Short Stories the Cycle Interrupted
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Slugmag.Com 1
slugmag.com 1 SaltLakeUnderGround • Vol. 25 • Issue #310 • October 2014 • slugmag.com ABOUT THE COVER: There’s something out there, right in our back yard—in Ft. Duchesne, Utah, where Publisher: Eighteen Percent Gray Marketing Coordinator: people often report sightings of lights, noises and Editor: Angela H. Brown Robin Sessions voices possibly associated with UFOs. Revel in illus- Managing Editor: Alexander Ortega Marketing Team: Alex Topolewski, Carl Acheson, trator Robin Banks’ sensationalized presentation of Junior Editor: Christian Schultz Cassie Anderson, Cassie Loveless, Ischa B., Janie this Northeastern Utah point of interest. SLUG Senior Office Coordinator:Gavin Sheehan Greenberg, Jono Martinez, Kendal Gillett, Rachel Staff Writer Cody Kirkland went down to investi- Fact Checker: Henry Glasheen Roller, Raffi Shahinian, Robin Sessions, Zac Freeman gate—read his story on pg. 36. Copy Editing Team: Alex Cragun, Alexander Social Media Coordinator: Catie Weimer Ortega, Allison Shephard, Christian Schultz, Cody Distribution Manager: Eric Granato DISCLAIMER: SLUG Magazine does not necessarily Kirkland, Genevieve Smith, Henry Glasheen, Distro: Adam Okeefe, Eric Granato, John Ford, maintain the same opinions as those found in our John Ford, Jordan Deveraux, Julia Sachs, Maria Jordan Deveraux, Julia Sachs, Michael Sanchez, content. We seek to circulate ideas and dialogue Valenzuela, Mary E. Duncan, Shawn Soward, Traci Nancy Burkhart, Nancy Perkins, Nate Abbott, Ricky through quality coverage of contemporary music, art, Grant Vigil, Ryan Worwood, Tommy Dolph, Tony Bassett, action sports and the subcultures therein … except Content Consultants: Jon Christiansen, Xkot Toxsik rollerblading. Content is property of SLUG Magazine— Matt Hoenes Senior Staff Writers: Alex Springer, Alexander Cover Illustration: Robin Banks Ortega, Ben Trentelman, Brian Kubarycz, Brinley please do not use without written permission. -
La Violencia Sonora De Cannibal Corpse
Image not found or type unknown www.juventudrebelde.cu La violencia sonora de Cannibal Corpse La agrupación de rock estadounidense debe su popularidad a la propaganda que reciben indirectamente por parte de quienes los atacan y los ayuda a vender millones de álbumes Publicado: Jueves 09 octubre 2008 | 12:07:22 am. Publicado por: Juventud Rebelde AImage pesar not found de laor typeescasa unknown presencia de la banda en los medios, continúa su popularidad. A pesar de la escasa presencia de la banda en los medios, continúa su popularidad. Más de un lector de esta columna me ha abordado en algunos conciertos para solicitarme que escriba sobre Cannibal Corpse, una agrupación estadounidense que en nuestro país goza de gran popularidad entre los seguidores del metal. De inicio, me parece conveniente ubicar la corriente sonora en la que la aludida banda se desempeña, es decir, el death metal, un estilo caracterizado por la utilización de las voces guturales (nombradas en inglés growls), de marcada aspereza al emitirse y con bastante frecuencia incomprensibles. A lo anterior, únese un tiempo muy abrupto, el empleo de una batería en extremo rápida y un discurso en lo textual donde prevalece el anticristianismo, mensajes en relación con la muerte, la violencia explícita, la necrofilia, prácticas satánicas, los asesinos en serie y visiones en general apocalípticas. El origen de la corriente resulta polémico, pero el término como tal se usa por vez primera en 1984, cuando el grupo californiano Possessed edita un demo denominado Death metal. Si una agrupación ha logrado que el death resulte conocido a escala mundial, sin la menor discusión esa es Cannibal Corpse. -
9781317587255.Pdf
