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The Art of the Score Amadeus
FOR IMMEDIATE RELEASE ARTIST UPDATES February 27, 2018 Contact: Katherine E. Johnson (212) 875-5700; [email protected] THE ART OF THE SCORE Alec Baldwin, Artistic Advisor AMADEUS: LIVE Conducted by RICHARD KAUFMAN NEW YORK PREMIERE of Score Performed Live to Complete Film Featuring Special Guest Tom Hulce on April 11 April 11–14 and 17, 2018 The Art of the Score, exploring some of the most distinctive uses of music in film, will return for its fifth season with Amadeus: Live, the New York Premiere screening of Amadeus with the Mozart- centered score performed live to the complete film. Conducted by Richard Kaufman in his Philharmonic debut and featuring Musica Sacra, directed by Kent Tritle, Amadeus: Live will take place Wednesday, April 11, 2018, at 7:30 p.m.; Thursday, April 12 at 7:30 p.m.; Friday, April 13 at 11:00 a.m.; Saturday, April l4 at 7:30 p.m.; and Tuesday, April 17 at 7:30 p.m. On April 11 actor Alec Baldwin — Philharmonic Board Member and Artistic Advisor of The Art of the Score — and special guest Tom Hulce — who earned an Academy Award nomination for his portrayal of Mozart — will introduce the film, replacing F. Murray Abraham, who had to withdraw due to a scheduling conflict with his Off-Broadway play, Good for Otto. The Amadeus score includes selections from more than a dozen works by Mozart, including his Requiem; his operas The Magic Flute, The Marriage of Figaro, and Don Giovanni; and his Symphony No. 25, Serenade for 13 Winds, Gran partita, and Piano Concerto No. -
24 Hours of Anime Antics Some Schooling in the Romance Depart- Courtesy of Seinfeld.Com Ment
November 19, 2002 THE RETRIEVER WEEKLY FEATURES Page 25 Let Downs and Bad Hair Days show began, but had never been able to reveal from TV, page 21 his true feelings for her. After several sea- the air for four weeks in the middle of the sons, he interrupted her wedding plans by winter. When it returned mid-February, telling her the truth and the two began to date much of its audience had gone elsewhere. and eventually set out to elope. This season, 1.The finale of Seinfeld. Never has a tel- they did it. They tied the knot. He got the girl. evision audience felt so betrayed, so outraged, The good guy won. Which is what we all so letdown as the American people did after wanted, right? Sadly, no. It’s not what we wanted at all. What we wanted was to pine away with him, to know that he’s the good guy that deserves the girl, but to continue to enjoy watching him long for her. But he got her. He wins and we lose. No more drama. Interesting that there was drama to begin with; as both Niles and his brother Frasier (Kelsey Courtesy of www.anime.com Grammer) are both psychiatrists, The Unusual Suspects: The cast of the hit anime Cowboy Bebop were some of you’d think that they’d have every- the stars seen at the Anime Marathon. thing about love figured out, when in actuality, up until when Niles got the girl, they were both in serious need of 24 Hours of Anime Antics some schooling in the romance depart- Courtesy of Seinfeld.com ment. -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
View the Playbill
GEORGE STREET PLAYHOUSE The Second Mrs.Wilson Board of Trustees Chairman: James N. Heston* President: Dr. Penelope Lattimer* First Vice President: Lucy Hughes* Second Vice President: Janice Stolar* Treasurer: David Fasanella* Secretary: Sharon Karmazin* Ronald Bleich David Saint* David Capodanno Jocelyn Schwartzman Kenneth M. Fisher Lora Tremayne William R. Hagaman, Jr. Stephen M. Vajtay Norman Politziner Alan W. Voorhees Kelly Ryman* *Denotes Members of the Executive Committee Trustees Emeritus Robert L. Bramson Cody P. Eckert Clarence E. Lockett Al D’Augusta Peter Goldberg Anthony L. Marchetta George Wolansky, Jr. Honorary Board of Trustees Thomas H. Kean Eric Krebs Honorary Memoriam Maurice Aaron∆ Arthur Laurents∆ Dr. Edward Bloustein∆ Richard Sellars∆ Dora Center∆∆ Barbara Voorhees∆∆ Douglas Fairbanks, Jr.