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Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
1 This Isn't Paradise, This Is Hell: Discourse, Performance and Identity in the Hawai'i Metal Scene a Dissertation Submitte
1 THIS ISN’T PARADISE, THIS IS HELL: DISCOURSE, PERFORMANCE AND IDENTITY IN THE HAWAI‘I METAL SCENE A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN AMERICAN STUDIES DECEMBER 2012 By Benjamin Hedge Olson Dissertation Committee: Kathleen Sands, Chairperson David E. Stannard Vernadette Gonzalez Roderick Labrador Helen J. Baroni Keywords: metal, popular music, popular culture, religion, subculture, Hawai‘i 2 Abstract The island of Oahu is home to probably the most ethnically diverse metal scene in the United States. Contemporary Hawai`i prides itself on being a “model of multiculturalism” free of the racism and ethnic strife that is endemic to the continent; however, beneath this superficial openness and tolerance exist deeply felt class, ethnic, and racial tensions. The metal scene in Hawai`i experiences these conflicting impulses towards inclusion and exclusion as profoundly as any other aspect of contemporary Hawaiian culture, but there is a persistent hope within the metal scene that subcultural identity can triumph over such tensions. Complicating this process is the presence of white military personnel, primarily born and raised on the continental United States, whose cultural attitudes, performances of masculinity, and conception of metal culture differ greatly from that of local metalheads. The misunderstandings, hostilities, bids for subcultural capital, and attempted bridge-building that take place between metalheads in Hawai‘i constitute a subculturally specific attempt to address anxieties concerning the presence of the military, the history of race and racism in Hawai`i, and the complicated, often conflicting desires for both openness and exclusivity that exist within local culture. -
College Voice Vol. 31 No. 18
Connecticut College Digital Commons @ Connecticut College 2006-2007 Student Newspapers 4-6-2007 College Voice Vol. 31 No. 18 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_2006_2007 Recommended Citation Connecticut College, "College Voice Vol. 31 No. 18" (2007). 2006-2007. 20. https://digitalcommons.conncoll.edu/ccnews_2006_2007/20 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 2006-2007 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. First Class • U.S. Postage PAID Permit #35 <- o e e oice New London, CT:' PUBUSflED WEEKLY BY THE STUDENTS OF CONNECTICUT COLLEGE VOLUME XXXI· NUMBER 18 FRIDAY, APRIL 6, 2007 CONNECTICUT COLLEGE, NEW LONDON, CT SAC Unveils Floralia Lineup __ OK Go, Girl Talk To Perform BY PAUL DRYDEN ances with the band's signature "geek rock outfits," a&e associate editor The campus is also eagerly anticipating Girl Talk, the stage SAC announced this spring's nanne for Gregg Gillis, who first Floralia lineup during a presentation reached the eyes and ears of Cannels at dinner in Harris this past Sunday with bis electrifying performance on night. Corning more than a month the docks in downtown New London before the actual Floralia date, as part of I Am Festival last Saturday, May 5, the lineup's head- September. Ever since then, Girl liners are some of the most notewor- Talk has been exploding across cann- thy in recent memory. -
Jude the Obscure Official Biography
