A Common Measure for the Commonwealth in John Ruskin's
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Read Ebook {PDF EPUB} on Art and Life by John Ruskin History of the Victorian Art Critic and Writer John Ruskin
Read Ebook {PDF EPUB} On Art and Life by John Ruskin History of the Victorian Art Critic and Writer John Ruskin. Ruskin200.com is no longer available here. Please visit ruskinprize.co.uk/manchester instead. Who Was John Ruskin? John Ruskin was undoubtedly a fascinating character, one of the most famous art critics of the Victorian era. His many talents included philosophy, philanthropy, and writing. His books spanned many genres, including geology, myths, and literature. Ruskin's Personal Life. Ruskin had a complex personality and today would be described as bipolar, as he often suffered bouts of depression. For long periods, the state of his mental health rendered him powerless to do anything. His first relationship was a failure. He was said to be disgusted by his wife's body, leading to a divorce on the grounds of consummation not having happened. A second love affair was marred by tragedy as the object of his affections died of anorexia at the age of 27. Ruskin's Books. A prolific writer, Ruskin, published several important works on a great many subjects. His first volume of Modern Painters was a very influential piece, written when he was only 24. His alternative views on popular artists brought him to the attention of the art establishment. The Stones of Venice was published in 1851 and discussed Ruskin's love of Venice and its architecture. His beliefs that the classical style represented a need to control civilisation are still studied today. There is much to learn about John Ruskin, and there is a museum dedicated to him, located in the Lake District. -
The Ethics of Wealth Creation
The Ethics of Wealth Creation Contents Page Preface 3 Part 1 – Introduction 5 Part 2 – Rudiments of the market system 6 Part 3 – Today’s economy 9 Part 4 – A critique of market capitalism 11 Part 5 – Values and the current controversy 15 Part 6 – Conclusion 23 Appendix 25 Questions and Further Reading 29 1 Preface Our church has a good record for what it has had to say about wealth distribution over the years. It has pressed Governments for Overseas Aid to become a larger part of the Gross National Product and has continually made representation on behalf of the poor. The Mission Alongside the Poor Programme was partly to ensure we had our own priorities right at the same time as we were urging a fairer distribution from others. But you cannot distribute wealth unless you have it to distribute. It has to be created, and we do not seem to have paid as much attention to the methods of creating wealth as we might have done. There have been small groups doing excellent work on this both through the Division of Social Responsibility and the Luton Industrial College, but it is surely important that it develops into a more public debate in our church. Until very recent times we have seen the collapse of much of what was called the “Command Economy” of Eastern Europe and the Soviet Union. We have also seen our own Government easing away from a rigid monetarism because it seemed so uncaring, even though it remains committed, as do the Opposition Parties, to a Market Economy. -
The Relationship Between Culture and Policy Has Long Been a Major Topic
Abstract The er lationship between culture and policy has long been a major topic for media and cultural studies. With this issue, we hope to broaden the meaning of cultural policy, from policies that are explicitly regulating something we call the “cultural” (including media or traditional rituals or symbols) to include the practice of policy-making and the cultural legitimation of law and policy itself, regardless of the object or dimension of social life it regulates. The se says in this issue argue for (or at least accept) an understanding of policy as a cultural production representing certain ideological outlooks, and thus implicitly suggest that cultural policy studies should encompass a wide range of policies; at the same time, the essays are interested in the cultural mechanisms and means through which policies are promulgated and enforced - from think tanks to social media flak, from the global circulation of ideologies to the local practices of appropriation/resistance. Cover Page Footnote We also appreciate and thank the reviewers for this issue, whose close readings and detailed suggestions made the works presented here even stronger. Creative Commons License This work is licensed under a Creative Commons Attribution-Share Alike 4.0 License. This article is available in communication +1: http://scholarworks.umass.edu/cpo/vol6/iss1/1 Johnson Andrews et al.: Editorial Introduction Editorial Introduction The idea for this issue grew out of a panel at the 2016 Cultural Studies Association Conference. The relationship between culture and policy has long been a major topic for media and cultural studies, but we hoped to broaden the meaning of cultural policy, from policies that are explicitly regulating something we call the “cultural” (including media or traditional rituals or symbols) to include the practice of policy-making and the cultural legitimation of law and policy itself, regardless of the object or dimension of social life it regulates. -
