DOCSLIB.ORG

List of 65Th Filmfare Award Winners 2020 – Download PDF Here

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
List of 65Th Filmfare Award Winners 2020 – Download PDF Here List of 65th Filmfare Award Winners 2020 – Download PDF Here letsstudytogether.co/list-of-filmfare-award-winners-pdf Filmfare Award 2020 Winners – List of 65th Filmfare Award Winners PDF 65th Filmfare Awards 2020 Winners PDF. The 65th Filmfare Awards ceremony, presented by The Times Group, honored the best Indian Hindi-language films of 2019. The 65th Filmfare Awards event was held on the 15th of February 2020 at Indira Gandhi Athletic Stadium, Guwahati. This is the first time in six decades that a Filmfare Award ceremony was held outside Mumbai. Karan Johar and Vicky Kaushal were hosts of the award ceremony. Congratulations to all the winners of the 65th Flimfare Awards 2020. Here is the full list of winners, best actors, films, short films, singers and many more. List of Filmfare Award Winners PDF – Alia Bhatt and Ranveer Singh-starrer Gully Boy won big at the awards. While Ranveer took home the Best Actor’s trophy for his performance in the film, Alia won the Best Actor in a Leading Role (Female) for the same film. List of 65th Filmfare Award Winners The event was hosted by Karan Johar, Varun Dhawan and Vicky Kaushal. The awards are presented to honour both artistic and technical excellence. A curtain raiser ceremony was held in Mumbai on 2 February 2020, which honoured the winners of technical and short film awards. In the same function, the nominations for popular awards were also announced. Actress Neha Dhupia was the host of this ceremony. Complete List of 65th Filmfare Award Winners Award Category Name of the Winner Movie Best Film Gully Boy 1/6 Best Director Zoya Akhtar Gully Boy Best Film (Critics) Article 15 (Anubhav Sinha) Sonchiriya (Abhishek Chaubey) Best Actor in A Leading Ranveer Singh Gully Boy Role (Male) Best Actor (Critics) Ayushmann Khurrana Article 15 Best Actor in A Leading Alia Bhatt Gully Boy Role (Female) Best Actress (Critics) Bhumi Pednekar Saand Ki Aankh Taapsee Pannu Best Actor in A Siddhant Chaturvedi Gully Boy Supporting Role (Male) Best Actor in A Amruta Subhash Gully Boy Supporting Role (Female) Best Music Album Zoya Akhtar (Gully Boy) For the best music Ankur Tewari (Guly album, two movies were Boy) chosen: Mithoon (Kabir Singh) Gully Boy Amaal Mallik (Kabir Kabir Singh Singh) Vishal Mishra (Kabir Singh) SachetParampara(Kabir Singh) Akhil Sachdeva (Kabir Singh) Best Lyrics Divine and Ankur Tewari for From Gully Boy ‘Apna Time Aayega’ Song Best Playback Singer Arijit Singh for ‘Kalank Nahi’ From Kalank (Male) Song 2/6 Best Playback Singer Shilpa Rao for Ghungroo From War (Female) (War) Best Debut Director Aditya Dhar Uri: The Surgical Strike Best Debut Actor Abhimanyu Dassani Mard Ko Dard Nahi Hota Best Debut Actress Ananya Pandey Student Of The Year 2, Pati Patni Aur Woh Best Original Story Anubhav Sinha Article 15 Gaurav Solanki Best Screenplay Reema Kagti Gully Boy Zoya Akhtar Best Dialogue Vijay Maurya Gully Boy Lifetime Achievement Ramesh Sippy Award Excellence In Cinema Govinda RD Burman Award For Sashwat Sachdev URI Upcoming Music Talent Best Actor Male Short Rajesh Sharma Tindey Film Best Costume Sonchiriya People’s Choice Award Deshi for Best Short Film Best Short Film in Bebaak Fiction Best Short Film in Non- Village Of A Lesser God Fiction Best Actor Female Sarah Hashmi Bebaak Short Film 3/6 Best Cinematography Gully Boy Best Action Award War Best VFX