The Delights of Wisdom Pertaining to Conjugial Love

Total Page:16

File Type:pdf, Size:1020Kb

The Delights of Wisdom Pertaining to Conjugial Love The Delights of Wisdom Pertaining to Conjugial Love After which follow the pleasures of insanity pertaining to promiscuous love EMANUEL SWEDENBORG Translated from the Original Latin by Samuel M. Warren Revised and Edited by Louis H. Tafel STANDARD EDITION SWEDENBORG FOUNDATION West Chester, Pennsylvania © 2009 Swedenborg Foundation This version was compiled from electronic files of the Standard Edition of the Works of Emanuel Swedenborg as further edited by William Ross Woofenden. Pagination of this PDF document does not match that of the corresponding printed volumes, and any page references within this text may not be accurate. However, most if not all of the numerical references herein are not to page numbers but to Swedenborg’s section numbers, which are not affected by changes in pagination. If this work appears both separately and as part of a larger volume file, its pagination follows that of the larger volume in both cases. This version has not been proofed against the original, and occasional errors in conversion may remain. To purchase the full set of the Redesigned Standard Edition of Emanuel Swedenborg’s works, or the available volumes of the latest translation (the New Century Edition of the Works of Emanuel Swedenborg), contact the Swedenborg Foundation at 1-800-355-3222, www.swedenborg.com, or 320 North Church Street, West Chester, Pennsylvania 19380. Contents Editor’s Preface Part 1: The Wisdom of Conjugial Love Joys of Heaven and a Wedding There (n. 1–26) Marriages in Heaven (27–44) Married Partners after Death (45–56) Love Truly Conjugial (57–82) On the Origin of Conjugial Love from the Marriage of Good and Truth (83–115) Marriage of the Lord and the Church, and Its Correspondence (116–137) The Chaste and the Unchaste (138–155a) On the Conjunction of Souls and Minds by Marriage (156a–183) Change of State of Life by Marriage with Men and Women (184–208) General Concepts about Marriage (209–233) Causes of Coldness, Separation, and Divorce in Marriage (234–270) Causes of Apparent Love, Friendship, and Goodwill in Marriage (271–294) Concerning Betrothals and Weddings (295–316) Remarriage (317–331) Polygamy (332–356) Jealousy (357–384) Conjunction of Conjugial Love with the Love of Infants (385–422) Part 2: The Insanity of Promiscuous Love Opposition of Promiscuous Love and Conjugial Love (423–444) Fornication (444a–461) Taking a Mistress (426–477) Adulteries and Their Kinds and Degrees (478–500) Lust for Defloration (501–505) Lust for Variety (506–510) Lust for Rape (511–512) Lust to Seduce Innocent Women (513–514) Correspondence of Promiscuities with the Violation of Spiritual Marriage (515–522) Imputation of Each Love, Promiscuous and Conjugial (523–535) Index to Memorable Relations Index of Scripture Passages General Index CONJUGIAL LOVE 1 Editor’s Preface All of the theological works of Swedenborg from 1749 through 1766 were published anonymously. This work, Conjugial Love, is the first to have the author’s name on the title page. At the back of the volume he appended a list of “theological works hitherto published by me.” This list has been omitted in most English editions to date. This present edition was first translated from the Latin by Samuel Warren for the Rotch edition of Swedenborg’s works and published as Marriage Love. Warren’s text was later revised by Louis Tafel and published as Conjugial Love. The text of the Warren/Tafel version was electronically scanned from the Swedenborg Foundation’s Standard Edition. This has allowed the book to be completely redesigned and set in a new and more readable typeface. Certain stylistic changes have also been introduced. These include modernized spelling and punctuation as well as the substitution of new words for terms whose meanings have become obscure or have changed since the nineteenth century. Arabic numerals have replaced roman numerals in Bible passages, and certain capitalized words, including pronouns referring to God, have been lowercased to reflect contemporary usage. All these changes have been carefully made in order to make the book easier to read and use while preserving the dignity and power of the original Latin. On the whole, however, the Warren/Tafel translation has not been materially altered. A word needs to be said about the translation of the Scripture passages in this work, some of which Swedenborg translated from biblical Hebrew and Greek, others of which he cited from Latin bibles in his personal library. The reader will note that the archaic language of the 1611 King James Bible, commonly called the CONJUGIAL LOVE 2 Authorized Version, has for the most part been retained in the Scripture citations in this edition. Thus verbs will often have the suffix “-eth,” and