Bertrand Russell on Aesthetics 51
Bertrand Russell on Aesthetics CARL SPADONI Introduction "What is your attitude toward art today?" "I have no view about art today." 1 That is Bertrand Russell's reply when he was asked in 1929 to comment on modern art. Itis a confession ofignorance and not false modesty. In contrast to his profound contributions to other areas of philosophy, he made no major attempt to answer the fundamental questions of aesthetics questions such as: What is a work ofart? Whatis the nature ofbeauty? What constitutes an aesthetic experience? What are the nature, function and justification ofartistic criticism? When we examine Russell's correspondence of the 1950S and 1960s on this subject, we encounter statements such as the following: I doubt whether I shall have an opinion of any value as regards your essay on beauty, for beauty is a subject about which I have never had any views whatever. 2 I am not sufficiently competent to make judgments on painting.... I feel I cannot sponsor or publicly promote paintings because I do not have a professional knowledge ofthe field. 3 I have no views whatsoever in connection with the graphic arts.... The philosophy ofart is a subject which I have not studied, so that any views expressed by me would be oflittle value. 4 49 50 Carl Spadoni Bertrand Russell on Aesthetics 51 You ask why I have not written on the subject of painting. The chief "good" is to be interpreted subjectively as an attempt to universalize our reason is that I suffer from an inadequate appreciation of pictures. I get desires. -
Urban Pastorals
Urban Pastorals By Clive Wilmer Worple Press When I heard Clive Wilmer read his Urban Pastorals last Monday evening in the Cambridge University Library I was moved. There was a quiet solemnity about the delivery but it was tinged with wistfulness and a gentle wry humour that had echoes of Alan Bennett talking of his Yorkshire childhood. Peter Carpenter’s Worple Press has published these short pieces of nostalgic insight into a childhood spent in the South London of Tooting Bec and I recommend everyone to get a copy. The Press is based at Achill Sound, 2b Dry Hill Road, Tonbridge, Kent TN9 1LX and is well-known for excellent productions (including volumes by Iain Sinclair). When D.W. Harding wrote his seminal essay on nostalgia for the first issue of F.R. Leavis’s Quarterly Review, Scrutiny, in 1932 he referred to ‘simple homesickness’ being ‘an aspect of social life’ where the home that one yearns for ‘comprises the whole familiar framework—objects and institutions as well as people—within which one lives and in dealing with which one possesses established habits and sentiments.’ It is an established truth that no man is the author of himself and in moments of clarity, and humility, we can recognise how much we are the result of everything that has happened to us. This awareness is, of course, a far cry from some regressive tendencies that can be bound up within the world of nostalgia: ‘regressive because the ideal period seems to have been free from difficulties that have to be met in the present, and nostalgic because the difficulties of the present are seldom unrelated to the difficulty of living with an uncongenial group.’ (Harding) Clive Wilmer’s beautifully poised writing never runs the danger of forfeiting its tone of recognition: the past’s importance is registered precisely because it is the past. -
Marketocracy and the Capture of People and Planet
The Jus Semper Global Alliance In Pursuit of the People and Planet Paradigm Sustainable Human Development July 2021 BRIEFS ON TRUE DEMOCRACY AND CAPITALISM Marketocracy and the Capture of People and Planet The acceleration of Twenty-First Century Monopoly Capital Fascism through the pandemic and the Great Reset Álvaro J. de Regil TJSGA/Assessment/SD (TS010) July 2021/Álvaro J. de Regil 1 Prologue Prologue... 2 ❖ Capitalism’s Journey of Dehumanisation... 6 n innate feature of capitalism has been the endless First Industrial Revolution... 6 A pursuit of an ethos with the least possible intervention Second Industrial Revolution... 10 of the state in its unrelenting quest for the reproduction and Third Industrial Revolution... 16 accumulation of capital, at the expense of all other participants ➡Modern Slave Work Stuctures… 20 in the economic activity prominently including the planet. ➡The Anthropocene… 23 Capitalism always demands to be in the driver's seat of the ❖ The Capture of Democracy… 29 economy. Only when its activities are threatened by ➡Sheer Laissez-Faire Ethos… 33 communities and nations opposing the expropriation of their ➡Capital Equated with Human Beings… 34 natural resources and the imposition of structures that extract ➡Untramelled and Imposed Marketrocratic System... 35 the vast majority of the value of labour—the surplus-value—, ❖ Fourth Industrial Revolution... 39 capitalism demands the intervention of the states; these include ➡Conceptual Structure… 41 their armed forces, to protect the exploits of the owners of the ➡Application… 42 system. This is all the more evident in the global South. Across ➡Impact… 44 centuries of imperialism and colonialism, the practice of ❖ The COVID-19 Pandemic… 59 invasion, conquering, expropriation and exploitation by ➡Management of COVID-19.. -
