The Goulden Twig Someone's Misuse of an Illustrative Exam- Pie)

Total Page:16

File Type:pdf, Size:1020Kb

The Goulden Twig Someone's Misuse of an Illustrative Exam- Pie) FICTION tor to get his start. No one knows aesthetic instincts to hoodwink large and cares so litde about the truth, that it whether he eventually came to believe in numbers of gullible people into believing oohs and aahs at every random serve, what he wrote and sold to others as and paying. every double bounce, every net ball. It revealed truth. If 1 had been Hubbard, I When we stop being artists, and start does not perceive die difference between would not have been able to convince being money-grubbing pseudoprophets, an earned point and a flub. The charlatan myself. me net is down, the ball can go anywhere on the court smiles and receives applause I suspect most charlatans realize that in the court, and the audience has for all. That's not our audience. That's diey have perverted very real, very useful changed. This audience knows so little, not my game. inspiration; please don't blame me for The Goulden Twig someone's misuse of an illustrative exam- pie). HAL CLEMENT In die bush analogy, my self-support- ing hobby of science fiction plays a he late John Arrend Timm, most essentially endless variety of directions the demonstrable part in the development of memorable of my chemistry pro- growdi may take, and lack of preference human ideas. It operates at the base of the Tfessors, had the common difficulty for any particular one of diese—diat is, branch, at die speculative start and a litde with students who wanted to carry analo- the absence of an upward-dirusring trunk. way—sometimes quite a respectable way— gies like me solar-system image of die I like to apply die same evolution anal- out into die hypothesis sections. atom a trifle too far. I don't know how ogy to die growdi of human knowledge. It There are speculations about parallel many rimes I heard him say with empha- applies nicely to my personal interest, sci- worlds, personality transposition, and life sis, and sometimes with a bit of annoy- ence. I may be grazing one of Dr. Gould's in die sun that, at least until recendy, no ance, "Every analogy has its limitations; if analogy limitations when I do this, one would have wanted to publish in any it didn't it would be an identity." because there does seem to be a direction other form and for which no suggestions Analogies seem to be a teaching neces- of sorts to the knowledge growth—toward for testing have been offered. There are sity; learning something new that has no greater probability of correctness—but hypotheses, quite testable, on why crater- connection whatever widi earlier experi- maybe diis is an illusion and, like life vari- lets on the floor of Plato (a 100-km-wide ence is very, very difficult, and eties, we are merely expanding in all avail- crater on die moon) are sometimes visible "Proceeding from the known to the able directions. dirough a giver, telescope am! sometimes Uiikiiown" is an aimost universally I tend to concentrate on the individual not, under what seem to be identical view- accepted teaching technique. Even die fact twig. It follows a process of growth, start- ing conditions. I suggested one, involving thar our imaginations have great difficulty ing widi a bud of speculation. This grows magnetic focusing of solar particles, some in merging die wavelike and parriclelike to die length of a hypothesis, where test- decades ago in The Strolling Astronomer, aspects of light has not, as far as I know, ing of the increasingly detailed idea organ of the Association of Lunar and inspired any physics teacher to try to becomes possible. If it doesn't get nibbled bypass both analogies entirely. off by a dinosaur (in other words, fail in Hal Clement (Harry Clement Stubbs) is (Observational selection may be operating testing), it reaches the status of a theory one of the most scientifically oriented sci- here, of course; efforts simply may not ("only" a theory, as die creationists put it) ence fiction writers. His first story, have succeeded, so I never heard of diem.) and becomes a real branch. The analogy "Proof," appeared in the June 1942 At primary, secondary, and popular does not extend to die idealistic level of Astounding Science Fiction (now teaching levels, where die customer is representing a completely established fact, Analog) magazine, and his first novel likely to be unfamiliar with much mathe- of course. This is all right; real life seldom Needle was serialized there in 1949. His matical symbology, we have to fall back on does this either. It is conceivable, after all, best-known story (unfortunately, he feels), verbal and pictorial analogies. One of my that die earth is a cube