Thales of Miletus Sources and Interpretations Miletli Thales Kaynaklar Ve Yorumlar
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Positional Notation Or Trigonometry [2, 13]
The Greatest Mathematical Discovery? David H. Bailey∗ Jonathan M. Borweiny April 24, 2011 1 Introduction Question: What mathematical discovery more than 1500 years ago: • Is one of the greatest, if not the greatest, single discovery in the field of mathematics? • Involved three subtle ideas that eluded the greatest minds of antiquity, even geniuses such as Archimedes? • Was fiercely resisted in Europe for hundreds of years after its discovery? • Even today, in historical treatments of mathematics, is often dismissed with scant mention, or else is ascribed to the wrong source? Answer: Our modern system of positional decimal notation with zero, to- gether with the basic arithmetic computational schemes, which were discov- ered in India prior to 500 CE. ∗Bailey: Lawrence Berkeley National Laboratory, Berkeley, CA 94720, USA. Email: [email protected]. This work was supported by the Director, Office of Computational and Technology Research, Division of Mathematical, Information, and Computational Sciences of the U.S. Department of Energy, under contract number DE-AC02-05CH11231. yCentre for Computer Assisted Research Mathematics and its Applications (CARMA), University of Newcastle, Callaghan, NSW 2308, Australia. Email: [email protected]. 1 2 Why? As the 19th century mathematician Pierre-Simon Laplace explained: It is India that gave us the ingenious method of expressing all numbers by means of ten symbols, each symbol receiving a value of position as well as an absolute value; a profound and important idea which appears so simple to us now that we ignore its true merit. But its very sim- plicity and the great ease which it has lent to all computations put our arithmetic in the first rank of useful inventions; and we shall appre- ciate the grandeur of this achievement the more when we remember that it escaped the genius of Archimedes and Apollonius, two of the greatest men produced by antiquity. -
Democritus C
Democritus c. 460 BC-c. 370 BC (Also known as Democritus of Abdera) Greek philosopher. home to the philosopher Protagoras. There are several indications, both external and internal to his writings, The following entry provides criticism of Democritus’s that Democritus may have held office in Abdera and life and works. For additional information about Democ- that he was a wealthy and respected citizen. It is also ritus, see CMLC, Volume 47. known that he traveled widely in the ancient world, visit- ing not only Athens but Egypt, Persia, the Red Sea, pos- sibly Ethiopia, and even India. Scholars also agree that he INTRODUCTION lived a very long life of between 90 and 109 years. Democritus of Abdera, a contemporary of Socrates, stands Democritus is said to have been a pupil of Leucippus, an out among early Greek philosophers because he offered important figure in the early history of philosophy about both a comprehensive physical account of the universe and whom little is known. Aristotle and others credit Leucippus anaturalisticaccountofhumanhistoryandculture. with devising the theory of atomism, and it is commonly Although none of his works has survived in its entirety, believed that Democritus expanded the theory under his descriptions of his views and many direct quotations from tutelage. However, some scholars have suggested that his writings were preserved by later sources, beginning Leucippus was not an actual person but merely a character with the works of Aristotle and extending to the fifth- in a dialogue written by Democritus that was subsequently century AD Florigelium (Anthology) of Joannes Stobaeus. lost. A similar strategy was employed by the philosopher While Plato ignored Democritus’s work, largely because he Parmenides, who used the character of a goddess to elu- disagreed with his teachings, Aristotle acknowledged De- cidate his views in his didactic poem, On Nature. -
Archimedes' Principle
