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The American Abstract Artists and Their Appropriation of Prehistoric Rock Pictures in 1937
“First Surrealists Were Cavemen”: The American Abstract Artists and Their Appropriation of Prehistoric Rock Pictures in 1937 Elke Seibert How electrifying it must be to discover a world of new, hitherto unseen pictures! Schol- ars and artists have described their awe at encountering the extraordinary paintings of Altamira and Lascaux in rich prose, instilling in us the desire to hunt for other such discoveries.1 But how does art affect art and how does one work of art influence another? In the following, I will argue for a causal relationship between the 1937 exhibition Prehis- toric Rock Pictures in Europe and Africa shown at the Museum of Modern Art (MoMA) and the new artistic directions evident in the work of certain New York artists immediately thereafter.2 The title for one review of this exhibition, “First Surrealists Were Cavemen,” expressed the unsettling, alien, mysterious, and provocative quality of these prehistoric paintings waiting to be discovered by American audiences (fig. ).1 3 The title moreover illustrates the extent to which American art criticism continued to misunderstand sur- realist artists and used the term surrealism in a pejorative manner. This essay traces how the group known as the American Abstract Artists (AAA) appropriated prehistoric paintings in the late 1930s. The term employed in the discourse on archaic artists and artistic concepts prior to 1937 was primitivism, a term due not least to John Graham’s System and Dialectics of Art as well as his influential essay “Primitive Art and Picasso,” both published in 1937.4 Within this discourse the art of the Ice Age was conspicuous not only on account of the previously unimagined timespan it traversed but also because of the magical discovery of incipient human creativity. -
Pat Adams Selected Solo Exhibitions
PAT ADAMS Born: Stockton, California, July 8, 1928 Resides: Bennington, Vermont Education: 1949 University of California, Berkeley, BA, Painting, Phi Beta Kappa, Delta Epsilon 1945 California College of Arts and Crafts, summer session (Otis Oldfield and Lewis Miljarik) 1946 College of Pacific, summer session (Chiura Obata) 1948 Art Institute of Chicago, summer session (John Fabian and Elizabeth McKinnon) 1950 Brooklyn Museum Art School, summer session (Max Beckmann, Reuben Tam, John Ferren) SELECTED SOLO EXHIBITIONS 2017 Bennington Museum, Bennington, Vermont 2011 National Association of Women Artists, New York 2008 Zabriskie Gallery, New York 2005 Zabriskie Gallery, New York, 50th Anniversary Exhibition: 1954-2004 2004 Bennington Museum, Bennington, Vermont 2003 Zabriskie Gallery, New York, exhibited biennially since 1956 2001 Zabriskie Gallery, New York, Monotypes, exhibited in 1999, 1994, 1993 1999 Amy E. Tarrant Gallery, Flyn Performing Arts Center, Burlington, Vermont 1994 Jaffe/Friede/Strauss Gallery, Dartmouth College, Hanover, New Hampshire 1989 Anne Weber Gallery, Georgetown, Maine 1988 Berkshire Museum, Pittsfield, Massachusetts, Retrospective: 1968-1988 1988 Addison/Ripley Gallery, Washington, D.C. 1988 New York Academy of Sciences, New York 1988 American Association for the Advancement of Science, Washington, D.C. 1986 Haggin Museum, Stockton, California 1986 University of Virginia, Charlottesville, Virginia 1983 Image Gallery, Stockbridge, Massachusetts 1982 Columbia Museum of Art, University of South Carolina, Columbia, -
Ernest Briggs' Three Decades of Abstract Expressionist Painting
