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Greek tragedy
Euripides : Suppliant to the Divine Feminine
Second Thoughts in Greek Tragedy Knox, Bernard M W Greek, Roman and Byzantine Studies; Fall 1966; 7, 3; Proquest Pg
Americans Use Greek Tragedy: Great Expectations on Stage
A Greek Tragedy by Sophocles
'Significant Actions in Sophocles' Philoctetes'
Clytemnestra, