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A St. Helena Who's Who, Or a Directory of the Island During the Captivity of Napoleon
A ST. HELENA WHO'S WHO A ST. HELENA WHO'S WHO ARCHIBALD ARNOTT, M.D. See page si. A ST. HELENA WHO'S WHO OR A DIRECTORY OF THE ISLAND DURING THE CAPTIVITY OF NAPOLEON BY ARNOLD gHAPLIN, M.D. (cantab.) Author of The Illness and Death of Napoleon, Thomas Shortt, etc. NEW YORK E. P. DUTTON AND COMPANY LONDON : ARTHUR L. HUMPHREYS 1919 SECOND EDITION REVISED AND ENLARGED PREFACE The first edition of A St. Helena Whos Wlio was limited to one hundred and fifty copies, for it was felt that the book could appeal only to those who were students of the period of Napoleon's captivity in St. Helena. The author soon found, however, that the edition was insuffi- cient to meet the demand, and he was obliged, with regret, to inform many who desired to possess the book that the issue was exhausted. In the present edition the original form in which the work appeared has been retained, but fresh material has been included, and many corrections have been made which, it is hoped, will render the book more useful. vu CONTENTS PAQI Introduction ....... 1 The Island or St. Helena and its Administration . 7 Military ....... 8 Naval ....... 9 Civil ....... 10 The Population of St. Helena in 1820 . .15 The Expenses of Administration in St. Helena in 1817 15 The Residents at Longwood . .16 Topography— Principal Residences . .19 The Regiments in St. Helena . .22 The 53rd Foot Regiment (2nd Battalion) . 22 The 66th Foot Regiment (2nd Battalion) . 26 The 66th Foot Regiment (1st Battalion) . 29 The 20th Foot Regiment . -
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
1502-1629 THOUGH It Did Not Take Place Until Fifteen Years Later, the Discovery of St
CHAPTER I 1502-1629 THOUGH it did not take place until fifteen years later, the discovery of St. Helena became inevitable AL when the Portuguese navigator, Bartholomew de Diaz, rounded the Cape of Good Hope in 1487. For many years the Portuguese, the greatest race of sailors who ever ventured into uncharted seas, excluded from the Mediterranean, had gradually explored farther and farther along the mysterious unmapped western coast of Africa. Ten years after the epoch-making discovery of Diaz and after Columbus and Cabot had opened up the Atlantic to the races of the West and North of Europe, the King of Portugal, Emmanuel the Fortunate, sent out a fleet under the command of Vasco da Gama with orders to sail beyond the Cape of Good Hope in search of a direct sea route to India and thus tap the wealth of the East. Hitherto for centuries all trade between Europe and the East had been carried overland across Arabia, and by ship along the Mediterranean, and had been in the hands of the Italian cities of Venice and Genoa. Da Gama achieved his ambition, and arrived at Calicut, on the west coast of the Indian Peninsula, and from that day the Mediterranean, which for centuries had been the centre of civilization, began to decline. The Portuguese lost no time in building forts and setting up trading posts along the west coast of India, but their principal one was at Calicut. I 5 021 ST. HELENA ST. HELENA [1502 It is not to be wondered at that the "Moors" or Arabs who by some strange fluke of fortune, is still existing and to be for centuries had held the monopoly of the trade between found in considerable numbers. -
Spring 2011 Issn 1476-6760
Issue 65 Spring 2011 Issn 1476-6760 Christine Hallett on Historical Perspectives on Nineteenth-Century Nursing Karen Nolte on the Relationship between Doctors and Nurses in Agnes Karll’s Letters Dian L. Baker, May Ying Ly, and Colleen Marie Pauza on Hmong Nurses in Laos during America’s Secret War, 1954- 1974 Elisabetta Babini on the Cinematic Representation of British Nurses in Biopics Anja Peters on Nanna Conti – the Nazis’ Reichshebammenführerin Lesley A. Hall on finding female healthcare workers in the archives Plus Four book reviews Committee news www.womenshistorynetwork.org 9 – 11 September 2011 20 Years of the Women’s History Network Looking Back - Looking Forward The Women’s Library, London Metropolitan University