Jude the Obscure Official Biography Jude the Obscure, circa 2003 Jude the Obscure had a very comfortable place in the Ontario math-core/noisecore scene throughout its existence. I believe they were the first to be called “chaoticore”. Prior to the forming of this band, Grant Freifeld (“Fuzz” on bass), Jason Rice (“Jaundice” on drums) and Chuck Leach (“the Bank”/”Bankenstein” on guitar) played together in a slew of Grimsby, Ontario high school bands, often changing name every few months. When in 1998 they decided to go “heavier”, they asked a guy in their high school who was wearing a Snapcase shirt if he wanted to to be their signer; that was James Long (“Jimbo”). With Jimbo in, Jude the Obscure was born. The final addition was one of Jason’s coworker, Jordan Passfield who was brought in as an experimental guitar player. “A New Life of Painful Sin” demo, 1999 “A New Life of Painful Sin” demo, 1999 Their first show was a house show with Rise Over Run. In 1999 they recorded 3 songs at Scott Bialik’s small basement studio, soundDOME Studio, in Hamilton, live right off the floor. Jude self-released it as their first demo “A New Life of Painful Sin”. Everyone who ever talks about this demo doesn’t speak of it nicely. Nevertheless it is a good representation of what early 2000 metalcore was like. Poster advertising “A Perfect Place” on Punx Without Mohawx Records Their high school friends, Rise Over Run, had gotten signed to the Quebec label Punx Without Mohawx Records, so Jude sent them their demo as well. -
ÚNOR / 2013 Úvodník S Přelomem Let 2012 a 2013 Vstoupil Časopis, Jehož Prvními Řádky Se Právě Prokousáváte, Do Dalšího Roku Svého Mighty Freezine Fungování
ÚNOR / 2013 Úvodník S přelomem let 2012 a 2013 vstoupil časopis, jehož prvními řádky se právě prokousáváte, do dalšího roku svého Mighty Freezine fungování. Ve snaze zrekapitulovat tříletou cestu, kterou redakce: urazil, sešla se redakční rada u kulatého stolu a metodou Fido, Přemysl Černík, hloubkové analýzy zhodnotila všechna dosavadní čísla. Kubaak, Marcel Musil, Postačí, že mezi výsledky tohoto vyčerpávajícího jednání, Petr Vlček, Vojta Holub, jež přítomná zapisovatelka zaznamenala do čtyřech svazků tloušťky tajných mezinárodních paktů, bylo poukázáno také Kejmy, Anselmo na fakt, že úvodník je stále stejný. Art direkce: Klasický editorial jakékoliv jiné publikace, která ctí Marcel Musil alespoň elementární žurnalistické zásady a obyčeje, má svoje jasně vymezené místo a pravidla – bývá privilegiem Foto: šéfredaktora, který představuje obsah, upozorňuje na ak- Vojta Florian, tuální, důležitá témata, popřípadě sám glosuje jeden nebo Ing. Hromek více problémů, které souvisejí s tematickým zaměřením inzerce: časopisu. Úvodník také obvykle začíná souslovím „vážení Vojtěch Holub čtenáři“, končívá přáním „příjemného čtení“ a celkově je [email protected] především pozůstatkem sebestředné víry šéfredaktorů v to, tel.: 721 269 057 že někdo ze čtenářů stojí o jejich názory. V Mighty zinu se ale úvodník, bůhvíproč, stal podi- Marketingová vným, neuchopitelným patvarem, který s obsahem čísla, spolupráce: nedejbože s hudební tematikou, nijak nesouvisí. Z ak- Marek Vohralík tuálních témat se v něm dočtete přinejlepším o Pornelle, [email protected] přičemž autor pravděpodobně zapomene na Koktu (nehledě tel.: 777 013 049 na to, že si většina z nás myslí, že nejpropíranější obětí bulvárních novinářů je pořád Halina Pawlowská). Bude-li úvodník glosovat například prezidentské volby, okomen- tuje pravděpodobně fatální neúspěch Jany Bobošíkové, mučednický, mesiášský a negativní oidipovský komplex AŽ DOČTEŠ, Tomia Okamury, popřípadě brilantní politologické analýzy PŘEDEJ DÁL. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Student Speaks out About Hate Crimes Resident Claims to Have Been a Farris Cited in Their Open Letter
Proudly serving the college community since 1973 The Richard Stockton College of New Jersey Monday,February 19,2001 Volume 60 Number 5 Student speaks out about hate crimes Resident claims to have been a Farris cited in their open letter. "I would have come forward sooner," victim of bias crimes at Stockton Connolly said, "but I was encouraged by some people to not come out in the public Shaun Reilly with it as much as I would have liked to, in order to The Argo preserve my safety and possibly help the investiga- In recent weeks a number of rumors have been tion into the crime. However, I feel that it is impor- circulating