Global Metal Music and Culture This book defines the key ideas, scholarly debates, and research activities that have contributed to the formation of the international and interdisciplinary field of Metal Studies. Drawing on insights from a wide range of disciplines including popular music, cultural studies, sociology, anthropology, philos- ophy, and ethics, this volume offers new and innovative research on metal musicology, global/local scenes studies, fandom, gender and metal identity, metal media, and commerce. Offering a wide-ranging focus on bands, scenes, periods, and sounds, contributors explore topics such as the riff-based song writing of classic heavy metal bands and their modern equivalents, and the musical-aesthetics of Grindcore, Doom and Drone metal, Death metal, and Progressive metal. They interrogate production technologies, sound engi- neering, album artwork and band promotion, logos and merchandising, t-shirt and jewelry design, and the social class and cultural identities of the fan communities that define the global metal music economy and subcul- tural scene. The volume explores how the new academic discipline of metal studies was formed, while also looking forward to the future of metal music and its relationship to metal scholarship and fandom. With an international range of contributors, this volume will appeal to scholars of popular music, cultural studies, social psychology and sociology, as well as those interested in metal communities around the world. Andy R. Brown is Senior Lecturer in Media Communications at Bath Spa University, UK. Karl Spracklen is Professor of Leisure Studies at Leeds Metropolitan Uni- versity, UK. Keith Kahn-Harris is honorary research fellow and associate lecturer at Birkbeck College, UK. -
Cannibal Corpse Global Evisceration Mp3, Flac, Wma
Cannibal Corpse Global Evisceration mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Global Evisceration Country: Argentina Released: 2011 Style: Death Metal MP3 version RAR size: 1430 mb FLAC version RAR size: 1135 mb WMA version RAR size: 1734 mb Rating: 4.4 Votes: 263 Other Formats: RA AAC MOD MP1 XM AA MP4 Tracklist 1 Evisceration Plague 2 Scattered Remains, Splattered Brains 3 Make Them Suffer 4 Death Walking Terror 5 Devoured By Vermin 6 Priests Of Sodom 7 Scalding Hail 8 I Will Kill You 9 Staring Through The Eyes Of The Dead 10 Hammer Smashed Face 11 Stripped, Raped And Strangled 12 The Cryptic Stench 13 Disfigured 14 Pit Of Zombies 15 Pounded Into Dust 16 A Skull Full Of Maggots 17 The Wretched Spawn Companies, etc. Licensed To – Icarus Music – ICARUS 772 Copyright (c) – Metal Blade Records Phonographic Copyright (p) – Icarus Music Pressed By – Laser Disc Argentina – 320424 Barcode and Other Identifiers Barcode: 0 39843 40639 7 Matrix / Runout (outer circle): 320424 L1 - L.D.A.- INDUSTRIA ARGENTINA - ICA 772 Matrix / Runout (inner circle): 320424 L0 Other versions Category Artist Title (Format) Label Category Country Year Cannibal Global Evisceration 3984-34063-9 Metal Blade Records 3984-34063-9 US 2011 Corpse (DVD-V) Voice Music , Die Hard Records , Cannibal Global Evisceration Valhall Music, Rock CCDVD01 CCDVD01 Brazil 2015 Corpse (DVD-V, RE) Machine Records , Rock Brigade Records Related Music albums to Global Evisceration by Cannibal Corpse Cannibal Corpse - Force Fed Live Bleeding Cannibal Corpse - Make Them Suffer (Live) Cannibal Corpse - Eaten Back To Life Cannibal Corpse - The Wretched Spawn Cannibal Corpse - Evisceration Plague Cannibal Corpse - Hammer Smashed Face Cannibal Corpse - Tomb Of The Mutilated/Hammer Smashed Face Dew-Scented - Icarus Cannibal Corpse - Live Cannibalism Cannibal Corpse - Vile. -
RECORD SHOP Gesamtkatalog
RECORD SHOP Gesamtkatalog gültig bis 31.10.2018 Record Shop Holger Schneider Flurstr. 7, 66989 Höheinöd, Germany Tel.: (0049) 06333-993214 Fax: (0049) 06333-993215 @Mail: [email protected] Homepage: www.recordshop-online.de Gruppe / Titel Artikelbeschreibung B.-Nr.Preis Gruppe / Titel Artikelbeschreibung B.-Nr. Preis 10 CC LIVE CD D/92/ATCO M/M- 94179 6,99 € GREATEST HITS 1972 - 1978 CD M-/M 90675 4,99 € LIVE CD-DO Doppel-CD Collectors Edition im Digi von 2003 M/M50405 6,99 € LIVE AT RIVER PLATE DVD VG/VG- 02931 4,99 € 12 STONES NO BULL VHS LIVE PLAZA DE TOROS 122 MINUTEN00502 2,99 € 12 STONES CD M-/M 97005 6,99 € POWERAGE CD Digitaly Remastered AC/DC Collection EX-/M96500 4,99 € POTTERS FIELD CD M/M 97004 6,99 € POWERAGE CD Digitaly Remastered AC/DC Collection M-/M57652 6,99 € 18 SUMMERS ROCK OR BUST CD Lim. Edition im Digipack !!! EX/M 96501 6,99 € VIRGIN MARY CD EX-/M- 93108 6,99 € ROCK OR BUST CD Lim. Edition im Digipack !!! ORIGINALVERPACKT93937 9,99 € 24-7 SPYZ SATELLITE BLUES CD Maxi EX/M 70348 4,99 € 6 CD EX/M 85408 2,99 € STIFF UPPER LIP CD EX-/M 53656 6,99 € STIFF UPPER LIP CD Maxi EX-/M- 61532 4,99 € 36 CRYZYFISTS STIFF UPPER LIP LIVE DVD 2001 M-/M 02085 9,99 € COLLISIONS AND CASTWAYS CD M/M 89364 2,99 € THE RAZORS EDGE CD D/1990/ACTO M-/M 83231 6,99 € 38 SPECIAL THUNDERSTRUCK CD Maxi + Fire Your Guns + D.T. -