[From Alan Macfarlane, the Culture of Capitalism (Basil Blackwell, Oxford, 1987)]
Copyright: Alan Macfarlane 2002 [From Alan Macfarlane, The Culture of Capitalism (Basil Blackwell, Oxford, 1987)] Appendix A Note on the Nature of Capitalism p.223 The word 'capitalism' is used frequently throughout this book [The Culture of Capitalism] and I should specify what I take it to mean. It is simplest to do so in relation to the classic formulation of the set of interrelated features by Marx and Weber. Capitalism is one among many types of social formation. In Marxian analysis a social formation consists of an infrastructure or 'mode of production', and a superstructure. Marx, as is well known, was particularly concerned with the 'mode of production’ of capitalism; that is, with the historically specific infrastructure which he believed had arisen in western Europe sometime between the fifteenth and eighteenth centuries. What were its central. characteristics? Of crucial importance were the relations of production, how people are related in the productive process. In capitalism, there is a full development of individual, private property. No longer is property communal, owned by the state, community or family, or even by the lords, as in earlier social formations, but it is fully owned by the individual. This applies not only to real estate but to the ultimate 'property' of an individual, his labour power. In capitalisim all becomes alienable, everything is a commodity to be traded on the market, people can buy and sell objects, and their own and each other's labour. All is apparently set 'free' and given a monetary value. Thus the emergence of individual private property and of widespread wage-labour are central characteristics of capitalism. -
The Labour Party and the Idea of Citizenship, C. 193 1-1951
The Labour Party and the Idea of Citizenship, c. 193 1-1951 ABIGAIL LOUISA BEACH University College London Thesis presented for the degree of PhD University of London June 1996 I. ABSTRACT This thesis examines the development and articulation of ideas of citizenship by the Labour Party and its sympathizers in academia and the professions. Setting this analysis within the context of key policy debates the study explores how ideas of citizenship shaped critiques of the relationships between central government and local government, voluntary groups and the individual. Present historiographical orthodoxy has skewed our understanding of Labour's attitude to society and the state, overemphasising the collectivist nature and centralising intentions of the Labour party, while underplaying other important ideological trends within the party. In particular, historical analyses which stress the party's commitment from the 1930s to achieving the transition to socialism through a strategy of planning, (of industrial development, production, investment, and so on), have generally concluded that the party based its programme on a centralised, expert-driven state, with control removed from the grasp of the ordinary people. The re-evaluation developed here questions this analysis and, fundamentally, seeks to loosen the almost overwhelming concentration on the mechanisms chosen by the Labour for the implementation of policy. It focuses instead on the discussion of ideas that lay behind these policies and points to the variety of opinions on the meaning and implications of social and economic planning that surfaced in the mid-twentieth century Labour party. In particular, it reveals considerable interest in the development of an active and participatory citizenship among socialist thinkers and politicians, themes which have hitherto largely been seen as missing elements in the ideas of the interwar and immediate postwar Labour party. -
Article BRTLT
A SPECTRAL TURN AROUND VENICE By Luke Jones I spent several days, during a recent trip to Venice, in conversation with a ghost. The writer and critic John Ruskin became my spectral guide, and his commentary on the buildings that we visited transformed my experience of those spaces. What follows is an account of my time with him. This ‘conversation’, if it were a conceit on my part, had the aim of finding a productive way of addressing his difficult, extraordinary, vast Stones of Venice in light of the deeply, but incompletely, felt affection which many have for it. The book is a history of Venice as a sort of epic tragedy narrated by its buildings, and it is simultaneously a polemic against the previous three hundred years of European architecture, directed particularly against London, and proposing a revolution in architectural style. It is commonly viewed as a heroic, rousing failure. Kenneth Clark said of it that ‘even now […], when the cause it advocates is dead, we cannot read it without a thrill, without a sudden resolution to reform the world’ (Clark 1964, 181), and Colin Amery reveals a typical ambivalence when he writes that ‘the trouble is that Ruskin was wrong […] [yet] we need a voice like his again’ (Amery 2001, viii-ix). The effect of invoking Ruskin in the manner of a haunting is not simply to convey a measure of sympathy for him, as a figure, or his work. Rather, I am trying to approach, however obliquely, the subtle and intriguing way in which Ruskin’s rhetoric, which is concerned with portraying contemporary Venice as a ruin, also starts to reveal within itself the ruin of Ruskin’s ideals. -
