 s 5 K S v i f T A 6 P A B t A 6 S m w T “ e a w T 5 s a a t 5 w T m n n n e o i h A “ e e e h h u a o e c l o n s u h a a n o a o 4 4 4 o w w w a – l – – e l l t s s m u g e u l l l r u r e r s i m u o a a n e n d b o i v r 7 7 7 : : : z h b q a p t o n w w w n g v r 8 8 8 l n o t e i a p i n l t a r g b a t a l g a g 2 2 2 n e e u e l o i u T u u t s i n - a o i . . . a s x n k r Y W W W k r e d c l e q e l e p A n p s a t n 1 1 1 x j i g r e g l e h i e p p p r e A a t g a n u g d h d a s a k i r r s u h e u h r a p r a u i T h e e e 2 2 2 d U s s g i n r t r i l s m m m d m . a c s Q i t u t b t a n d y i n e c i i a y p e s e t n s s s i a l i i a i u b - - - u o z c a t n o i o o i t 2 6 5 y r a s a G l d p k r t t t ” b a g s l L : : : t K a r a s d i n e h p p l a E g i e l n n t n t i t 4 r 7 a d a p 0 a n h h v o n a e M e 2 2 2 o n u o r n a i a a a e g O O R a a e r c l , C o a l e j r r 7 r 4 t e i t 5 k r . m Y r t 7 7 n d o r u o e 5 e l a t l x , o s p o i i i a ” , e i n t l G l e p p m u n i , r e e s - - p - s t y a f w ) s n t t t h d s i m p n t : . c e N 4 m 4 E e 5 w c . t f c e y t r h h a e e h t K J n o c r t u t e o e W e e d a t s d r e e e n o l s e 5 3 e h u o 5 W a e i d h . o h a h t n n n r i J o l r s a r r r r r s i S S n x m S a s n a m 2 n t 2 r i i w a p 5 e g o t k e e l T a T k a f u f s i i n u a n h , r t b y i o t o T o i t t g g n n , t r t h e x t s 0 u 0 a o a s 5 , t r o i o r r n . p p d i r o i M n w t A h r o t a r e j i J b a e e e T s s e g g o e r T i n f D i L h f o m l o n t d o a i n i i r r r t e y e h e e i i f e n p s e n s e n b S t c e a l t a H G h a f n g t f o j r R R e l s x h e t t a a e t i e : e n e r i g e i L . n l e e , k h , n o t o n i t e h c r p i v d n e e o c x r f l e a h p t s + a s i , S s i a f 4 f , i o b s g 2 o o t h s h a t c r s b l s e c c r o e h a u k p a . e e A a r e a s t r m s t t N m e i p n t u e w l h : a . e e c o L a n g u h h r . e b n s h n a e e m l l b r d a a e c e a y i l h A i p p n n o s e e p b c t f e o i a e d d v r o e g r f t a s h i l b , o c r i n u t t e y o r f r l m l h S n e u i a v e a m l o , c r G i i g l i e c y a e r a t s o F o f n o o o o a a a c e l m t e o h o a s e y c h t n c P a o p h e a u t o t a n ’ n n n w c i a t r m s c n i c h A a d i r w f o l e s s l v r e r n j o c s e l i e e o ’ s u e S t l h e , a q f l l p s A r t l c i s e a h p n B , y r w e l s l m l f i u t l h l a C k p a o a o m f n i o e t d o o e e e t a A v i o o e t a n t n s u A a t k e d r x c c m a r a e i l e e n r u s p n i r e n A i d t p t W m d i a e k u i n r i a h u d a i t r e n d i o l s g y s m e l , t J d c - g e s . w r r l m e b a l c v c m s o r r a R a K e h a c s i e e i r t e d a t y b s n w n d l a l g r e e e u t o n - a c d , s p e e e y c g n e p e d v - l r d e d b t t s p a a e r e r e e e l o d h h i a p e e i l i b t h n a o r d , e o e - t n l , d n w n y - e e n 1 0 t h w h d w T 5 U c t T 6 T a s s T 6 T 5 t 1 b h A p P w T f e u h e e h i i o i n e h 5 u i h g 2 2 A s i w w – - h m n y a s a e r e l l t e 8 n d u c i o : : e 0 e 6 9 h c T n w n w 8 t n l h u o t w e s u t s w e 2 2 i e f : d n e g a . . o a n p : l m d i W W . E r o t t 1 1 t 3 m o r m i S s g i m U r h 1 r a m a s s 1 S n r n 2 2 I f r u e e w r 0 u k o n 9 t n e l i p l n s 1 g a b u d s n s s s d - - w : a m R i d l e h 6 2 9 o U p t w s a t i e t t f e . p a g h h a a - i o O o r 2 8 4 e . I h s s u a a p a a 2 2 o a u m S s n g u w s 9 . 5 e m n s p e n r o A g t 6 0 r i e . d s u r t l t e n r y e - - T e r : v n e J E a . y t t ’ l 9 8 l c m e t h c r y s w e u h h P a h n d r i , b a O i 1 7 o i x o r w e a n n s n a n s e a a i f h r i e 0 n S S U 0 m s b p t i n u i i t d t t s s d t i r a i n t a o t . e 0 1 s t t o b u e e s n g h e i r r e d r . B n r a b s g n e e t i s r c i t n m n h i t r e n O e i e a e R a o e e n i e F e s s u a i h o e i , s p n l e v t t n l m o t s e g a o m l n i n , , i a ’ e n e o n g s g p l s o c f i n G o N 4 1 r r u r h r e b l n o h o f e a y a t f d p 0 R d t l s e t e e v e h o n e f y r p p h a r h e , e w t e e r g a e e y x t M t i h a e t r i o r x s h e h n t l f o U c d i s A v i p u h l g Y , o g l u r i n e f o p f g e o i i b n o r e i h i l o r e a m n m t b h a o o r a n e p i a i r i o e n w s n t I n i n k r o i r d s a t p b t i e s t y s t t x d o g i t t r i l o y e h n t s a o o o C s p i n s o f g t a r n i c i s f n n i e c n - o h l r o t r p r b a t i a i s h w y a a a a f n i c f e p t n l o i i p t l l e t a i a s I n m r d i r i d d t n h c o c l o l E n r h i e e e w o d h y f o n a c s n e e p n . c d u n o o s a o c c s d a o t n t U i u n r h l n i q k d s t d p l e t . y u p i S e e t s r e - i o x s . i o , a t s , - . n , n FRIDAY MARCH 25 Solomon R. Guggenheim Museum 6:30 pm: Dialogue with Curators + Reception in Rotunda

