™

StudioLive™

Next-Generation Digital Mixing Systems On a Windows® or Mac® laptop.

Touch the future of live sound mixing.

On a Windows® 8 multi-touch ­ computer.

On an iPad®. Or do all three at once! StudioLive™

32-channel/25-bus mixer • 32 recallable remote XMAX™ analog mic preamps­ with +48V phantom power • 32 channels each with dual (A/B) Fat Channel ­processing (4-band parametric EQ, compressor, limiter, high pass, gate) • 16 aux mix buses with full Fat Channels • 4 internal FX buses (2 reverb, 2 delay) • Main L/R + mono or LCR mixing • 52 x 34 digital FireWire I/O

StudioLive™

32-channel/25-bus mixer • 16 recallable remote XMAX™ analog mic preamps­ e enhanced the feature set of our StudioLive AI mixers — with +48V phantom power Wincluding fully analog, yet digitally-recallable XMAX™ mic • 32 channels each with ­preamplifers. And then engineered it into an intuitive, touch-ready dual (A/B) Fat Channel ­processing (4-band ­interface called UC Surface. parametric EQ, compressor, limiter, StudioLive RM Series I/O lives in a rack…but the real breakthrough is high pass, gate) the ease and flexibility of control options you get with UC Surface. • 16 aux mix buses with It takes the concept of moving faders into the future. full Fat Channels The UC Surface battle-ready interface is designed specifically for • 4 internal FX buses (2 reverb, 2 delay) live sound mixing with contextual-based navigation for quick, intuitive • Main L/R + mono access to all functions. Without bank switching or complicated menus. or LCR mixing • 52 x 34 digital FireWire I/O The information displayed in this area changes based on graphics with a more informative parameter box, displaying where you are in your workflow. the parameter name, text of the current value, and a meter •  Select any input channel, the Flex Master Channel, or a showing the value. On a touchscreen, the parameter box will Main output to display the associated Fat Channel DSP. open an adjustment meter under you finger. Move your finger • Select the Flex Master Channel GEQ or FX Edit to display along the meter to change the value. Remove your finger and the associated graphic EQ or effects settings. the meter will snap back to show the compact ­parameter box. • Select Scenes/Mutes (main output area) to display the When working with a mouse, click on the parameter box to Quick Scenes and Mute Groups. display the adjustment meter or use the scroll wheel to adjust Connected device tabs switch between In UC-Surface, we’ve replaced traditional Fat Channel “knob” the value without opening the adjustment meter. different mixers available for control on the network. Selecting a tab will open the associ- Fat Channel Section ated mixer control.

Channel Strip Section Flex Master Channel Strip Mix Selection Area Main Output Area

