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To Repeat Or Not to Repeat, That Is the Question1 by Kyle Gann
To Repeat or Not to Repeat, That Is the Question1 By Kyle Gann Steve Reich In the good old 1960s, the Bohemian life was cheap in lower Manhattan, the streets were relatively safe, and artists drove cabs for a living. Steve Reich, for example. He had been experimenting with tapes of interesting voices he found, and he rigged up his cab with a tape recorder so he could tape some of his passengers. One day he recorded a young African- American man who had been beaten up in the Harlem riots of 1964. By the young man's account, the police were taking away victims and would only take those who were visibly bleeding to the hospital. This young man wasn't bleeding, so, as he said, "I had to, like, open the bruise up and let some of the bruise blood come out to show them." The inner melody of that phrase intrigued Reich. He took the tape home and made tape loops from the words "Come out to show them." He started two of the tape loops together and, because his cheap tape recorders weren't precisely the same speed, he listened to them inevitably out of phase. This gradual phasing process obscured the words and turned them into a little repeated melody in C minor. Reich taped the whole process and called the resulting piece Come Out. Describing how it felt the first time he heard two tape loops go out of phase, Reich said, "The sensation that I had in my head was that the sound moved over to my left ear, down to my left shoulder, down my left arm, down my leg, out across the floor to the left, and finally began to reverberate and shake.. -
Einstein on the Beach an Opera in Four Acts ROBERT WILSON & PHILIP GLASS
CAL PERFORMANCES PRESENTS PROGRAM Friday, October 26, 2012, 6pm Saturday, October 27, 2012, 5pm Sunday, October 28, 2012, 3pm Zellerbach Hall Einstein on the Beach An Opera in Four Acts ROBERT WILSON & PHILIP GLASS Choreography by Lucinda Childs with Helga Davis Kate Moran Jennifer Koh Spoken Text Jansch Lucie Christopher Knowles/Samuel M. Johnson/Lucinda Childs with The 2012 production of Einstein on the Beach, An Opera in Four Acts was commissioned by: The Lucinda Childs Dance Company Cal Performances; BAM; the Barbican, London; Luminato, Toronto Festival of Arts and Creativity; De Nederlandse Opera/The Amsterdam Music Theatre; Opéra et Orchestre Music Performed by National de Montpellier Languedoc-Rousillon; and University Musical Society of the The Philip Glass Ensemble University of Michigan. Michael Riesman, Conductor World Premiere: March 16, 2012, Montpellier, France. Music/Lyrics Direction/Set and Light Design Originally produced in 1976 by the Byrd Hoffman Foundation. Philip Glass Robert Wilson Lighting Sound Costumes Hair/Makeup Urs Schönebaum Kurt Munkasci Carlos Soto Campbell Young Associates: Because Einstein on the Beach is performed without intermission, the audience is invited to leave Luc Verschueren and re-enter the auditorium quietly, as desired. Café Zellerbach will be open for your dining pleasure, serving supper until 8pm and smaller bites, spirits, and refreshments thereafter. The Café is located on the mezzanine level in the lobby. Associate Producer Associate Producer Senior Tour Manager Production Manager Kaleb Kilkenny Alisa E. Regas Pat Kirby Marc Warren Music Director Co-Director Directing Associate Michael Riesman Ann-Christin Rommen Charles Otte These performances are made possible, in part, by the National Endowment for the Arts, and by Patron Sponsors Louise Gund, Liz and Greg Lutz, Patrick McCabe, and Peter Washburn. -
Performance History 2020 ITSOFOMO (In the Shadow Of