War Best Choreography Remo D’Souza for Ghar Kalank More Pardesiya (Kalank) Best Background Score Gully Boy Filmfare Awards – History The Filmfare Awards are a set of awards that honour artistic and technical excellence in the Hindi-language film industry of India. The Filmfare ceremony is one of the most prestigious film events in India.The awards were first introduced by The Times Group in 1954, the same year as the National Film Awards. They were initially referred to as the “Clare Awards” or “The Clares” after Clare Mendonca, the editor of The Times of India. A dual voting system was developed in 1956. Under this system, in contrast to the National Film Awards, which are decided by a panel appointed by Indian Government, the Filmfare Awards are voted on by both the public and a committee of experts. Winners of the 1 Filmfare Award are as follows: 1st Movie to win Best Film under Filmfare award: Do Bigha Zameen Best Director: Bimal Roy for ‘Do Bigha Zameen’ Best Actor (Male): Dilip Kumar for ‘Daag’ Best Actor (Female): Meena Kumari for ‘Baiju Bawra’ Best Music Director: Naushad Ali for Baiju Bawra The award was since then distributed every year. However, Filmfare was not awarded in 1986 and 1987 due to security reasons. The Filmfare Award ceremony is one of the most prestigious film events in India. It was first introduced in 1954. Its original name was ‘The Clares’, named after The Times of India critic Clare Mendonca. The first award function took place on 21 March in Metro Theatre, Mumbai. The guest of Honour in 1954 was ‘Gregory Peck’. That time, only 5 categories were there: Best Film, Best Director, Best Actor, Best Actress and Best Music Director. Filmfare started honouring excellence in South industries as well. At present, apart from the main ceremony, Filmfare is also honoured in Tamil, Telugu, Kannada and Malayalam industries held in Chennai and Hyderabad alternatively. It now also covers Bengali, Marathi and Punjabi film industries as well. Filmfare Glamour and Style Awards are further addition to these awards. The Filmfare Awards have been often referred to as the Hindi film industry’s equivalent to the Academy Awards in the United States. Until the mid-1990s, Filmfare Awards were the preeminent and most-recognised awards in Bollywood until several other awards 4/6 sprouted up in Mumbai. This has resulted in poor viewership since 2000s. Get Complete Static and Current Affairs PDF and Study Material – Click Here 100+ Expected GK Questions Based on Budget 2020 Set – 1 Set – 2 Set – 3 Set – 4 Set – 5 Set – 6 Set – 7 Set – 8 Set – 9 Set – 100+ Expected GK Questions PDF Based on Budget 2020 – Will Update 10 Soon…. Union Budget 2020-21 – Important Links Union Budget 2020 – Download Budget 2020 PDF के ीय बजट 2020 क मुय 100 Important Highlights of Budget 2020 िवशेषताएँ Union Budget 2020 Live Key Highlights of Economic Survey 2019-20 : Updates from Parliament Download Volume I and II PDF and Info-graphics House Note: If you want to attempt Daily GK & Current Affairs MCQ with Detailed Explanation at free, please attempt day wise quiz from below link- Attempt Free Monthly GK & Current Affairs MCQ with Detailed Explanation – Click Here A Complete Book of Current Banking & Financial Awareness 2020 with 2000+ MCQ with Detailed Solutions Yearly Current Affair PDF 2019 (5200+ MCQ 2750+ Last 6 Months Current with Detailed Solutions) Affairs Digest PDF 2019 A Complete Book of Current Banking & Financial Awareness 2020 (Theory+MCQ) – Download 2000+ MCQ with Detailed Solutions 5/6 6/6.
