Vesper™ is a type family designed to set large amounts of text and to make every word comfortable to read. It quietly exudes unique personalities in both text and display sizes yet remains unobtrusive to to the reading process. At larger point sizes, fine details emerge that are hidden when set smaller. The design features softly broken corners on inside curves, sloped serifs, and minutely rounded corners. The family’s five weights and italics all contain wide language support and tons of advanced typographic features for meticulous and complex typesetting.

Designed by → Rob Keller US Le & tte Format .TTF OpenType 4 r → p A t a i p fi 5 Weights e Styles PRINT

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Upright & Italic s

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o e s v.1 – 2009 n Published → e ed v.1.5 – 2016 to scale!

Vesper is a trademark of Mota Italic & may be registered in certain jurisdictions. www.motaitalic.com Vesper Overview 2 Whether you are into detailed micro typography or you are look- preciate it for the array of characters, symbols, and OpenType ing to push around letters at large sizes, Vesper is ready for you. features to clearly and accurately typeset their research. While Book and publication designers have discovered how Vesper’s others prefer use it huge on posters and advertising to showcase unique tone suits a wide variety of messages. Academics ap- the details that are only visible at display sizes. ♣

“A dry martini,” he said. “One. In a deep champagne goblet.” »Oui, monsieur.« “Just a moment. Three measures of Gordon’s, one of vodka, half a measure of Kina . Shake it very well until it’s ice-cold, then add a large thin slice of lemon- peel. Got it?” »Certainly, monsieur.«

www.motaitalic.com Vesper Family 3

Heavy A habit of taking a lot of trouble over details.

Heavy Italic A habit of taking a lot of trouble over details.

Bold A habit of taking a lot of trouble over details.

Bold Italic A habit of taking a lot of trouble over details.

Medium A habit of taking a lot of trouble over details.

Medium Italic A habit of taking a lot of trouble over details.

Regular A habit of taking a lot of trouble over details.

Regular Italic A habit of taking a lot of trouble over details.

Light A habit of taking a lot of trouble over details.

Light Italic A habit of taking a lot of trouble over details.

www.motaitalic.com Vesper Text Settings 4 15/17 Heavy Voilà! In view, a humble vaudevillian veteran, cast vicariously as both vic- tim and villain by the vicissitudes of Fate. This visage, no mere veneer of vanity, is a vestige of the vox populi, now vacant, vanished. However, this valorous visitation of a by-gone vexation, stands vivified and has vowed to vanquish these venal and virulent vermin vanguarding vice and vouch- safing the violently vicious and voracious violation of volition. The only

15/17 Bold Voilà! In view, a humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of Fate. This visage, no mere veneer of vanity, is a vestige of the vox populi, now vacant, vanished. However, this valorous visitation of a by-gone vexation, stands vivified and has vowed to vanquish these venal and virulent vermin vanguarding vice and vouchsafing the violently vicious and voracious violation of volition. The only verdict is vengeance; a

15/17 Medium Voilà! In view, a humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of Fate. This visage, no mere veneer of vanity, is a vestige of the vox populi, now vacant, vanished. However, this valorous visi- tation of a by-gone vexation, stands vivified and has vowed to vanquish these venal and virulent vermin vanguarding vice and vouchsafing the violently vi- cious and voracious violation of volition. The only verdict is vengeance; a ven-

15/17 Regular Voilà! In view, a humble vaudevillian veteran, cast vicariously as both victim and vil- lain by the vicissitudes of Fate. This visage, no mere veneer of vanity, is a vestige of the vox populi, now vacant, vanished. However, this valorous visitation of a by-gone vexation, stands vivified and has vowed to vanquish these venal and virulent vermin vanguarding vice and vouchsafing the violently vicious and voracious violation of volition. The only verdict is vengeance; a vendetta, held as a votive, not in vain, for

