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The Life (musical)
The Seven Ages of Musical Theatre: the Life Cycle of the Child Performer
New Studio on Broadway: Music Theatre and Acting
A CHORUS LINE Teaching Resource.Pages
Musical Theater Sheet
PUMP BOYS and DINETTES
Broadway 1 a (1893-1927) BROADWAY and the AMERICAN DREAM
A CHORUS LINE Was Produced by the Public Theater, in Association with Plum Productions
The Rise and Success of Diversity on Broadway
New York City Center Announces Upcoming Encores! Productions
View a Listing of All of Our Past Production Corporate Sponsors
Geva's 43 Season Begins with Monty Python's Spamalot
BRENT BARRETT Brent Barrett Is No Stranger to the Stages of Broadway
Ragtime Program
A Chorus Line: Does It Abide by Rules Established by Actors' Equity Association for the Audition Process?
STUDY GUIDE Prepared by DISNEY THEATRICAL GROUP EDUCATION DEPARTMENT
An Analysis of Musicals by Lynn Ahrens and Stephen Flaherty, and an Original Musical, Fly Like an Eagle
Leaving "The Life:" Exploring Services for Women Exiting Prostitution
The Lighting Design for a Chorus Line
Top View
Frank Schiro CV
The Hamilton Effect: How One Musical Made the Founding Fathers Cool, and What It Means for Historic Sites and the Academic World
Into the Woods Study Guide
Stephen Sondheim and His Filmic Influences
Casting, Stigma, and Difference in Broadway Musicals Since "A Chorus Line" (1975)
A Choreographic Analysis of “The Music and the Mirror” from a Chorus Line
Cried the Balladeer: the Concept Musical Defined
Hamilton: a Musical Analysis of Ensemble Function Matthew L
The Chorus: a Line to Cross
Sounding Disability in Musical Theatre: Sonic Markers of Mental Impairment for Female Characters on the Contemporary Broadway Stage
A Chorus Line” from Its Beginnings
Festlval O F N E W M U S L CA L S
Birth of Off-Broadway How the Slow Death Of
View the 2019 Playbill
New York City Center Announces Future Encores! Production Ushering in a New Tradition Celebrating Iconic American Musicals
The Timeliness of Hamilton: an American Musical ERIKA ARIVETT
FOR IMMEDIATE RELEASE Monty Python's SPAMALOT June 3
The Use of Disability Metaphor in the Musicals of Stephen Sondheim: Freak Shows and Freakish Love Heidi A