This area displays the The Flex Master This is the primary navigation EQ micro view. Selects the input channels and channel strip shows area for RM mixers. Here you associated main mix and brings fader levels for the the master channel for select the mix that’s currently up the Fat Channel. selected mix, multiple the selected mix. For being controlled by the channel channels at a time. example, when Mix 3 faders. This is also where you’ll Scenes/Mutes. Displays the e chose the term Just “swipe” left or is selected, the Flex find the settings for each mix. Quick Scenes and Mute Groups in the Fat Channel area. W“­ battle-ready” to right to see other Master is the main Mix selection buttons ­describe UC Surface because channels. output for Mix 3. Talkback. Turns Talkback on Main Mix Select button and off. it’s the first on-screen mix con- EQ micro view. Touch EQ micro view. or click to select the Selects the associated FX Mix selection buttons Clipping warnings trol application to truly handle associated channel Mix master and brings Mix settings and Filter Groups Main Mono/Center channel the spontaneous and often and bring up the Fat up the Fat Channel. area includes… strip. Displays the fader and Channel. chaotic demands of live mixing. Solo Mix name. Select to rename. meter for the Main Mono mix Solo bus. All primary mixing functional- Mute Stereo Link. Select to link Mute two adjacent mixes for stereo Main Left/Right channel strip. ity is at your fingers without the GEQ or FX Edit. Opens the Pan associated graphic EQ or operation. Displays the fader and meters need to navigate complex views for the Main Left/Right mix bus. Clipping Warning effects editor in the Fat Copy/Paste. Copies the or deep menus. Channel area. currently selected mix so you Compressor gain- can paste into other mixes. Displays automatically reduction meter Clipping warnings. Mix Position. Selects routing change context depending on Channel fader. Controls Compressor gain-reduction meter position for the selected mix what you’re trying to adjust. the channel level for the (Pre 1, Pre 2, Post). selected mix. Mix fader And you can see all critical Input meter Output meter level functions at a glance. Gate gain-reduction meter Gate gain-reduction meter You can simultaneously run All UC Surface controls are also Channel number, name, Mix number, name, and accessible on an iPad. Front of House from a touch and type icon. Selects the type icon. Selects the screen, mix monitoring from a associated channel and The Meter Bridge shows rently displayed in the input “jump” the input channel area to scroll through the associated Mix master and brings up the Fat Channel. the input meters for all channel area. You can use view to that area or drag the available channel, and the brings up the Fat Channel. laptop to the side or on-stage available channels. A the Meter Bridge to navigate highlighted window to scroll highlighted window in the highlighted window shows to a specific channel by to that area. You can also Meter Bridge will follow your and also roam around the FX Settings. When an FX mix the channels that are cur- selecting the channel to swipe the input channel location. ­venue with an iPad. is selected, this area provides quick access to all FX mutes and Tap Tempo buttons for the delay effects. Put the Capture it all Finetune, enhance Capture fans and Wheel of Me ® in multitrack with and produce with a distribute your music on your iPhone just one click full-feature DAW with Nimbit