General Physics Lab Handbook by D.D.Venable, A.P.Batra, T.Hubsch, D.Walton & M.Kamal Archimedes’ Principle 1. Theory We are aware that some objects oat on some uids, submerged to diering extents: ice cubes oat in water almost completely submerged, while corks oat almost completely on the surface. Even the objects that sink appear to weigh less when they are submerged in the uid than when they are not. These eects are due to the existence of an upward ‘buoyant force’ that will act on the submerged object. This force is caused by the pressure in the uid being increased with depth below the surface, so that the pressure near the bottom of the object is greater than the pressure near the top. The dierence of these pressures results in the eective ‘buoyant force’, which is described by the Archimedes’ principle. According to this principle, the buoyant force FB on an object completely or partially submerged in a uid is equal to the weight of the uid that the (submerged part of the) object displaces: FB = mf g = f Vg . (1) where f is the density of the uid, mf and V are respectively mass and the volume of the displaced uid (which is equal to the volume of the submerged part of the object) and g is the gravitational acceleration constant. 2. Experiment Object: Use Archimedes’ principle to measure the densities of a given solid and a provided liquid. Apparatus: Solid (metal) and liquid (oil) samples, beaker, thread, balance, weights, stand, micrometer, calipers, PASCO Science Workshop Interface, Force Sensors and a Macintosh Computer. -
Great Inventors of the Ancient World Preliminary Syllabus & Course Outline
CLA 46 Dr. Patrick Hunt Spring Quarter 2014 Stanford Continuing Studies http://www.patrickhunt.net Great Inventors Of the Ancient World Preliminary Syllabus & Course Outline A Note from the Instructor: Homo faber is a Latin description of humans as makers. Human technology has been a long process of adapting to circumstances with ingenuity, and while there has been gradual progress, sometimes technology takes a downturn when literacy and numeracy are lost over time or when humans forget how to maintain or make things work due to cataclysmic change. Reconstructing ancient technology is at times a reminder that progress is not always guaranteed, as when Classical civilization crumbled in the West, but the history of technology is a fascinating one. Global revolutions in technology occur in cycles, often when necessity pushes great minds to innovate or adapt existing tools, as happened when humans first started using stone tools and gradually improved them, often incrementally, over tens of thousands of years. In this third course examining the greats of the ancient world, we take a close look at inventions and their inventors (some of whom might be more legendary than actually known), such as vizier Imhotep of early dynastic Egypt, who is said to have built the first pyramid, and King Gudea of Lagash, who is credited with developing the Mesopotamian irrigation canals. Other somewhat better-known figures are Glaucus of Chios, a metallurgist sculptor who possibly invented welding; pioneering astronomer Aristarchus of Samos; engineering genius Archimedes of Siracusa; Hipparchus of Rhodes, who made celestial globes depicting the stars; Ctesibius of Alexandria, who invented hydraulic water organs; and Hero of Alexandria, who made steam engines. -
The Roles of Solon in Plato's Dialogues
The Roles of Solon in Plato’s Dialogues Dissertation Presented in partial fulfillment of the requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Samuel Ortencio Flores, M.A. Graduate Program in Greek and Latin The Ohio State University 2013 Dissertation Committee: Bruce Heiden, Advisor Anthony Kaldellis Richard Fletcher Greg Anderson Copyrighy by Samuel Ortencio Flores 2013 Abstract This dissertation is a study of Plato’s use and adaptation of an earlier model and tradition of wisdom based on the thought and legacy of the sixth-century archon, legislator, and poet Solon. Solon is cited and/or quoted thirty-four times in Plato’s dialogues, and alluded to many more times. My study shows that these references and allusions have deeper meaning when contextualized within the reception of Solon in the classical period. For Plato, Solon is a rhetorically powerful figure in advancing the relatively new practice of philosophy in Athens. While Solon himself did not adequately establish justice in the city, his legacy provided a model upon which Platonic philosophy could improve. Chapter One surveys the passing references to Solon in the dialogues as an introduction to my chapters on the dialogues in which Solon is a very prominent figure, Timaeus- Critias, Republic, and Laws. Chapter Two examines Critias’ use of his ancestor Solon to establish his own philosophic credentials. Chapter Three suggests that Socrates re- appropriates the aims and themes of Solon’s political poetry for Socratic philosophy. Chapter Four suggests that Solon provides a legislative model which Plato reconstructs in the Laws for the philosopher to supplant the role of legislator in Greek thought. -