Ernest Briggs' Three Decades its help in allowing artists of the period to go to school. They were set of Abstract Expressionist Painting free economically, and were allowed to live comfortably with tuition and supplies paid for. The Fine Arts School would last about 3 years Ernest Briggs, a second generation Abstract Expressionist painter under McAgy. The program took off due to the presence of Clyfford known for his strong, lyrical, expressive brushstrokes, use of color and Still, Ad Reinhardt, along with David Park, Richard Diebenkorn, Elmer sometimes geometric composition, first came to New York in late 1953. Bischoff and others. Most of the students at the school, about 40-50 He had been a student of Clyfford Still at the California School of Fine taking painting, such luminaries as Dugmore, Hultberg, Schueler and Arts. Frank O’Hara first experienced the mystery in the way Ernest Crehan, had had some exposure to art through university or art school. Briggs’ splendid paintings transform, and the inability to see the shape But there had been no exposure to what was going on in New York or in as a shape apart from interpretation. Early in 1954, viewing Briggs’ first Europe in the art world, and Briggs and the others were little prepared one man show at the Stable Gallery in New York, O’Hara said in Art for the onslaught that was to come. in America “From the contrast between the surface bravura and the half-seen abstract shapes, a surprising intimacy arises which is like The California Years seeing a public statue, thinking itself unobserved, move.” With the entry of Still, the art program would “blow apart”. -
Theory and Treatment Solo Cave Diving
Decompression Sickness: Theory and Treatment Solo Cave Diving: Just How Safe Is It? A Few Words About Decompression Schedules Cave Diving Into The Dominican Past Diving Pioneers & Innovators: A Series of In Depth Interviews (Dick Bonin) Issue 8 – September 2012 Contents Editorial Editorial 2 Welcome to the eighth issue of Tech Diving Mag. In this issue, the contributors have, once more, brought together a wealth Decompression Sickness: Theory and Treatment of information, along with some distinctive first hand experiences. The By Bret Gilliam 3 contributors for this issue are world renowned industry professional Bret Gilliam, accomplished diver, instructor trainer and book author Steve Lewis, technical diving instructor Peter Buzzacott (PhD) and Solo Cave Diving: Just How Safe Is It? cave explorer Cristian Pittaro. Get to know more about them and read By Peter Buzzacott 22 their bio at www.techdivingmag.com/contributors.html. As you might know, Tech Diving Mag is based on article contribution A Few Words About Decompression Schedules from the readership. So you’re always welcome to drop me a line if you’re interested in volunteering an article. One more much appreciated By Steve Lewis 29 thing is your photos (even without articles)! For submission guidelines, take a look at www.techdivingmag.com/guidelines.html. Cave Diving Into The Dominican Past Tech Diving Mag is very much your magazine and I am always keen By Cristian Pittaro 37 to have your input. If you want to share your views, drop me a line at [email protected]. Diving Pioneers & Innovators: A Series of In Please visit www.techdivingmag.com/communicate.html to subscribe Depth Interviews (Dick Bonin) to the newsletter in order to be notified when new issues are available for download. -
The Museum of Modern Art No. 58
THE MUSEUM OF MODERN ART NO. 58 tl y/EST 33 STREET, NEW YORK 19, N. Y. TELEPHONE: CIRCLE 3-8900 FOR RELEASE Wednesday, May 30, 1956 PRESS PREVIEW Tuesday, May 29, 1956 11:00-^:00 pm TWELVE AMERICAN ARTISTS FEATURED AT MUSEUM OF MODERN ART TWELVE AMERICANS, the major summer exhibition at the Museum of Modern Art, 11 West 53rd Street, will be on view on the third floor from May 30 through Septem ber 9. Directed by Dorothy C. Mil3.er, Curator of the Museum Collections, the ex hibition is the latest in a series of contemporary American painting and sculpture shows organized periodically by the Museum. It contains the work of eight painters, Smest Briggs, James Brooks, Sam Francis, Fritz Glarner, Philip Guston, Grace Har- tigan, Franz Kline, and Larry Rivers, and four sculptors, Raoul Hague, Ibram Lassaw, Seymour Lipton, and Jose de Rivera. Approximately 90 works in all are shown. As Miss Miller points out in