The Roots of Ruskin, Florida
Tampa Bay History Volume 4 Issue 1 Article 3 6-1-1982 Socialism in the Sunshine: The Roots of Ruskin, Florida Lori Robinson Bill De Young Follow this and additional works at: https://scholarcommons.usf.edu/tampabayhistory Recommended Citation Robinson, Lori and De Young, Bill (1982) "Socialism in the Sunshine: The Roots of Ruskin, Florida," Tampa Bay History: Vol. 4 : Iss. 1 , Article 3. Available at: https://scholarcommons.usf.edu/tampabayhistory/vol4/iss1/3 This Article is brought to you for free and open access by the Open Access Journals at Scholar Commons. It has been accepted for inclusion in Tampa Bay History by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Robinson and De Young: Socialism in the Sunshine: The Roots of Ruskin, Florida John Ruskin, 1876. Photograph from The Works of John Ruskin. SOCIALISM IN THE SUNSHINE: THE ROOTS OF RUSKIN, FLORIDA by Lori Robinson and Bill De Young Today, Ruskin is a quiet Florida town, known primarily for the sweet, red tomatoes and other farm produce grown in its clay soil. Only a few street names and the name of the town itself remain as vestiges of a dream that brought a small band of settlers to the Florida pinewoods on the sparsely settled eastern shore of Tampa Bay. They were utopians from the North, intellectuals and farmers in search of a new life and a new community. As they cut down the pines from the surrounding turpentine groves and set about building their community, they named its shady but rocky streets after some of the men whose principles they held dear – Carlyle, Bellamy, and Morris. -
The Culture of Capitalism and Praxis Needs God Helps Them That Help
The Culture of Capitalism and Praxis Needs God helps them that help themselves "Early to bed, and early to rise, makes a man healthy, wealthy, and wise." "God helps them that help themselves." "Lost time is never found again." "Plough deep while sluggards sleep, and you shall have corn to sell and keep, says Poor Dick." "He that lives upon hope will die fasting." "There are no gains without pains." "If you would be wealthy, think of saving as well as of getting." So wrote Benjamin Franklin (1706-1790) in Poor Richard's Almanac (1733-1758). * * * * * "A penny saved is a penny earned." Acquisitive It was Adam Smith (1723-1790), the Scottish political philosopher and economist, who laid out the fundamental principles of laissez-faire capitalism in his An Inquiry into the Nature and Causes of the Wealth of Nations, published in 1776. Primary among these principles is his clarification of a basic human motivation. According to Smith, man is, by nature, acquisitive. People are driven by the desire to accumulate material wealth. And it is a demand that is never satisfied. It is a drive innate within all of humanity, a drive to maximize one's own gains and to minimize one's own losses; it is the drive for self-interest. In the ebbs and flows of the supply and demand market-place, this desire fuels the system and is measured in terms of profit. As such, capitalism is predicated on an ever- expanding economy; it is predicated on growth. Without this elementary human condition, capitalism would cease and collapse. -
Sixth Edition Global Problems and the Culture of Capitalism Richard H
Sixth Edition Global Problems and the Culture of Capitalism Richard H. Robbins State University of New York at Plattsburgh PEARSON Boston Columbus Indianapolis New York San Francisco Upper Saddle River Amsterdam Cape Town Dubai London Madrid Milan Munich Paris Montreal Toronto Delhi Mexico City Sao Paulo Sydney Hong Kong Seoul Singapore Taipei Tokyo CONTENTS Preface xiii PART 1 Introduction: The Consumer, the Laborer, the Capitalist, and the Nation-State in the Society of Perpetual Growth 1 A Primer on Money: The Philosopher's Stone 3 The Development of Commodity Money 5 The Shift from Commodity to Fiat or Debt Money 7 The Consequences of a System of Debt Money 8 Chapter 1 Constructing the Consumer 12 Remaking Consumption 14 Marketing and Advertising 15 The Transformation of Institutions 17 The Transformation of Spiritual and Intellectual Values 19 The Reconfiguration of Time, Space, and Class 21 Kinderculture in America: The Child as Consumer 23 The Role of Children in Capitalism 23 The Social Construction of Childhood 25 Exporting the Consumer 31 Conclusion 34 Chapter 2 The Laborer in the Culture of Capitalism 35 A Primer on the Elements of Capitalism 36 The Baptism of Money 39 The Construction and Anatomy of the Working Class 40 Characteristics of the Working Class 40 The Growth of Overseas Assembly Plants 45 The Creation of Free Labor 48 The Segmentation of the Workforce 49 Control and Discipline 52 Resistance and Rebellion 54 Conclusion 55 Chapter 3 The Rise and Fall of the Merchant, Industrialist, and Financier 57 The Era of the