embedded in a set "Mission of Gravity," appeared in 1953. favorites of diese is used often by Stephen of force fields which so alter gravitational, Jay Gould in his efforts to point out that electric, and magnetic lines of force and Other novels are Iceworld, Close to evolution is not a simple tree trunk lead- die paths of electromagnetic waves and Critical, Star Light, Still River, and ing from "lower" to "higher" life forms. momentum vectors dial we are deceived Fossil. He was a B-24 pilot in World War He pictures a bush, and employs various into thinking the planet neariy spherical II and later a technical instructor, retiring verbal techniques to convey the complex- (you could probably find someone who as a full colonel in 1976. He has a B.S. in ity and randomness of its branching, the would regard diis suggestion as sheer astronomy and an M.S. in chemistry and taught high school science for forty years. SKEPTICAL INQUIRER September/October 1996 25 SCIENCE FICTION. Planetary Observers. It produced a more recendy established lack of a signif- astronomical body I called a "Superjovian." resounding silence among professional icant magnetic field does make it unlikely. It has since become quite respectable astronomers. However, 1 based a science I can live with this. under die name of "brown dwarf." fiction story, "Dust Rag," on die same Science fiction about space travel, (Discovery of the first brown dwarf, an idea a few years later, it sold readily, has sometimes with much detail about object known as Gliese 229 B, has been anthologized more dian once since, propulsion systems and orbit mechanics, recendy been confirmed by astronomers.) and 1 have been told of its use in sec- by people like Willy Ley and Robert I would say not to worry about the ondary school science classes. As far as I Heinlein, are far enough along the branch limits of this or any odier analogy. It's bet- know, diere has been no attempt to check to let one hold on and climb. I invented ter to have fun with die intellectual ecol- die hypothesis direcdy, but die moon's for science fiction purposes in 1960 an ogy to be found in and around the bush. • Science Fiction and fully stimulate die senses and excite the emotions, but of rational intellectual con- tent diere is seldom very much. Scientific Possibilities What science fiction can profitably do to counteract superstidon is to explore FREDERIK POHL the wonders of real scientific possibilities ugene R. Stewart proposes an science issues ? as they relate to the real wodd—even agenda for science fiction writers, Perhaps. Despite what I said above, some possible future real world very far Ebut his article makes me wonder if some science fiction writers have tried to removed from present existence. But that he knows what science fiction is. The apply die more or less orderiy procedures is precisely what a great many science fic- only work he discusses at any length is of science fiction to die diemes of fantasy. tion writers have been doing—in print Poltergeist, which is not science fiction at Among odiers, James Blish attempted to media, if not in film—for the last half- all. Poltergeist is a kind of horror-fantasy, provide a scientific rationale for telepathy century and more. and that is a whole other breed of cat. The in his novel Jack of Eagles; Larry Niven If diere is anyone not familiar with the themes of fantasy derive from myth and and Robert A. Heinlein tried to do die field who is interested in seeing how this superstition. Science fiction is reality- same for magic in various works; others is done, she or he would be well advised based. It deals with events that haven't have occasionally tried to do so for were- to stay away from die moviehouses and happened yet, to be sure, and may well wolves, vampires, and even astrology. go to a bookstore or the public library. I never happen at all. But the reader should Some entertaining stories resulted am reluctant to recommend specific be able to believe, while reading the story, from diese attempts. However, diey could works because to name a few is to leave that under some circumstances some- not have done much to further die objec- out scores of others diat are equally thing very like diose events just might tives of CSICOP, namely: to counteract deserving, but some recent novels worth a come true ... and no well person believes beliefs in superstition or die occult. look would include works by Ursula K. th.it about fantasy. In fact, I fear diat stories of this sort LeGuin, Kim Stanley Robinson, Greg Benford, Vernor Vinge, and many others. Can science fiction be used, as Stewart must inevitably go some way toward rein- (They might even include some of my urges, "to explore paranormal and fringe- forcing these beliefs.