Keynote Speakers: Kathryn Gleadle, Caroline Bressey Sheila Rowbotham, Sally Alexander, Anna Davin Krista Cowman, Jane Rendall, Helen Meller The conference will look at the past 20 years of writing women’s history, asking the question where are we now? We will be looking at histories of feminism, work in progress, current areas of debate such as religion and perspectives on national and international histories of the women’s movement. The conference will also invite users of The Women’s Library to take part in one strand that will be set in the Reading Room. We would very much like you to choose an object/item, which has inspired your writing and thinking, and share your experience. Conference website: www.londonmet.ac.uk/thewomenslibrary/ aboutthecollections/research/womens-history-network-conference-2011.cfm Further information and a conference call will be posted on the WHN website www.womenshistorynetwork.org Editorial elcome to the spring issue of Women’s History This issue, as usual, also contains a collection of WMagazine. -
Bar-Tender's Guide Or How to Mix Drinks
JERRY THOMAS' BAR-TENDERS GUIDE НOW TO MIX DRINKS NEW YORK. DIС AND FITZGERALD, PUBLISHERS. THE BAR-TENDERS GUIDE; OR, HOW TO MIX ALL KINDS OF PLAIN AND FANCY DRINKS, CONTAINING CLEAR AND RELIABLE DIRECTIONS FOB MIXING ALL THE BEVERAGES USED IN THE UNITED STATES, TOGETHER WITH THE MOST POPULAR BRITISH, FRENCH, GERMAN, ITALIAN, EUSSIAN, AND SPANISH RECIPES ; EMBRACING PUNCHES, JULEPS, COBBLERS, ETC., ETC., IN ENDLESS VARIETY. BY JERRY THOMAS, Formerly Principal Bar-Tender at the Metropolitan Hotel, New York, and the Planters' House, 81. Louis. NEW YORK: DICK & FITZGERALD, PUBLISHERS, No. 18 ANN STREET. Entered according to Act of Congress, in the year 1862, by DICK & FITZGERALD, In the Clerk's Office of the District Court of the United States, for the Southern District of New York. - Entered according to Act of Congress, in the year 1876, BY DICK & FITZGERALD, In the Office of the Librarian of Congress, at Washington, D. C. PREFACE. In all ages of the world, and in all countries, men have in dulged in "so cial drinks." They have al ways possess ed themselves of some popu lar beverage apart from water and those of the breakfast and tea table. Whether it is judicious that mankind should con tinue to indulge in such things, or whether it would be wiser to abstain from all enjoyments of that character, it is not our province to decide. We leave that question to the moral philosopher. We simply contend that a relish for "social drinks" is universal; that those drinks exist in greater variety in the United States than in any other country in the world; and that he, therefore, who proposes to impart to these drink not only the most palatable but the most wholesome characteristics of which they may be made susceptible, is a genuine public benefactor. -
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6 Women and the war The Great War, most people would have agreed at the time, was a male cre- ation. Politicians, statesmen and kings bred it and soldiers fought and fed it. Thus far, this study has regarded those women within Bloomsbury whose aes- thetic reactions to the conflict provide such a good starting point when examin- ing the war in this context. What of other women, existing independently from that hot-house of creativity, but who felt similarly? Due to their status in soci- ety as a whole, women necessarily operated within a different cultural milieu to that of men – even when sharing an enlightened, liberal background with them, as within Bloomsbury and its circle. But women emerged from a range of back- grounds and contexts – including that of political agitation linked to specific political aims – whose motivation towards protest, when confronted by the specifics of war, became more individualistic in character and less a part of an organised ‘movement’ or liable to be led by the propaganda of the war-state. Many women in the period leading up to the outbreak of the conflict could lay claim to a history of opposition; during the pre-war period one of the prin- cipal focal points of public dissent against the existing political structure had been the women’s suffrage movement. This cause, by the nature of its specific political goals, had also been largely political in organisation, character and aspiration, though precepts of greater equality for women outside the political sphere – once they had achieved the vote – were meshed to hopes for the ulti- mate cultural emancipation of the female sex. -