Ben Neill – Performance History 2020 ITSOFOMO (In the Shadow of Forward Motion), collaboration with David Wojnarowicz, Getty Museum, Los Angeles, CA Fantini Futuro, Berrie Center for the Performing Arts at Ramapo College, Mahwah, NJ 2019 ITSOFOMO (In the Shadow of Forward Motion), collaboration with David Wojnarowicz, KW Institute, Berlin Big Ears Festival 2019, duo with Mimi Goese, Knoxville, TN International Computer Music Conference, NYU, New York, NY Fantini Futuro world premiere, Roulette, Brooklyn, NY 2018 ITSOFOMO (In the Shadow of Forward Motion), collaboration with David Wojnarowicz, 4 performances at Whitney Museum of American Art, New York, NY STEIM, Amsterdam, The Netherlands 2017 Winter Garden at Brookfield Place, WNYC New Sounds Live, MANITOGA, STEAK abc, performance and installation with artist Carol Szymanski College of Santa Monica Art Gallery, performance of Horizonal in exhibition of artist Andy Moses Woodstock Artists Association and Museum (WAAM), Fathom, collaboration with Mimi Goese Howland Center, Beacon NY, collaborative performance with visual artist Carl van Brunt O+ Festival, Kingston, NY, performance with Mimi Goese Romanischer Sommer, Koln, Germany; World Minimal Music Festival, Amsterdam, Netherlands; Klangspauren Festival, Polling, Germany, NO Festival, Krems, Austria; co- leader of Theater of Eternal Music Brass Ensemble performance of La Monte Young’s work The Second Dream 2016 Lied Center, University of Kansas, The Demo with Mikel Rouse Brooklyn Academy of Music BAM Café with Mimi Goese Café Oto, London, UK International Conference on Live Interfaces, University of Sussex, Brighton, UK Manitoga/The Russel Wright Design Center, Garrison, NY, performance of MANITOGA The Towne Crier, Beacon, NY, premiere of Fathom, commissioned work with Mimi Goese Ultima Festival, Oslo, Norway, Creative Technology Week, “Repurposed Technology; A Night of Invented Instrument Performance”, Clemente Cultural Center, New York, NY Roulette, John Cage Concert for Piano and Orchestra, Orchestra of the S.E.M. -
Conferring Significance: Celebrating Photography’S Continuum 50Th Anniversary SPE National Conference March 7-10, 2013 – Palmer House Hilton – Chicago
H OST INSTITUTION GD OL LEVEL SPONSORS Conferring Significance: Celebrating Photography’s Continuum 50th Anniversary SPE National Conference March 7-10, 2013 – Palmer House Hilton – Chicago Table of Contents 2 Welcome from the Conference Chair 3 Welcome from the Host Institution SILVER LEVEL SPONSORS 4 Sponsors Foldout Conference Schedule 5 Hotel Floor Plan PRESENTATION SCHEDULE & DETAILS 6 Thursday Sessions 9 Friday Sessions 14 Saturday Sessions 18 Presenter Bios & Index SPECIAL EVENTS 25 Daily Special Events Schedule 26 Silent Auction & Raffle 26 Film Festival 29 Book Signing Schedule PORTFOLIO CRITIQUES & REVIEWS 30 Portfolio Critiques & Reviews Information 31 Portfolio Reviewers’ Bios & Preferences EXHIBITS FAIR 38 Exhibits Fair Floor Plan & Exhibitor List 39 Sponsor & Exhibitor Contact Information Cover Image: Martin Parr, THAILAND, Bangkok, APPLAUSE Grand Palace, 2012 Program Guide Design: Nina Barcellona 42 Awards & Recognitions Program Guide Co-Editors: Nina Barcellona and Ginenne Lanese 44 SPE Board of Directors, Staff, & Committees 45 Donors GENERAL INFORMATION 46 Map of Chicago 2530 Superior Ave., #403 47 Gallery & Museum Guide Cleveland, OH 44114 www.spenational.org 48 Dining & Entertainment Guide 68 2014 Conference Description & Proposal Information From The Conference Chair I’m excited to welcome you to the great city of Chicago for the 50th Anniversary SPE National Conference “Conferring Significance: Celebrating Photography’s Continuum.” Fifty years ago, The Society for Photographic Education’s founders held their first conference in Chicago so it’s fitting to return to where our conferences began to celebrate photography, teaching and SPE. Chicago has a long and significant tradition of photography and photo education. Here, Lazlo Moholy-Nagy established his New Bauhaus, embracing instruction in photography. -