International Biennials In honor of ACAW 2011, three renowned curators will discuss artists and curatorial processes in recent international biennials. With David Elliott, Independent Curator and Artistic Director of Sydney Biennale 2010; Massimiliano Gioni, New Museum of Contemporary Art, Curator of Gwanju Biennial 2010; and Suzanne Cotter, Curator of Guggenheim Abu Dhabi Project, Co- curator of Sharjah Biennial 2011. Moderated by Joe Martin Hill, Researcher and PhD Candidate, Institute of Fine Arts (NYU).

$10; $7 for Guggenheim members; free for students

1071 Fifth Avenue (at 89th Street) Tel: 212-423-3587 www.guggenheim.org/publicprograms ; n ATURDAY ARCH i S M 26 1 1 t f . 5

Bose Pacia Gallery 0 x , 1 ; 8 n 0 n i i 0 2 0 1 , 11 am–6 pm: Exhibition Viewing 5 2 . 1 d 6 , e t l f s 5 t i e t i x 5 r n , e 0 U a s i 3 , l d e , r a e Conundrum c I e w i m f p r j o a d e p e e

An exhibition featuring works in various media by K x y u i i r g r n m i o e l s , b o a some of the most active contemporary Indian artists l 9 n h u 0 o u 0 m S M 2 e today: Aditya Pande, Anita Dube, Arunkumar H.G., ; , r e d 7 e h a t 2 p f m l a i o

Raqs Media Collective, Mithu Sen, & Suhasini Kejriwal. d r p n p n e a A o d h , n a o

