for Die Fledermaus, which he also reprised in Chicago in 2014. Additional 2014-15 per- formances included singing at the Saito Kinen Festival in Matsumoto, Japan, and The Cunning Little Vixen with the Cleveland Orchestra. Career highlights include singing Beppe in Il pagliacci with Plácido Domingo and Washington Opera for a “Live from the Kennedy Center” telecast; his Carnegie Hall debut with the Cleveland Orches- tra as Torquemada in Ravel’s L’Heure espagnole under Pierre Boulez; Monostatos and Basilio with Paris Opera (Bastille/Garnier), and Pedrillo in Die Entführung aus dem Serail with the Ensemble Orchestral de Paris. Mr. Cangelosi recorded the sword-forg- ing scene from with Plácido Domingo for the EMI Classics CD “Domingo/ Scenes from the Ring.” In 2000 he completed the CD/film project of Tosca and made his screen debut at the 2001 Venice Film Festival. David Cangelosi also serves as the Artistic/Program Director of the Vann Vocal Institute and Distinguished Art- ist-in-Residence at Huntingdon College, both in Montgomery, Alabama. His previous BSO appearances were as the First Jew in concert performances of Strauss’s Salome, under Seiji Ozawa at Tanglewood in August 2001 and under Andris Nelsons at Sym- phony Hall in March 2014; and as the Marschallin’s Major Domo in Maestro Nelsons’ concert performances of Strauss’s at the start of the BSO’s 2016-17 subscription season.

Jochen Schmeckenbecher (Alberich) Making his Boston Symphony Orchestra and Tanglewood debuts this evening, Ger- man baritone Jochen Schmeckenbecher was raised in Hockenheim, and studied with Kurt Moll at the Musikhochschule Köln. Formerly a member of the ensemble at the Theater Hagen and the Komische Oper Berlin, he is now a regular guest on leading opera and concert stages. The 2016-17 season has included the role of Faninal in a new production of Der Rosenkavalier (Andris Nelsons/Robert Carsen) at the Royal Opera House, Covent Garden; a role debut as Dr. Schön in a new production of Lulu (Kent Nagano/Christoph Marthaler) at the Staatsoper Hamburg, and Klingsor in a new production of (Semyon Bychkov/Alvis Hermanis) at the Vienna State Opera, where he will also appear as Alberich and Faninal. Recent and upcoming engagements include returns to Opéra de Lyon, Oper Frankfurt, and Vienna State Opera; debuts at Vienna’s Musikverein and the Grafenegg Festival, and his first per- formances as Kaspar in Der Freischütz. With a focus on the German repertoire, Mr. Schmeckenbecher sings such roles as Alberich in Des Ring des Nibelungen, Amfortas and Klingsor in Parsifal, Kurwenal in , the Musiklehrer in Ariadne auf Naxos, Faninal, Peter in Hänsel und Gretel, Pizarro in Fidelio, and Wozzeck at the state operas in Berlin, Dresden, Hamburg, and Stuttgart, Opéra National de Paris, the , La Scala in Milan, the Liceu in Barcelona, Madrid’s Teatro Real, and the opera companies of Essen, Frankfurt, Leipzig, Lyon, San Francisco, and Turin. Other roles include Kolenaty in The Makropulos Case in Paris and at the Salzburg Festival, Marquis de la Force in Dialogues des Carmélites at the Theater an der Wien and Munich State Opera, and the Four Villains in The Tales of Hoffmann at Vienna’s Volksoper. Operatic roles he has sung in concert include the Spielmann in Königskinder with the Hamburg Symphony in the Laeiszhalle, Alberich with the Rund- funk-Sinfonieorchester Berlin in the Philharmonie Berlin, Orest in Elektra with the Gulbenkian Orchestra in Lisbon, Kurwenal with the Radio Filharmonisch Orkest in Amsterdam’s Concertgebouw, Mauregato in Schubert’s Alfonso und Estrella with the Berlin Philharmonic in the Philharmonie Berlin, and Zsupan in Zigeunerbaron with the NDR Radiophilharmonie in Hannover. Also in concert he has sung the Bauer in Gurrelieder at the Philharmonie de Paris, Jesus in Bach’s St. John Passion in Madrid’s Auditorio Nacional and in Düsseldorf, Lieder from Des Knaben Wunderhorn in the

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