pronoun forms such as “thee,” “thou,” and “thine” are retained. This custom, based on the almost universal use of the King James version at that time, dates back to the earliest English translations of Swedenborg. The decision was made by the early translators to follow the familiar language of that Bible wherever it did not conflict with the Latin of Swedenborg’s Scripture citations. Although it would be desirable to update this language, these citations appear so frequently that changing them throughout the entire work would have required a major revision. Numbers indicating the paragraph subdivisions used in John Faulkner Potts’ six-volume Swedenborg Concordance (London: Swedenborg Society, 1888–1902) appear in bracketed boldface type at the beginning of paragraphs. The numbers in parentheses—(6), (7), etc.—are divisions of the exposition by the author. Italicized letters following a number (518a, 518b) are subdivisions added by the Latin editor, Samuel H. Worcester. All footnotes are editorial. Words or phrases in brackets are also editorial insertions into Swedenborg’s text. William Ross Woofenden Sharon, Massachusetts CONJUGIAL LOVE 3 The Delights of Wisdom Pertaining to Conjugial Love CONJUGIAL LOVE 4 The Joys of Heaven and a Wedding There Preliminaries 1. I foresee that many who read the following relations and those after the chapters will believe they are fictions of the imagination; but I declare in truth that they are not fictions, but things actually done and seen. Nor were they seen in any state of the mind asleep, but in a state of full wakefulness. For it has pleased the Lord to manifest himself to me, and to send me to teach the things that will belong to the new church which is meant by the new Jerusalem in Revelation. To this end he has opened the interiors of my mind and spirit, whereby he has given me to be in the spiritual world with angels and at the same time in the natural world with men, and this now for five and twenty years. 2. I once saw an angel flying beneath the eastern heaven with a trumpet in his hand and to his mouth; and he sounded it to the north, to the west, and to the south. He was clad in a robe that waved behind him as he flew, and was girt about with a band flashing and sparkling as with rubies and sapphires. He flew downwards and descended slowly to the earth not far from where I was. As he touched the ground he stood upon his feet and walked to and fro; and then, seeing me, he directed his steps toward me. I was in the spirit, and in that state was standing on a hill in the southern quarter. And when he came near I spoke to him, and asked, “What is to come to pass now? I heard the sound of your trumpet and saw you descending through the air.” CONJUGIAL LOVE 5 The angel answered, “I am sent to call together the men most renowned for learning, of most penetrating genius, and most eminent reputation for wisdom from the countries of the Christian world who are dwelling on this continent, that they may assemble on the hill where you now are, and from the heart express their minds as to what they had thought, understood, and conceived in the world, respecting heavenly joy and eternal happiness. [2] “The reason of my being sent was this: certain newcomers from the world admitted into our heavenly society, which is in the east, have told us that not even one in the whole Christian world knows what heavenly joy and eternal happiness are, nor therefore what heaven is. This my brethren and companions greatly wondered at, and they said to me, ‘Go down, call together, and assemble the wisest in the world of spirits’ (in which all mortals are first gathered after their departure from the natural world) ‘so that from the mouth of many we may make sure whether it is true that there is among Christians such thick darkness and dense ignorance of the future life.’” And he said, “Wait a little, and you will see companies of the wise flocking hither. The Lord will provide them an edifice of assembly.” [3] I waited, and lo, after half an hour I beheld two companies from the north, two from the west, and two from the south; and as they came they were conducted by the angel with the trumpet to the edifice provided, and took the places assigned them there according to the quarter from whence they came. There were six companies or groups. A seventh, from the east, was not seen by the others on account of the light. When they were assembled the angel disclosed to them the reason of their being called together, and requested that the companies would in order express their wisdom respecting heavenly joy and eternal happiness. And each company then gathered themselves into a circle, turned face to face, that they might recall this subject according to the ideas received in the former world, and now consider it, and after consideration and consultation present their conclusion.