1815, WW1 and WW2
Episode 2 : 1815, WW1 and WW2 ‘The Cockpit of Europe’ is how Belgium has understatement is an inalienable national often been described - the stage upon which characteristic, and fame is by no means a other competing nations have come to fight reliable measure of bravery. out their differences. A crossroads and Here we look at more than 50 such heroes trading hub falling between power blocks, from Brussels and Wallonia, where the Battle Belgium has been the scene of countless of Waterloo took place, and the scene of colossal clashes - Ramillies, Oudenarde, some of the most bitter fighting in the two Jemappes, Waterloo, Ypres, to name but a World Wars - and of some of Belgium’s most few. Ruled successively by the Romans, heroic acts of resistance. Franks, French, Holy Roman Empire, Burgundians, Spanish, Austrians and Dutch, Waterloo, 1815 the idea of an independent Belgium nation only floated into view in the 18th century. The concept of an independent Belgian nation, in the shape that we know it today, It is easy to forget that Belgian people have had little meaning until the 18th century. been living in these lands all the while. The However, the high-handed rule of the Austrian name goes back at least 2,000 years, when Empire provoked a rebellion called the the Belgae people inspired the name of the Brabant Revolution in 1789–90, in which Roman province Gallia Belgica. Julius Caesar independence was proclaimed. It was brutally was in no doubt about their bravery: ‘Of all crushed, and quickly overtaken by events in these people [the Gauls],’ he wrote, ‘the the wake of the French Revolution of 1789. -
2019 Bulge 75Th Museum REV2.Indd
Save $1,000 per couple when booked by July 31, 2019 Battle of the Bulge 75th Anniversary Commemoration Tour 12 DAYS | DECEMBER 12 – 21, 2019 Engage. Reflect. Explore. Clervaux • Lanzerath • Elsenborn Ridge • Malmedy • La Gleize • Keystone in the Way Commemoration Ceremony 75th Anniversary of the Battle of the Bulge • Bastogne • Wiltz • Diekirch • Luxembourg American Cemetery Ardennes • Bois Jacques Join us on this one-of-a-kind journey of remembrance & commemoration Walk in the footsteps of American soldiers who battled against Hitler’s “Last Gamble.” Guests who book on the December 2019 tour will commemorate the 75th Anniversary of the Battle of Bulge with two extra touring days that incorporate ceremonies and festivities around Bastogne, and will experience the region in a similar state to how the American GIs found them in that harrowing winter of 1944 – 1945. Dear Friend of the Museum, I invite you to join The National WWII Museum on a commemorative 75th anniversary tour of the sites made significant during the Battle of the Bulge. Expertly researched by our own staff, and led by expert battlefield guide Roland Gaul and military historian Edwin Popken, this is the most immersive tour of the Ardennes available today. From the famous “northern shoulder” of the Bulge near Elsenborn Ridge, through the Bastogne Corridor, and to the Luxembourg Ardennes, you will trace the routes of the last major German offensive in the West and encounter the heroic stories of the soldiers who fought and won America’s largest and costliest campaign of World War II. In late 1944, few thought that a massive German counterattack was possible. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Of Australia's First Woman Sculptor and Her War Memorials