Common in all works included is an aesthetic paradigm e n m a h o i t d J r n n a n o a i that explores various modifications and derivations of Tally Beck Contemporary P e h s l h e n u C c I o ; m organic forms and constructs. , 6–8 pm: Opening Reception n k e 1 - o n i i o t 3 t , a 5 o 3 d 1 h 0 n t p u 0 c , o 2 e 7 j F , 163 Plymouth Street, Dumbo, Brooklyn 0

Some Day: Chen Jiao o t r 9 0 r P 0 2 A 0 , R h I . Tel: 212-989-7074 Some Day is a compendium of vignettes that are emblematic 5 a A o j 5 - - r N N a 4 h e O www.bosepacia.com of the mundane scenery and architecture in Chen Jiao’s native 0 S p , d a , l m n c i i

Ethan Cohen Fine Arts a s i K W d southwestern China. What appears to be draftsman-like precision n a , n n t e a t e i e L 6-8 pm: Reception A B L ;

in Chen’s forms, such as the crisp lines and peripheral pencil n o a n o i i j e r t g d o a i f n z v

calculations, in reality are only skewed perspective. Chen deliber- i u t l i J o D v l ; i H P n

Qin Feng C i , ately misleads the viewer with artificial scientific ornamentation , k 8 0 4 r . 0 1 o 3 l 0

In honor of ACAW, Ethan Cohen Fine Arts presents a special w 1 a 2 in order to convey a sense of the monumental in his works. i s x , i n h h n t 8 . e painting installation by Qin Feng, on view for one week only, r i h t 3 a i B E 1 w h x o a g T

March 17–26, 2011. Qin Feng is widely recognized as a leading j 3 r n .

42 Rivington Street (between Forsyth and Eldridge Streets) n e a 8 F h w 2 o S n

contemporary Chinese painter. He currently has an installation , i D a :

Tel: 212-677-5160 Q i t e c ; h a m g m c

featured in the exhibition Fresh Ink at the Museum of i i a r a K www.tallybeckcontemporary.com C r , . s e 0 A d p Fine Arts, Boston. 1 f o p – o G u 9 y 0 e s m h 0 e o t T 2 r r f , u n n e o e a c h

14 Jay Street (between Hudson and Greenwich Streets) s i , m W t w o n , k i r a c Tel: 212-625-1250 W p n o , l h g c

Zürcher Studio c s i n i i , r n p e e www.ecfa.com K e g g s K o 6–8 pm: Opening Reception a a p v g m i n o s n r i i a r h h T W S c Wang Keping Rubin Museum of Art Zürcher Studio is pleased to present 11 am–6 pm: Installation + Performance a solo show of the influential Chinese sculptor Wang Keping. Atta Kim: Monologue of Ice Keping was born in 1949 in the New York-based Korean artist Atta Kim’s dramatic province of Hebei, near Beijing. He is performance installation—a 5-1/2-feet-tall ice sculpture one of the founders of the historical of a seated Buddha—will slowly melt in the Museum’s avant-garde group called The Stars Spiral Lobby for two days, as part of the exhibition (Xing Xing), formed in 1979. He Grain of Emptiness: Buddhism Inspired Contemporary moved to Paris in 1984; since then Art. Viewers may take away some of the melting water, sepia EYE at Aperture Gallery he has exhibited his works with with the injunction that they use it to tend a new 2-4 pm: Dialogue with Artist Zürcher Gallery, Paris, and now seedling in the spring season. The piece offers a rare Zürcher Studio, New York. opportunity to see the live processes often represented Jungjin Lee in Kim’s photography works. Artist Jungjin Lee in discussion with acclaimed photography 33 Bleecker Street critic and historian, Vicki Goldberg. In conjunction with (between Lafayette and Bowery) Admission to the museum’s Spiral Lobby is free of charge. the artist’s exhibition and publication, entitled, Wind. Tel: 212-777-0790 www.galeriezurcher.com 150 West 17th Street 547 West 27th Street, 4th floor (between Sixth and Seventh Avenues) (between Tenth and Eleventh Avenues) Tel: 212-620-5000 Tel: 212-505-5555 www.rmanyc.org www.aperture.org www.sepiaeye.com

SUNDAY MARCH 27 Indo-American Arts Council 2–5 pm: Opening Reception

Erasing Borders: Contemporary Indian Art of the Diaspora The eighth annual group exhibition organized by Indo-American Arts Council opens at the Queens Museum of Art to explore the contributions of 25 artists whose origins can be traced to the Indian subcontinent. Works in various mediums investigate themes of cultural dislocation, memory, exile, and spiritual inheritance.