Sandra, Mimi, Peter & Karen Bring the Laughs As Motor City Pride
Remembering Ruth Ellis Exploring Pete Buttigieg’s Path to the White House COMEDY FEST Sandra,RETURNS Mimi, Peter & Karen Bring the Laughs as Motor City Pride Fundraiser Comes to Dearborn PRIDESOURCE.COMPRIDESOURCE.COM FEBRUARY 21, 2019 | VOL. 2708 | FREE 2 BTL | February 21, 2019 www.PrideSource.com VOL. 2708 • FEBRUARY 21, 2019 • ISSUE 1099 PRIDE SOURCE MEDIA GROUP 20222 Farmington Rd., Livonia, Michigan 48152 Phone 734.293.7200 PUBLISHERS Susan Horowitz & Jan Stevenson EDITORIAL 06 Editor in Chief Susan Horowitz, 734.293.7200 x 102 [email protected] Entertainment Editor Chris Azzopardi, 734.293.7200 x 106 [email protected] Feature News Editor Kate Opalewski, 734.293.7200 x 108 [email protected] Editorial Assistant 22 10 Eve Kucharski, 734.293.7200 x 105 [email protected] News & Feature Writers Emell Derra Adolphus, Michelle Brown, Ellen Knoppow, Jason Michael, Drew Howard, Jonathan Thurston CREATIVE Webmaster & MIS Director Kevin Bryant, [email protected] Columnists Charles Alexander, Michelle E. Brown, Mikey Rox, D’Anne Witkowski, Gwendolyn Ann Smith Cartoonists Paul Berg Contributing Photographers 18 20 Andrew Potter, Andrew Cohen ADVERTISING & SALES Director of Sales 14 Cover: Comedy Fest Returns 12 Disney Promotes Same-Sex Wedding and Jan Stevenson, 734.293.7200 x 101 Honeymoon Program on Instagram [email protected] NEWS Sales Representatives 4 ConVocation Conference’s Raffle to Benefit LIFE Ann Cox, 734.293.7200 x 103 [email protected] Affirmations LGBTQ Community Center 14 Michigan -
Annual Report 2014
Annual Report 2014 Annual Report 2014 Museum of Contemporary Photography | 1 LETTER FROM THE MOCP ADVISORY CHAIR LETTER FROM THE EXECUTIVE DIRECTOR It gives me great pleasure to accept Echoing Bob Wislow’s sentiments, galleries for not only the students’ family and friends, but also any- the charge of Advisory Board Chair I’d like to recognize and thank Bill one who comes through our doors. Then we opened Home Truths: at the Museum of Contemporary Hood for his contributions as Advisory Photography and Motherhood, organized by independent curator Photography at Columbia College Board Chair over these last three Susan Bright, which through the work of nine international artists Chicago. I salute the work of Bill Hood, years. And with a sense of profuse told many stories of motherhood and its challenges in striking con- whose tenure as Board Chair included good fortune, I note our delight that trast to the rosy one often depicted in pop culture. a time of transition from one admin- Bob Wislow has agreed to succeed This year also was the occasion for a number of stimulating istration at the college to the next, Bill as Chair. There is already much and illuminating education events, including a conversation with as well as a period of inspired—and that we have gained from his counsel former MCA Curator Dieter Roelstraete and artists David Hartt and inspiring—strategic planning for the as we shape the long-term vision of Geissler/Sann about their MoCP co-published books. Our collabora- MoCP. Under Bill’s leadership of the the MoCP, particularly new ideas—and tion with the Columbia College Chicago’s Photography Department’s board, the Museum not only sustained programmatic excellence upcoming realities—regarding our physical space and core strategic long-running Lectures in Photography featured speakers of great dis- but also experienced robust financial growth. -
