ARCHIVE DAT .13971 97-4-27 SCHOOL OF MUSIC v. 2.-3 Nine Hundred Fifty-Fifth Program of the 1996-97 Season OAT

A Day of Music and Celebration

Honoring Kenda and Charles Webb

Society of the Friends of Music Indiana University School of Music Indiana University Alumni Association

Musical Arts Center Sunday Afternoon April Twenty-Seventh Two-Thirty O'Clock DAT\ P- T;W\~ f\ !T~ W\.-t: ~ I -uO o Joo ~b~'V\((.. 6!o \ t:oo tv~"""' Up Progr~rif \ -, !o\ B esill."'~~ ~ l ~' IS !o;). From Sonata in A Major for Cello and Piano ( 1886) ...... '· ':J. ; .1-~ ...... Cesar Franck 1"1~43 Allegretto ben moderato (1822-1890) Allegro--Poco piu Iento Janos Starker, Cello Gyorgy Sebok, Piano

Impromptu Caprice, Op. 9 ...... ~ .:. ~ 3...... Gabriel Pierne (1863-193 7) Chanson dans Ia nuit ...... S .: ..3.~ ...... Carlos Salzedo (1885-1961) Susann McDonald, Harp

From F.A .E. Sonata ...... J ~. -:3 3...... Albert Dietrich Allegro (1829-1908) Franco Gulli, Violin Enrica Cavallo, Piano

® Der Hirt auf dem Felsen, D. 965 ...... ( -~. ;_ q_8.. .. . S9 l ~ l\ (1797-1828) Patricia Wi se, Soprano James Campbell, Clarinet Leonard Hokanson, Piano

lS\a."'l<.. Inte~~~sion ~~ev-.<- -e... ~ : 3 7 Remarks ...... II ~ d:. ':-L . . . . . Kenneth R. R. Gros Louis Chancellor, Indiana University Bloomington Vice President for Academic Affairs

From Quintet in A Major for Piano :,)_ 3 . 45 and Strings, Op. 114 D. 667 ("Forelle") .. ... ~ .. .. Franz Schubert 11 : ) \ Allegro vivace Andantino Finale: Allegro giusto Menahem Pressler, Piano Miriam Fried, Vio lin Atar Arad, Viola Tsuyoshi Tsutsumi, Cello Lawrence Hurst, Bass ® Rt'M~rks. b1 t) e.o..v-- \0 e..hn Janos Starker The great virtuoso cellist and teacher Janos Starker is recognized worldwide for his technical mastery, intensely expressive playing, and great communicative power. Born in Budapest, Mr. Starker came to the in 1948 where he subsequently held the principal cellist's chairs in three American orchestras, including the Symphony under Fritz Reiner. He resumed his international solo career in 1958, and since then he has performed thousands of concerts with orchestras and in recitals throughout the world. Mr. Starker has amassed a recording catalogue of more than 165 works on various international labels. A Professor of Cello at Indiana University since 1958 and awarded the title of Distinguished Professor in 1965, Mr. Starker's success as a teacher has attracted talented students from around the world.

Gyorgy Sebok Gyorgy Sebok is known as one of the supreme pianists of the 20th century. Born in Szeged, Hungary, Mr. Sebok appeared as soloist in a performance of Beethoven's First Concerto under Ferenc Fricsay at the age of 14. Mr. Sebok was the soloist at the first Bartok Memorial Concert in Budapest in 1950, won an International Prize in , was decorated with the Liszt Prize by the Hungarian State, and received the Grand Prix du Disque, Paris. A former Professor of Piano at the Bela Bartok Conservatory in Budapest, Mr. Sebok serves as both Founder and Director of the Ernen Musikdorf, a summer chamber music festival in Swit­ zerland, and Founder and Director of the Festival der Zukunft in Ernen. His list of recordings comprises several dozens, covering the widest range of piano literature from Bach to contemporary composers. Since 1957, he has appeared as a soloist in Western Europe, Japan, South Africa, and North America. Mr. Sebok has been a guest Professor at the Hochschule der Kiinste in Berlin, the Toho School of Music in Tokyo, Japan, and the School of the Arts in Banff, Canada. He has been a Professor of Piano at Indiana University since 1962 and a Distinguished Professor since 1985.