Of course RM-Series We were the first mixers come with Capture, our software with an iPhone app for specially-designed for live recording. No personal monitor mixes. compatibility issues. No DAW track as- Fans want part of the live experience, you And first to approach it signment woes. Now you can record every want to get more fans, and of course it’s from the standpoint of what performance nice to make an on-stage or service money too. Do it musician really needs. and do all with Nimbit. Packed with powerful virtual sound has the world’s fastest-grow- e started with the features, functionality and ●● 24-bit, up to 96 kHz sampling rate ❚❚20 auxiliary recording streams: record all With Nimbit features, QMix-AI is pure checks ing user base for a reason. Okay, several remarkable sound quality of our StudioLive ●● High-Definition Burr Brown A/D-D/A aux and main mix buses FanCheck.In, fans W simplicity to use. 16 mono or 8 stereo Capture™ reasons…including sound quality, ease AI digital mixers. And then added remote converters (118 dB dynamic range) ◗◗ mixes with RM Mixers! can use their mo- 34 FireWire returns Just select the mixer channels you 2.1 has added Active Integration functions of use, speed of workflow and ingenious bile phones to get recallable everything — including our signature, ●● 32-bit floating point digital mixing ❚❚32 hardcoded channel returns with full DSP processing want to use on the “Me” page. Then (see below), up to 64 track capability, features. ™ rewarded with discrete XMAX Class A analog you’re ready for the Wheel of Me, a virtual Virtual Soundcheck mode, advanced So naturally, we include a license to and effects processing plus a stereo output for program music or click track free downloads or . thumbwheel that adjusts the volume of marker placement and recall, channel download a full version of Studio One ●● Studio One-derived 64-bit coefficients for ❚❚Playback pre-recorded tracks during offers to buy StudioLive recordings from the RM16AI and RM32AI mixers retain StudioLive your “Me” channels in relation to the rest name sharing with UC Surface and QMix-AI, Artist 2.6 with each RM-Series mixer. summing ­engine, EQ and dynamics live performance or tracking night, all while getting added to your list. of the monitor mix. Big Meter mode and an amazing roster of Unlimited track count, automation, virtual AI’s amazing processing power, unique software Parishioners can ●● The most analog inputs and outputs of any mixer ❚❚Sound check the band before they arrive Rotate your iPhone to Land- safety features instruments, loads of plug-ins, and gigs network integration, and enhanced workflow check in to get a in its price range for more flexible connectivity: ❚❚ scape view for control of the like auto-save of 3rd-party resources are just the start. features, while incorporating our new UC Surface Use your favorite plug-in as an insert sermon recording; aux-mix send levels and pan in the event of Export to SoundCloud or your free Nimbit software user interface. ◗◗32 or 16 remote-recallable Class A XMAX™ ❚❚24-bit, 44.1 , 48, 88.4 and 96kHz and parents can position for each channel and a power failure. Facebook store from inside Studio One. Available in 32-and 16-input sizes, each Preamps with individual phantom power And naturally you can open Capture 2.1 get their child’s aux. Want more kick drum? Dial it in. But it gets even RM-Series Mixer is equipped with a next ◗◗16 or 8 Direct Mix Outputs mirrored on And with RM Series mixers 16 aux sends, files…but it gets even better: school perfor- better: generation DSP platform that enables PreSonus’ the back panel with DB25 connectors you can do this for every member of the mances. band! Active Integration in action: RM mixers, Capture 2.1 and Studio One Artist And all Nimbit Active Integration technology in ways never before ◗◗Main/Mono Outputs with Trim Control users can upload possible. ◗◗ Direct connect to RM ◗◗RCA Tape Input with Level Control RM-Series mixer Scenes Plus your fader levels, recordings almost immediately to stores for Active Integration creates a complete, Series mixers without a ◗◗Headphone Output computer can be stored inside mutes and FX mixes! their Facebook page, Nimbit.com profile networked, tightly integrated Capture 2.1 files and re- This is a huge time-saver or website, ◗◗Full wireless control over ­focused RM hardware/software ecosystem ◗◗MIDI I/O (for future implementation) produced when you open when you need to do a share audio on mixer Aux Mixing parameters in which every touch point in ●● Fully integrated, continuously ­bi-directional the file inStudio ­ One 2.6. quick mix-down, and a Facebook or ◗◗Set permissions between all Aux Mixes Every Studio One track will have the new great starting point when you sit down Twitter, collect