Hugo, Baudelaire, Camus, and the Death Penalty
UC Irvine FlashPoints Title Capital Letters: Hugo, Baudelaire, Camus, and the Death Penalty Permalink https://escholarship.org/uc/item/0r30h8pt ISBN 9780810141537 Author Morisi, Eve Publication Date 2020 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Capital Letters The FlashPoints series is devoted to books that consider literature beyond strictly national and disciplinary frameworks, and that are distinguished both by their historical grounding and by their theoretical and conceptual strength. Our books engage theory without losing touch with history and work historically without falling into uncritical positivism. FlashPoints aims for a broad audience within the humanities and the social sciences concerned with moments of cultural emergence and transformation. In a Benjaminian mode, FlashPoints is interested in how liter- ature contributes to forming new constellations of culture and history and in how such formations function critically and politically in the present. Series titles are available online at http://escholarship.org/uc/flashpoints. series editors: Ali Behdad (Comparative Literature and English, UCLA), Edi- tor Emeritus; Judith Butler (Rhetoric and Comparative Literature, UC Berkeley), Editor Emerita; Michelle Clayton (Hispanic Studies and Comparative Literature, Brown University); Edward Dimendberg (Film and Media Studies, Visual Studies, and European Languages and Studies, UC Irvine), Founding Editor; Catherine Gallagher (English, UC Berkeley), Editor Emerita; Nouri Gana (Comparative Lit- erature and Near Eastern Languages and Cultures, UCLA); Susan Gillman (Lit- erature, UC Santa Cruz), Coordinator; Jody Greene (Literature, UC Santa Cruz); Richard Terdiman (Literature, UC Santa Cruz), Founding Editor A complete list of titles begins on p. 267. Capital Letters Hugo, Baudelaire, Camus, and the Death Penalty Ève Morisi northwestern university press | evanston, illinois Northwestern University Press www.nupress.northwestern.edu Copyright © 2020 by Northwestern University Press. -
Punk Section
A “nihilistic dreamboat to negation”? The cultural study of death metal and the limits of political criticism Michelle Phillipov Thesis submitted for the degree of Doctor of Philosophy Discipline of English University of Adelaide October 2008 CONTENTS Contents ................................................................................................................... II Abstract.................................................................................................................... IV Declaration ........................................................................................................ VI Acknowledgements ............................................................................. VII Introduction ...................................................................................................... 1 From heavy to extreme metal ............................................................................................. 9 The politics of cultural studies .......................................................................................... 20 Towards an understanding of musical pleasure ............................................................. 34 Chapter 1 Popular music studies and the search for the “new punk”: punk, hip hop and dance music ........................................................................ 38 Punk studies and the persistence of politics ................................................................... 39 The “new punk”: rap and hip hop .................................................................................. -
Cannibal Corpse Live Cannibalism Mp3, Flac, Wma