15/17 Light Voilà! In view, a humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of Fate. This visage, no mere veneer of vanity, is a vestige of the vox populi, now vacant, vanished. However, this valorous visitation of a by-gone vexation, stands vivified and has vowed to vanquish these venal and virulent vermin vanguarding vice and vouchsafing the violently vicious and voracious violation of volition. The only verdict is vengeance; a vendetta, held as a votive, not in vain, for the value and veracity

www.motaitalic.com Vesper Text Settings 5

10/12 Heavy 10/12 Heavy Italic In Fleming's novels, many Bond girls have some sort In Fleming's novels, many Bond girls have some sort of independent job or even career, often one that was of independent job or even career, often one that was considered inappropriate for women in the 1950s. Ves- considered inappropriate for women in the 1950s. Ves- per Lynd, Gala Brand, , Mary Ann per Lynd, Gala Brand, Tatiana Romanova, Mary Ann Russell, and Mary Goodnight are in intelligence or Russell, and Mary Goodnight are in intelligence or law- law-enforcement work. Those who are criminals, such enforcement work. Those who are criminals, such as as and , tend to be simi- Tiffany Case and Pussy Galore, tend to be similarly larly independent-minded in how they approach their independent-minded in how they approach their work— work—the latter even running her own syndicate. the latter even running her own syndicate. Even those

10/12 Bold 10/12 Bold Italic In Fleming's novels, many Bond girls have some sort In Fleming's novels, many Bond girls have some sort of of independent job or even career, often one that was independent job or even career, often one that was consid- considered inappropriate for women in the 1950s. Vesper ered inappropriate for women in the 1950s. , Lynd, Gala Brand, Tatiana Romanova, Mary Ann Russell, Gala Brand, Tatiana Romanova, Mary Ann Russell, and and Mary Goodnight are in intelligence or law-enforce- Mary Goodnight are in intelligence or law-enforcement ment work. Those who are criminals, such as Tiffany work. Those who are criminals, such as Tiffany Case and Case and Pussy Galore, tend to be similarly independent- Pussy Galore, tend to be similarly independent-minded in minded in how they approach their work—the latter even how they approach their work—the latter even running running her own syndicate. Even those Bond girls who her own syndicate. Even those Bond girls who have more

10/12 Medium 10/12 Medium Italic In Fleming's novels, many Bond girls have some sort of In Fleming's novels, many Bond girls have some sort of inde- independent job or even career, often one that was consid- pendent job or even career, often one that was considered in- ered inappropriate for women in the 1950s. Vesper Lynd, appropriate for women in the 1950s. Vesper Lynd, Gala Brand, Gala Brand, Tatiana Romanova, Mary Ann Russell, and Tatiana Romanova, Mary Ann Russell, and Mary Goodnight Mary Goodnight are in intelligence or law-enforcement are in intelligence or law-enforcement work. Those who are work. Those who are criminals, such as Tiffany Case and criminals, such as Tiffany Case and Pussy Galore, tend to be Pussy Galore, tend to be similarly independent-minded similarly independent-minded in how they approach their in how they approach their work—the latter even run- work—the latter even running her own syndicate. Even ning her own syndicate. Even those Bond girls who have those Bond girls who have more conventional or glamorous

10/12 Regular 10/12 Regular Italic In Fleming's novels, many Bond girls have some sort of inde- In Fleming's novels, many Bond girls have some sort of in- pendent job or even career, often one that was considered in- dependent job or even career, often one that was considered appropriate for women in the 1950s. Vesper Lynd, Gala Brand, inappropriate for women in the 1950s. Vesper Lynd, Gala Brand, Tatiana Romanova, Mary Ann Russell, and Mary Goodnight Tatiana Romanova, Mary Ann Russell, and Mary Goodnight are in intelligence or law-enforcement work. Those who are are in intelligence or law-enforcement work. Those who are criminals, such as Tiffany Case and Pussy Galore, tend to be criminals, such as Tiffany Case and Pussy Galore, tend to be similarly independent-minded in how they approach their similarly independent-minded in how they approach their work—the latter even running her own syndicate. Even those work—the latter even running her own syndicate. Even those Bond girls who have more conventional or glamorous jobs Bond girls who have more conventional or glamorous jobs show