A History of Cynicism
A HISTORY OF CYNICISM Downloaded from https://www.holybooks.com Downloaded from https://www.holybooks.com A HISTORY OF CYNICISM From Diogenes to the 6th Century A.D. by DONALD R. DUDLEY F,llow of St. John's College, Cambrid1e Htmy Fellow at Yale University firl mll METHUEN & CO. LTD. LONDON 36 Essex Street, Strand, W.C.2 Downloaded from https://www.holybooks.com First published in 1937 PRINTED IN GREAT BRITAIN Downloaded from https://www.holybooks.com PREFACE THE research of which this book is the outcome was mainly carried out at St. John's College, Cambridge, Yale University, and Edinburgh University. In the help so generously given to my work I have been no less fortunate than in the scenes in which it was pursued. I am much indebted for criticism and advice to Professor M. Rostovtseff and Professor E. R. Goodonough of Yale, to Professor A. E. Taylor of Edinburgh, to Professor F. M. Cornford of Cambridge, to Professor J. L. Stocks of Liverpool, and to Dr. W. H. Semple of Reading. I should also like to thank the electors of the Henry Fund for enabling me to visit the United States, and the College Council of St. John's for electing me to a Research Fellowship. Finally, to• the unfailing interest, advice and encouragement of Mr. M. P. Charlesworth of St. John's I owe an especial debt which I can hardly hope to repay. These acknowledgements do not exhaust the list of my obligations ; but I hope that other kindnesses have been acknowledged either in the text or privately. -
Oracles and Greek Mentalities: the Mantic Confirmation of Mantic Revelations
ORACLES AND GREEK MENTALITIES: THE MANTIC CONFIRMATION OF MANTIC REVELATIONS Pierre Bonnechere The average Greek had a sense of divine intervention in human affairs.1 Day-to-day worries were one thing; faced with anything else, he soon found himself lost in a forest of symbols, whose meaning he had to decode if he were to hope to act rationally. A sign is ambiguous by defini- tion, however, and always hazardous to interpret; his best strategy would be to follow the greatest concentration of symbols and potentially telling mantic clues. And if ever these signs did not accumulate naturally, there were always means of soliciting them. Hence the universal preference for composite mantic enquiries: among the Azanda in s Sudan, each oracle obtained ‘by poison’ demanded a counter-test to be credible.2 The Hittites, likewise, could verify ominous dreams with such deductive orac- ular procedures as ornithomancy and hepatoscopy.3 For the Greek world, the example of Croesus would immediately spring to mind. Wishing to invade Persia, he sought the sanction of the gods, and to test the reliability of each one, he sent to the Greek oracles as many envoys, all charged with asking the same question, at the same 1 This article is part of a vast research project, funded by the Social Sciences and Humanities Research Council of Canada, whose ultimate goal is to replace A. Bouché- Leclercq, Histoire de la divination dans l’Antiquité, vols. (Paris: Leroux, –). I am delighted to participate in the medley offered to Jan Bremmer, a scholar whom I have long admired and now count among my friends. -
Velázquez's Democritus
