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Sublime (philosophy)
Sławek Tadeusz. (1994). "Sublime Labours" : Blake, Nietzsche and the Notion of the Sublime
The Role of the Sublime in Kant's Moral Metaphysics
The Romantic and Contemporary Sublime the Idea of a Contemporary Or Postmodern Sublime Is Frequently Invoked in Discussions of Recent Art
The Kantian Sublime: a Feeling of Superiority?
Terror and the Sublime in the So-Called Anthropocene
Burke's Higher Romanticism: Politics and the Sublime
Observations on the Feeling of the Beautiful and Sublime and Other Writings CAMBRIDGE TEXTS in the HISTORY of PHILOSOPHY
The Desire for the Ineffable: on the Myth of Music As Absolute
Adorno and the Sublime in Live Performance
The Sublime Uniting Romanticism and Feminism in Jane Austen
Faith and the Sublime Carolyn Hu Chaffee Seattle Pacific Nu Iversity
Edmund Burke and the Paradox of Tragedy by Douglas Westfall B.A. A
The Musically Sublime Infinity, Indeterminacy, Irresolvability
The Sublime in Visual Art: from the Romantic to the Postmodern Sublime
HEARING the Sublimerecovered
Shades of Sublime Shades Of
Adorno and Kant
Jervis, John. "Cinematic Sensation: the Sublime and the Spectacle." Sensational Subjects: the Dramatization of Experience in the Modern World
Top View
1 Commentary on Jane Forsey, “Is a Theory of the Sublime
The Sublime and the Beautiful William Wordsworth
Science Sublime: the Philosophy of the Sublime, Deweyâ•Žs Aesthetics
Exploring the Sublime in Art Emily Krebaum College of Dupage
Notes for Teachers American Sublime Landscape Painting in the United States, 1820–1880 21 February – 19 May 2002 Supported by Glaxosmithkline
History of Aesthetics: the Sublime
1 ABSTRACT While the Sublime Is Most Often Associated with The
How the Sublime Became "Now": Time, Modernity, and Aesthetics in Lyotard's Rewriting of Kant
“On the Sublime in Dawn” by Keith Ansell-Pearson
From the Sublime to the Political: Some Historical Notes Gary Shapiro University of Richmond,
[email protected]
Romanticism: Grotesque and Sublime
Sublimity in the Art of the Light and Space Movement
Introduction / the Contemporary Sublime
The Philosophies of the Aesthetic Sublime
Adorno's Failed Aesthetics of Myth*
The Sublime and Modern Architecture: U Nmasking (An Aesthetic Of) Abstraction
The Moral Source of the Kantian Sublime
The History of British Art and the Burkean Sublime