the catalog accompanying the exhibition, this series was designed by the Museum to contrast with the usual large American group show in which a hundred or more artists are represented by one work each. Instead, the Museum exhibitions consist of a sequence of one-man shows with a separate gal lery for each artist so that the character and quality of his individual achieve ment can better be estimated. To illustrate trends or to discover new talent was not the purpose of this particular exhibition, Miss Miller says. These artists, except for Raoul Hague, exhibit regularly in New York galleries and are familiar to those who follow the gallery shows. -
Postwar Abstraction in the Hamptons August 4 - September 23, 2018 Opening Reception: Saturday, August 4, 5-8Pm 4 Newtown Lane East Hampton, New York 11937
FOR IMMEDIATE RELEASE Montauk Highway II: Postwar Abstraction in the Hamptons August 4 - September 23, 2018 Opening Reception: Saturday, August 4, 5-8pm 4 Newtown Lane East Hampton, New York 11937 Panel Discussion: Saturday, August 11th, 4 PM with Barbara Rose, Lana Jokel, and Gail Levin; moderated by Jennifer Samet Mary Abbott | Stephen Antonakos | Lee Bontecou | James Brooks | Nicolas Carone | Giorgio Cavallon Elaine de Kooning | Willem de Kooning | Fridel Dzubas | Herbert Ferber | Al Held | Perle Fine Paul Jenkins | Howard Kanovitz | Lee Krasner | Ibram Lassaw | Michael Lekakis | Conrad Marca-Relli Peter Moore |Robert Motherwell | Costantino Nivola | Alfonso Ossorio | Ray Parker | Philip Pavia Milton Resnick | James Rosati | Miriam Schapiro | Alan Shields | David Slivka | Saul Steinberg Jack Tworkov | Tony Vaccaro | Esteban Vicente | Wilfrid Zogbaum EAST HAMPTON, NY: Eric Firestone Gallery is pleased to announce the exhibition Montauk Highway II: Postwar Abstraction in the Hamptons, opening August 4th, and on view through September 23, 2018. In the 1950s and 1960s, the Hamptons became one of the most significant meeting grounds of like-minded artists, who gathered on the beach, in local bars, and at the artist-run Signa Gallery in East Hampton (active from 1957-60). It was an extension of the vanguard artistic activity happening in New York City around abstraction, which constituted a radical re-definition of art. But the East End was also a place where artists were freer to experiment. For the second time, Eric Firestone Gallery pays homage to this rich Lee Krasner, Present Conditional, 1976 collage on canvas, 72 x 108 inches and layered history in Montauk Highway II. -
The Avengers Emma Peel Series
The Avengers Emma Peel DVD Series DVD ‘65—1 DVD ‘65—1 The Town of No Return The Gravediggers Mrs Peel is called away from her fencing practice by Steed's One of Britain's early-warning radar stations has suffered a arrival. technically impossible glitch, and the Avengers are sent to Something's very fishy in the small North Sea village of Little investigate. Bazeley... and it's something to do with the local fisherman. When they discover that the man who developed the system Ministry agents have gone missing on assignment there, so died the week before, and was buried in the likely source of the Steed and Emma step in to uncover the mystery. glitch, things begin to look suspicious. Even more so when Joined on the train trip by the burly Jimmy Smallwood, they are Steed spots the dead man walking around a hospital for retired greeted coldly by the stone-faced locals at the pub. By morning, railwaymen. Smallwood is missing, hounded down and killed overnight while Emma finds him, definitely dead this time, a while later in an trying to locate his brother. undertaker's office, and is sent to the hospital in the guise of a On the surface, all is quiet, but the Avengers find Smallwood's nurse. The senior medical staff have hoodwinked the hospital's body on the beach. They then proceed to discover that every benefactor into funding their plot to destroy and invade Britain by person in the village is an impostor - the parish records have pretending to be destroying the motor car, which he considers to been destroyed, and the old air raid bunkers under the primary be the killer of his beloved railways. -