∆ Edward K. Zuckerman∆ Milton Goldman∆ Adelaide M. Zagoren John Hila ∆∆ – Denotes Trustee Emeritus ∆ – Denotes Honorary Trustee From the Artistic Director It is a pleasure to welcome back playwright Joe DiPietro for his fifth premiere here at George Street Playhouse! I am truly astonished at the breadth of his talent! From the wild farce of The Toxic Photo by: Frank Wojciechowski Avenger to the drama of Creating Claire and the comic/drama of Clever Little Lies, David Saint Artistic Director now running at the West Side Theatre in Manhattan, he explores all genres. And now the sensational historical romance of The Second Mrs.Wilson. The extremely gifted Artistic Director of Long Wharf Theatre, Gordon Edelstein, brings a remarkable company of Tony Award-winning actors, the top rank of actors working in American theatre today, to breathe astonishing life into these characters from a little known chapter of American history. -
2017 Annual Report
Annual 2017 Report Our ongoing investment into increasing services for the senior In 2017, The Actors Fund Dear Friends, members of our creative community has resulted in 1,474 senior and helped 13,571 people in It was a challenging year in many ways for our nation, but thanks retired performing arts and entertainment professionals served in to your generous support, The Actors Fund continues, stronger 2017, and we’re likely to see that number increase in years to come. 48 states nationally. than ever. Our increased activities programming extends to Los Angeles, too. Our programs and services With the support of The Elizabeth Taylor AIDS Foundation, The Actors Whether it’s our quick and compassionate response to disasters offer social and health services, Fund started an activities program at our Palm View residence in West ANNUAL REPORT like the hurricanes and California wildfires, or new beginnings, employment and training like the openings of The Shubert Pavilion at The Actors Fund Hollywood that has helped build community and provide creative outlets for residents and our larger HIV/AIDS caseload. And the programs, emergency financial Home (see cover photo), a facility that provides world class assistance, affordable housing 2017 rehabilitative care, and The Friedman Health Center for the Hollywood Arts Collective, a new affordable housing complex and more. Performing Arts, our brand new primary care facility in the heart aimed at the performing arts community, is of Times Square, The Actors Fund continues to anticipate and in the development phase. provide for our community’s most urgent needs. Mission Our work would not be possible without an engaged Board as well as the efforts of our top notch staff and volunteers. -
The Work of the Critic
CHAPTER 1 The Work of the Critic Oh, gentle lady, do not put me to’t. For I am nothing if not critical. —Iago to Desdemona (Shakespeare, Othello, Act 2, Scene I) INTRODUCTION What is the advantage of knowing how to perform television criticism if you are not going to be a professional television critic? The advantage to you as a television viewer is that you will not only be able to make informed judgment about the television programs you watch, but also you will better understand your reaction and the reactions of others who share the experience of watching. Critical acuity enables you to move from casual enjoyment of a television program to a fuller and richer understanding. A viewer who does not possess critical viewing skills may enjoy watching a television program and experience various responses to it, such as laughter, relief, fright, shock, tension, or relaxation. These are fun- damental sensations that people may get from watching television, and, for the most part, viewers who are not critics remain at this level. Critical awareness, however, enables you to move to a higher level that illuminates production practices and enhances your under- standing of culture, human nature, and interpretation. Students studying television production with ambitions to write, direct, edit, produce, and/or become camera operators will find knowledge of television criticism necessary and useful as well. Television criticism is about the evaluation of content, its context, organiza- tion, story and characterization, style, genre, and audience desire. Knowledge of these concepts is the foundation of successful production. THE ENDS OF CRITICISM Just as critics of books evaluate works of fiction and nonfiction by holding them to estab- lished standards, television critics utilize methodology and theory to comprehend, analyze, interpret, and evaluate television programs. -