Recommended publications
  • Gloria Estefan 4/18/13 7:05 PM
    Gloria Estefan 4/18/13 7:05 PM Published Sunday, May 31, 1998, in the Miami Herald Golden Girl By MICHELLE GENZ Photographs by David Bergman, Herald files and Estefan Enterprises In a cavernous studio space off 125th Street, 100 extras have finally clambered onto the set of Gloria Estefan's new $1.5 million music video. The wild mix of models, actors and club kids has been sorted -- God knows by what criteria -- into groups, and all have taken their places in what looks like a cardboard dance club. Gloria's new single, Heaven's What I Feel, is blasting over an immense sound system. The extras snap eagerly into party mode, practicing their dance moves. They are hearing the cut for the first time, although by the weekend it will blare from the clubs they haunt all along South Beach, an early release from the new nonstop dance album, gloria!, hitting the stores Tuesday. Gloria, meanwhile, has been passing the time in her dressing room upstairs, in a scene more reminiscent of a slumber party than the pre-show psyche-up of a star. The room swarms with children, close friends and family, including Gloria's daughter, Emily, her mother, Gloria Fajardo, and her husband, Emilio, who is just dashing out to change from shorts to tux to appear at an awards ceremony. Gloria is perched on a stool, holding court like the most popular girl in the class, hunching over so her trainer can massage around the two titanium rods implanted in her back after a 1990 bus accident.
    [Show full text]
  • Gloria Estefan and Miami Sound Machine 1-2-3 Mp3, Flac, Wma
    Gloria Estefan And Miami Sound Machine 1-2-3 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: 1-2-3 Country: UK Released: 1988 Style: Synth-pop, Disco MP3 version RAR size: 1955 mb FLAC version RAR size: 1638 mb WMA version RAR size: 1957 mb Rating: 4.5 Votes: 169 Other Formats: AA DXD MP1 MIDI MMF MP2 AUD Tracklist Hide Credits 1-2-3 A Arranged By [Re-arranged] – Clay Ostwald, Emilio Estefan*, Jorge CasasMixed By [Remixed] 3:36 – Eric Schilling, John HaagWritten-By – E. Garcia*, G.M. Estefan* Surrender B 4:05 Mixed By [Remixed] – Humberto GaticaWritten-By – J. Galdo*, J. Dermer*, R. Vigil* Companies, etc. Copyright (c) – CBS Records Inc. Distributed By – CBS Records Distributed By – CBS Disques S.A. Phonographic Copyright (p) – CBS Records Inc. Published By – SBK Songs Ltd. Pressed By – CBS Pressing Plant, Aston Clinton Credits Management – Moress Nanas Entertainment Photography By – Randee St. Nicholas Producer – Emilio*, The Jerks Notes Similar to label variant 1-2-3 which has the word 'And' on the second line of the artist name, and slightly different positioning of the parent LP information. Made In England Taken from the LP/Cassette/CD "Let It Loose" EPC 450910 [Side B is a special version} Picture Sleeve Barcode and Other Identifiers Barcode (Scanned): 5099765295870 Barcode (UPC): 5 099765 295870 Label Code: LC 0199 Other (Distribution Code): CB 111 Matrix / Runout (Side A Label): 652958 7 A* Matrix / Runout (Side B Label): 652958 7 B* Matrix / Runout (Side A Runout, stamped): 652958-7 A1 > ( ) [cancelled GLORIA
    [Show full text]
  • NEW RELEASE for the Week of Feb. 26, 2021 PRIORITIES & HIGHLIGHTS >> Pre-Order Now!