Load more

Recommended publications
  • Yash Chopra the Legend
    YASH CHOPRA THE LEGEND Visionary. Director. Producer. Legendary Dream Merchant of Indian Cinema. And a trailblazer who paved the way for the Indian entertainment industry. 1932 - 2012 Genre defining director, star-maker and a studio mogul, Yash Chopra has been instrumental in shaping the symbolism of mainstream Hindi cinema across the globe. Popularly known as the ‘King of Romance’ for his string of hit romantic films spanning over a five-decade career, he redefined drama and romance onscreen. Born on 27 September 1932, Yash Chopra's journey began from the lush green fields of Punjab, which kept reappearing in his films in all their splendour. © Yash Raj Films Pvt. Ltd. 1 www.yashrajfilms.com Yash Chopra started out as an assistant to his brother, B. R. Chopra, and went on to direct 5 very successful films for his brother’s banner - B. R. Films, each of which proved to be a significant milestone in his development as a world class director of blockbusters. These were DHOOL KA PHOOL (1959), DHARMPUTRA (1961), WAQT (1965) - India’s first true multi-starrer generational family drama, ITTEFAQ (1969) & AADMI AUR INSAAN (1969). He has wielded the baton additionally for 4 films made by other film companies - JOSHILA (1973), DEEWAAR (1975), TRISHUL (1978) & PARAMPARA (1993). But his greatest repertoire of work were the 50 plus films made under the banner that he launched - the banner that stands for the best of Hindi cinema - YRF. Out of these films, he directed 13 himself and these films have defined much of the language of Hindi films as we know them today.
    [Show full text]
  • Maharaja Chhatrasal Convention Centre‟ Has Recently Been Inaugurated in Which of These UNESCO World Heritage Locati
    Bankersadda.com Current Affairs Quiz for Bank Exams 2021 Adda247.com Quiz Date: 01st April 2021 Q1. The „Maharaja Chhatrasal Convention Centre‟ has recently been inaugurated in which of these UNESCO World Heritage locations? (a) Sanchi (b) Khajuraho (c) Konark (d) Hampi (e) Pattadakal Q2. Which team has won the maximum medals top finish at top place in medal table in the 2021 ISSF World Cup New Delhi? (a) China (b) USA (c) India (d) South Korea (e) Italy Q3. The first-ever Indo-Korean Friendship Park has been inaugurated at which place in India? (a) Rashtrapati Bhavan (b) Red Fort (c) Connaught Place (d) Delhi Cantonment (e) India Gate Q4. How many MoUs have been signed between India and Bangladesh recently during the visit of PM Modi? (a) 3 (b) 5 (c) 7 (d) 9 (e) 12 Q5. Which of the following bank has launched “UNI – CARBON CARD” with HPCL? (a) Union Bank of India (b) United Bank of India (c) UCO Bank (d) Indian Bank (e) City Union Bank Q6. Which of the following film has won the "Best Film" award at 66th Filmfare awards? (a) Chhappak (b) Angrezi Medium For any Banking/Insurance exam Assistance, Give a Missed call @ 01141183264 Bankersadda.com Current Affairs Quiz for Bank Exams 2021 Adda247.com (c) Tanhaji: The Unsung Warrior (d) Thappad (e) Malang Q7. A book titled "Names of the Women" authored by __________. (a) Ruskin Bond (b) Salman Rushdie (c) Vikram Seth (d) Shashi Tharoor (e) Jeet Thayil Q8. Noted Marathi writer _____________ will receive Saraswati Samman, 2020 for his book Sanatan.
    [Show full text]
  • Research Paper Impact Factor
    Research Paper IJBARR Impact Factor: 3.072 E- ISSN -2347-856X Peer Reviewed, Listed & Indexed ISSN -2348-0653 HISTORY OF INDIAN CINEMA Dr. B.P.Mahesh Chandra Guru * Dr.M.S.Sapna** M.Prabhudev*** Mr.M.Dileep Kumar**** * Professor, Dept. of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. **Assistant Professor, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***RGNF Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangothri, Mysore-570006, Karnataka, India. Abstract The Lumiere brothers came over to India in 1896 and exhibited some films for the benefit of publics. D.G.Phalke is known as the founding father of Indian film industry. The first Indian talkie film Alam Ara was produced in 1931 by Ardeshir Irani. In the age of mooki films, about 1000 films were made in India. A new age of talkie films began in India in 1929. The decade of 1940s witnessed remarkable growth of Indian film industry. The Indian films grew well statistically and qualitatively in the post-independence period. In the decade of 1960s, Bollywood and regional films grew very well in the country because of the technological advancements and creative ventures. In the decade of 1970s, new experiments were conducted by the progressive film makers in India. In the decade of 1980s, the commercial films were produced in large number in order to entertain the masses and generate income. Television also gave a tough challenge to the film industry in the decade of 1990s.