Cannibal Corpse Live Cannibalism mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Live Cannibalism Country: Romania Released: 2000 Style: Death Metal MP3 version RAR size: 1102 mb FLAC version RAR size: 1211 mb WMA version RAR size: 1945 mb Rating: 4.4 Votes: 170 Other Formats: MP2 APE AA MPC ASF ADX AIFF Tracklist Hide Credits Staring Through The Eyes Of The Dead 1 4:14 Written-By – Webster*, Barnes*, Owen* Blowtorch Slaughter 2 2:37 Written-By – Webster*, Mazurkiewicz* Stripped, Raped And Strangled 3 3:38 Written-By – Webster*, Barnes*, Owen*, Barrett* I Cum Blood 4 4:12 Written-By – Webster*, Rusay*, Barnes*, Owen*, Mazurkiewicz* Covered With Sores 5 3:43 Written-By – Webster*, Rusay*, Barnes*, Owen*, Mazurkiewicz* Fucked With A Knife 6 2:26 Written-By – Webster*, Barnes* Unleashing The Bloodthirsty 7 4:12 Written-By – Webster* Dead Human Collection 8 2:39 Written-By – O'Brien*, Mazurkiewicz* Gallery Of Suicide 9 4:11 Written-By – Webster*, Fisher*, Mazurkiewicz* Meat Hook Sodomy 10 5:10 Written-By – Webster*, Rusay*, Barnes*, Owen*, Mazurkiewicz* Perverse Suffering 11 4:20 Written-By – Owen*, Mazurkiewicz* The Spine Splitter 12 3:31 Written-By – Owen*, Mazurkiewicz* Gutted 13 3:26 Written-By – Webster*, Rusay*, Barnes*, Owen*, Mazurkiewicz* I Will Kill You 14 2:47 Written-By – Webster* Devoured By Vermin 15 3:38 Written-By – Webster*, Barrett* Disposal Of The Body 16 3:41 Written-By – Webster*, Fisher* A Skull Full Of Maggots 17 2:32 Written-By – Webster*, Rusay*, Barnes*, Owen*, Mazurkiewicz* Hammer Smashed Face 18 4:46 Written-By – Webster*, Rusay*, Barnes*, Owen*, Mazurkiewicz* Companies, etc. -
Gender, Race & the Aesthetics of Aggressive Heavy Metal Subcultures
Georgia State University ScholarWorks @ Georgia State University History Theses Department of History Spring 4-13-2012 Rockin' The Tritone: Gender, Race & The Aesthetics of Aggressive Heavy Metal Subcultures Kirk W. Mishrell Follow this and additional works at: https://scholarworks.gsu.edu/history_theses Recommended Citation Mishrell, Kirk W., "Rockin' The Tritone: Gender, Race & The Aesthetics of Aggressive Heavy Metal Subcultures." Thesis, Georgia State University, 2012. https://scholarworks.gsu.edu/history_theses/52 This Thesis is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. ROCKIN’ THE TRITONE: GENDER, RACE & THE AESTHETICS OF AGGRESSIVE HEAVY METAL SUBCULTURES by KIRK MISHRELL Under the Direction of John McMillian ABSTRACT This paper explores the dynamics of two regional heavy metal styles. It focuses on the aesthetics of Florida death metal and Norwegian black metal. This paper seeks to contribute but also devi- ate from the great studies linking music with cultural studies. Heavy metal has gained interna- tional attention from many social leaders concerned with the direction of its listeners. Heavy metal, from its early foundation, has been used to rebel against social order. As the music evolves, it becomes dangerous to the social establishment; challenging ideologies such as reli- gion, globalization, feminism and common decency. This paper seeks to tell the story of the bat- tle between hegemony and the subversive subculture of intense metal, giving voice to some truly disturbed individuals dissatisfied with the existing social institution. -
PRECIOUS METAL “This Page Left Intentionally Blank.” 0306818066-Mudrian 01:Layout 1 5/4/09 1:28 PM Page Iii
0306818066-Mudrian_01:Layout 1 5/4/09 1:28 PM Page i PRECIOUS METAL “This page left intentionally blank.” 0306818066-Mudrian_01:Layout 1 5/4/09 1:28 PM Page iii PRECIOUS METAL ø DECIBEL Presents the Stories Behind 25 Extreme Metal Masterpieces Edited by ALBERT MUDRIAN DA CAPO PRESS A Member of the Perseus Books Group 0306818066-Mudrian_01:Layout 1 5/4/09 1:28 PM Page iv Copyright © 2009 by Decibel magazine All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Printed in the United States of America. For information, address Da Capo Press, 11 Cambridge Center, Cambridge, MA 02142. Designed by Jeff Williams Set in 11 point Adobe Caslon by the Perseus Books Group Library of Congress Cataloging-in-Publication Data Precious metal : Decibel magazine presents the oral histories of 25 extreme metal essentials / edited by Albert Mudrian. p. cm. Includes index. ISBN 978-0-306-81806-6 (alk. paper) 1. Extreme metal (Music)—History and criticism. 2. Death metal (Music)—History and criticism. 3. Heavy metal (Music)—History and criticism. 4. Rock musicians—Interviews. I. Mudrian, Albert, 1975– II. Decibel (Philadelphia, Pa.) ML3534.P73 2009 781.66--dc22 2009007835 Published by Da Capo Press A Member of the Perseus Books Group www.dacapopress.com Da Capo Press books are available at special discounts for bulk purchases in the U.S. by corpo- rations, institutions, and other organizations. -