Queens Museum of Art NYC Building, Flushing Meadows Corona Park Tel: 212-592-9700 www.iaac.us MONDAY MARCH 28 Asia Society and Museum 6:30 pm: Dialogue with Artists

Ushio Shinohara and Tomokazu Matsuyama: Neo-Dada Mix / Remix Come hear a lively discussion about Japanese culture and history between New York-based artists Ushio Shinohara (b. 1932) and Tomokazu Matsuyama (b. 1976). Shinohara made his iconic status as a Neo-Dada artist in Japan in the late 1950s and moved to New York in 1969. Following in Shinohara’s footsteps, Matsuyama, who has lived in New York since 2001, breaks-up, remixes, and reshapes images of Japanese art. Moderated by Asia Society Associate Curator Miwako Tezuka.

Free admission. Limited seating. Tickets available on a first come first serve basis.

725 Park Avenue Tel: 212-288-6400 www.asiasociety.org

TUESDAY MARCH 29 Leila Taghinia-Milani Heller Gallery 6–8 pm: Closing Reception + Curatorial Talk

Shirin Fakhim: The Tell-Tale Tart Tehran-based artist Shirin Fakhim’s first solo exhibition in New York showcases ten China Institute new works from the artist’s Tehran 5:30–8:30 pm: Prostitutes series. Using found objects, Dialogue with Artist Fakhim creates intriguing life-size sculp- tures. They are playful, humorous, and Art Salon with Xie Xiaoze, interviewed by Robert Hobbs absurd while they are discomforting and Xie Xiaoze combines his interest in Chinese history and current events with formal eye-opening about realities little known to concerns by using materials from archives and library stacks as the subject of his the West. Accompanied by a curatorial talk. paintings. His Chinese Library Series is not time-specific in its references while his newspaper paintings refer to specific current events, from September 11 to the Beijing 39 East 78th Street, 3rd floor ; e z i s , Olympics. Xie teaches art at Stanford University, and Robert Hobbs, PhD, is the Rhoda (at Madison Avenue) e m l f i i l f ,

y Thalhimer Endowed Chair at Virginia Commonwealth University. Co-hosted by a

c Tel: 212-249-7695 i n d e e r

a Chambers Fine Art and Stanford University’s Department of Art & Art History. m www.ltmhgallery.com p d s e n x a i r t m , n o 8 $10 for China Institute members; $15 for non-members t 0 n 0 i r 2 p , , s To register, call 212-744-8181, ext. 111 e 2 t 0 u t 0 i t 2 s

, Solomon R. Guggenheim Museum o s r l r P i 125 East 65th Street (between Park and Lexington Avenues) G n

l 6:30 pm: Dialogue with Artist a r o h o e

h www.chinainstitute.org T c , . S s i m i r e i h h k k

c Liu Xiaodong in conversation with Alexandra Munroe a a r n i F a H 0 n i 1 , r Gallery Korea / Korean Cultural Service A screening of the new Liu Xiaodong documentary film by famed Taiwanese i 1 a h d x i S A ; 4 6–8 pm: Opening Reception director Hou Hsiao-Hsien followed by a conversation with the artist, and Alexandra n 6 i o t , o 7 s k 2 a a

v Munroe, Samsung Senior Curator of Asian Art at the Guggenheim Museum. x n M a 5 ; . c h 2 Co-sponsored by Mary Boone Gallery. p Micro-cosm n 3 a o r x l g i 5 o o . t Gallery Korea presents the first show , o 3 7 h 3 0 p , 0 s , from the Call For Artists 2011, featuring two $10; $7 for Guggenheim members; free for students t 2 t 8 , u 0 y b 0 c 2 a e emerging Korean artists, Yun-woo Choi and t g , t e 8 e L r 0 a ,