Recommended publications
  • SFRA Newsletter 259/260
    University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 12-1-2002 SFRA ewN sletter 259/260 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 259/260 " (2002). Digital Collection - Science Fiction & Fantasy Publications. Paper 76. http://scholarcommons.usf.edu/scifistud_pub/76 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. #2Sfl60 SepUlec.JOOJ Coeditors: Chrlis.line "alins Shelley Rodrliao Nonfiction Reviews: Ed "eNnliah. fiction Reviews: PhliUp Snyder I .....HIS ISSUE: The SFRAReview (ISSN 1068- 395X) is published six times a year Notes from the Editors by the Science Fiction Research Christine Mains 2 Association (SFRA) and distributed to SFRA members. Individual issues are not for sale. For information about SFRA Business the SFRA and its benefits, see the New Officers 2 description at the back of this issue. President's Message 2 For a membership application, con­ tact SFRA Treasurer Dave Mead or Business Meeting 4 get one from the SFRA website: Secretary's Report 1 <www.sfraorg>. 2002 Award Speeches 8 SUBMISSIONS The SFRAReview editors encourage Inverviews submissions, including essays, review John Gregory Betancourt 21 essays that cover several related texts, Michael Stanton 24 and interviews. Please send submis­ 30 sions or queries to both coeditors.
    [Show full text]
  • Catalogue 147: Science Fiction
    And God said: DELETE lines One to Aleph. LOAD. RUN. And the Universe ceased to exist. Then he pondered for a few aeons, sighed, and added: ERASE. It never had existed. For David Catalogue 147: Science Fiction Bromer Booksellers 607 Boylston Street, at Copley Square Boston, MA 02116 P: 617-247-2818 F: 617-247-2975 E: [email protected] Visit our website at www.bromer.com n the Introduction to Catalogue 123, which contained the bulk of a In his fifty years as a bookman, David naturally recognized the signifi- science fiction collection he had assembled, David Bromer noted cance of the early rarities, the books that laid the groundwork for the that “science fiction is a robust genre of literature, not allowing authors of the modern era. He was pleased to discover, when cata- one to ever complete a collection.” The progressive nature of sci- loguing Cyrano de Bergerac’s The Comical History of the States and enceI and the social fabric that it impacts means that the genre itself Empires of the Worlds of the Moon and the Sun, that its author de- has to be fluid, never quite getting pinned down like a specimen under scribed a personal music player–anticipating in the year 1687 the cre- glass. ation of the Walkman and iPod three centuries later. In this regard, it is entirely fitting that David has been drawn to science Ultimately, science fiction primed the human imagination to accom- fiction as a reader, and as a collector. He is a scientist by training, hav- plish what is perhaps its greatest achievement: the exploration of ing earned a PhD in Metallurgy from MIT and worked in research fields space and the mission to the moon in 1969.
    [Show full text]
  • JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
    JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate.
    [Show full text]
  • WAYS to USE SCIENCE FICTION in the SCIENCE CLASSROOM by Connie Willis, David Katz, and Courtney Willis ©1999 by Connie Willis, David Katz and Courtney Willis
    WAYS TO USE SCIENCE FICTION IN THE SCIENCE CLASSROOM by Connie Willis, David Katz, and Courtney Willis ©1999 by Connie Willis, David Katz and Courtney Willis. All rights reserved. Reproduced with permission of the authors. Reproduction for classroom use must contain the original copyright. Originally presented as part of a symposium on Science and Science Fiction, National Science Teachers Association national meeting, Boston, MA, March 25-28, 1999. 1. SF can be used to teach science concepts Many stories explain and incorporate science concepts. --Arthur C. Clarke's "Silence, Please" discusses wave interference --Larry Niven's RINGWORLD shows us a Dyson sphere --the setting in Connie Willis's "The Sidon in the Mirror" is based on Harlow Shapley's theory of red giants --H. Beam Piper's "Omnilingual"'s plot revolves around the periodic table --George Gamow's MR. TOMPKINS IN PAPERBACK dreams of relativity and quantum effects --Anthologies such as THE UNIVERSE, THE PLANETS, AND THE MICROVERSE (edited by Byron Preiss) put essays by eminent scients and stories by noted sf authors side-by-side --Hal Clement, a retired high school chemistry teacher, has written a number of stories, including the classic MISSION OF GRAVITY, about all those things you learned in high school science classes. Bad science in science fiction (especially in the movies) can teach science concepts, too. --Why is it impossible for the spaceship in CAPRICORN ONE to make it back from mars in a mere three months? --Why does the strength to mass ratio make King Kong and Godzilla impossible? --What about all those loud explosions in outer space? And those spaceships that bank and turn just like fighter planes? 2.