the system communicates to FireWire s800 recording interface for easy or an individual Aux mix control from Fat Channel plug-in — with identical set- to do the final mix. It's another example enhance the user experience recording and virtual soundchecks: UC Surface donations, and tings to those you created in UC Surface of how we're actively integrating our so much more. and solve practical problems in ways not ◗◗52 FireWire send streams ◗◗Restrict novice users to Wheel of Me during the concert or worship service. applications. previously possible. ❚❚32 dedicated channel sends for quick recording setup Typical configuration with Windows Touch screen computer 2014 PreSonus Audio Electronics, Inc, StudioLive™ AI RM Series Technical Specifications ◗◗Compatible with Core Audio all rights reserved. StudioLive, XMAX, UC Surface, Q-Mix and Nimbit are and ASIO (Mac®/Windows®) trademarks or registered trademarks of General PreSonus Audio Electronics, Inc. Capture Internal Sample Rate 44.1,48, 88.2, 96 kHz ●● 25 dedicated mix ­buses and Studio One are trademarks or regis- RM mixer tered trademarks of PreSonus Software, ADC Dynamic Range 118 dB minimum A-wtd, 48 kHz Sample Rate for easy configuration: Option Card Ltd. All other brands and marks are propterty of their respective holders. DAC Dynamic Range 118 dB minimum A-wtd, 48 kHz Sample Rate ◗◗16 remote analog auxiliary Specifications subject to change. ­buses with balanced outputs ●● 15 31-band graphic EQs with ●● Active Reference Level for 0 dBFS +18 dBu A/B and custom presets Integration™ Ethernet hub Crosstalk (Input to Output) -90 dBu, +4dBu, 20Hz-20kHz, unwtd ◗◗Stereo main mix with L/R software Power status indicator LED display mode button Tape input Main Left/Right balanced Crosstalk (Adjacent channels) -87 dBu @+4dBu, 20Hz-20kHz, unwtd and mono / center ●● Alt EQ & Dynamics button A/B’s output suite includes: USB Port (supports Mute All button Headphone output two Fat Channel settings firmware updates Main Left/Right trim knob Clock Jitter <20 Ps RMS, 20Hz-20kHz ◗◗4 internal FX buses with dedicated Multi-purpose LED Headphone ◗◗Capture: and Wi-Fi dongle display: Input signal level knob Balanced Mono/center Jitter Attenuation >60 dB, 1 ns in ~1 ps out onboard 32-bit digital effects ●● 8 Mute Groups with All Off Analog XMAX™ (green), Clip (red), output Multitrack Headphone Microphone Inputs processors (two reverbs, two delays) and All On options microphone Phantom Power source selection Mono/center FireWire 800-equipped computer software with inputs (amber) buttons output trim Type XLR Female, balanced, locking ●● Analog Stereo Tape Input iPad true Virtual Mix outputs knob Freq. response to Main Output 20Hz-20kHz, ± 0.5dBu ●● Up to 16 iPhones Dual A/B Fat Channel with: Soundcheck and Input impedance 1k Ohm remote scene THD to Main Output <0.005% Max, +4dBu, 20Hz-20kHz, unity gain, unwtd store/load SNR to Main Output 94 dB ◗◗Studio One Common Mode Rejection 65 dB Artist: Full DAW ●● USB Device port supports Gain 0 to +65 dB, ± 1dB application USB wireless LAN adapter and Max Input Level +12 Max dBu, unity gain ◗◗Variable High Pass Filter with Native thumbdrives for firmware updates Phantom power +48 VDC ◗◗ Windows 8 4-band parametric EQ StudioLive Fat touch-screen computer Tape Inputs ●● 99-Scene Store and Recall Wireless router ◗◗Full featured compressor Channel plug-in Type RCA Female, unbalanced stereo pair ●● 8 Quick Scenes with and Studio- ◗◗Sophisticated gate with Key Listen Max input level +12 dBu snap shot function Live AI Scene Typical and Key Filter (with sidechain) Main & Line Outputs compatibility configuration ◗◗Limiter with variable threshold with FireWire Type XLR Male, electrically balanced 800-equipped ◗◗QMix-AI: Power switch Option Card Slot: ships with Mix outputs mirror Max output level +24 max dBu ◗◗50 proven presets for drums, RM mixer Mac or Windows Direct wireless Option Card IEC power cord socket dual FireWire S800 I/O, front panel mix Output impedance 100 Ohms vocals, etc. plus 50 locations computer Ethernet Control and S/PDIF outputs dedicated aux iPad Headphone Outputs for custom presets mix control Up to 16 iPhones Type ¼" TRS, female, active stereo software for Ethernet hub ●● Talkback communication system Max output level 120 mW/ch, 60 Ohm load Apple iPhone/ Frequency Response 20Hz-20kHz, ± 0.5dB, Max gain ●● Option Cards: iPod touch THD+N 0.01% @ 1kHz, max gain, 20kHz BW, unwtd ◗◗S800 / S/PDIF / Ethernet (included) SNR 96 dB, 1kHz, max gain, 20kHz BW, unwtd ◗◗ Dante, Thunderbolt and AVB Power 110-220 VAC Dimensions H x W x D RM16AI: 5.25" x 19" x 10" / 133.4 x 483 x 254mm RM32AI: 7.0" x 19" x 10" / 482.6 x 483 x 254mm Weight RM16: 17 lbs / 7.71 kg RM32: 26 lbs / 11.8 kg FireWire 800-equipped computer Wireless router www.presonus.com