0 Ankabuta. This two-person show is based 1071 Fifth Avenue (at 89th Street) g e i 2 z c o n a d i a e

X on the idea of comparison, with totally dif- Tel: 212-423-3587 t w i a e a i o T X c - , ; ferent scales but similar philosophy and www.guggenheim.org/publicprograms y c e i t t r n s u u t a l o p

l aspiration of artworks. p C u c d a s n u a h a i , g d n m e a u h m n 460 Park Avenue, i C d , m e n u x l i e

a 6th floor (at 57th Street) h m , S , s s 0 g a 1 n l Tel: 212-759-9550 0 a g i 2 L , - , c i o t m a www.koreanculture.org s u h a l a C r p t ; , p l g P A n R , o F a d t d o u e a t i b n X a i k a u i n p - L A d : ; t n o h a t g h o i r k , y a 0 p 1 M o 0 c A 2 , D , k I r ) i A o e Y k © n w t U e

h Taipei Cultural Center N y g i , b r y y r n p e e

l 5-8 pm: Opening Reception o

l Japan Society g c a o , G h n C e o

i 11 am-6 pm: Exhibition Viewing n t o t o c e o e l l B g Chao-Liang Shen: Stage-Illusion Reality o a y C r m i a o a t M Since the 1970s, Taiwan has developed a unique cabaret H BYE BYE KITTY!!! Between Heaven and a ( f o W k . y n

s culture different from those found in Western countries. a o Hell in Contemporary Japanese Art e t M m i r j u d a o e y Chao-Liang Shen’s startling photographic project records i r Curated by David Elliott, Bye Bye Kitty!!! is c c , M a i m S e c a radical departure from recent Japanese art. this phenomenon and countless other transformations in K a 9 : f 5 o o t 2 t

o Taiwan since the country’s engagement in modern i Far beyond stereotypes of kawaii and otaku x h a r p t 0 r , 9 y o

r international economy.

2 culture, the show features sixteen emerging P e l / l A a s , G e a and mid-career artists whose works meld t h r m c a A n i y

a 1 East 42nd Street, 7th floor u traditional styles with challenging visions 2 s m t 0 u a 1 z i M x of Japan’s troubled present and Tel: 212-697-6188 M u 4 z y 1 a s 1 k e www.tpecc.org t ,

o uncertain future. r s u m a o v o T c n , a : c t m h c n g o i 7 333 East 47th Street l r . i 4 r o e 8 , p 9 Tel: 212-832-1155 p 0 9 u 0 1 2 1 m , , o www.japansociety.org y r c l i f i l y m e r s a c i F a w s , k ’ c m H l o i , l f g c c n i , o h e d p g o a a r a p i g X o s l i u o i h h L T WEDNESDAY MARCH 30 Asian Cultural Council at Location One China Institute 6:30 pm: Dialogue with Artists + Reception 5:30–8:30 pm: Dialogue with Artists + Reception The Role of Artists in Local Spaces and Global Society Join us for a special discussion presented by Asian Cultural Council 2011 grantees/ Women, Arts, and Activism: contemporary artists from Afghanistan, Bangladesh, Burma, and Hong Kong. Artists Making Changes through Art Rahraw and Manizhah Omarzad (Afghanistan), Firoz Mahmud (Bangladesh), Chaw Ei Thein This special symposium on arts and activism by contemporary Asian women artists (Burma), and Fong Wah Phoebe Hui (Hong Kong) will explore the challenges and will feature: Chinese American filmmaker and 2010 Piaget Producers Award opportunities encountered in their role as artists in local art scenes while becoming winner Karin Chien; Korean-born conceptual artist Chang-Jin Lee; and South Asian increasingly engaged in global art forums. Moderated by independent curator and media artist and co-creator of Undesirable Elements: Secret Survivors, Amita ACAW Director Leeza Ahmady. Swadhin. Moderated by Joan Lebold Cohen, noted art historian and photographer. In collaboration with Asian Women Giving Circle and Ethan Cohen Fine Arts. Location One 26 Greene Street (between $30 for China Institute members; $35 for non-members Grand and Canal Streets) Tel: 212-334-3347 125 East 65th Street (between Park and Lexington Avenues) www.location1.org Tel: 212-744-8181, ext. 111 www.asianculturalcouncil.org www.chinainstitute.org