Dypdykk I Musikkhistorien - Del 23: Minimalistisk Musikk (25.03.2019 - TNB) Oppdatert 25.03.2019
Dypdykk i musikkhistorien - Del 23: Minimalistisk musikk (25.03.2019 - TNB) Oppdatert 25.03.2019 Spilleliste pluss noen ekstra lyttetips: Pionerer Dragon’s teeth Moondog And His Friends (1953) / Moondog November (1959) / Dennis Johnson Untitled organ (1964-1966) / Terry Riley Inside the dream syndicate volume 1: Day of Niagara (1965) [2000] I of IV (1966) Electronic works (1997) / Pauline Oliveros It’s gonna rain (1965) / Steve Reich Piano phase (1967) / Steve Reich The Velvet Underground & Nico (1966) / The Velvet Underground & Nico De 4 store La Monte Young The well-tuned piano (1964) (The well-tuned piano in the Magenta lights (2000)[DVD]) Steve Reich Drumming (1971) ; Music for 18 musicians (1976) ; Different trains (1988) (Phases - A Nonesuch retrospective (2006)) Terry Riley A rainbow in curved air (1969) In C (1968) / Terry Riley In C (1968) (Terry Riley - In C (2005) / DesAccordes) In C (2001) / Acid Mother Temple & The Melting Paraiso U.F.O. Philip Glass Music in twelve parts (1976) Glassworks (1982) Andre minimalister From the side of man and womankind Outside the dream syndicate (1973) / Tony Conrad with Faust Visitations Part 1 Visitations (1973) / Jon Gibson Evil nigger (1979) (Unjust Malaise (2005) / Julius Eastman) Monk Fear And Loathing In Gotham - Gotham Lullaby (Dolmen music (1981) / Meredith Monk) Nothin To Look At Just A Record (1982) / Phil Niblock Crossing the border (1990) / Steve Martland Europa The piano concerto / Michael Nyman Passio (1988) / Arvo Pärt De Stijl (1994) / Louis Andriessen Hout [Louis Andriessen] Industry (1995) / Bang On A Can Baalbeck under the stars ; Shijingshand ballad (Inside (2014) / Urban Sax) Opera Akhnaten / Philip Glass Nixon in China / John Adams Mikrotonalitet ii-v-i freeHorn (2017) / Larry Polansky Lois V Vierk Postminimalisme Part I. -
Label: Audiokult Recordings, Vienna, Austria Artist: Ben Neill Album: Horizonal Release Date: September 15, 2015 Contact: [email protected]
Label: Audiokult Recordings, Vienna, Austria Artist: Ben Neill Album: Horizonal Release date: September 15, 2015 Contact: [email protected] Horizonal is a new album by electronic music innovator Ben Neill featuring his self-designed computer interactive mutantrumpet. The recording is an ambient journey that blends Neill’s richly timbral melodies and textures with glitchy, minimal beats and deep sub bass lines. Using the unique palette of sounds generated by his instrument, Neill incorporates elements of future garage and deep house while keeping an ambient, reflective vibe with jazzy overtones. Guest artists appearing on the record are guitar wizard Gary Lucas, (Future Sound of London, Captain Beefheart) and saxophonist/sonic ecologist David RotHenberg. In addition to 5 original songs, the album includes a cover version of Sweetness and Light, written and recorded by the 1990’s shoegaze band Lush. Neill has been active as a composer/performer in New York City since the mid 1980’s when he worked with synthesizer pioneer Robert Moog to develop the first version of his instrument. He has previously released 9 albums on labels including Astralwerks, Verve, Six Degrees and THirsty Ear. Horizonal is his first release since the 2011 Songs for Persephone, a collaboration with vocalist Mimi Goese released on Ramseur Records. Neill has performed his music in wide ranging venues, from concert halls and jazz festivals to experimental art spaces and dance clubs. He has been called “a creative composer and genius performer” (Time Out NY),"the mad scientist of dancefloor jazz" (CMJ), and "a musical powerhouse, a serious and individual talent" (Time Out London). -