    NEW RELEASE for the week of Feb. 26, 2021 PRIORITIES & HIGHLIGHTS >> Pre-Order Now! CHAI "WINK" (SUB POP) SP1420 CASS/ LP/ CD May 21 street date. Since breaking out in 2018, CHAI have been associated with explosive joy. At the core of their music, CHAI have upheld a stated mission to deconstruct the standards of beauty and cuteness that can be so oppressive in Japan. Like all musicians, CHAI spent 2020 forced to rethink the fabric of their work and lives. But CHAI took this as an opportunity to shake up their process and bring their music somewhere thrillingly new. Having previously used their maximalist recordings to capture the exuberance of their live shows, with the audiences' reactions in mind, CHAI instead focused on crafting the slightly-subtler and more introspective kinds of songs they enjoy listening to at home. Their third full-length and first for Sub Pop, "WINK" contains CHAI's mellowest and most minimal music, and also their most affecting and exciting songwriting by far. CHAI draw R&B and hip-hop into their mix of dance-punk and pop-rock, all while remaining undeniably CHAI. DINOSAUR JR. "Sweep It Into Space" (JAGJAGUWAR) JAG366 LP/ CD DINOSAUR JR. "Sweep It Into Space (JAGJAGUWAR) JAG366LPC1 LP (translucent purple ripple)" April 23 street date. Here is "Sweep It Into Space", the fifth new studio album cut by Dinosaur Jr.. during the 13th year of their rebirth. Originally scheduled for issue in mid 2020, this record's temporal trajectory was thwarted by the coming of the Plague. But it would take more than a mere Plague to tamp down the exquisite fury of this trio when they are fully dialed-in.
    [Show full text]
  • Greatest Hits (The Abbey Road Sessions)
    Therapy? – Greatest Hits (The Abbey Road Sessions) (37:25, LP, CD, Digital, Marshall Records, 2020) Therapy? feiern in diesem Jahr ihr dreißigjähriges Bandjubiläum. Um diesen Anlass zu würdigen, haben sich die Nordiren entschlossen, ihre zwölf größten Hits in den Londoner Abbey Road Studios neu aufzunehmen. Therapy?, für all jene, die sie nicht kennen, hatten ihre Hochphase Mitte der 90er Jahre, als sie mit den Alben „Troublegum“ (1994), „Infernal Love“ (1995) und, mit etwas weniger Erfolg, „Semi-Detached“ (1998) die Charts stürmten. An Therapy? ging damals kein Weg vorbei. ‚Nowhere‘, ‚Die Laughing‘ und ‚Screamager‘ gehörten damals genauso zum Standard-Set eines Indie- und Crossover-DJs wieNirvana s ‚Smells Like Teen Spirit‘ oder ‚Killing in the Name‘ von Rage Against the Machine. Seither sind mehr als 20 Jahre vergangen in denen Therapy? neun weitere Studioalben veröffenlicht haben, zuletzt das Albums „Cleave“ im Jahre 2018. All diese Jahre hatte ich die Nordiren aus den Augen verloren, da mich „Semi-Detached“ einerseits nicht wirklich berührern konnte, andererseits, da sich meine musikalischen Vorlieben in eine andere Richtung entwickelten. Umso gespannter war ich nun auf dieses „Greatest Hits“ Album, da ich hoffte, mir mit dieser Platte einen Überblick über die verapssten Jahre verschaffen zu können. Doch leider ist dies mit der vorliegnden Lieder Sammlung nicht möglich, denn Therapy? haben den Titel „Greatest Hits“ wie kaum eine andere Band wörtlich genommen und ausschließlich ihre UK Top 40 Hits auf die Scheibe gepackt. Diese stammen allerdings sämtlichst aus der Frühphase der Band, sprich, von den drei oben genannten Hitalben sowie dem Debütalbum „Nurse“ und der EP „Opal Matra“.