THURSDAY MARCH 31 CLOSING EVENTS

Asia Art Archive at Museum of Chinese in America (MOCA) 6:30 pm: Dialogue with Artists + Screening

From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s Directed by Asia Art Archive, as part of the project Materials of the Future: Documenting Contemporary Chinese Priska C. Juschka Fine Art Art from 1980–1990. Based on primary research, rare film footage, and personal interviews with key artists, 6:30–8:30 pm: Dialogue with Artist + Catalog Launch this documentary bears witness not only to the “Reading Fever” that gripped the Chinese art world in the 1980s but also highlights the experimentalism and verve of artists and critics in south China whose Almagul Menlibayeva contributions to contemporary art have been long-lasting and deep. A special conversation between Kazakh artist Almagul Menlibayeva will speak about her recent the artists Yang Jiechang and Zheng Shengtian and AAA Chair Jane DeBevoise will follow. projects and the work in her current show, Transoxiana Dreams.

Free admission as part of MOCA Target Free Thursdays 547 West 25th Street, 2nd floor Tel: 212-244-4320 215 Centre Street (between Howard and Grand Streets, one block north of Canal Street) www.priskajuschkafineart.com Tel: 212-619-4785 www.mocanyc.org t

IS AN INITIATIVE OF SIAN ONTEMPORARY RT ONSORTIUM IN ASSOCIATION WITH SIA OCIETY e ACAW A C A C A S n .

CONSORTIUM MEMBERS INCLUDE: Asian Contemporary Art Week (2011) Staff w Leeza Ahmady / Director a

Melissa Chiu and Miwako Tezuka, Asia Society and Museum c

Steve Pacia and Shumita Bose, Bose Pacia Sarah Schloemer / Program Coordinator a Agnes Hsu, China Institute Sangmi Siho Yun / Program Coordinator, . Website & Graphic Design w

Ethan Cohen, Ethan Cohen Fine Arts w

Jean Kim, Gana Art Alexandra Sobo / Assistant Coordinator w Jack Shainman, Jack Shainman Gallery Xiaofei Mo / Assistant Coordinator , m Joe Earle, Japan Society Peter Lukic / Program Brochure Design s o , 0 r ) f 8 a 9 h d e r 1 n Leila Heller, Leila Taghinia-Milani Heller Gallery p o a a e r K h g g , t o n n i Office: Asia Society and Museum t n t

Esa Epstein, sepia EYE o i o n e i h t h r a p c A P n 725 Park Ave. (at 70th St.) n

Alexandra Munroe and Sandhini Poddar, Solomon R. Guggenheim Museum I e e o l i , s t a e e c l n m u New York, NY 10021 a Barbara London, The Museum of Modern Art o e d n t F o n n r l e a i p a i C B

Tel: 212-327-9282 ,

Thomas Erben, Thomas Erben Gallery c ’ 1 y e r s 1 t p a 0 s r S i 2 t Fax: 212-517-7246 o t

Tyler Rollins, Tyler Rollins Fine Art r , p s r A r i u m n F e a t t e Jack & Susy Wadsworth, Collectors E-mail: [email protected] , n n n m o e a o t C C s W : , Xiaoming Zhang, Private Art Dealer and Consultant www.acaw.net i g a n n v n a o e e h e y T g h f a a c b A i s n l I s e n t r r e e e A h T M T y l o t r t u a a g r (

ACAW 2011 Sponsors e r a o t 9 p r m 0 l a m A 0 S e t ; 2 l s n , u t o a d Major Sponsors e C e P s - t r d n n o a a a f e e r W h J e t n e m n e n o e o r m C h F o ; p ; a W e n l i n t i e r t h 2 o , f C 4 o i , x m g d o n 8 u C o a 2 , . K , , e 8 s d e g 0 d n L n r 0 o o a n 2 b i o H i J , - b D , l n g l s i a n n t e b t a o s i u h e n d n k C i i a e l t - h : m t n g t n f u 5 h e A o g 4 i m n m r , i