An Historic Maritime Salvage Company ® 40TH ANNIVERSARY EXPOSITION
The Journal of Diving History, Volume 23, Issue 4 (Number 85), 2015 Item Type monograph Publisher Historical Diving Society U.S.A. Download date 03/10/2021 15:56:02 Link to Item http://hdl.handle.net/1834/35934 Fourth Quarter 2015 • Volume 23 • Number 85 SORIMA An Historic Maritime Salvage Company ® 40TH ANNIVERSARY EXPOSITION EXPO 40 COURTESYPHOTO OF SCOTT PORTELLI THE SEA ATTEND The Greatest International Oceans MEADOWLANDS EXPOSITION CENTER | SECAUCUS | NEW JERSEY | MECEXPO.COM BENEATHExposition In The USA , , , REGISTER TODAY APRIL 1 2 3 2016 REGISTER TODAY ONLY 10 MINUTES FROM NYC • FREE PARKING EVERYWHERE! REGISTER ONLINE NOW AT WWW.BENEATHTHESEA.ORG BENEATH THE SEA™ 2016 DIVE & TRAVEL EXPOSITION 495 NEW ROCHELLE RD., STE. 2A, BRONXVILLE, NEW YORK 10708 914 - 664 - 4310 E-MAIL: [email protected] WWW.BENEATHTHESEA.ORG WWW.MECEXPO.COM HISTORICAL DIVING SOCIETY USA A PUBLIC BENEFIT NONPROFIT CORPORATION PO BOX 2837, SANTA MARIA, CA 93457 USA TEL. 805-934-1660 FAX 805-934-3855 e-mail: [email protected] or on the web at www.hds.org PATRONS OF THE SOCIETY HDS USA BOARD OF DIRECTORS Ernie Brooks II Carl Roessler Dan Orr, Chairman James Forte, Director Leslie Leaney Lee Selisky Sid Macken, President Janice Raber, Director Bev Morgan Greg Platt, Treasurer Ryan Spence, Director Steve Struble, Secretary Ed Uditis, Director ADVISORY BOARD Dan Vasey, Director Bob Barth Jack Lavanchy Dr. George Bass Clement Lee WE ACKNOWLEDGE THE CONTINUED Tim Beaver Dick Long SUPPORT OF THE FOLLOWING: Dr. Peter B. Bennett Krov Menuhin Dick Bonin Daniel Mercier FOUNDING CORPORATIONS Ernest H. Brooks II Joseph MacInnis, M.D. -
Coversheet for Thesis in Sussex Research Online
A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 Escaping the Honeytrap Representations and Ramifications of the Female Spy on Television Since 1965 Karen K. Burrows Submitted in fulfillment of the degree of Doctor of Philosophy in Media and Cultural Studies at the University of Sussex, May 2014 3 University of Sussex Karen K. Burrows Escaping the Honeytrap: Representations and Ramifications of the Female Spy on Television Since 1965 Summary My thesis interrogates the changing nature of the espionage genre on Western television since the middle of the Cold War. It uses close textual analysis to read the progressions and regressions in the portrayal of the female spy, analyzing where her representation aligns with the achievements of the feminist movement, where it aligns with popular political culture of the time, and what happens when the two factors diverge. I ask what the female spy represents across the decades and why her image is integral to understanding the portrayal of gender on television. I explore four pairs of television shows from various eras to demonstrate the importance of the female spy to the cultural landscape. -
PAVIA, PHILIP, 1915-2005. Philip Pavia and Natalie Edgar Archive of Abstract Expressionist Art, 1913-2005
PAVIA, PHILIP, 1915-2005. Philip Pavia and Natalie Edgar archive of abstract expressionist art, 1913-2005 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Pavia, Philip, 1915-2005. Title: Philip Pavia and Natalie Edgar archive of abstract expressionist art, 1913-2005 Call Number: Manuscript Collection No. 981 Extent: 38 linear feet (68 boxes), 5 oversized papers boxes and 5 oversized papers folders (OP), 1 extra oversized papers folder (XOP) and AV Masters: 1 linear foot (1 box) Abstract: Philip Pavia and Natalie Edgar archive of abstract expressionist art including writings, photographs, legal records, correspondence, and records of It Is, the 8th Street Club, and the 23rd Street Workshop Club. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Source Purchase, 2004. Additions purchased from Natalie Edgar, 2018. Citation [after identification of item(s)], Philip Pavia and Natalie Edgar archive of abstract expressionist art, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Processing Processed by Elizabeth Russey and Elizabeth Stice, October 2009. Additions added to the collection in 2018 retain the original order in which they were received. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Philip Pavia and Natalie Edgar archive of abstract expressionist art, Manuscript Collection No. -