Susann McDonald Acknowledged throughout the musical world as one of the foremost perform­ ers and teachers of the harp, Susann McDonald is currently the Artistic Director of theWorld Harp Congress and Founder and Music Director of the USA International Harp Competition. She is the former head of the harp department at the Juilliard School and has served on the juries of the major international harp competitions in , Rome, Munich, Gargilesse, , and Bloomington. Ms. McDonald has made concert appearances throughout the world and has made seventeen recordings of much ofthe major solo repertoire for the harp, in addition to publishing numerous volumes of harp music including original compositions and transcriptions. Ms. McDonald conducts worldwide master classes and currently serves as Distin­ guished Professor and Chair of the Indiana University Harp Department. Patricia Wise Soprano Patricia Wise has performed leading lyric-coloratura roles in the major opera houses of the world, in addition to solo appearances with major orchestras including the New York Philharmonic, BBC Symphony Orchestra, Vienna Philharmonic, Berlin Symphony, and Israel Philharmonic. Ms. Wise has appeared in all of the major European opera houses including Munich, Berlin, Hamburg, La Scala, Barcelona, Geneva, Glyndebourne, and the Festival. Since 1985 Ms. Wise has won international acclaim as "the incarnation of Lulu," appearing in seven productions of Berg's opera and has recorded a prize-winning CD of the three-act version with EMI. She was awarded the title of "Kam­ mersanger" bestowed by the Austrian Government and Vienna State Opera and is currently listed in Who 's Who. Ms. Wise has many recordings and several operatic films to her credit, including the BBC's multi-award winning "Impresario." Ms. Wise joined the Indiana University School of Music faculty as Professor of Voice in 1995.

James Campbell James Campbell is one of the few classical clarinetists today enjoying an international solo career. Mr. Campbell has performed in all of the music centers in Canada and the United States and throughout Eastern and Western Europe, as well as in South America and China. Mr. Campbell has collaborated with many of the world's most distinguished string quartets including the Guarneri, Amadeus, Fine Arts, Orford, Allegri, Manhattan, and V arsovia, and he has also appeared as the soloist in several performances of Aaron Copland's Clarinet Concerto with the composer conducting the Toronto Symphony. Featured in a recently published book by Pamela Weston entitled Clarinet Virtuosi of Today, Mr. Campbell is himself author of A Student's Guide to the Clarinet. He has been a member of several prestigious chamber music ensembles and has collaborated with jazz pianist Gene DiNovi in crossover concerts. Mr. Campbell has served as a Professor of Clarinet at Indiana University since 1987.

Leonard Hokanson Leonard Hokanson, internationally renowned as a recitalist, soloist with orchestra, and chamber music player, is a welcome guest in the world's major music capitals. Winner of the Stein way Prize of Boston and prize winner at the Interna­ tional Busoni Competition (Bolzano), he has played at the Festivals of Aldeburgh, Berlin, Lucerne, Prague, Salzburg, and Vienna. Mr. Hokanson was a founding member of the Odeon Trio and has been a guest artist with such ensembles as the , the Portland Quartet, the Fine Arts Quartet, and the Wind Soloists of the . He has toured extensively in North and South America, Europe, the Soviet Union, and Southeast Asia. Former Professor of Piano at the University of Frankfurt School of Music, Mr. Hokanson has served as Professor of Piano at Indiana University since 1986.

Franco Gulli Franco Gulli is well known as one oftoday's finest violinists. He has taught at the Accademia Chigiana in Siena, Italy and at the Conservatory of Music in Lucerne, Switzerland. In addition to his participation in the Queen Elisabeth Competition of Belguim, Mr. Gulli has served as a jury member for the international violin competitions held in Munich and Montreal, as well as at the Paganini Competition in Genoa and the Indianapolis Violin Competition. He has recorded extensively for Musical Heritage, RCA, Decca, Angelicum and Audio Fidelity Records; for his recording of the Mendelssohn Violin Concerto he won the coveted Grand Prix du Disque. Mr. Gulli was appointed to the faculty oflndiana University in 1972 and has held the title of Distinguished Professor of Music since 1986. He is also the first recipient of the Dorothy Richard Starling Endowed Chair in Violin Studies.

Enrica Cavallo The distinguished pianist Enrica Cavallo has appeared as guest soloist with many of Europe's most prestigious orchestras and at all the leading European music festivals. Such prominent conductors as Klemperer, Gavazzeni, Rudolf, Hin­ demith, Previtali and Henze engaged her for numerous performances. Miss Cavallo's solo repertoire is highlighted by J.S. Bach's Well-Tempered Clavier which she has performed extensively to unanimous acclaim. Enrica Cavallo began to perform at the age of six and at thirteen graduated from the Milan Conservatory. Miss Cavallo served as Professor of Piano at Indiana University from 1973 to 1991 .

Menahem Pressler Pianist Menahem Pressler has appeared with nearly every major orchestra in the western world, including the Royal Philharmonic, the New York Philharmonic, the Cleveland Orchestra, the National Symphony, and the Boston Symphony, under such conductors as Mitropoulos, Szell, Stokowski, Enesco, Masur, and Dorati. In addition, Mr. Pressler has devoted himself to the building of the Beaux Arts Trio into a chamber ensemble of world renown. First prize winner in the Debussy Competition in San Francisco, Mr. Pressler teaches master classes worldwide. In addition, this brilliant pianist has recorded almost the entire chamber music litera­ ture for piano on the Philips label. Mr. Pressler has been a Professor of Piano at Indiana University since 1955, and he was awarded the title of Distinguished Professor in 1975. Miriam Fried Born in Rumania, the world renowned Miriam Fried emigrated to Israel where she captured first prize in Israel's Tenth Anniversary Violin Competition sponsored by the America-Israel Cultural Foundation. Under the guidance of Isaac Stern, Ms. Fried studied at the Rubin Music Academy in , the Conservatory in Geneva, Indiana University as a pupil of Joseph Gingold, and the Juilliard School, studying with Ivan Galamian. Miriam Fried was the first woman violinist ever to win the prestigious Queen Elisabeth Competition in Brussels in 1971. Ms. Fried has appeared with the Chicago Symphony, Cleveland Orchestra, Baltimore and Atlanta Symphonies, Cincinnati Symphony, and in solo recital at Carnegie Hall and other important concert venues. Ms. Fried has been a Professor of Violin on the music faculty oflndiana University since 1986.

Atar Arad Violist Atar Arad has garnered rave reviews worldwide for his perform­ ances. He studied at the Israeli Academy and La Chapelle Musicale de Ia Reine Elisabeth, Brussels. He received First Prize "by unanimous decision of the jury" at the Geneva International Competition in 1972 and later served as principal violist with the Frankfurt Symphony Orchestra. Mr. Arad has been a member of the faculty at the Royal Northern School of Music, the Eastman School of Music, and . A former member of the , Mr. Arad has embarked on concert tours worldwide including prestigious Festivals such as Aspen, Berlin, , Israel, Mostly Mozart, Paris, Vienna, and Salzburg. In addition, he served as an Artist-Faculty member of the Aspen Music Festival and has made recordings with RCA, CBS, Teldec and Telarc. Mr. Arad has served as a Professor of Viola at Indiana University since 1991 .

Tsuyoshi Tsutsumi Cellist Tsuyoshi Tsutsumi is active as a recitalist and recording artist and has appeared as a soloist with leading orchestras in the United States, Europe, Japan, and Canada. In 1963 he was a prize winner at the Twelfth International Music Competition in Munich and won the first prize in the Casals Competition held in Budapest. His other prizes have included the 1970 Osaka Music Critic Club Prize, the 1971 Torii (Suntory) Music Prize, and the 1973 Eugene Ysaye Medal. In 1974 he was invited to be a soloist for the world concert tour of the New Japan Philharmonic Orchestra and performed with Seiji Ozawa and Kazuyoshi Akiyama in New York, Paris, London, Munich, and other major cities. In the same year he was awarded the grand prize at the Arts Festival sponsored by the Cultural Agency of the Japanese Government for his performance of the Miyoshi Cello Concerto. Mr. Tsutsumi has served as a member of the faculty at University of Western Ontario and the University of Illinois. Professor Tsutsumi joined the faculty oflndiana University School of Music in 1988. Lawrence Hurst Lawrence Hurst is renowned for his musical accomplishments and adminis­ trative abilities. He studied the double bass at the University of Michigan with Clyde Thomson, and in 1959 he was inducted into the service where he became principal bassist with the Seventh Army Symphony in Europe. Mr. Hurst served for two seasons as the principal bassist with the Dallas Symphony under Sir Georg Solti. He has taught at Southern Methodist University, Eastern Michigan Univer­ sity, and the Interlochen Arts Academy and its National Music Camp. He was the youngest department chairman ever appointed at the University of Michigan l School of Music and was also Associate Dean and Director of the University Division of the Interlochen National Music Camp during his tenure at Michigan. Mr. Hurst has served as a panelist and on-site evaluator for the National Endowment for the Arts. In 1986 he served as national chairman for the fourth American String Teachers Association Solo Competition in Anaheim, California. In the fall of 1986 Mr. Hurst joined the faculty at the School of Music oflndiana University where is Professor of Bass and Chairman of the String Department.