10/12 Light 10/12 Light Italic In Fleming's novels, many Bond girls have some sort of in- In Fleming's novels, many Bond girls have some sort of independent dependent job or even career, often one that was considered job or even career, often one that was considered inappropriate for inappropriate for women in the 1950s. Vesper Lynd, Gala Brand, women in the 1950s. Vesper Lynd, Gala Brand, Tatiana Romanova, Tatiana Romanova, Mary Ann Russell, and Mary Goodnight Mary Ann Russell, and Mary Goodnight are in intelligence or law- are in intelligence or law-enforcement work. Those who are enforcement work. Those who are criminals, such as Tiffany Case criminals, such as Tiffany Case and Pussy Galore, tend to be and Pussy Galore, tend to be similarly independent-minded in similarly independent-minded in how they approach their how they approach their work—the latter even running her own work—the latter even running her own syndicate. Even those syndicate. Even those Bond girls who have more conventional or Bond girls who have more conventional or glamorous jobs show glamorous jobs show themselves to be invested in having an inde-

www.motaitalic.com Vesper Text Settings 6

6/7 Heavy 7.5/9 Heavy 9/11 Heavy Bond girls conform to a fairly well-defined stand- Bond girls conform to a fairly well-defined Bond girls conform to a fairly well-defined ard of beauty. They possess splendid figures and standard of beauty. They possess splendid tend to dress in a slightly masculine, assertive standard of beauty. They possess splendid figures and tend to dress in a slightly mas- fashion, wear little jewelry—and that in a mas- figures and tend to dress in a slightly mas- culine cut—wide leather belts, and square-toed culine, assertive fashion, wear little jew- leather shoes. Their hair may be any color, though elry—and that in a masculine cut—wide culine, assertive fashion, wear little jew- they typically wear it in a natural or casual style that falls heavily to their shoulders. Their fea- leather belts, and square-toed leather elry—and that in a masculine cut—wide tures, especially their eyes and mouths, are often shoes. Their hair may be any color, though leather belts, and square-toed leather widely spaced. Their eyes are usually blue, and they typically wear it in a natural or casual shoes. Their hair may be any color, though sometimes this is true to an unusual and striking style that falls heavily to their shoulders. degree. The first description of a , Casino they typically wear it in a natural or casual Royale's Vesper Lynd, is almost a template for the Their features, especially their eyes and typical dress as well as the general appearance of mouths, are often widely spaced. Their style that falls heavily to their shoulders. later Bond girls; she sports nearly all of the fea- eyes are usually blue, and sometimes this Their features, especially their eyes and

6/7 Bold 7.5/9 Bold 9/11 Bold Bond girls conform to a fairly well-defined standard Bond girls conform to a fairly well-defined Bond girls conform to a fairly well-defined of beauty. They possess splendid figures and tend to standard of beauty. They possess splendid dress in a slightly masculine, assertive fashion, wear standard of beauty. They possess splendid figures and tend to dress in a slightly mas- little jewelry—and that in a masculine cut—wide figures and tend to dress in a slightly mas- leather belts, and square-toed leather shoes. Their culine, assertive fashion, wear little jewelry— hair may be any color, though they typically wear it and that in a masculine cut—wide leather culine, assertive fashion, wear little jewelry— in a natural or casual style that falls heavily to their shoulders. Their features, especially their eyes and belts, and square-toed leather shoes. Their and that in a masculine cut—wide leather mouths, are often widely spaced. Their eyes are usu- hair may be any color, though they typically belts, and square-toed leather shoes. Their ally blue, and sometimes this is true to an unusual wear it in a natural or casual style that falls hair may be any color, though they typically and striking degree. The first description of a Bond heavily to their shoulders. Their features, girl, 's Vesper Lynd, is almost a tem- wear it in a natural or casual style that falls plate for the typical dress as well as the general ap- especially their eyes and mouths, are often pearance of later Bond girls; she sports nearly all of widely spaced. Their eyes are usually blue, heavily to their shoulders. Their features, the features discussed above. In contrast, Dominetta and sometimes this is true to an unusual especially their eyes and mouths, are often