    [Show full text]
  • Mission of Gravity: Mesklinite Book 1 Free
    FREE MISSION OF GRAVITY: MESKLINITE BOOK 1 PDF Hal Clement | 208 pages | 11 Dec 2014 | Orion Publishing Co | 9781473206380 | English | London, United Kingdom Mission of Gravity (#1 Mesklinite) by Hal Clement at Abbey's Bookshop | | Paperback Since you have finished readingwould you like to leave a review, letting us and anyone else know what you think of this book? Get information about new releases for these contributors straight to your inbox. Your alerts can be managed through your account. Allow an extra days for standard delivery to metro areas and additional time for regional areas. This title is in stock with our Australian supplier and arrives at our Sydney warehouse within 10 working days of you placing an order. Once received into our warehouse we will despatch it to you with a Shipping Notification which includes online tracking. Please check the estimated delivery times below for your region, for after your order is despatched from our warehouse:. Hi There, Did you know that you can save books into your library to create gift lists, reading lists, etc? You can also mark books that you're reading, or want to read. Forgotten your password? This is the email address that you previously registered with on angusrobertson. We will send you an email with instructions on how to reset your password. We also noticed that you have previously shopped at Bookworld. Would you like us to keep your Bookworld order history? We also noticed that you have an account on Bookworld. Would you like us to keep your Bookworld details, including delivery addresses, order history and citizenship information? Sign In Register.
    [Show full text]
  • MISSION of GRAVITY HENRY CLEMENT STUBBS Copyright
    MISSION OF GRAVITY HENRY CLEMENT STUBBS Copyright Mission of Gravity Copyright © 1953 by Henry Clement Stubbs Cover art and eForeword to the electronic edition copyright © 2002 by RosettaBooks, LLC All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information address [email protected] First electronic edition published 2002 by RosettaBooks LLC, New York. ISBN 0-7953-0862-0 Mission of Gravity 3 Contents eForeword Chapter 1 Winter Storm Chapter 2 The Flyer Chapter 3 Off the Ground Chapter 4 Breakdown Chapter 5 Mapping Job Chapter 6 The Sled Chapter 7 Stone Defense Chapter 8 Cure for Acrophobia Chapter 9 Over the Edge Chapter 10 Hollow Boats Chapter 11 Eye of the Storm Chapter 12 Wind Riders Chapter 13 Slip of the Tongue Chapter 14 The Trouble with Hollow Boats Chapter 15 High Ground Chapter 16 Valley of the Wind Chapter 17 Elevator Chapter 18 Mound Builders Chapter 19 New Bargain Chapter 20 Flight of the “Bree” Mission of Gravity 4 About the Author About this Title Mission of Gravity 5 eForeword In some ways the main character of Hal Clement’s under- appreciated novel, Mission of Gravity, is not Charles Lackland, the human explorer dispatched to the planet Mesklin to retrieve stranded scientific equipment. Nor is it the small caterpillar-like creature named Barlennan, a native of Mesklin who agrees to help Lackland find and recover the equipment. Rather, the main character is the planet Mesklin itself, a place with utterly unique characteristics that make themselves felt during every interaction and calculation the intrepid Lackland and his guide have to make.