Very Personal Glimpses

I would like to have you take a look with me into a couple of aspects of the many faceted lives of Charles and Kenda and their entire family. One aspect is public and has been quite visible; the other is more private.

Twenty-four years ago, as the new Dean of the School of Music, Charles Webb faced a new, wide-eyed group of undergraduates from literally all over the world as he gave them their first welcome. He told them that in his opinion it had taken four basic ingredients to make the Indiana University School of Music the great school it had become. He listed the four as 1) a great and distinguished faculty; 2) a quality student body; 3) a major library; and 4) a complete and adequate facility. I sat with my administrative colleagues behind him on the stage of Recital Hall as he gave the speech. The next year we took our seats behind him on the stage and prepared to hear his address. Well, he spoke about the four basic ingredients necessary for maintaining a great school of music. For the next eight years we heard the speech from behind. We threatened to "mouth" the speech if he did not let us join the audience at some point. He did and we heard the speech for the next twelve years from the audience. Then one year Charles decided we could leave and return to our work before the speech began. I returned just this year after being officially excused to see what he would tell the entering class in his last official speech as Dean in an orientation session. You have guessed correctly: he began, "The four basic ingredients", etc., etc., etc. Charles has received a lot of razzing from his colleagues about this annual speech. The truth is he did not just repeat this speech for twenty-four years because he had the advantage of a completely new audience. He repeated the speech because it was, and continues to be to this day, his basic credo. Credos are interesting. They often are not changed over many years because of their profound wisdom. They very often become, in all their wisdom, empty and hollow phrases because we are either unable to live up to the ideals or for some reason we are not able to reach the challenge of the ideals.

When I look at the record of Charles in his deanship as it relates to his steadfast stated credo about a school, even I am astonished. We should look at the record to discover the real center of his great leadership: his ability to never lose sight of his determined goals.

First let us look at the quality of our faculty today. He has built the full-time faculty to the largest level it has been in the history of the school. Against many odds of the times, he has maintained and increased the quality of his appointments. A great performance and academic faculty was put into place during the ascent of the school to national and international prominence in the 1950's and 1960's by the combined effort of Herman Wells and Wilfred Bain. During Charles' years as Dean, many of the faculty of this first real wave of greatness retired from active teaching and had to be replaced. He, in consultation with our faculty, replaced them with other distinguished musicians from the concert stage, the great orchestras, or major academic institutions. As Charles continues at the present time to interview prospective faculty, he is unrelenting in his quest for greatness. Just this past week he has interviewed a principal player from the Orchestra, a young pianist who comes with international acclaim, and a musicologist with a national reputa­ tion in the field of American popular music. Last week he made a final appointment for a trombonist from the premier brass chamber group in the country. It is difficult with shrinking budgets and escalating salaries in the orchestras of our country to continue to make stellar appointments. But when Charles sees the quality of our school at risk, he just finds a way.

Charles leaves a very strong student body of 1645 students. This is practi­ cally a record number of students, but the quality overall is at the highest level in my memory. He is in constant contact with our Director of Admissions, Gwyn Richards, because Charles feels it is so vital to inspire and encourage the recruiting of the very best.

What now can I say about our new music library in the Bess Meshulam Simon Music Library and Recital Center? It is state-of-the-art in every way. I watched Charles in the traditional "cutting sessions" of the construction project. He had a determination to keep the plan intact and to promote the technology developed in collaboration with the IBM Corporation to the end. We have this great facility in large measure because of Charles Webb.

When the Bess Meshulam Simon Music Library and Recital Center is completed and the Rosales tracker organ is in place in Auer Hall, we will have the T best and most complete music facility in the country.