6/7 Medium 7.5/9 Medium 9/11 Medium Bond girls conform to a fairly well-defined standard Bond girls conform to a fairly well-defined Bond girls conform to a fairly well-defined of beauty. They possess splendid figures and tend to standard of beauty. They possess splendid fig- dress in a slightly masculine, assertive fashion, wear standard of beauty. They possess splendid ures and tend to dress in a slightly masculine, little jewelry—and that in a masculine cut—wide figures and tend to dress in a slightly mas- leather belts, and square-toed leather shoes. Their assertive fashion, wear little jewelry—and hair may be any color, though they typically wear it that in a masculine cut—wide leather belts, culine, assertive fashion, wear little jewelry— in a natural or casual style that falls heavily to their shoulders. Their features, especially their eyes and and square-toed leather shoes. Their hair may and that in a masculine cut—wide leather mouths, are often widely spaced. Their eyes are usu- be any color, though they typically wear it in belts, and square-toed leather shoes. Their ally blue, and sometimes this is true to an unusual a natural or casual style that falls heavily to hair may be any color, though they typically and striking degree. The first description of a Bond their shoulders. Their features, especially girl, Casino Royale's Vesper Lynd, is almost a template wear it in a natural or casual style that falls for the typical dress as well as the general appearance their eyes and mouths, are often widely spaced. of later Bond girls; she sports nearly all of the features Their eyes are usually blue, and sometimes heavily to their shoulders. Their features, discussed above. In contrast, Dominetta "Domino" Vi- this is true to an unusual and striking degree. especially their eyes and mouths, are often

6/7 Regular 7.5/9 Regular 9/11 Regular Bond girls conform to a fairly well-defined standard of Bond girls conform to a fairly well-defined stand- Bond girls conform to a fairly well-defined beauty. They possess splendid figures and tend to dress ard of beauty. They possess splendid figures and in a slightly masculine, assertive fashion, wear little jew- standard of beauty. They possess splendid fig- tend to dress in a slightly masculine, asser- elry—and that in a masculine cut—wide leather belts, ures and tend to dress in a slightly masculine, and square-toed leather shoes. Their hair may be any tive fashion, wear little jewelry—and that in a color, though they typically wear it in a natural or casual masculine cut—wide leather belts, and square- assertive fashion, wear little jewelry—and that style that falls heavily to their shoulders. Their features, especially their eyes and mouths, are often widely spaced. toed leather shoes. Their hair may be any color, in a masculine cut—wide leather belts, and Their eyes are usually blue, and sometimes this is true to though they typically wear it in a natural or square-toed leather shoes. Their hair may be an unusual and striking degree. The first description of a casual style that falls heavily to their shoulders. any color, though they typically wear it in a Bond girl, Casino Royale's Vesper Lynd, is almost a tem- Their features, especially their eyes and mouths, plate for the typical dress as well as the general appear- natural or casual style that falls heavily to their ance of later Bond girls; she sports nearly all of the fea- are often widely spaced. Their eyes are usually tures discussed above. In contrast, Dominetta "Domino" blue, and sometimes this is true to an unusual shoulders. Their features, especially their eyes Vitali arguably departs to the greatest degree from the and striking degree. The first description of a and mouths, are often widely spaced. Their eyes

6/7 Light 7.5/9 Light 9/11 Light Bond girls conform to a fairly well-defined standard of Bond girls conform to a fairly well-defined stand- Bond girls conform to a fairly well-defined stand- beauty. They possess splendid figures and tend to dress ard of beauty. They possess splendid figures in a slightly masculine, assertive fashion, wear little jew- ard of beauty. They possess splendid figures and and tend to dress in a slightly masculine, asser- elry—and that in a masculine cut—wide leather belts, and tend to dress in a slightly masculine, assertive square-toed leather shoes. Their hair may be any color, tive fashion, wear little jewelry—and that in a though they typically wear it in a natural or casual cut that masculine cut—wide leather belts, and square- fashion, wear little jewelry—and that in a mas- falls heavily to their shoulders. Their features, especially their eyes and mouths, are often widely spaced. Their eyes toed leather shoes. Their hair may be any color, culine cut—wide leather belts, and square-toed are usually blue, and sometimes this is true to an unusual though they typically wear it in a natural or leather shoes. Their hair may be any color, though and striking degree. The first description of a Bond girl, casual style that falls heavily to their shoulders. they typically wear it in a natural or casual style Casino Royale's Vesper Lynd, is almost a template for the Their features, especially their eyes and mouths, typical dress as well as the general appearance of later Bond that falls heavily to their shoulders. Their fea- girls; she sports nearly all of the features discussed above. are often widely spaced. Their eyes are usually In contrast, Dominetta "Domino" Vitali arguably departs blue, and sometimes this is true to an unusual tures, especially their eyes and mouths, are often to the greatest degree from the template, dressing in white and striking degree. The first description of a widely spaced. Their eyes are usually blue, and