Opinion the Views and Opinions Expressed In
The Dearborn Express Sponsored by the South Loop Referral Group Serving Printers Row and Dearborn Park Al Hippensteel, editor Janice Koerber, Asst. Editor Dearbornexpress.net Nov 30, 2018 Vol. 6, No. 15 In this Issue Beth Finke. When Whitney retires, can she be a reading buddy? Page 9 Bonnie McGrath. The Allstate CTA Holiday Train is a holiday tradition He may not be draining the unique to Chicago, which, due to popular demand, swamp, but he's got a bright and is now accompanied by the Elves’ Workshop Train. Two burning light on it. Page 4 trains provide twice the amount of fun and festivities to make your holiday extra special. Mondays with Mike: Just as dazzling and decked out as the Holiday Train, the Elves’ Work- GUTE NACHT, MEIN FREUND, a shop Train is Orange Line & Brown Line Sat 12/1 tribute to Urlich Sandmeyer.. a six-car train Page 5 of magic and Pink Line Tue 12/4 memories, just like its Pink Line Wed 12/5 Marianne Goss. popular coun- With the big 70 coming up Blue Line Thu 12/6 terpart. It fol- Page 15 lows the Holi- Blue Line Fri 12/7 day Train on Saturdays, INDEX which are the Blue Line (+ photo-only Sat 12/8 busiest days, stop on Pink Line) Jazz Showcase………………...….………………………….p 2 to help ensure South Loop Neighbors ….……….…………………………..p 3 Red Line Tue 12/11 everyone has Bonnies Blog ……………….…………….…………………..p 4 an opportuni- Purple Line Wed 12/12 Monday’s with Mike …………..……………………………...p 5 ty to experi- Lorraine Schmall’s Book Review………...… ……………...p 7 ence this one- Red Line Thu 12/13 of-kind, tradi- Beth Finke …………………………..……....…….………….p 9 tion. -
Conference Program
2nd International Conference on Minimalist Music University of Missouri-Kansas City Kansas City, Missouri September 2-6th 2009 Special Guests: Sarah Cahill, Robert Carl, Tom Johnson, Charlemagne Palestine, and Mikel Rouse Co-Directors: Kyle Gann and David McIntire Steering Committee: Andrew Granade, Andy Lee, Jedd Schneider, and Scott Unrein David Rosenboom James Tenney How Much Better if Plymouth Rock Had Spectrum Pieces Landed on the Pilgrims The Barton Workshop, David Rosenboom, Erika Duke-Kirkpatrick, Vinny Golia, James Fulkerson, musical director Swapan Chaudhuri, Aashish Khan, I Nyoman Wenten, 80692-2 [2 CDs] Daniel Rosenboom, and others 80689-2 [2 CDs] Larry Polansky Stuart Saunders Smith The Theory of Impossible Melody The Links Series of Jody Diamond, Chris Mann, voice; Phil Burk and Larry Polansky, live computers; Larry Polansky, electric guitar; Robin Vibraphone Essays Hayward, tuba 80690-2 [2 CDs] 80684-2 Io Jody Diamond Flute Music by Johanna Beyer, In That Bright World: Joan La Barbara, Larry Polansky, Music for Javanese Gamelan James Tenney, and Lois V Vierk Master Musicians at the Indonesian Margaret Lancaster, utes Institute of the Arts, Surakarta, Central Java, 80665-2 Indonesia; with Jody Diamond, voice 80698-2 Musica Elettronica Viva James Mulcro Drew MEV 40 (1967–2007) Animating Degree Zero Alvin Curran, Frederic Rzewski, Richard Teitelbaum, The Barton Workshop, Steve Lacy, Garrett List, George Lewis, Allan Bryant, James Fulkerson, musical director Carol Plantamura, Ivan Vandor, Gregory Reeve 80687-2 80675 (4 CDs) Robert Erickson Andrew Byrne Auroras White Bone Country Boston Modern Orchestra Project; Rafael Popper-Keizer, cello Stephen Gosling, piano; Gil Rose, conductor David Shively, percussion 80695-2 80696-2 The entire CRI CD catalog is now available as premium-quality on-demand CDs. -