What, then, about this credo heard by so many students over the past twenty-four years? I believe thousands of music students and faculty will, in the decades to come, benefit from the realizations of the credo of Charles Webb. Very few leaders can look back on their stated beliefs and promises knowing that the results have been so tremendously positive.

Now I would like to turn to another aspect of Charles, Kenda, and the entire Webb family. Perhaps one could call this aspect another ideal in their credo. It is much Jess public but none the less evident to all of us. I am speaking about Charles' constant effort, and finally the entire family's effort, to bring the element of humanity into the leadership of this major institution. There is likely no faculty member nor any one of you who cannot recall an act of kindness or a strong gesture from Charles and Kenda on your behalf. Unfortunately, many of these kindnesses we have experienced have had to come in times of sadness or adversity. I would not wish this on anyone. If you have, however, had difficult experiences you will know what I am speaking about when it comes to kindnesses of the Webb family. As Carrie Root tearfully recalled at a recent opera luncheon, "I had a terrible traffic accident. I was pinned behind the wheel of my car. I looked up and miraculously there was Charles Webb kneeling beside me." I can say with a similar tear in my eye that Celicia and I were in Boston when our son Andy became gravely ill. After a month in the hospital, we were finally ready to leave. At that moment Charles walked in the door ready to escort us back to Bloomington. Dick Lathom remem­ bers. Gyorgy Sebok remembers. Bronja Foster remembers. So many remember, that if I recounted all of them this article would turn into volumes.

There has rarely been a Sunday that Charles has not left the organ bench at church, taken the flowers from the altar and, with Kenda, delivered them to someone in need. I cannot remember a trip to Indianapolis over the years when he did not take a side trip from our business meetings to visit a person in the hospital or to deliver something Kenda had sent to someone needing a helping hand. This is not in any job description I have ever seen! Neither are these many acts of kindness limited only to Charles and Kenda. The entire family participates. All of their children grew up involved in the day-to-day operation of the School of Music. The children were always an integral part of the lives of Charles and Kenda, and the school was likewise. It was only natural that the two would integrate so completely. Sometimes Charlie, the youngest of the clan, might fall asleep before the end of the opera (sometimes maybe we did, too!), but he was always in the Green Room afterward congratulating the stars. The children undoubtedly felt service was a part of their lives from the beginning. It is just second nature. Let me cite a recent example: A few months ago there was a knock on our front door on a beautiful Sund~y afternoon. There was Malcolm, sporting the convertible with the top down. I did a double take because Hanna Herford was in the front seat as well. She had not been out of her horne for months and was not expected to be again. Malcolm was visiting Hanna and it was such a nice day they decided to take a drive. After a visit, with her spirits running high, they pulled away and I heard her say, "I bet this car can really get up and go."

This was the very family that captivated Leonard Bernstein so thoroughly during his stay in Bloomington. He admired and loved this family for just what it has meant to all of us- a very natural, loving, and warm family deeply committed to music (precisely, this School of Music), human beings, and all of society as well. Bernstein's admiration was such that he immortalized the family in his composi­ tion, "Mr. and Mrs. Webb Say Goodnight", from Arias and Barcaroles ( 1989), one of his last and most successful works. Perhaps each of us cannot do what Leonard Bernstein did, but we can say at the end of twenty-four years of service, "Goodnight, Webbs." However, I am only willing to say "goodnight" in a metaphoric way if we can, in the same breath, speak about the dawn of a new morning following night. Recently I heard Colin Powell speaking about endings and beginnings. He was asked about doors he had closed behind him in his life. He replied, "No, I never look back at the doors I have closed. I always am looking at the doors ahead of me I need to open."

The Webbs will be opening new doors and finding a dawn for the new morning. I am confident that family, friends, music, and this great university will all be a part of their new findings. We thank each of them for a great twenty-four years, wish them every good fortune, and look forward to years of continued friendship.