www.motaitalic.com Vesper Character Set 7 Vesper contains a vast character set that is capable of typesetting all contain full linguistic support for the supported languages. Add to over 88 Latin-based languages. There are four complete alphabets that a range of refined contextual alternates, symbols, & nine sets of in each weight (upper case, lower case, small caps, & petite caps) and numerals and you find there are 1,207 glyphs in each font.

www.motaitalic.com Vesper Language Support 8 Vesper knows many languages; including: Afar, Afrikaans, Albanian, Lakota, Latin, Latvian, Leonese, Lithuanian, Luxembourghish, Malay, Arbëresh, Aromanian, Asturian, Basque, Bosnian [latin], Breton, Maltese, Māori, Mohawk, Moldovan [latin], Montenegrin, Norwegian Catalan, Chamorro, Cornish, Corsican, Crimean Tatar [latin], [bokmål], Norwegian [nynorsk], Pan-European, Polish, Portugese, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Romanian, Romansh, Romani, Sami [northern, southern, inari, lule], Faroese, Filipino, Finnish, French, Frisian, Friulian, Gaelic [manx, Sanskrit transliteration, Sardinian, Serbian [latin], Sicilian, Slovak, scots], Gagauz, Galician, German, Greenlandic, Hawaiian, Hindi Slovenian, Sorbian, Spanish, Swahili, Swedish, Tetum, Tongan, transliteration, Hungarian, Icelandic, Indonesian, Interlingua, Irish, Turkish, Turkmen [latin], Uzbek [latin], Volapük, Võro, Walloon, Italian, Karakalpak, Karelian, Kashubian, Kurdish [latin], Ladin, Welsh, Wolof, Xhosa. Læssøesgade Zāģētavas iela, Ērgļi Nærøyfjorden Ienăchiţă Văcărescu Volcán Xinantécatl Nysa Łużycka Pražská konzervatoř www.motaitalic.com Vesper Language Support Text Settings 9

9/11 Heavy Čeština 9/11 Heavy Dansk 9/11 Heavy Deutsch vymyslel postavu Jamese Filmen er et reboot af Bond-univer- Als der MI6 davon erfährt, wird Bonda během dovolené ve svém ja- set. Handlingen i filmen skal ikke Bond beauftragt, dessen Plan zu majském sídle Zlaté oko (Golden Eye forstille at foregå før handlingen i vereiteln. Hilfe erhält Bond vom - později název pro jeden z filmů) v den første -film Dr. No, lokalen Agenten René Mathis, der únoru 1952. Bond získal svoje jméno hvilket ville være tilfældet hvis det Bond zunächst mit Vesper Lynd be- po americkém ornitologovi Jamesu var en prequel; i stedet foregår hand- kannt macht, einer Mitarbeiterin Bondovi, expertovi na karibské ptá- lingen i nutiden og i en virkelighed, des Schatzamts von ebenfalls bis ky a autorovi publikace Ptáci Západní hvor intet i de foregående Bond-film zuletzt ambivalenter Loyalität, mit Indie (Birds of the West Indies); ja- er sket. Alligevel anses filmen afEON der Bond jedoch im späteren Verlauf