Velázquez’s Democritus: Global Disillusion and the Critical Hermeneutics of a Smile javier berzal de dios Western Washington University Velázquez’s Democritus (ca. 1630) presents a unique encounter: not only are there few depictions in which the Greek philosopher appears with a sphere that shows an actual map, but Velázquez used a court jester as a model for Democritus, thus placing the philosopher within a courtly space. When we study the painting in relation to the literary interests of the Spanish Golden Age and its socio-political circumstances, we can see the figure of Democritus as far from just another instantiation of a conven- tional trope. The philosopher’s smile and his crepuscular globe entrap the viewer in a semiotic game with pedagogical and ethical goals. While the scholarship on the painting has dwelt extensively on the identification of the figure, this essay moves beyond the superficial aspects of subject identity in order to explore how the painting articulates and requests a profoundly philosophical engagement. I thus exa- mine Democritus in relation to contemporary literary and philosophical themes, many of which were present in Velázquez’s own personal library: the period’s understanding of the philosopher, cartographic spheres, and treatises on laughter. Considered in this manner, Velázquez’s figure is not responding to the folly of humanity in general, as is commonly the case in representations of the philosopher, but is rather presented through a courtly prism in which conquest, geography, and politics are inescapably interrelated. Velázquez’s Democritus emphasizes the philosophical and moral qualities of a learned and decorous laughter, which performs a critical and ethical role framed by Spain’s political difficulties. -
Theon of Alexandria and Hypatia
CREATIVE MATH. 12 (2003), 111 - 115 Theon of Alexandria and Hypatia Michael Lambrou Abstract. In this paper we present the story of the most famous ancient female math- ematician, Hypatia, and her father Theon of Alexandria. The mathematician and philosopher Hypatia flourished in Alexandria from the second part of the 4th century until her violent death incurred by a mob in 415. She was the daughter of Theon of Alexandria, a math- ematician and astronomer, who flourished in Alexandria during the second part of the fourth century. Information on Theon’s life is only brief, coming mainly from a note in the Suda (Suida’s Lexicon, written about 1000 AD) stating that he lived in Alexandria in the times of Theodosius I (who reigned AD 379-395) and taught at the Museum. He is, in fact, the Museum’s last attested member. Descriptions of two eclipses he observed in Alexandria included in his commentary to Ptolemy’s Mathematical Syntaxis (Almagest) and elsewhere have been dated as the eclipses that occurred in AD 364, which is consistent with Suda. Although originality in Theon’s works cannot be claimed, he was certainly immensely influential in the preservation, dissemination and editing of clas- sic texts of previous generations. Indeed, with the exception of Vaticanus Graecus 190 all surviving Greek manuscripts of Euclid’s Elements stem from Theon’s edition. A comparison to Vaticanus Graecus 190 reveals that Theon did not actually change the mathematical content of the Elements except in minor points, but rather re-wrote it in Koini and in a form more suitable for the students he taught (some manuscripts refer to Theon’s sinousiai). -
Golden Ratio: a Subtle Regulator in Our Body and Cardiovascular System?
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/306051060 Golden Ratio: A subtle regulator in our body and cardiovascular system? Article in International journal of cardiology · August 2016 DOI: 10.1016/j.ijcard.2016.08.147 CITATIONS READS 8 266 3 authors, including: Selcuk Ozturk Ertan Yetkin Ankara University Istinye University, LIV Hospital 56 PUBLICATIONS 121 CITATIONS 227 PUBLICATIONS 3,259 CITATIONS SEE PROFILE SEE PROFILE Some of the authors of this publication are also working on these related projects: microbiology View project golden ratio View project All content following this page was uploaded by Ertan Yetkin on 23 August 2019. The user has requested enhancement of the downloaded file. International Journal of Cardiology 223 (2016) 143–145 Contents lists available at ScienceDirect International Journal of Cardiology journal homepage: www.elsevier.com/locate/ijcard Review Golden ratio: A subtle regulator in our body and cardiovascular system? Selcuk Ozturk a, Kenan Yalta b, Ertan Yetkin c,⁎ a Abant Izzet Baysal University, Faculty of Medicine, Department of Cardiology, Bolu, Turkey b Trakya University, Faculty of Medicine, Department of Cardiology, Edirne, Turkey c Yenisehir Hospital, Division of Cardiology, Mersin, Turkey article info abstract Article history: Golden ratio, which is an irrational number and also named as the Greek letter Phi (φ), is defined as the ratio be- Received 13 July 2016 tween two lines of unequal length, where the ratio of the lengths of the shorter to the longer is the same as the Accepted 7 August 2016 ratio between the lengths of the longer and the sum of the lengths. -