- Henry A. Upper Friend and Colleague, 1957 - We recognize with appreciation the friends whose generous gifts made possible this special day of celebration. This listing is current as of April21 , 1997. GALA CONCERT BENEFACTOR The Harrison Steel Castings Company GALA SPONSORS Terry and Dave Baer R. Craig Gigax and Meridian In honor of Jane Dickerson and Richard E. Ford Music the late F. Reed Dickerson by Helen M. Nelson GALA PATRONS Mr. and Mrs. James W. Allen Ellen Gignilliat Louise and Leonard Jay Newman Janette Amboise-Chaumont Mr. and Mrs. Neal Gilliatt Vera and Karl O' Lessker Elaine and Philip Amerson Linda and Jack Gill Judith G. Palmer Mr. and Mrs. WilliamS. Susan Gubar and Donald Gray Janet Starr and Imre Zoltan Pallo Armstrong Mr. and Mrs. John Grunwald Helen and James PeUerite lone B. Auer Dr. and Mrs. Raj ih Haddawi Mrs. James R. Phillippe Robert Aungst Lenore and F. Michael Hatfield Dot Pinnell Joan and Glenn Banks EmitaB. Hill Dr. and Mrs. John E. Pless Shirley Bell Mrs. Chester Hockert Joyce B. and John Poling Patsy Fell-Barker and Robert Ruth and Lowell Hoffman Mr. and Mrs. Foster M. Poole, Jr. Barker Jean Holsinger Alfred Prinz Mr. and Mrs. F. Dale Bengtson Annette and Owen Hungerford Barbara Restle Jean and Gerald Bepko Indiana University Alumni Barbara and Gwyn Richards Raglind Binkley Association WilliamS. Richards Mrs. Amos Bledsoe Peter P. Jacobi Mrs. Stanley Roberts George Bledsoe Barbara M. Jacobs Mr. and Mrs. David Rogers Natasha and Malcolm Bowers, Jr. Michell and John Jacobs Elica Rothmuller Pamela Buell David Henry Jacobs, Jr. Mr. and Mrs. John D. Ryan Joan and Robert Burton Harold R. J anitz Barbara and Richard Schilling Marvin Carmack Mr. and Mrs. Ted C. Jarriel, Jr. Maxie Cleere Schnicke Linda Case Ross S. Jennings Judith Schroeder Mr. and Mrs. Walter Cassel Virginia and Douglas Jewell Elizabeth L. and James C. Scott Anita and Bill Cast Doris Johnson Doris Marie Seward Mrs. William B. Christ Alice 0 . Jolly Dr. and Mrs. John H. Seward Phyllis and J. Terry Clapacs Elise Parke Jordan Eugenia and Denis Sinor Sarah Clevenger Allan W. Kahn Catherine A. Smith Mr. and Mrs. James Cole Wilma and E. W. Kelley Clay Smith Mr. and Mrs. George Collyer Deborah Freund and Tom Ethel Closson Smith and Rev. Dorothy Boyd Crawley Kriesner John Parks Donna and Jean Creek Karen E. Knight Mr. and Mrs. Randolph Smith Jerry S. Curry Carolyn and Ronald Kovener Dr. and Mrs. Fredric Somach Dr. and Mrs. Richard Davis Harry J. Kraut Robert G. Sprau, Jr. Pamela A. Duncan Monika and Peter Kroener Karen M. and Glen Stephenson Mrs. Patricia A. Earles Dr. and Mrs. James LaFollette Dan Sterner Mr. and Mrs. Don B. Earnhart Louise and Henry Leander Virginia and Richard Stoner Mr. and Mrs. William Eckert Dale and Norman Leff Shannon and Bruce Storm Ellen and Thomas Ehrlich Jeanette C. Marchant Robert Sturgeon Rita Naremore and David Fenske Mrs. Donald Mayne Stella V. Tatlock Mr. and Mrs. Nicholas Filosa Mrs. K. H. McGibbon Roberta J. Tharpe Carol and Maurice Finkel Phyllis and Robert Menke Don B. Thiele Marilyn H. Ford Dr. and Mrs. Joseph Milan Mr. and Mrs. Hans B. Thorelli V. Gabriel and Mauricio Fuks Diane and Allan Miller Mr. and Mrs. Tsuyoshi Tsutsumi Mr. and Mrs. W. W. Gasser, Jr. Mr. and Mrs. J. Irwin Miller Richard M. Turner, III Faith George Debra and Steven Mohler Rosemary and William Turner Helen Gibbons Laura and David Neumeyer Celicia and Henry Upper Susan and Albert Velasquez Lee Ann Smith and Mark Webb Kenneth Werlein Mr. and Mrs. Wayne E. Vincent Mary and William Weisell Camilla Williams Mr. and Mrs. L. L. Waters Herman B Wells Virginia Zeani Mr. and Mrs. Ewing Werlein