around the Richard Stockton College tant for everyone on campus to find out about the campus about the occurances of hate crimes. things that happened. We have this illusion that we In late November Stockton College President have a great community and nothing ever goes photo by Dan Grate Vera King Farris issued a memo to all residental wrong at Stockton. But things like this do happen On Feb. 13 college President Vera King Farris addressed a large group of and people should be made aware of them." graduating seniors in the upper G-wing lounge. The topic of disscussion students and faculty asserting the college's policy was the location of the upcoming spring graduation.. against hate crimes and in the February 12th issue The events that Connolly are reffering to involve of The Argo several members of the Stockton facul- a series of harrasing letters, threats of possible vio- ty and community submitted an open letter to the lence, and intimidation beginning in late October. -
Death & Violence
Frank Turner Suicide Machines Offspring Mighty Mighty Bosstones Goldfinger Death & Violence Elements of Ataris Yellowcard Bouncing Souls Misfits Bright Eyes Useless ID simple_things Fall Out Boy UK Subs Nature Melancholy time_i_feel same_song i_cant_help Youth Every Time I Die same_way one_more_day more_shotmore_day Death Cab for Cutie three_years Good Riddance play way_i_feel GG Allin Exploited last_year okay_im well write Anthems dead_end_road chang next_year yeah_cause little_bit one_more_song Thrice next_time sometim thing past_few_years long_way time love_with_someone caus today insid move hardest havent help right along 2 4 6 8 Lawrence Arms shades_of_grey told hope someday real + moon_light ago seen seem mayb just candl day little_time melodi time_yeah Horror come thaw back thing lost new i_cantsing + dusk sparrow + let song 1.1 sand i_guess homeever 1.00 way_yeah littl bit way sad_song lifeboat home riverbloom old meantend_road seem time day time_to_time Dance echo night dark_night sorri miss runaway + alway first_place right_time like whoa doo drown ship star cloudtraffic_lights known made aliv tri know mind + knew now guess_i favorit fine + watchground - 0.95 hear can Art grey month never - sad_songs feel i_feeleveryth + water_icitiair shadow still found okay + 1.0 wing mile storm werent thought like_im start cheater wast get nothing_i i_guess_i better wrong cant invinc come fine_yeah Post-grunge + + shipwreck tree wind float went rememb many_times alright ocean seven_seas love wishmini - 0.90 old_song findcant_move yeah feel_like_im -
Tremont Bricks and Picks Words: Ellen Gurley Photos of Tremont and Bricks: Justin Driscoll Photos of Guitar Picks: Courtesy of Brian Carpenter
Tremont Bricks and Picks words: Ellen Gurley photos of Tremont and bricks: Justin Driscoll photos of guitar picks: courtesy of Brian Carpenter Not all heroes have capes. Sometimes they just show up with trucks. Justin Driscoll and Brian Carpenter are two of those heroes. If there’s one thing that I have learned, having lived in Charlotte all of my forty years, it is that we cannot become attached to property. This is not an invitation to an open ended conversation about growth or gentrification, it is a call for the preservation of memories. Stay with me. Justin Driscoll became a man within the walls of Tremont Music Hall. Upon learning of their demolition, he hauled as many bricks as he could over to Neal Harper. Driscoll dragged the Tremont yellow bricks over to Harper who engraved them with the logo. In an attempt to hold onto something very precious to themselves, they put their sadness and anger in the trash and presented those instrumental with their own brick. Now every time Driscoll walks by his personal chunk of history, he can hear Converge, Glass Jaw, Snapcase, the Deftones, Green Day, Earth Crisis, the Gaslight Anthem, BoySetsFire, Fugazi, Social Distortion, Rancid, the Business, Shai