9/11 Bold Español 9/11 Bold Esperanto 9/11 Bold Français La siguiente audición importante giró Martinio estas aperitiva koktelo farita Dans le train qui le mène vers le en torno a la chica Bond principal, Ves- el ĝino kaj blanka vermuto; eblas uzi Monténégro, James Bond rencontre per Lynd. El director de casting Debbie vodkon anstataŭ ĝino. Tamen James Vesper Lynd, employée du Groupe McWilliams reconoció luego que las Bond ĉiam mendis sian Martinion kun d'action financière qui finance Bond actrices de Hollywood Angelina Jolie la mencio "skuita ne kirlita". Oni ser- pour la partie. Il tombe immédiate- y Charlize Theron habían sido «fuer- vas martinion en konusa koktela glaso, ment sous son charme mais elle, assez temente consideradas» para el papel, kun aŭ sen glacio, sed garnita per olivo fine, s'intéresse plus à l'argent qu'elle añadiendo también que la actriz bel- aŭ peco de citrona ŝelo. Inicitoj insis- va lui confier. Arrivé à destination et ga Cécile de France había hecho una tas, ke la miksado de ĝino kaj vermuto vers l'hôtel, elle refuse de partager

9/11 Medium Íslenska 9/11 Medium Lietuvių 9/11 Medium Magyar James Bond er myndarlegur breskur Majamio oro uoste. Tačiau pagrindinis A Casino Royale az első Bond-film az njósnari með einkennisnúmerið 007, jo priešininkas – – bankinin- 1989-es A magányos ügynök óta, mely sem þýðir að hann hefur leyfi til að kas, remiantis teroristines organizacijas közvetlenül egy Ian Fleming-regény cí- drepa. Hann ferðast um heiminn og Afrikoje. Bondas vyksta į Juodkalniją mét viseli. Továbbá szintén az említett notar gáfur sínar, bardagakunnáttu su savo mergina Vesper Lynd į pokerio 16. Bond-kaland óta az első, melynek og hátækni til þess að sigra illmenni turnyrą, kuriame dalyvauja Le Chiffre. nem készült novelizációja, azaz nem sem sækjast eftir heimsyfirráðum. Ian Agento tikslas – priversti Le Chiffre adtak ki regényt a forgatókönyv alapján, Fleming notaði þó ekki mikil tæki og pralošti pinigus. Nors Bondas laimi, ta- érthető módon. Ehelyett a film bemuta- tól í bókum sínum en þau urðu eitt čiau juo pasinaudojusi Vesper vis vien tójával közel egy-időben ismét megje-

9/11 Regular Nederlands 9/11 Regular Norsk 9/11 Regular Polski In Casino Royale wordt Bond verliefd op Filmen viser James Bonds første opp- 007 dochodzi do siebie nad jeziorem zijn collega Vesper Lynd, en overweegt hij drag, hvor han reiser rundt i verden på Como, gdzie wyznaje miłość Vesper. Koń- ontslag te nemen om met haar een nieuw jakt etter en terroristfinansierer, Le Chif- cząc akcję w Czarnogórze, doprowadza do leven te beginnen. Zij pleegt echter zelf- fre. Etter å ha sabortert et bombeangrep aresztowania Mathisa i odbiera wygrane moord, en bekent in haar afscheidsbrief drar Bond til Montengro for å forsøke å pieniądze, ujawniając Vesper, że hasłem een dubbelagente van de MVD te zijn, slå Le Chiffre konkurs under et poker- do konta jest jej imię. Zakochana para waarna Bond met hernieuwde strijdlust spill. Under oppdraget treffer han Vesper spędza dni w Wenecji, a Bond decyduje zijn loopbaan als spion voortzet. Vanaf dat Lynd, som fanger hans oppmerksomhet, się porzucić pracę w wywiadzie wybie- moment koestert Bond een persoonlijke og de blir senere forelsket. Vesper Lynd rając życie z ukochaną. Problemy poja-