    [Show full text]
  • Felix Issue 1103, 1998
    s /' JACKIE BROWN BOOTY EXAMS TODAY! NEXT WEEK 100 CDs to Free World Cup Bad Luck! give away Wall Chart Trouble Ahead for Campus Renaissance ANDREW OFOR1 as it seems their previously modi- cialists could only be brought in fied plans are to be undermined once the building's infrastructure Delays in the £58m Bio-Medical once again. ICU president Andy was complete, and that news of Sciences construction project is Heeps, himself a medic, is anxious the problems with customisation threatening to seriously disrupt to preserve the good name of was only recently available. He the medic's transition to South ICSM especially at such a pivotal stated there was a "degree of Kensington this Autumn. The point in its institution. He envi- adaptation to the generic structure building is to accommodate much sioned "Straight 'A' students hav- needed" which affects 60 rooms, of IC's four medical schools as ing a disastrous first few weeks" this compelled him to request the well as the biology department; due to a lack of time for appropri- hand-over date be postponed from the move represents a major ate staff preparation, thereby wast- 8 June by 3-4 weeks. These mea- development in the ICSM merger. ing the effort invested in attracting sures will allow for the completion Schal, the company responsible top-flight students. of building and full commissioning for the venture, have claimed that On a recent tour of the site the and Mr. Hilton was certain the specialist customisation of the Union president claimed that delay was "nothing to do with the building will take longer than "workers were noticeable by their men not putting the hours in." expected and subsequently solicit- absence" and felt the difficulties However, the Principal of ICSM ed an extension of their schedule at experienced with customisation Chris Edwards, is far from satisfied a recent BMS steering committee.
    [Show full text]
  • Liste Gebrauchtware Privatkunden Datum
    TWS-Source Of Deluge - Delmenhorst -- FON 04221-452011 -- FAX 04221-452012 Liste Gebrauchtware Privatkunden Seite: 1 Artikelnummer Interpret Titel Jahr Preis Beschreibung 310 G 42269 13 ENGINES A BLUR TO ME NOW 1991 7,00 € cut out 310 G 55515 28 DAYS UPSTYLEDOWN 2000 5,00 € limited edition with cd rom 320 G 60594 38 SPECIAL TOUR DE FORCE 1983 12,00 € LP 327 G 44956 38 SPECIAL YOU KEEP RUNNING AWAY 1982 4,00 € 7" vinyl single, written on 310 G 11847 40 GRIT NOTHING TO REMEMBER 2003 3,00 € 310 G 5454 454 BIG BLOCK YOUR JESUS 1995 2,00 € 327 G 44777 46 SHORT / KROMBACHERKELLERKINDER SPLIT 5,00 € 7" clear vinyl single 313 G 48055 4LYN LYN 2001 2,00 € MCD 310 G 13839 4LYN SAME 2001 5,00 € 327 G 44860 707 HELL OR HIGH WATER / MEGA FORCE 1982 3,00 € 7" Single 310 G 7738 88 CRASH FIGHT WICKET PENCES 1993 2,00 € 310 G 25423 A D SAME 1993 3,00 € 327 G 61780 A FLOCK OF SEAGULLS I RAN 1982 8,00 € LP Vinyl Maxi Single small 310 G 30902 A PERFECT CIRCLE THIRTENTH STEP 2003 9,00 € 320 G 12156 AARON, LEE CALL OF THE WILD 1985 4,00 € LP 327 G 61726 AARON, LEE POWERLINE 1987 4,00 € one sided 7 inch single, 320 G 23334 AARON, LEE SAME 1987 4,00 € LP 320 G 64407 AARON, LEE SAME 1982 5,00 € LP 310 G 6181 ABADDON I AM LEGION 2000 5,00 € 310 G 8810 ABOMINATION RITES OF THE ETERNAL HATE 2000 5,00 € 310 G 47223 ABSORBED SUNSET BLEEDING 1999 16,00 € 310 G 64482 ABSTUERZENDE BRIEFTAUBEN DER LETZTE MACHT DIE TÜR ZU 7,00 € 310 G 53022 ABSTÜRZENDE BRIEFTAUBEN AUSSER KONTROLLE 1992 7,00 € 60 minute live cd 310 G 55825 ABSTÜRZENDE BRIEFTAUBEN DAS KRIEGEN WIR SCHON HIN