ACRL News Issue (B) of College & Research Libraries
New Publications George M. Eberhart American Music in the Twentieth Cen nese-American name styles and customs, and tury, by Kyle Gann (400 pages, December identifying a Chinese surname character. An 1997), surveys the art music composed in the appendix provides a list of common surnames United States from the tone poems of Charles and their Chinese characters. $32.50. Ives to the total ism of Mikel Rouse. Writ ten McFarland. ISBN 0-7864-0418-3. for the general reader with a basic knowledge If Chinese ethnic groups are your inter of music, the book covers ultramodernism in est, consult An Ethnohistoricαl Dictio the 1920s, populism in the 1930s, experimen- nary of China, by James S. Olson (434 talism, atonality, John Cage and the New York pages, March 1998). Every significant anthro School, post-Cage conceptualism, minimalism, pological and linguistic group is described new romanticism, electronic music, rock and here, not just the 55 minority “nationalities” jazz fusion, postminimalism, and totalism. Each officially recognized by the People’s Repub chapter offers a discussion of recommended lic. An extensive essay on China’s largest musical examples and concise composer bi ethnic group, the Han, covers their history ographies. An essential guide for those who from the Neolithic to the 1990s. $89.50. want to move beyond Mahler and Brahms. Greenwood. ISBN 0-313-28853-4. $39.00. Schirmer Books. ISBN 0-02-864655-X. Schirmer has also published a revised, con The International Director of Univer cise edition of Daniel Kingman’s American sity Histories, edited by Carol Summerfield Music: A Panorama (433 pages, March and Mary Elizabeth Devine (780 pages, April 1998), which covers folk and ethnic music, 1998), is actually a collection of historical es blues, country, rock, popular sacred music, says on 168 selected academic institutions pop from colonial times to the present, jazz, worldwide. -
2011 3–5 GREETINGS Chair Letter, 4 Executives Letter, 5
THEATER FILM DANCE MUSIC COMMUNITY ART BAM AnnualAnnual Report Report 2011 3–5 GREETINGS Chair Letter, 4 Executives Letter, 5 BAM’s mission is 6–28 WHAT WE DO BAM Campus, 7 2010 Next Wave Festival, 8–9 2011 Spring Season, 10–11 BAM Rose Cinemas First-Run Films, 12 to be the home BAMcinématek, 13 BAMcinemaFest, 14 The Met: Live in HD / National Theatre Live, 15 BAMcafé Live, 16–17 Between the Lines, 18 for adventurous BAMart, 19 Community Events, 20–21 Education, 22–23 Humanities, 24–25 Membership, 26 DanceMotion USASM, 27 artists, audiences, Digital Media, 28 29–31 PAST AND FUTURE BAM Hamm Archives, 30 Capital Projects, 31 and ideas. 32–39 WHO WE ARE BAM Board List, 33 BAM Next Stage Campaign, 34–37 BAM Staff, 38–39 40–43 NUMBERS Measures of Success, 41 BAM Financial Statements, 42–43 44–48 THE TRUST BAM Endowment Trust and Chair Letter, 45 BAM Endowment Trust Donors, 46 BET Financial Statements, 47–48 2 TABLE OF CONTENTS Greetings Photo: Peter Jay Sharp Building, by Ben Cohen 3 GREETINGS Dear Friends, engagement benefitted both institutions, bringing sponsor; Time Warner Inc, sponsor of the 2010 thousands of new ballet fans to BAM just as Next Wave Festival; and Bloomberg, sponsor of Happy 150th anniversary wishes to all. Thanks to it introduced this extraordinary New York dance BAM’s 2011 Spring Season. the loyal support of BAM’s audience and friends, institution to thousands of Brooklynites. we’ve enjoyed a productive, rewarding year. And I would like to close by expressing my special through it all, there’s a clear overriding theme: But perhaps most significantly, BAM advanced gratitude to BAM’s tireless board of trustees.