9/11 Light Português 9/11 Light Română 9/11 Light Suomi Agora sob pressão para recuperar o dinhei- Casino Royale este cel de-al 21-lea film James Bond on Prahassa tehtävänään ro de seus clientes, Le Chiffre arruma um din seria James Bond și primul cu Daniel eliminoida Dryden-niminen MI6-osasto- torneio de poquer de alto risco no Cassino Craig în rolul agentului MI6 James Bond. päällikkö (Malcolm Sinclair), joka on lait- Royale em Montenegro. Esperando que Romanul Casino Royale din 1953 scris de tomasti myynyt Britannian valtionsalai- uma derrota forçaria Le Chiffre a ajudar Ian Fleming a fost adaptat pentru marele suuksia terroristeille. Bondin onnistuessa o governo britânico em troca de proteção ecrane de scenariștii Neal Purvis, Robert tappamaan Drydenin ja hänen kätyrinsä contra seus clientes, o MI6 coloca Bond no Wade și Paul Haggis (laureat cu Premiul Fisherin, hänet ylennetään 00-agentiksi torneio. Ele se encontra com René Mathis, Oscar) și regizat de Martin Campbell (Gol- ja hänelle annetaan ”lupa tappaa”. Kan- seu aliado em Montenegro, e com Vesper denEye, 1995). A fost produs de EON Pro- sainvälisille terroristeille työskentelevä

www.motaitalic.com Vesper OpenType Features 10

liga fi fl ff fb... → fi fl ff... fb ordn 1a2o → 1a2o

ligatures ordinals

dlig st ct → st ct frac 12 34/567 → 12 34/567

discretionary ligatures Fractions

calt gu fy rx... → gu fy rx... numr H12345 → H12345

contextual alternates Numerator

hist History → Hiſtory dnom H67890 → H67890

historical forms Denominator

c2sc ABCDEFG → ABCDEFG sups H12345 → H12345

uppercase to small caps Superscript / Superior

smcp abcdefgh → abcdefgh sinf H67890 → H67890

lowercase to small caps Subscript / Inferior

c2pc ABCDEFG → ABCDEFG lnum 12345678 → 12345678

uppercase to petite caps – also ss01 proportional lining

pcap abcdefgh → abcdefgh tnum 12345678 → 12345678

lowercase to petite caps – also ss02 tabular figures (oldstyle, lining, small caps)

salt **** → **** zero 000000 → 000000

stylistic alternates slashed zero

www.motaitalic.com Vesper Hebrew & Devanagari 11 Aside from the Latin glyphs, Vesper is also available in Hebrew and The Hebrew companion was drawn by the renound Israeli type Devanagari versions. The Devanagari was actually began first, it designer, typographer, & artist Oded Ezer. This award winning design inspired much of the curves and character of the design found in has been regarded as one of the most revolutionary Hebrew typefaces the Latin and Hebrew. But it wouldn’t get completed and released since XXX (1957?). until 2016. But the wait was worth it. Every glyph was analized and refined by Kimya Gandhi, turning it into one of the finest Devanagari You can learn more about both these families at motaitalic.com. typefaces ever created.

एक 蕍섾य मा셍紿नी ! (ग ने पाण्डलिपि अपने मित्र (और बादम ᴂ सम्पदकﴂकसिनो रोयाल को पुरा करने के बाद फ़ ्लम विलियम प्लोर को पढने के लिए दी।