    [Show full text]
  • Gloria Estefan Hold Me, Thrill Me, Kiss Me Mp3, Flac, Wma
    Gloria Estefan Hold Me, Thrill Me, Kiss Me mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Hold Me, Thrill Me, Kiss Me Country: Spain Released: 1994 Style: Ballad, Dance-pop, Vocal MP3 version RAR size: 1511 mb FLAC version RAR size: 1459 mb WMA version RAR size: 1431 mb Rating: 4.7 Votes: 285 Other Formats: RA AHX AAC MMF WAV MP1 MIDI Tracklist Hide Credits Hold Me, Thrill Me, Kiss Me A1 Backing Vocals – Joy Francis, Lagaylia Frazier*, Rick Krive, Rita QuinteroMusic By, Lyrics 3:21 By – Harry Noble, Jr.* How Can I Be Sure Accordion – Emilio Estefan, Jr.French Horn – Andrew Lewinter, Lauren HammockGuitar A2 [Classical, 12 String], Mandolin [Mandocello] – Jorge CasasGuitar [Classical] – Juan R. 3:15 Marquez*Music By, Lyrics By – Edward Brigati, Jr.*, Felix CavaliereTambourine – Lawrence Dermer Everlasting Love A3 Electric Piano [Fender Rhodes] – Lawrence DermerMusic By, Lyrics By – Buzz Cason, Mac 4:01 GaydenSaxophone [Alto] – Whit Sidener Traces A4 Bass – Israel Lopez Cachao*Guitar [Classical] – Juan R. Marquez*Music By, Lyrics By – 3:22 Buddy Buie, Emory Gordy, Jr., J. R. Cobb*Saxophone [Soprano] – Ed Calle Don't Let The Sun Catch You Crying Cello – Steven SigurdsonFlute, Flute [Alto] – Nestor TorresGuitar [Classical] – Jorge Casas, A5 4:21 Tim MitchellMusic By, Lyrics By – Fred Marsden, Gerard Marsden*, Les Chadwick, Les Maguire*Oboe, English Horn – Cindy Sluka You've Made Me So Very Happy Music By, Lyrics By – Berry Gordy, Jr.*, Brenda Holloway, Frank Wilson, Patrice A6 4:44 HollowayOrgan [Hammond] – Clay OstwaldSaxophone
    [Show full text]
  • Polygram 1983-1992
    AUSTRALIAN RECORD LABELS PolyGram 7”, 12” singles & LP’s 1983 to 1992 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, MAY 2019 POLYGRAM 7”, 12” SINGLES & LP’S, 1983–1992 POLYGRAM PRODUCT GUIDE –1 = 12” SINGLES, LP’S –2 = CD SINGLES, CD’S (NOT LISTED) –3 = VHS VIDEO (NOT LISTED) –4 = CASSETTE SINGLES, CASSETTES (NOT LISTED) –7 = 7” SINGLES 370, 377—WINDHAM HILL 370 111-1 TEARS OF JOY TUCK & PATTI 1.90 377 008-1 LOVE WARRIORS TUCK & PATTI 1.90 390–397—A & M 390 419-7 LOVE SCARED / LOVE SCARED PART II (LET’S TALK IT OVER) LANCE ELLINGTON 3.91 390 460-7 STONE COLD SOBER / THE RETURN OF MAGGIE BROWN DEL AMITRI 7.90 390 462-7 THE MESSAGE IS LOVE (2 VERSIONS) ARTHUR BAKER 3.90 390 462-1 THE MESSAGE IS LOVE (2 VERSIONS) / THE MESSAGE IS CLUB ARTHUR BAKER 3.90 390 466-7 DIAMOND IN THE DARK / LAST NIGHT CHRIS DE BURGH 6.90 390 471-7 LOVE TOGETHER (2 VERSIONS) L.A. MIX 7.90 390 471-1 LOVE TOGETHER (2 VERSIONS) L.A. MIX 7.90 390 472-7 PERFECT VIEW / WE NEVER MET THE GRACES 3.90 390 474-7 NOTHING EVER HAPPENS / NO HOLDING ON DEL AMITRI 4.90 390 474-1 NOTHING EVER HAPPENS / NO HOLDING ON / SLOWLY, IT’S COMING BACK DEL AMITRI 5.90 390 475-7 I’M A BELIEVER / NO WAY OUT GIANT 6.90 390 476-7 INSIDE OUT / BACK TO WHERE WE STARTED GUN 4.90 390 477-7 WITH A LITTLE LOVE / WINDOW PEOPLE SAM BROWN 4.90 390 477-1 WITH A LITTLE LOVE / WINDOW PEOPLE / DOLLY MIXTURE SAM BROWN 4.90 390 480-7 A CHANGE IS GONNA COME / MY BLOOD THE NEVILLE BROTHERS 3.90 390 484-1 SUPER LOVER (2 VERSIONS) / WHEN WILL I SEE YOU AGAIN BARRY WHITE 6.90 390 486-7 TWO TO MAKE IT RIGHT
    [Show full text]
  • The Women of Latin American Music