    [Show full text]
  • The Devniad Book 62 Un Zine De Bob Devney 25 Johnson Street, North Attleboro, MA 02760 U.S.A
    The Devniad Book 62 un zine de Bob Devney 25 Johnson Street, North Attleboro, MA 02760 U.S.A. e-mail: [email protected] For APA:NESFA #360 May 2000 copyright 2000 by Robert E. Devney Bookbits affect large numbers of their fellows. The Stickiness Factor means that there are If you are what you eat, I'm in big specific ways of making a contagious trouble. I'm much more comfortable with a message memorable and impactful. The formulation such as, you are what you read. Power of Context claims that the key in So even though myriad other fanzines help getting people to change their behavior keep us all up on how many books we sometimes lies with the smallest details of really should be getting to, every once in a their immediate situation. while I like to do some reviews regardless. This all sounds pretty dry. But in fact the Here goes. book is juicy with clear, really cool examples If you notice a persistent theme of sex, — including how AIDS caught fire; how sex, sex frolicking through many of the teenage Micronesian suicide became a fad; following selections, who're you going to how Peter Jennings' microsmiles maybe blame, little old me or all those perverse, made millions vote Republican; how the pandering panjandrums of publishing? producers stuck generations of kids on TV's Sesame Street; how the Gore-Tex people Malcolm Gladwell, The Tipping Point: How rendered their company culture porous to Little Things Can Make a Big Difference ideas (hint: it turns out 150 people is the (2000 hardcover, Little, Brown and Company, effective upper limit for a cohesive social 279 pages, $24.95) group); why Paul Revere succeeded while Intelligent pop sociology that may fellow traveler William Dawes failed; how actually have a point.
    [Show full text]
  • Nebula Awards® Weekend 2008
    Nebula Awards® Weekend 2008 April 25–27, 2008 Austin, Texas SCIENCE FICTION & FANTASY WRITERS OF AMERICA, INC. Nebula Awards® Weekend 2008 Gr and Master Michael Moorcock Author Emeritus Ardath Mayhar Toastmaster Joe R. Lansdale April 25–27, 2008 Austin, Texas Nebula Awards® WEEKEND PROGR AM Thursday, April 24th 6:00 pm – 9:00 pm Registration (Balcony Alcove) Free books (Second floor lobby, near registration) (members only) 6:00 pm – 12:00 am Hospitality (Chambers) Friday, April 25th 8:00 am – 9:00 pm Registration (Balcony Alcove) 8:00 am – 1:00 am Hospitality (Chambers) Free books (Second floor lobby, near registration) (members only) 3:00 pm Panel (Capitol Ballroom) “Publishing Contracts”, Sean P. Fodera 4:30 pm – 8:00 pm Cash Bar (Longhorn) 5:00 pm – 5:30 pm Nominee Ceremony & Photo Op (Longhorn) 5:30 pm – 8:00 pm Mass Autographing (Longhorn) Sponsored by BookPeople Saturday, April 26th 8:00 am – 7:00 pm Registration (Balcony Alcove) 8:00 am – 1:00 am Hospitality (Chambers) Free books (Second floor lobby, near registration) (members only) 10:00 am Panel (Capitol Ballroom) “GriefCom”, Paul Melko 1:00 pm SFWA Annual Business Meeting (Capitol Ballroom) 3:00 pm Panel (Capitol Ballroom) “Kindle”, Dan B. Slater, Amazon.com 6:30 pm Cash Bar (outside Capitol Ballroom) 7:00 pm – 10:00 pm Nebula Awards Banquet & Ceremony (Capitol Ballroom) Sunday, April 27th 9:00 am – ???? Hospitality (Chambers) Nebula Awards® WEEKEND Gr and Master Michael Moorcock amed one of the 50 greatest postwar British writers by The Times of NLondon, Michael Moorcock is best-known for his stories featuring the albino swordsman Elric of Melnibone.