Historical Fiction, Brachylogy, and Plutarch's Banquet of Th E Seven
Historical fiction, brachylogy, and Plutarch’s Banquet of th e Seven Sages Autor(es): Kim, Lawrence Imprensa da Universidade de Coimbra; Centro de Estudos Clássicos e Publicado por: Humanísticos URL persistente: URI:http://hdl.handle.net/10316.2/32038 DOI: DOI:http://dx.doi.org/10.14195/978-989-8281-17-3_44 Accessed : 29-Sep-2021 07:33:07 A navegação consulta e descarregamento dos títulos inseridos nas Bibliotecas Digitais UC Digitalis, UC Pombalina e UC Impactum, pressupõem a aceitação plena e sem reservas dos Termos e Condições de Uso destas Bibliotecas Digitais, disponíveis em https://digitalis.uc.pt/pt-pt/termos. Conforme exposto nos referidos Termos e Condições de Uso, o descarregamento de títulos de acesso restrito requer uma licença válida de autorização devendo o utilizador aceder ao(s) documento(s) a partir de um endereço de IP da instituição detentora da supramencionada licença. Ao utilizador é apenas permitido o descarregamento para uso pessoal, pelo que o emprego do(s) título(s) descarregado(s) para outro fim, designadamente comercial, carece de autorização do respetivo autor ou editor da obra. Na medida em que todas as obras da UC Digitalis se encontram protegidas pelo Código do Direito de Autor e Direitos Conexos e demais legislação aplicável, toda a cópia, parcial ou total, deste documento, nos casos em que é legalmente admitida, deverá conter ou fazer-se acompanhar por este aviso. pombalina.uc.pt digitalis.uc.pt Symposion and Philanthropia in Plutarch Manuel Troster e Paula Barata Dias (eds.) IMPRENSA DA UNIVERSIDADE DE COIMBRA COIMBRA UNIVERSITY PRESS ANNABLUME Historical Fiction, Brachylogy, and Plutarch’s Banquet of the Seven Sages HIS T ORICAL FIC T ION , BRACHYLOGY , AND PLU T ARCH ’S BAN Q UE T OF th E SEVEN SAGE S Lawrence Kim University of Texas, Austin Abstract In this paper I examine the ways in which the weaknesses and strengths of Plutarch’s Banquet of the Seven Sages are tied to Plutarch’s attempt to recreate the world of the sixth century BCE in fictional form. -
Aristoxenus Elements of Rhythm: Text, Translation, and Commentary with a Translation and Commentary on Poxy 2687
© 2009 Christopher C. Marchetti ALL RIGHTS RESERVED ARISTOXENUS ELEMENTS OF RHYTHM: TEXT, TRANSLATION, AND COMMENTARY WITH A TRANSLATION AND COMMENTARY ON POXY 2687 by CHRISTOPHER C. MARCHETTI A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Classics written under the direction of Prof. Thomas Figueira and approved by ________________________ ________________________ ________________________ ________________________ New Brunswick, New Jersey May, 2009 ABSTRACT OF THE DISSERTATION Aristoxenus’ Elements of Rhythm: Text, Translation, and Commentary with a Translation and Commentary on POxy 2687 By Christopher C. Marchetti Dissertation Director: Prof. Thomas Figueira Aristoxenus of Tarentum makes productive use of Aristotelian concepts and methods in developing his theory of musical rhythm in his treatise Elements of Rhythm. He applies the Aristotelian distinction between form and material and the concept of hypothetical necessity to provide an explanation for why musical rhythm is manifested in the syllables of song, the notes of melody, and the steps of dance. He applies the method of formulating differentiae, as described in Aristotle’s Parts of Animals, to codify the formal properties of rhythm. Aristoxenus’ description of the rhythmic foot presents several interpretive challenges. Our text is fragmentary, and we lack Aristoxenus’ definitions of several key terms. This study seeks to establish the meanings of these terms on the basis of a close examination of the structure of Aristoxenus’ argument. Parallel passages in Aristides Quintilianus’ On Music are considered in detail for ii their consistency or lack thereof with Aristoxenian usage.