    The Women of Latin American Music By Luisa Suarez Impact Women in Latin America have contributed many beautiful works of art, literature, and music that have helped shape the Latin American identity. However, many fields are male dominated considering machismo and marismo play huge roles in society. The Queen of Salsa: Celia Cruz • Cuban-American singer born in Havana, Cuba • First gained recognition in the 50’s singing with the orchestra, Sonoro Mantacera • Escaping communist rule in 1959 Celia along with the orchestra came to the U.S which angered Fidel Castro, he then banned her from entering Cuba. • Joining the Tito Puente Orchestra in the 60’s, Cruz gained recognition across the U.S Celia Cruz Cont. • Cruz continued to sing for over 40 years • 23 of Cruz’s of records went gold • She won 4 Grammy’s and was nominated 9 times • Held 2005’s Guinness world record for longest working career as a salsa artist https://www.youtube.com/watch?v=IibNqwndtCE Elis Regina • Born on March 17, 1945 in Porto Alegre, Brazil • Began to sing at the age of 12 on a TV show Cube de Guri • Rose to fame in 1965 after performing her song “Arrastao” in one Brazil first music festivals • Garnered the nick names “Little Pepper,” and “Hurricane,” for her dramatics on stage • Mixed Jazz with Rock elements into her music, a sound favored among the teenage crowd Regina Cont. • Became the highest paid musical artist in Brazil at the age of 21 • While touring in Europe she insulted the government saying it was run by “guerillas” • In the 70’s she released her album “Elis and Tom” • https://www.youtube.com/wat ch?v=EIyyFyZtQzE Selena: Queen of Tejano • Born on April 16, 1971 in Lake Jackson Texas • Lead singer of her families band “Selena y Los Dinos” at the age of 10 • Father taught her how to speak Spanish • Would perform Tejano music on the street, in bars and even in weddings • htps://www.youtube.com/watch?v=RK GbjJarMeA Selena Cont.
    [Show full text]
  • Gloria Estefan
    Gloria Estefan "You never know what life has in store for you, but I believe there are certain things one is meant to go through." Gloria Estefan, born Gloria Maria Milagrosa Fajardo in 1957, is the most popular Latin American singer of the 80s and 90s. She continues to fill arenas with her Latin/English lyrics and combination Salsa, Conga and Pop rhythms. The daughter of Cuban exiles, she initially rose to prominence in the 1970's singing Latin songs in her native tongue. Childhood was not easy for the future "Queen of Latin Pop." Her father, Jose, was involved in the 1961 Bay of Pigs invasion and spent a year and a half in prison. He volunteered for duty in Viet Nam. Later he was diagnosed with multiple sclerosis and Gloria watched him die a slow painful death for 14 years. She understood the sacrifice her parents paid for her freedom, "He fought for these same freedoms. I was not about to let anyone stomp on those ideals." But Gloria's life was to face many more challenges. Born in Havana, Cuba two years before Fidel Castro's communist government took control of the island nation, Gloria's family immigrated to Miami, Florida as did many other exiles in 1959. Gloria not only cared for her sick father, but her younger sister while her mother worked at a local high school. She would spend her free time playing guitar in her room. She went to Catholic High School in Miami and met Emilio Estefan when he came to her school to offer advice on music.