    [Show full text]
  • Balticon 35 Pocket Program
    Anime Mencken Poe International C BALTICON 35 Art Show International B Carroll HOURS OF OPERATION & LOCATIONS Location Friday Saturday Sunday Monday Con Ops International A International D/E 4pm-9:30pm 10am-8pm 10am-Noon Art Show Auction, Sunday 1:00pm in Carroll, Sales Open Sunday 1:15pm PARTY INFO Registration Con Ops/Information Front of International E (24 hours) Hopkins 2pm-2am 10am-2am 10am-2am 10am-2pm Con Suite m Fri. and Sat. after hours, serves as conversation lounge. o Dealers Room Liberty 4pm-8pm 10am-6pm 10am-6pm 10am-2pm o y t r R e Registration Liberty Foyer Noon-11pm 9am-10pm 9am-8pm 10am-1pm b i s ’ L r Computer Gaming Calhoun 3pm-12mid 10am-10pm 10am-12Mid 10am-2pm e l Autograph signing table In Front of Liberty Ballroom, See posted schedule a e D SPECIAL EVENTS Friday Main Entrance 9pm Play International A-C 10:30pm Clam Chowder Concert International A-C Saturday Pratt A Pratt B 12:30pm Robert Sacks Memorial Service International A-C Remembering First Fandom with Dave Kyle International A-C Douglass Peale 1:30pm 2:30pm Frank Hayes, Filk GOH Concert International A-C Schaefer 3:30pm Halla Fleischer, Artist GOH International A-C Presentation of the Young Writer’s Award and the Compton 4:30pm International A-C Crook Award Con Suite Video Hopkins 5:00pm Hal Clement, GOH International A-C Preston Calhoun 9:00pm Masquerade International A-C Halftime Reading Is Fundamental Auction International A-C After Masquerade Balticon Dance International A Computer Room Jefferson Sunday Lincoln 9:00am Darkon introduction and fighting demonstrations International A-C Adams 10:00am Tech for kids International A-C Washington 12:00pm Radio Play: MST2K International A-C 4:00pm Man & Machine Poetry Contest Winners Presentation Jefferson Gaming 8:00pm Boogie Knights at the GoH Birthday party International A ANIME Mencken Room.
    [Show full text]
  • Read Ebook {PDF EPUB} Mission of Gravity by Hal Clement Tor.Com
    Read Ebook {PDF EPUB} Mission of Gravity by Hal Clement Tor.com. Science fiction. Fantasy. The universe. And related subjects. Creator of Worlds: Mission of Gravity by Hal Clement. In this bi-weekly series reviewing classic science fiction and fantasy books, Alan Brown looks at the front lines and frontiers of the field; books about soldiers and spacers, scientists and engineers, explorers and adventurers. Stories full of what Shakespeare used to refer to as “alarums and excursions”: battles, chases, clashes, and the stuff of excitement. Science fiction is a broad category of literature: you can have stories set in the far future, the present day, or the distant past (and even mix these together in a time travel tale). You can set your story right here on Earth, on a distant planet, or some more exotic place. Or you can create a world to your own specifications. Your protagonists can be human, alien, animal, vegetable, mineral, or some combination thereof. But there is one thing that binds all these stories together, and it is printed right up front, “on the tin,” so to speak. That is science. And in writing stories about the hard sciences, no one did it better than Hal Clement. Hal Clement shook the SF community with the publication of his very first story in Astounding Science Fiction , “Proof,” which featured aliens who lived inside a star. Editor John Campbell loved stories where science was at the center, and Clement delivered precisely that kind of adventure: rooted in sound science, but stretching the bounds of imagination. During his career, he had a profound impact, not only on the readers of his work, but on his fellow writers of science fiction.