    [Show full text]
  • Bhoga-Bhaagya-Yogyata Lakshmi
    BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www.
    [Show full text]
  • Routledge Handbook of Indian Cinemas the Indian New Wave
    This article was downloaded by: 10.3.98.104 On: 28 Sep 2021 Access details: subscription number Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK Routledge Handbook of Indian Cinemas K. Moti Gokulsing, Wimal Dissanayake, Rohit K. Dasgupta The Indian New Wave Publication details https://www.routledgehandbooks.com/doi/10.4324/9780203556054.ch3 Ira Bhaskar Published online on: 09 Apr 2013 How to cite :- Ira Bhaskar. 09 Apr 2013, The Indian New Wave from: Routledge Handbook of Indian Cinemas Routledge Accessed on: 28 Sep 2021 https://www.routledgehandbooks.com/doi/10.4324/9780203556054.ch3 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes. Any substantial or systematic reproductions, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The publisher shall not be liable for an loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. 3 THE INDIAN NEW WAVE Ira Bhaskar At a rare screening of Mani Kaul’s Ashad ka ek Din (1971), as the limpid, luminescent images of K.K. Mahajan’s camera unfolded and flowed past on the screen, and the grave tones of Mallika’s monologue communicated not only her deep pain and the emptiness of her life, but a weighing down of the self,1 a sense of the excitement that in the 1970s had been associated with a new cinematic practice communicated itself very strongly to some in the auditorium.
    [Show full text]
  • Keshav Naidu (Film Editor ) AF&VE Membership No. FGI/124 B-504
    Keshav Naidu (Film Editor ) AF&VE Membership No. FGI/124 B-504, Blue Diamond, Ranade Road, Dahisar (West), Mumbai – 400068 Cell – 9892575311/9967168996 Mail : [email protected] Born in 1944, joined eminent film editor Mr T.Krishna , who used to be the editor of legendary South Indian movie director Mr A. Subbarao in 1971. Have the distinct expertise in all formats of film editing ie moviola, stenback (Linear film format) as well as Avid, FCP (Non-linear Digital Editing) Had the blessed opportunity to work as editor for legendary film directors of India. Worked as Independent editor for classic movies of Padmashri Mr Govind Nihalani (Aakrosh,Vijeta) ,Mr Chetan Anand (Kudrat) ,Mr Mukul S. Anand (Aitbar-1985)and commercial superhit movies of Padma Bhushan Mr Yash Chopra(Silsila,Mashal,Fasle,Vijay,Lamhe,Chandni and Darr), Mr Sunny Deol (Dillagi), Mr Guddu Dhanoa (Shaheed), Mr Deepak Sareen (Jab Pyar Kisise Hota Hai, Albela, Aaina), Mr Atul Agnihotri (Dil ne Jise Pyar Kaha),Mr Tinu Verma (Baaz), Mr Manmohan Singh (Jee Aiya Noo, Yaraan Naal Baharan, Assanu Mann Watanda and Mr Anil Sharma (Gadar). Debut Film as Independent Editor, Aakrosh bagged National Award for Best Feature Film in Hindi (1980), Filmfare Best Director Award (1981) and the Golden Peacock for Best film at the International Film Festival of India,New Delhi in 1981.It was also debut film of Govind Nihalani as director. KUDRAT was a box office hit .Rajesh Khanna received the 1982 All India Critics Association Best Actor Award . It also won the Filmfare Award for Best Story for Chetan Anand Best Female Playback Award--Parveen Sultana and Best Cinematographer Award for Jal Mistry Received prestigious Filmfare Awards as Best Editor for Vijeta (1982).Vijeta also received Filmfare Best Cinematographer Award for Govind Nihalani and Filmfare Best Sound Award for Hitendra Ghosh Lamhe is regarded as a modern Masterpiece .