    [Show full text]
  • 976 Et 1982, À Tel Point Que L’On Croyait Qu’Il Avait Disparu, Il Aurait Pu Suivre Les Traces De ZZ Top, Molly Hatchet, Lynyrd Skynyrd, Outlaws Et Consorts
    2/28 EDITO Douze minutes !! Et oui, douze minutes auront suffit ce huit janvier pour écouler les 45000 billets mis en vente pour le concert d’AC/DC au stade de Bern le 08 juin prochain. Cette ferveur va bien au-delà du public hard traditionnel, puisqu’elle touche maintenant un public qui va de 7 à 77 ans ! On nn peut que se réjouir de ce succès, tout en espérant que cela incitera le public qui verra pour la première fois les australiens à découvrir les nombreux autres groupes qui ont choisi comme terrain d’expression musicale le hard, le heavy, le fm, le prog métal, le thrash, l’AOR, le blues rock ,….L’année écoulée a d’ailleurs été de nouveau très prolixe au niveau des sorties d’albums et des concerts et cela risque de continuer, puisque de nombreux groupes sont déjà annoncés, tels que Kiss en mai en Suisse pour deux concerts, mais aussi Metallica en tête d’affiche le 18 juin d’une journée qui s’annonce mémorable vu les autres groupes annoncés (voir affiche dans ce numéro). On notera aussi une nouvelle édition au Z7 des Metal Days, rebaptisés Metalfest du 13 au 15 mai avec une affiche déjà prometteuse bien qu’incomplète. A l’instar des autres années, nous allons continuer d’axer le contenu rédactionnel du magazine sur des albums qui nous ont marqué. Je sais bien que certains lecteurs nous reprochent ce choix, mais étant donné que les labels nous font confiance en nous envoyant des cds, nous pouvons nous permettre d’écarter ceux qui ne nous plaisent pas.
    [Show full text]
  • Full Stock List 17.07.17
    DRONE RECORDS - FULL STOCK LIST 17.07.17 (FALLEN) BLACK DEER Requiem (CD-EP, 2008, Latitudes GMT 0:15, €10.5) *AR (RICHARD SKELTON & AUTUMN RICHARDSON) Wolf Notes (LP, 2011, Type Records TYPE093V, €16.5) 1000SCHOEN Yoshiwara (do-CD, 2011, Nitkie label patch seven, €17) Amish Glamour (do-CD, 2012, Nitkie Records Patch ten, €17) 1000SCHOEN / AB INTRA Untitled (do-CD, 2014, Zoharum ZOHAR 070-2, €15.5) 15 DEGREES BELOW ZERO Under a Morphine Sky (CD, 2007, Force of Nature FON07, €8) Between Checks and Artillery. Between Work and Image (10inch, 2007, Angle Records A.R.10.03, €10) Morphine Dawn (maxi-CD, 2004, Crunch Pod CRUNCH 32, €7) 21 GRAMMS Water-Membrane (CD, 2012, Greytone grey009, €12) 23 SKIDOO Seven Songs (do-LP, 2012, LTM Publishing LTMLP 2528, €29.5) 2:13PM Anus Dei (CD, 2012, 213Records 213cd07, €10) Matkormano (LP, 2017, Specific Recordings , €15) 2KILOS & MORE 9,21 (mCD-R, 2006, Taalem alm 37, €5) 8floors lower (CD, 2007, Jeans Records 04, €13) 3/4HADBEENELIMINATED Theology (CD, 2007, Soleilmoon Recordings SOL 148, €19.5) Oblivion (CD, 2010, Die Schachtel DSZeit11, €14) Speak to me (LP, 2016, Black Truffle BT023, €17.5) 300 BASSES Sei Ritornelli (CD, 2012, Potlatch P212, €15) 400 LONELY THINGS same (LP, 2003, Bronsonunlimited BRO 000 LP, €12) 5IVE Hesperus (CD, 2008, Tortuga TR-037, €16) 5UU'S Crisis in Clay (CD, 1997, ReR Megacorp ReR 5uu2, €14) Hunger's Teeth (CD, 1994, ReR Megacorp ReR 5uu1, €14) 7JK (SIEBEN & JOB KARMA) Anthems Flesh (CD, 2012, Redroom Records REDROOM 010 CD , €13) 87 CENTRAL Formation (CD, 2003, Staalplaat
    [Show full text]