Hulud, Poison The Well, Agnostic Front, ALL, H20, Avail, Hot Water Music, Helmet, Hatebreed, AFI, Offspring, Prayer for Cleansing, Bane, Comeback Kid, Defeater, BTBAM, Cro-Mags, Every Time I Die, Dillinger Escape Plan, Finch, Hopesfall, Candiria, Beloved, Zao, Evergreen Terrace, the Henry Rollins Band, A Life Once Lost, Bleeding Through, Hank the Third, Bayside, the Misfits, Gregg Allman, Neurosis, Soulfly, Tom Morello, letlive, Murs, Simon Says, 36 Crazyfists, Cave In, Cursive, ANTiSEEN, Five Times Down, Clout, Setback, Black Acid Disco, 14 Feet Wide, Swift, He Is Legend, the Beatdowns, Glass Casket, Wretched, Atreyu, From Autumn to Ashes, Reflux, Animals as Leaders, the Casualties, ASG, Devil Driver, Superjoint Ritual, and, as he says, “every local band ever”. -
Motion City Soundtrack Tour Dates – 2012 Motion City Memories
Motion City Soundtrack Tour Dates – 2012 Motion City Memories - http://www.motioncitysoundtrack.net JANUARY FEBRUARY MARCH 3/11/12: Austin, TX - Palmer Events Center, West Canopy - w/ I Fight Dragons (SXSW Power Up! Party) 3/13/12: San Antonio, TX - The Korova - The Big Spill Music Festival w/ Big Freedia, Doomtree, Crystal Antlers, Pictureplane, The Velvet Teen, Gauntlet Hair, Sleepy Son, The Ton Tons, Juston Stens and The Get Real Gang, French Cassettes, The Big Sleep, Muldoon, The Soft White Sixties, Me You Us Them, The Curious Mystery, Maus Haus, Un, White Arrows, Cure For The Radio, Milli Mars, Buho 3/14/12: Austin, TX - Rusty's - SXSW Festival w/ Foxy Shazam, Gold Fields, For the Foxes, Menew, The Royalty, Young Hines, Victorian Halls, Sydney Wayser, Lily & The Parlour Tricks, Queen Caveat, A House for Lions, Ferocious Few, Cairo Knife Fight, Jack Littman, Thomas Wynn & The Believers, Rosie & Me, Vas Defrans, Fox & The Law, Strange Vine, Sound Advice 3/14/12: Austin, TX - Clive Bar - SXSW Festival w/ Goldrush, The Skies Revolt, The Company We Keep, Brick + Mortar, A Great Big Pile of Leaves 3/15/12: Austin, TX - Latitude 30 - SXSW Festival w/ Foxy Shazam, Crystal Fighters, Twin Atlantic, Jonquil and The Chevin 3/16/12: Austin, TX - PureVolume House - SXSW Festival w/ Arrange, The Front Bottoms, Hellogoodbye, Doomtree 3/17/12: Grand Prairie, TX - QuikTrip Park - South by So What Festival w/ Asking Alexandria, The Early November, We Came As Romans, Hellogoodbye, Emmure, For Today, Cartel, Sleeping with Sirens, Set Your Goals, Abandon -
Danny Way Vs. Tony Hawk
SUPPORT Danny Way vs. Tony Hawk INDEPENDENT PUBLISHING Today, Saturday July 9th, 2005, Danny Way once again amazed the world with a World Record jump over the Great Wall of China. He landed it on his second attempt. After he landed a straight air over it, he tried it 3 more times, landing backside 360’s over it. Can you believe the ADVERTISE guy 360’d the Great Wall of China? That’s fucking insane. Sure, to jump that 61 ft gap is huge, but imagine spinning WITH US 360’s over it. Also today, Tony Hawk is gearing up for another stop on his extreme sports whoring arena tour, Boom Boom Huck Jam. Who do you think is earning more money today, and who do you think it earning more respect? I think you know the answer. contact After looking at the sponsors for both Way and Hawk, you [email protected] can tell who’s after the money and who’s in it for skate- boarding. Danny’s sponsors include: DC Shoes, Plan B, and Independent trucks. Tony’s include: Birdhouse, Adio, McDonalds. Not to mention his earlier endorsements for Bagel Bites, Hot Wheels, and Club Med. Win Free Product!!! Both Tony and Danny are alike. Both were young skate- boarding prodigies, Danny with H-Street and Plan B, and Tony with Powell Peralta. Both are known for their vert What was the name of the short lived skating skills. Both own their own skateboard companies. skatepark that was located at the 1201 E. Lake St. location,after Twin It seems though, as soon as Tony landed the 900, that the endorsements started flowing.