    [Show full text]
  • Dünyada Ve Ülkemizde Bilimkurgu Türünün Doğuşu Ve Gelişimi
    TÜRKİYE CUMHURİYETİ ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ FELSEFE ANABİLİM DALI BİLİM TARİHİ BİLİM DALI DÜNYADA VE ÜLKEMİZDE BİLİMKURGU TÜRÜNÜN DOĞUŞU VE GELİŞİMİ Tezli Yüksek Lisans Tezi SÜLEYMAN ERHARAT Ankara, 2020 TÜRKİYE CUMHURİYETİ ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ FELSEFE ANABİLİM DALI BİLİM TARİHİ BİLİM DALI DÜNYADA VE ÜLKEMİZDE BİLİMKURGU TÜRÜNÜN DOĞUŞU VE GELİŞİMİ Tezli Yüksek Lisans Tezi SÜLEYMAN ERHARAT DOÇ. DR. İNAN KALAYCIOĞULLARI Ankara, 2020 TÜRKİYE CUMHURİYETİ ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ FELSEFE ANABİLİM DALI BİLİM TARİHİ BİLİM DALI DÜNYADA VE ÜLKEMİZDE BİLİMKURGU TÜRÜNÜN DOĞUŞU VE GELİŞİMİ YÜKSEK LİSANS TEZİ SÜLEYMAN ERHARAT Tez Danışmanı DOÇ. DR. İNAN KALAYCIOĞULLARI TEZ JÜRİSİ ÜYELERİ Adı ve Soyadı İmzası 1. Prof. Dr. Remzi Demir 2. Prof. Dr. Ergi Deniz Özsoy 3. Doç. Dr. İnan Kalaycıoğulları Tez Savunması Tarihi 23 Haziran 2020 T.C. ANKARA ÜNİVERSİTESİ Sosyal Bilimler Enstitüsü Müdürlüğü’ne, Doç. Dr. İnan KALAYCIOĞULLARI danışmanlığında hazırladığım “Dünyada Ve Ülkemizde Bilimkurgu Türünün Doğuşu Ve Gelişimi (Ankara.2020)” adlı yüksek lisans tezimdeki bütün bilgilerin akademik kurallara ve etik davranış ilkelerine uygun olarak toplanıp sunulduğunu, başka kaynaklardan aldığım bilgileri metinde ve kaynakçada eksiksiz olarak gösterdiğimi, çalışma sürecinde bilimsel araştırma ve etik kurallarına uygun olarak davrandığımı ve aksinin ortaya çıkması durumunda her türlü yasal sonucu kabul edeceğimi beyan ederim. 01 Haziran 2020 Süleyman ERHARAT İÇİNDEKİLER İÇİNDEKİLER ...................................................................................................
    [Show full text]
  • Learning from Science Fiction
    HARD READING Liverpool Science Fiction Texts and Studies, 53 Liverpool Science Fiction Texts and Studies Editor David Seed, University of Liverpool Editorial Board Mark Bould, University of the West of England Veronica Hollinger, Trent University Rob Latham, University of California Roger Luckhurst, Birkbeck College, University of London Patrick Parrinder, University of Reading Andy Sawyer, University of Liverpool Recent titles in the series 30. Mike Ashley Transformations: The Story of the Science-Fiction Magazine from 1950–1970 31. Joanna Russ The Country You Have Never Seen: Essays and Reviews 32. Robert Philmus Visions and Revisions: (Re)constructing Science Fiction 33. Gene Wolfe (edited and introduced by Peter Wright) Shadows of the New Sun: Wolfe on Writing/Writers on Wolfe 34. Mike Ashley Gateways to Forever: The Story of the Science-Fiction Magazine from 1970–1980 35. Patricia Kerslake Science Fiction and Empire 36. Keith Williams H. G. Wells, Modernity and the Movies 37. Wendy Gay Pearson, Veronica Hollinger and Joan Gordon (eds.) Queer Universes: Sexualities and Science Fiction 38. John Wyndham (eds. David Ketterer and Andy Sawyer) Plan for Chaos 39. Sherryl Vint Animal Alterity: Science Fiction and the Question of the Animal 40. Paul Williams Race, Ethnicity and Nuclear War: Representations of Nuclear Weapons and Post-Apocalyptic Worlds 41. Sara Wasson and Emily Alder, Gothic Science Fiction 1980–2010 42. David Seed (ed.), Future Wars: The Anticipations and the Fears 43. Andrew M. Butler, Solar Flares: Science Fiction in the 1970s 44. Andrew Milner, Locating Science Fiction 45. Joshua Raulerson, Singularities 46. Stanislaw Lem: Selected Letters to Michael Kandel (edited, translated and with an introduction by Peter Swirski) 47.
    [Show full text]