    [Show full text]
  • Supplementary List
    26.05.2014 SUPPLEMENTARY LIST SUPPLEMENTARY LIST FOR TODAY IN CONTINUATION OF THE ADVANCE LIST ALREADY CIRCULATED. THE WEBSITE OF DELHI HIGH COURT IS www.delhihighcourt.nic.in INDEX PRONOUNCEMENT OF JUDGMENTS ------------> J-1 TO 1 REGULAR MATTERS -----------------------> R-1 TO 47 FINAL MATTERS (ORIGINAL SIDE) ---------> F-1 TO 5 ADVANCE LIST --------------------------> 1 TO 86 APPELLATE SIDE (SUPPLEMENTARY LIST)----> 87 TO 110 (FIRST PART) APPELLATE SIDE (SUPPLEMENTARY LIST)----> 111 TO 126 (SECOND PART) COMPANY -------------------------------> 127 TO 128 SECOND SUPPLEMENTARY-------------------> 129 TO 146 ORIGINAL SIDE (SUPPLEMENTARY I)--------> 147 TO NOTICE IN VIEW OF THE ENSUING SUMMER VACATION, FRESH MATTERS AND APPLICATIONS WILL ALSO BE LISTED ON THURSDAY, 29.05.2014. NOTES 1. Urgent mentioning may be made before Hon'ble DB-II at 10.30 a.m. 2. Hon'ble Ms. Justice Deepa Sharma will hear Criminal Appeals and Criminal Misc. Main(CRL.M.C.) matters listed before her Lordship in Court No. 18. 3. Listing of matters on Leave Arrangement may be seen at the bottom of Supplementary List. DELETIONS 1. WP(C) 3396/2014 listed before Hon'ble DB-III at item No.5 is deleted as the same is listed before Hon'ble DB-VII. 2. CRL.A. 644/2014 listed before Hon'ble Mr. Justice Sunil Gaur at item No.23 is deleted as the same is returned to Filing Counter. 3. MAC.APP. 496/2014 listed before Hon'ble Mr. Justice Valmiki J. Mehta at item No.31 is deleted as the same is listed before Hon'ble Mr. Justice Suresh Kait. 4. WP(C)3408/2014 listed before Hon'ble Mr.
    [Show full text]
  • Gangs of Wasseypur As an Active Archive of Popular Cinema
    M A D H U J A M U K H E R J E E Of Recollection, Retelling, and Cinephilia: Reading Gangs of Wasseypur as an Active Archive of Popular Cinema This paper studies Gangs of Wasseypur (Parts 1 and 2, 2012) as a definitive text via which Anurag Kashyap’s style became particularly provocative and pointed. While a range of films (both directed and produced by Kashyap) seemingly bear a certain ‘Kashyap mark’ in the manner in which they tackle subjects of violence and belligerent speech with an unpredictable comic sense, I argue that, more importantly, these films work within a particular visual framework with regard to its mise-en- scène (including the play of light, camera movement, modes of performance), as well as produce recognisable plot structures (involving capricious and realistic events), settings and locations (like the city’s underbelly, police stations, etc.), and so on. Indeed, Kashyap has made a set of films—including Paanch (unreleased), No Smoking (2007) and Ugly (2014)—which deal with similar issues, and explore contemporary cityscapes, especially Mumbai, with fervidness, thereby commenting on urban dystopia.1 Furthermore, these films speak to what has been analysed as the ‘Bombay noir’ mode by Lalitha Gopalan, by means of thoughtful art and set design, engaging (and often hand-held) camera movements and swish-pans, uses of blue or yellow filters, character prototypes, and reflective performances, which generate a world that is engulfed by a deep sense of disquiet and distress. This paper draws attention to such stylistic explorations, especially JOURNAL OF THE MOVING IMAGE 91 to the ways in which it has developed through Kashyap’s recent films.