किरदार की ꥍ셇रणा नाम की उत㔪配鄿 ग को अपने पात्र का नाम अमेरिकी प啍ष विशारद जेम् बॉण् स े मिला जोﴂग ने 饂सरे विश्वयुद्ध के दौरानव ने ल जानकारी विभाग म ᴂ कार㔯 करते ए उन㔹ᴂ मिले फ़ ्लमﴂफ़ ्लम कई लोगⴂ पर बॉण् का किरदार आधारित किया और यह क़ ु बूल भी किया कि बॉण् करिबियाई पक्यⴂ के विशेषज्ञव बर्ड ऑफ़ द वेस् इंडिज़ के लेखक थे। स्यं पक्यⴂ ,ग ने बॉण् की प配न स े कहा कि “मुझे ऐसा लगा कि यह छोटाﴂउन सभी ख़ फु िया जाससू ⴂ व कमांडो का मिला जुला 셂प है जिनस े म ℂ युद्ध के दौरान म ᴂ 셁चि रखने वाले फ़ ्लम“ ग ने कहाﴂग के भाई के अलावा अन् कई लोगⴂ ने बॉण् के निर्मण म ᴂ कुछ न बिना 셁चि वाला किन्त मर्दना अं嵍रज़ ी नाम ही है”. एक अन् अवसर पर फ़ ्लमﴂमिला”। फ़ ्लम े ग को १९३० म ᴂ किट्ज बुहेल म ᴂ मिले गुप्चर कॉनरैड कि “मुझे एक साधारण और सुस् नाम चाहिए था और ‘जेम् बॉण् ’ पैराग्न कै셁थर् जैसﴂकुछ योगदान दिया जिनम ᴂ फ़ ्लम ओ’녍रयन-괼् ᴂ च, युद्ध के दौरान क्र॰स ं॰ ३० कमांडो यूनिट म ᴂ सवे ा प्रदान करनेव ाले नाम स े कई गुना बेहतर था।” उसके इर्-गिर् विचित्र घटनाएँ घटतीह ℂ परंतु वह स्यं एक पै絍섿क डॉलज़ ेल-जॉब और हस् नि셍मत सूट पहन कर पैरिस म ᴂ रॉल्-रॉयस म ᴂ घूमने वाले विरक्त 셂पह ै - एक सरकारी विभाग की कारयों कोअंजा म देने का एक अनामित कुं द एम॰आइ॰६ के पेरिस स्टशन हेड बिल “बिफ़ ी” डंडरडेल भी शामिल हℂ। ज़ रिया। जिसकी म ℂ तलाश म ᴂ था और इस तरह 饂सरे बॉण् का जन्म आ। דאָ בּל אָ ו סעוון בונד הוא יציר דמיונו של פלמינג, אך ייתכן כי היה מבוסס על מספר דמויות שאכן היו קיימות במציאות, כשהבולטות בהן הן דושקו פופוב, סוכן כפול לשעבר שריגל

םירפסה תרדס םיראתו םירוטיע ,ידנק .פ ןו'ג תירבה תוצרא אישנ םע ןויאר תובקעב המסרפתה הרדסה תותוא דנוב לש םיה ליח ידמ לע עיפומ "םיימעפ קר יח התא" טרסב אוה יכ בישה ,יאנפה תועשב תושעל בהוא אוה המ לאשנ רשאכש ףוסב ."'גרו'גו לקיימ רדסמ" תואו היינשה םלועה תמחלממ הכרעמ תוניינעתה לש לג הלחה וז הרהצה .גנימלפ ןאיא תא אורקל בהוא רדסמב תוריבא ראות לבקמ אוה "בהזה חדקא לעב שיאה" רפסה האמה לש -60ה תונשב .דואמ החילצמל הבשחנש םירפסה תרדסב לבא "ןינל רדסמ" תיילדמ תא לבקמ אוה "םייניעב חצר" טרסב .הז יחרזמ .מ תאצוהב "דנוב סמיי'ג" ירפס רפסמ תירבעב רוא ואר -20ה תותוא וידמ לע םיעיפומ "חצנל רחמ" טרסב .ותוא דונעל השרומ אל ירבעה ומש - "עשפה ימולהי"ו "יתוא הבהאש תלגרמה" ,"ונ ר"ד" םהבו טרסב .תיטירבה הירפמיאה רדסמ תואו היבלסוגוי תמחלממ הכרעמ ךיניעל" תא ןדומ תאצוה האיצוה 1985 תנשב ."חצנל םימולהי" לש הכרעמ תותוא דנוב לש םיה ליח ידמ לע עיפומ "םיימעפ קר יח התא" האיצוה 1988 תנשב .םירצק םירופיס השימח לש הפוסא ,"דבלב רפסה ףוסב ."'גרו'גו לקיימ רדסמ" תואו היינשה םלועה תמחלממ תאו "רגניפדלוג" תא ןדומ תאצוה טרסב .הז רדסמב תוריבא ראות לבקמ אוה "בהזה חדקא לעב שיאה"

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