The Good Wife Season 5 Episode 1 Full Episode
The good wife season 5 episode 1 full episode Crime · Alicia works on a Death Row appeal with Will and Diane before going off to start her own The Good Wife (–). / 1 user 1 critic Season 5 | Episode 1. Previous . HD. See full technical specs». Edit. The Good Wife: Everything is Ending - on on CBS All Access. Season 5: Episode 1 - Everything is Ending Full Episodes. Blue Bloods Video - Cutting Losses (Sneak Peek 1). Undo. Get Ready To Watch Even More Young Sheldon! - Undo. How To Watch Criminal Minds. Alicia works on a Death Row appeal with Will and Diane before going off to start her own firm with Cary, but people begin to suspect something is afoot. The Good Wife Season 5 Episode 1 The Good Wife Season 5 Episode 1 The Good Wife Season 5 Episode 1 The Good Wife Season 5 Episode 2 The Good. Watch The Good Wife: Everything Is Ending from Season 5 at Watch The Good Wife - Season 5, Episode 1 - Everything is Ending: Alicia tries to balance one final Watch Full Episodes: The Good Wife. Watch The Good Wife S05E01 Season 5 Episode 1. Season 1. watch all episodes The Good Wife Season. The Good Wife - Season 5 The fifth season of the legal drama begins with Alicia and Episode 1: Everything is Ending Episode 2: The Bit Bucket Episode 3: A. Trailer; Episode 1; 2; 3; 4; 5; 6; 7; 8; 9; 10; 11; 12; 13; 14; 15; 16; 17; 18; 19 . Watch The Good Wife Season 5 putlocker9 Full Episode Online. -
The Good Wife Season 1 Episod 11 Free Download Watch the Good Wife Online
the good wife season 1 episod 11 free download Watch The Good Wife Online. You have found a great place to watch The Good Wife online. TV Fanatic has many options available for your viewing pleasure so watch The Good Wife online now! On The Good Wife Season 7 Episode 22, Alicia must decide what she'll do next as a verdict is reached in Peter's trial on the series finale. On The Good Wife Season 7 Episode 21, as the trial unfolds, new accusations come out and Alicia works furiously to keep Peter from going back to jail. On The Good Wife Season 7 Episode 20, everything goes wrong at a party to celebrate Howard and Jackie's upcoming wedding while Eli asks Jason to investigate Peter. On The Good Wife Season 7 Episode 19, Peter faces possible arrest while Alicia and Lucca fly to Toronto to represent an NSA agent detained by customs. On The Good Wife Season 7 Episode 18, the power struggle at Lockhart, Agos & Lee reaches a boiling point, and Marissa is used as leverage in the case against Peter. On The Good Wife Season 7 Episode 17, the firm defends a father of a shooting victim when he puts up a billboard calling a gun store owner a murderer. What's Diane's plan for the firm? What does the FBI have on Peter? Check out our recap and review of The Good Wife Season 7 Episode 16. On The Good Wife Season 7 Episode 15, Eli hires Elsbeth Tascioni to find out why the FBI is after Peter while Alicia joins a secret panel of attorneys on a case. -
GOOD WIFE by Robert King & Michelle King
THE GOOD WIFE by Robert King & Michelle King January 29, 2009 TEASER A VIDEO IMAGE of... ...a packed press conference. A lower-third chyron trumpets “Chicago D.A. Resigns” as the grim D.A. approaches a podium, his wife beside him. He clears his throat, reads: DAVID FOLLICK Good morning. An hour ago, I resigned as States Attorney of Cook County. I did this with a heavy heart and a deep commitment to fight these scurrilous charges. At the same time, I need time to atone for my private failings with my wife, Alicia, and our two children. Oh, one of those press conferences. Scandal. In the key of Elliott Spitzer. DAVID FOLLICK (40) is a back-slapping Bill Clinton: smart, funny, calculatedly seductive, and