GALA SUPPORTE~S Emily and Sam Adler Caren Goodin Evarts Margaret Victoria Norman Gene Alex RoseS. Fell Voncile and Dan F. Osen Mrs. Willi Ape! Richard Forkner Joseph Palla Kenny Aronoff Betty and Bruce Fowler Doris and Herbert Philbrick, Jr. Andrew Bacher Sandra and Donald Freund Lynda K. and James Pittman Betty Myers Bain Daisy Hinkle Garton James M. Platis Mr. and Mrs. Lester L. Bates, Jr. Mary Ann Gilligan Nancy and Robert C. Rayfield Mrs. Earl Bates Mrs. Francis W. Gravit Charlotte Reeves Mrs. Joseph Battista Dr. Wil Greckel Phyllis and Jack Relyea Mr. and Mrs. R. Richard Bauer Marcie and Irvin Grossack Eva Sanders Kathryn Bayless Mr. and Mrs. David Grubb Joel Scarborough David Belbutoski Mr. and Mrs. Henry Gulick Mr. and Mrs. Ward B. Schaap Ingrid and David Beery Lynda! M. and Allan Gutstadt Barbara and Richard Schilling Mary Alice and Robert Bent Jo Ellen and Stephen Ham Charles P. Schmidt Mrs. Thomas Beversdorf Martha B. and Victor Harnack Virginia and Morton Schmucker Judy Hissom Billings Cola and Bernhard Heiden Maidee Hooton Seward Dr. and Mrs. Joe M. Black Celeste Holler Wyrtis and Maurice F. Shadley Susan Moses and Myron Bloom Dwan Hublar Mrs. Jerry Sirucek Connie and Carl Brorson Mr. and Mrs. Loyd Hudson Mr. and Mrs. Samuel W. Siurua Jo Ann and Keith Brown Mr. and Mrs. Raoul Istrabadi Bonnie Sklarski lola and David Brubeck Marcia M. Busch-Jones and Ted Mrs. Abraham Skemick Mrs. Elizabeth H. Burnham W. Jones Mr. and Mrs. Vernon B. Smith Mr. and Mrs. Leland Butler Susan and Pete Jones Margaret J. Stevenson· Beverly Byl Martha Jones Christel J. and Robert E. Stoll Barbara Byrum Marilyn Keiser Margaret and Douglas Strong Mr. and Mrs. Lynton K. Caldwell Mr. and Mrs. John G. King Kathleen C. S >v ayze Beth and Byrum Carter Rev. and Mrs. George Klinefelter Marilyn E. and Bruce Sweeney Mr. and Mrs. Ledford C. Carter Teresa Kubiak Monte and Giorgio Tozzi Harriet R. Chase David Kevin Lamb Mazelle V. K. Van Buskirk Joyce E. Claflin Deanna and Richard Lathom Mr. and Mrs. Charles J. Wayne 0 . Craig Lynn V. and Cecil Ray Lewis Van Tassell, Jr. J. Robert Cutter Mr. and Mrs. William Lynch Dr. and Mrs. Dwain Walcher Mr. and Mrs. Donald C. Danielson Nancy and David Martin Marilyn S. Warden Lawrence L. Davis Ruth Ann and James McDonald Nancy B. and Allen R. White James DeCaro Mrs. Bernardo Mendel Frances and Cleve Wilhoit Mr. and Mrs. Alan de Veritch Mary Lou Miller Patricia L. and Robert E. Williams Susan Dirgins-Friend Patricia R. Miller Kathy and Douglas M. Wilson Ruth L. and Fred Ebbs Laura J. Mills Wilma and James Wilson Joel K. Ebersole Siri and Alfonso Montecino Joan W. and Walter Wolf Mr. and Mrs. John R. Edgeworth Edward J. Moss Virginia A. Woodward Mr. and Mrs. Frank K. Betty Myers Bain Mildred F. Yoder Edmondson

Society of the Friends of Music Officers - 1996-97 Anita Cast, President Catherine Smith, Secretary Dr. Rajih Haddawi, Past President Peter Jacobi, Vice President Vera O'Lessker, Treasurer

Constance Cook Glen, School of Music Audto _.o:qrtment Executive Secretary Recording Engineer SS 1 S(. ___ Assistant ______For further informaiion contact 855-1 o87.