    [Show full text]
  • Country's First Visually Impaired Woman IAS Officer Takes Charge
    All the world's a stage, and all the men and women merely players: TUESDAY they have their exits and their OCTOBER 15, 2019 entrances; and one man in his CHANDIGARH time plays many parts, his acts being seven ages. VOL. XXIII, NO. 246 PAGES 12 Rs. 2 William Shakespeare YUGMARGYOUR REGION, YOUR PAPER Dada to start new innings PM Modi is loudspeaker of Ambani- 'Dream Girl' becomes Ayushmann's highest- as BCCI Prez Adani: Rahul Gandhi grossing film, earns 140 cr ...PAGE 12 .... PAGE 3 ...PAGE 10 Indian-origin Banerjee, wife Duflo win Nobel for Economics RBI enhances withdrawal limit for PMC Bank depositors Abhijit studied at Calcutta University and JNU AGENCY to Rs 40,000 NEW DELHI, OCT 14 NEW DELHI: The Reserve Bank of India (RBI) has enhanced the Indian-American Abhijit Banerjee, his wife withdrawal limit for depositors of Esther Duflo and Michael Kremer were Punjab and Maharashtra Coop- awarded the 2019 Nobel Economics Prize on erative (PMC) Bank Ltd to Rs Monday for their approach to alleviate glob- 40,000. al poverty. Post-paid mobile phone On October 3, the RBI had per- mitted the depositors of the bank Fifty-eight-year-old Banerjee was born to withdraw up to Rs 25,000 of in 1961. He studied in Calcutta University’s the total balance in their ac- Presidency College and Jawaharlal Nehru counts. University and then did a PhD from Harvard services restored in "The RBI, after reviewing the in 1988. bank's liquidity position and its Duflo, 46, is the second woman to win ability to pay its depositors, has the economics prize after Elinor Ostrom got decided to further enhance the it in 2009, and is also the youngest ever to re- Kashmir without internet limit for withdrawal to Rs 40,000, ceive the economics award.
    [Show full text]
  • My Favourite Singers
    MY FAVOURITE SINGERS 12 01 01 SAMJHAWAN 17 CHALE CHALO 33 BARSO RE 48 JEENA 63 AY HAIRATHE 79 DIL KYA KARE (SAD) 94 SAAJAN JI GHAR AAYE 108 CHHAP TILAK 123 TUM MILE (ROCK) 138 D SE DANCE ARTIST: ARIJIT SINGH, SHREYA GHOSHAL • ALBUM/FILM: HUMPTY SHARMA KI DULHANIA ARTIST: A. R. RAHMAN, SRINIVAS • ALBUM/FILM: LAGAAN ARTIST: SHREYA GHOSHAL, UDAY MAZUMDAR • ALBUM/FILM: GURU ARTIST: SONU NIGAM, SOWMYA RAOH • ALBUM/FILM: DUM ARTIST: ALKA YAGNIK, HARIHARAN • ALBUM/FILM: GURU ARTIST: KUMAR SANU, ALKA YAGNIK • ALBUM/FILM: DIL KYA KARE ARTIST: KAVITA KRISHNAMURTHY, ALKA YAGNIK, KUMAR SANU ARTIST: KAILASH KHER • ALBUM/FILM: KAILASA JHOOMO RE ARTIST: SHAFQAT AMANAT ALI • ALBUM/FILM: TUM MILE ARTIST: VISHAL DADLANI, SHALMALI KHOLGADE, ANUSHKA MANCHANDA 02 ENNA SONA 18 ROOBAROO 34 KHUSHAMDEED 49 WOH PEHLI BAAR 64 AGAR MAIN KAHOON 80 DEEWANA DIL DEEWANA ALBUM/FILM: KUCH KUCH HOTA HAI 109 CHAANDAN MEIN 124 TERE NAINA ALBUM/FILM: HUMPTY SHARMA KI DULHANIA ARTIST: ARIJIT SINGH • ALBUM/FILM: OK JAANU ARTIST: A. R. RAHMAN, NARESH IYER • ALBUM/FILM: RANG DE BASANTI ARTIST: SHREYA GHOSHAL • ALBUM/FILM: GO GOA GONE ARTIST: SHAAN • ALBUM/FILM: PYAAR MEIN KABHI KABHI ARTIST: ALKA YAGNIK, UDIT NARAYAN • ALBUM/FILM: LAKSHYA ARTIST: UDIT NARAYAN, AMIT KUMAR • ALBUM/FILM: KABHI HAAN KABHI NA 95 MAIN ALBELI ARTIST: KAILASH KHER • ALBUM/FILM: KAILASA CHAANDAN MEIN ARTIST: SHAFQAT AMANAT ALI • ALBUM/FILM: MY NAME IS KHAN 139 VELE 03 GERUA 19 TERE BINA 35 BAHARA 50 TUNE MUJHE PEHCHAANA NAHIN 65 KUCH TO HUA HAI 81 KUCH KUCH HOTA HAI ARTIST: KAVITA KRISHNAMURTHY, SUKHWINDER SINGH • ALBUM/FILM: ZUBEIDAA 110 AA TAYAR HOJA 125 AKHIYAN ARTIST: VISHAL DADLANI, SHEKHAR RAVJIANI • ALBUM/FILM: STUDENT OF THE YEAR ARTIST: ARIJIT SINGH, ANTARA MITRA • ALBUM/FILM: DILWALE ARTIST: A.