In Memoriam: World War I memorials by the Australian sculptor Margaret Baskerville (1861-1930). Margaret A. Rose, FAHA, FRHistS Margaret Francis Ellen (“Nell”) Baskerville was born in Melbourne, Victoria in 1861 and was one of the first Australian-born women artists to become a professional sculptor. This brief illustrated account of her war memorials is based on my study of her work and that of her husband and fellow sculptor C. Douglas Richardson, which was published for the Brighton (now Bayside) City Council collection of their paintings and sculpture under the title Victorian Artists. Margaret Baskerville (1861-1930) and C. Douglas Richardson (1853-1932) in 1988. Several memorials to the fallen were commissioned and completed by sculptors as well as by stonemasons in Australia in the aftermath of the “Great War”. Many are recorded, and some are illustrated, in the numerous editions of Sacred Places: War Memorials in the Australian Landscape by K.S. Inglis, assisted by Jan Brazier, of 1998, as well as – more recently – on websites such as those for the “Monument Australia” and “Victorian Heritage” databases. As Inglis has noted, the majority of the war memorials unveiled in the public spaces of Australian towns following World War I had been for – and had illustrated – the male soldiers who had fought and fallen in battle. Amongst the memorials built and unveiled following World War I were, however, also two by the Australian sculptor Margaret Baskerville (1861-1930) for the British nurse Edith Louisa Cavell. Cavell (born in Norfolk, England in 1865) had trained as a nurse in London under a friend of Florence Nightingale (Matron Eva Luckes), had taken up work in Belgium and been executed there at dawn on 12 October 1915 by order of the German Military Governor of Brussels for having assisted in the escape of allied soldiers, and despite the fact that she had tended the wounded of both sides. -
Nurse-Martyr-Heroine: Representations of Edith Cavell in Interwar Britain, France and Belgium
This is a repository copy of Nurse-Martyr-Heroine: Representations of Edith Cavell in Interwar Britain, France and Belgium. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/136299/ Version: Accepted Version Article: Fell, AS and Sternberg, C (2018) Nurse-Martyr-Heroine: Representations of Edith Cavell in Interwar Britain, France and Belgium. Journal of War & Culture Studies, 11 (4). pp. 273-290. ISSN 1752-6272 https://doi.org/10.1080/17526272.2018.1530524 © 2018 Informa UK Limited, trading as Taylor & Francis Group. This is an Accepted Manuscript of an article published by Taylor & Francis in Journal of War & Culture Studies on 16 Oct 2018, available online: http://www.tandfonline.com/10.1080/17526272.2018.1530524. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Nurse-Martyr-Heroine: Representations of Edith Cavell in Interwar Britain, France and Belgium Alison S. -
The Golden Wheel Dream-Book and Fortune-Teller
ONTAINE'S^ : Sent Free of Postage on Receipt of Price. Dick's One Hundred Amy.senients for Evening Parties, Pienics and Social Gatherings. TMa book is fall of Oiagiiial !N"ov"elties. It contains Kew and Attractive Grames, clearly illus- A variety of new and ingenious puzzles. trated hy means of Witty Examples, Comical Illusions, fully described. These showing how each may he most success- surprising and grotesque illusions are fully picked. very startling in their effects, and Surprising Trichs, easy ofperformance. present little or no difficulty in their Musical aaid other innocent sells. preparation. Also as Entirely '^ew Tersion of the Celebrated "Mrs. Jarley's TTax Works.'' THE flexible GIAITT. A COMIO ILLUSION. Elustrated and explained by sixty fine wood engravings. Illuminated paper covers 30 cts* Bonnd in boards, with cloth back 50 cts. : 8eat Free of t^osrage on Receipt ©f l»rlce. The Art and Etiquette of Making Love, a Maaual of Love, Courtship and Matiimony. It tells Mow to Cure Bashfulness; How to Commence a Courtship^ How to Please a Sweetheart or Loveft How to Write a Love-Letter; Mow to '' Pop the Question'"'; Mow to Act Before and After a Fto= posal) Mow to Acceptor lieject j, ProposaZj Mow to Break off an Engagemerd; Mow to Act After an Bngagement; Mow to Act as Bridesmaid or Groomg* man; Mow the Etiquette of a Wedding and ths After-Reception Should be Observedt And, in fact, how to Puifill eveiy duty and meet every contin- gency connected with courtship and matrimony. j;t includes also a choice collection of sensible Letters suitable for all tha contiagencies of Love and Courtship.