now at the end of his career. But he’s not our hero. Our hero is... ...his wife, ALICIA (late-30s) standing beside him. Pretty. Proper. She’s always been the good girl-- the good girl who became the good wife, then the good mom: devoted, struggling not to outshine her husband. We move in on her as we hear... DAVID FOLLICK (CONT’D) I want to be clear. I have never abused my office. I have never traded lighter sentences for either financial or sexual favors. Ugh. We suddenly enter the video, and we’re there with... Alicia as she looks out at the excited reporters, the phalanx of cameras all clicking, boring in on her. DAVID FOLLICK (CONT’D) But I do admit to a failure of judgment in my private dealings with these women. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
The Rhetoric of Women's Wine
12. BOXED WINE FEMINISMS: THE RHETORIC OF WOMEN’S WINE DRINKING IN THE GOOD WIFE Tammie M. Kennedy Alcohol is not a women’s issue. —Gloria Steinem, Ms. Magazine fortieth anniversary party Alcohol is a socially acceptable, legal way to muscle through the postfeminist, breadwinning, or stay-at-home life women lead. —Gabrielle Glaser, Her Best-Kept Secret Two contending narratives about the drinking culture of women in the twenty-first century are represented by these opening quotations. On one hand, many feminists have distanced themselves from temperance rhetorics, opting instead to disrupt a traditional gender role associated with abstinence. On the other hand, the myriad of choices afforded by feminism and the increase in alcohol consumption among women have suggested that drinking practices are a reflection of the complexities of women’s roles in the new millennium.1 Some other critics go as far as blaming feminism for the increase in drinking. Regardless, drinking practices2 function rhetorically, pointing to “questions about who drinks, when and where drinking occurs, what beverages are consumed,” and how drinkers create and negotiate their identities in relation to their motives and relationships with others within social and ideological contexts (Rotskoff 11). Furthermore, drinking practices are inflected by gender ideologies that shape representations in popular culture. By every quantitative measure during the first two decades of the twenty-first century, women are drinking more. In 2012, Gallup pollsters reported that nearly 66 percent of all American women drank regularly, a higher percentage than any other time in twenty-five years, and more than 52 percent of the women who drink prefer wine (“Majority”). -
Harris, Neil Patrick (B
Harris, Neil Patrick (b. 1973) by Linda Rapp Encyclopedia Copyright © 2015, glbtq, Inc. Neil Patrick Harris in Entry Copyright © 2009 glbtq, Inc. 2008. Reprinted from http://www.glbtq.com Photograph by Kristin Dos Santos. Image appears under the Neil Patrick Harris earned celebrity as a teen-ager for his starring role in the television Creative Commons series Doogie Howser, M.D. Unlike many child actors, he has made a successful Attribution ShareAlike transition to mature roles, showcasing his singing and dancing abilities along the way. 2.0 License. Since coming out publicly in 2006, he has also spoken out on behalf of glbtq causes. Harris was born in Albuquerque, New Mexico on June 15, 1973. His parents, Ron and Sheila Harris, are both lawyers, and his mother is also a writer. As a fourteen-year-old, Harris attended a drama camp at New Mexico State University, where he met writer Mark Medoff, who was working on a project that became the film Clara's Heart (1988), directed by Robert Mulligan. Soon Harris began his professional acting career with roles in Linda Shayne's Purple People Eater (1988) and Mulligan's Clara's Heart. His performance in the latter won him a Golden Globe nomination in the category of Supporting Actor. In 1989 he became the star of the television "dramedy" series Doogie Howser, M.D., which was about a precocious youngster who had become a doctor at the age of fourteen. In the opening episode, sixteen- year-old Doogie interrupted the road test for his driver's license to attend to an accident victim.