    [Show full text]
  • Nowadays, the Meaning of Comedy Is Changed: Krushna Abhishek Krushna Abhishek Is Known for His Comic Roles in the films and TV
    TM Volume 5 I Issue 08 I March 2020 I Film Review p27 John Abraham to produce well-known social entrepreneur Revathi Roy’s biopic p06 Social values and cinema p25 Nowadays, the meaning of Sanjay Dutt sets the bar high as the quintessential villain. Check the list! comedy is changed: p08 KRUSHNA ABHISHEK #BOLLYWOODTOWN CONTENTSCONTENTS ¡ Sanjay Dutt sets the bar high as the ¡ Karisma Kapoor along with ACE quintessential villain. Check the list! Business Awards to felicitate Achievers p08 p20 p34 Small Screen ¡ John Abraham to produce well-known social entrepreneur p30 Revathi Roy’s biopic Fashion & Lifestyle p06 ¡ "Now people are curious and they want to watch such films", Fatima Sana Shaikh spills beans on the shift in Bollywood p14 ¡ Social values and cinema p25 ¡ Himansh Kohli on break up with Neha Kakkar: She would cry on shows and people would blame me! p16 p10 Cover Story ¡ Film Review p27 From the publisher's desk Editor : Tarakant D. Dwivedi ‘Akela’ Editor-In-Chief : Yogesh Mishra Dear Readers, Sr. Columnist : Nabhkumar ‘Raju’ The month of February was an average month for many of the filmmakers. Spl. Correspondent : Dr. Amit Kr. Pandey (Delhi) Movies released in the month were- Shikara, Malang, Hacked, Love Aaj Kal, Graphic Designer : Punit Upadhyay Bhoot Part One: The Haunted Ship, Shubh Mangal Zyada Saavdhan, The Sr. Photographer : Raju Asrani Hundred Bucks, Thappad, Guns of Banaras, Doordarshan and O Pushpa I Hate Tears etc. COO : Pankaj Jain Hardly few of the movies did an average business on box office, rest of the Executive Advisor : Vivek Gautam movie could not do well on box office.
    [Show full text]
  • Iconographies of Urban Masculinity: Reading “Flex Boards” in an Indian City
    Iconographies of Urban Masculinity: Reading “Flex Boards” in an Indian City By Madhura Lohokare, Shiv Nadar University Asia Pacific Perspectives v15n1. Online Article Introduction On an unusually warm evening in early May of 2012 I rode my scooter along the congested lanes of Moti Peth1 on my way to “Shelar galli,2” a working-class neighborhood in the western Indian city of Pune, where I had been conducting my doctoral field research for the preceding fifteen months. As I parked my scooter at one end of the small stretch of road that formed the axis of the neighborhood, it was impossible to miss a thirty-foot-tall billboard looming above the narrow lane at its other end. I was, by now, familiar with the presence of “flex” boards, as they were popularly known, as these boards crowded the city’s visual and material landscape. However, the flex board in Shelar galli that evening was striking, given its sheer size and the way in which it seemed to dwarf the neighborhood with its height (see figure 1.1). Figure 1.1 Flex board marking the occasion of Mohanlal’s birthday, erected in Shelar Galli, Pune (Photo by author) The image of Mohanlal Shitole, a resident of Shelar galli, dressed in a bright red turban and a starched white shirt, with a thick gold bracelet resting on his wrist, stood along the entire length of the flex making it seem like he was towering above the narrow lane itself. The rest of the space was dotted with faces of a host of local politicians (all men, barring one woman councilor) and (male) residents of the neighborhood, on whose behalf collective birthday greetings for Mohanlal were printed on top of the flex.
    [Show full text]