Universidade Federal Rural Do Rio De Janeiro Instituto De Ciências Sociais Programa De Pós-Graduação Em Ciências Sociais Di
UNIVERSIDADE FEDERAL RURAL DO RIO DE JANEIRO INSTITUTO DE CIÊNCIAS SOCIAIS PROGRAMA DE PÓS-GRADUAÇÃO EM CIÊNCIAS SOCIAIS DISSERTAÇÃO MORALIDADES, REGULAÇÕES, SABERES E AS “PERVERSÕES” NO HEAVY METAL RICARDO CORREIA CARRAMILLO CAETANO 2016 UNIVERSIDADE FEDERAL RURAL DO RIO DE JANEIRO INSTITUTO DE CIÊNCIAS SOCIAIS PROGRAMA DE PÓS-GRADUAÇÃO EM CIÊNCIAS SOCIAIS MORALIDADES, REGULAÇÕES, SABERES E AS “PERVERSÕES” NO HEAVY METAL RICARDO CORREIA CARRAMILLO CAETANO Sob orientação da Prof.ª Dr.ª Alessandra Rinaldi Dissertação submetida como requisito parcial para obtenção do grau de Mestre em Ciências Sociais, no Programa de Pós-Graduação em Ciências Sociais. Rio de Janeiro, RJ Abril, 2016 FICHA CATALOGRÁFICA UNIVERSIDAE FEDERAL RURAL DO RIO DE JANEIRO INSTITUTO DE CIÊNCIAS SOCIAIS PROGRAMA DE PÓS-GRADUAÇÃO EM CIÊNCIAS SOCIAIS RICARDO CORREIA CARRAMILLO CAETANO Dissertação submetida como requisito parcial para obtenção do grau de Mestre em Ciências, no Programa de Pós-Graduação em Ciências Sociais. DISSERTAÇÃO APROVADA EM 16 de maio de 2015. __________________________________________________________ Prof.ª Dr.ª Alessandra Rinaldi (Orientadora) ____________________________________________________________ Prof.ª Dr.ª Maria Elvira Benitez _____________________________________________________________ Prof.ª Dr.ª Luena Nunes AGRADECIMENTOS Seria um exagero dizer que esta foi a parte mais difícil de escrever, mas ainda sim foi difícil. São tantas pessoas para agradeçer que tive que fazer uma lista para não me esquecer de nenhuma. Tantas pessoas me ajudaram ao longo destes 2 anos de mestrado. Começo pela minha orientadora Alessandra de Andrade Rinaldi que embarcou em um projeto cujo objeto e tema talvez pouco conhecesse mas que, a seu modo, conseguiu adaptá-lo e encontrar um meio termo entre o que eu propuz e o que ela dominava. -
PALACKÝ UNIVERSITY in OLOMOUC Faculty of Arts DEPARTMENT of ENGLISH and AMERICAN STUDIES
PALACKÝ UNIVERSITY IN OLOMOUC Faculty of Arts DEPARTMENT OF ENGLISH AND AMERICAN STUDIES A Narratological Analysis of Death Metal Themes in Selected Works of Jeremy Wagner and Dean Swinford Master’s Thesis Study program: English philology Supervisor: Mgr. David Livingstone, Ph.D. Author: Eliseo Guardado Salguero Olomouc, 2020 I declare that I am the author of this master’s thesis entitled “A Narratological Analysis of Death Metal Themes in Selected Works of Jeremy Wagner and Dean Swinford” with the help of my supervisor, and all the sources I have used have been both cited and acknowledged. In Olomouc, April 30th 2020. ................................................. Eliseo Guardado Salguero 2 Acknowldegements I want to thank my thesis advisor, Mgr. David Livingstone, Ph.D., for all his support during my whole master’s studies in English Philology at Palacký University in Olomouc, Czech Republic. Also, I want to thank my second reader, Doctor Victor Kennedy, from the University of Maribor in Slovenia, and my mentor in literary criticism: Prof. Ph.D. Michal Peprník, Dr. from Palacký University, for their support. Moreover, I want to thank Professors: Nassim Balestrini, Roberta Maierhofer, and Werner Wolf, from the Karl-Franzens-Universität Graz in Austria, as well as Professor Michelle Gadpaille from the University of Maribor in Slovenia, for their support in this project. I want to thank one of the first and pioneering heavy metal researchers: Doctor Deena Weinstein from DePaul University in Chicago, USA, for her help with the first ideas for this research. Also, I want to thank Jeremy Wagner from the death metal band Broken Hope, Doctor Dean Swinford from Fayetteville State University in North Carolina, USA, and Doctor Jeffrey Parrott, from Palacký University for their metal support.