Media Sponsors e t r 0 s i n n e 1 t i o r r p 0 i t e p p i 2 v u b , a d i e d a h v m x i b , o E h n r m c f o g r a i t n L A e i a t s , l t i l r n i m a w A t a a k s P a e c i n r i o s y l D r A a c a i a r y , d n o b e e a p i g d m x a m e o t p e d s t c e s n n e x i i r a o i h r C T d m T !

y CAW 2011 launches Dialogues in Asian Contemporary Art, a series of discussions with a

d Ainfluential international artists, curators, and scholars to examine current issues, emerging o

t trends, and new directions in Asia’s contemporary art scene. t r a n a i MONDAY, MARCH 21 s

A 7 pm: Mariam Ghani (born and lives in U.S.) at The Museum of Modern Art

n Titus Theater 2. 11 West 53rd Street (between Fifth and Sixth Avenues) i t s e b TUESDAY, MARCH 22 e

h 6 pm: Rashid Rana (born and lives in Pakistan) and Pooja Sood (born and lives in India) t

f at Sotheby’s

o 1334 York Avenue (between 71st and 72nd Streets) t s e b

e WEDNESDAY, MARCH 23 T h

t 6–8 pm: M. F. Husain (born in India, lives in Qatar) and Monir Shahroudy Farmanfarmaian h R (born and lives in Iran) with Melissa Chiu at Asia Society and Museum t i 725 Park Avenue at 70th Street w A l a n o Y s RIDAY ARCH

r F , M 25

e 6:30 pm: Curators David Elliot, Massimiliano Gioni, Suzanne Cotter, with R p Joe Martin Hill at Solomon R. Guggenheim Museum d A

n 1071 Fifth Avenue at 89th Street a R e s o O l ATURDAY ARCH

c S , M 26

P 2-4 pm: Jungjin Lee (born in Korea, lives in U.S.) with Vicki Goldberg at Aperture Gallery p

u 547 West 27th Street, 4th floor (between Tenth and Eleventh Avenues) t M e G E ONDAY ARCH T M M 28 6:30 pm: Ushio Shinohara and Tomokazu Matsuyama (both born in Japan, both live in

N U.S.) with Miwako Tezuka at Asia Society and Museum 725 Park Avenue at 70th Street O

C TUESDAY, MARCH 29 6:30 pm: Liu Xiaodong (born and lives in China) with Alexandra Munroe at

N Solomon R. Guggenheim Museum 1071 Fifth Avenue at 89th Street A I 6 pm: Curatorial talk at Leila Taghinia-Milani Heller Gallery S 39 East 78th Street, 3rd floor (at Madison Avenue) A 5:30 pm: Xie Xiaoze (born and lives in China) with Robert Hobbs at China Institute 125 East 65th Street (between Park and Lexington Avenues) N I WEDNESDAY, MARCH 30 5:30 pm: Karin Chien (born and lives in U.S.), Chang-Jin Lee (born in Korea, lives in U.S.) and Amita Swadhin (born and lives in U.S.) with Joan Lebold Cohen at China Institute S 125 East 65th Street (between Park and Lexington Avenues)

E 6:30 pm: Asian Cultural Council 2011 grantees Rahraw and Manizhah Omarzad (born and live in Afghanistan), Firoz Mahmud (born and lives in Bangladesh), Chaw Ei Thein (born and lives in Burma), and Fong Wah Phoebe Hui (born and lives in Hong Kong, China)

U with Leeza Ahmady at Location One 26 Greene Street (between Grand and Canal Streets)

G THURSDAY, MARCH 31 6:30 pm: Yang Jiechang (born in China, lives in France), Zheng Shengtian (born in China, lives in Canada), with Jane DeBevoise at Museum of Chinese in America (MOCA) O 215 Centre Street (between Howard & Grand Streets, one block north of Canal Street)

L 6:30 pm: Almagul Menlibayeva (born in Kazakhstan, lives in Germany) at Priska C. Juschka Fine Art 547 West 25th Street, 2nd floor (between Tenth and Eleventh Avenues) A I

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