Florida Dive Show 2007
F R E E DECEMBER 1st & 2nd, 2007 Take home & Share! Florida Dive Show Florida’s Largest Indoor Scuba Event December Re-Breathe Master U/W st nd 1 & 2 , 2007 Photography at the Broward/ S u m m i t every thing about with Cathy Fort Lauderdale Re-Breathers Church Convention Center Page 7 Mark your calendar Page 6 What’s Happening at the Save 50% on your entrance fee by visiting Florida Dive Show! one of your local diving shops Your local dive shop is the cornerstone of the subjects are great ways to energize your diving Meet Richie Kohler from the T.V. series “Deep diving community. It is a one stop shop where experiences! Sea Detectives.” Richie will be doing a presenta- you find good training, good equipment and good tion on the Britannic, one of the latest wrecks advice, as well as great friends and great diving At the Florida Dive Show you will get to see that he has explored opportunities. all of the newest products, plus hear about new courses and techniques. You can also attend travel All during the month of November, stop by your presentations directly from the representatives of !e Boat with a Hole keeps afloat with innova- local dive shop to pick up a 50% Discount Coupon the destinations and talk to exhibitors about the tive technology from Tec Innovations. See page for the Florida Dive Show. vast array of dive related subjects. 11 for more details You can find a map with the location of your local Once you have experienced the Florida Dive Show, dive stores on the inside of this flyer. -
Let's Go Diving-1828! Mask, Scuba Tank and B.C
NUMBER21 FALL 1999 Let's Go Diving-1828! Mask, scuba tank and B.C. Lemaire d 'Augerville's scuba gear • Historical Diver Pioneer Award -Andre Galeme • E.R. Cross Award - Bob Ramsay • • DEMA Reaching Out Awards • NOGI • • Ada Rebikoff • Siebe Gorman Helmets • Build Your Own Diving Lung, 1953 • • Ernie Brooks II • "Big" Jim Christiansen • Don Keach • Walter Daspit Helmet • Dive Industry Awards Gala2000 January 20, 2000 • Bally's Hotel, Las Vegas 6:30pm- Hors d'oeuvres & Fine Art Silent Auction 7:30pm- Dinner & Awards Ceremony E.R. Cross Award NOGIAwards Reaching Out Awards Academy of Diving Equipment & Historical Diving Underwater Marketing Association Pioneer Award Arts & Sciences Historical Diving Society Thank you to our Platinum Sponsor Thank you to our Gold Sponsors 0 Kodak OCEANIC 1~1 Tickets: $125 individual, $200 couple* • Sponsor tables available. (*after January 1, couples will be $250) For sponsor information or to order tickets, call: 714-939-6399, ext. 116, e-mail: [email protected] or write: 2050 S. Santa Cruz St., Ste. 1000, Anaheim, CA 92805-6816 HISTORICAL DIVER Number21 ISSN 1094-4516 Fa111999 CONTENT HISTORICAL DIVER MAGAZINE PAGE ISSN 1094-4516 5 1999 Historical Diver Pioneer Award- Andre Galeme THE OFFICIAL PUBLICATION OF 6 HDSUSA 2000 Board of Directors 7 HDSUSA Advisory Board Member - Ernest H. Brooks II THE HISTORICAL DIVING SOCIETY U.S.A. 8 1999 HDSUSA E.R. Cross Award- Bob Ramsay DIVING HISTORICAL SOCIETY OF AUSTRALIA, 9 In the News S.E. ASIA 11 Hans Hass HISTORICAL DIVING SOCIETY CANADA 12 HDS and DEMA 2000. A Partnership for Growth HISTORICAL DIVING SOCIETY GERMANY 13 1999 DEMA Reaching Out Awards 14 Academy of Underwater Arts and Sciences 1999 EDITORS NOGI Awards and History Leslie Leaney, Editor 15 HDSUSA Intern - Sammy Oziel Andy Lentz, Production Editor 16 In the Mail Steve Barsky, Copy Editor 17 DHSASEA Annual Rally in Adelaide 18 HDS Canada.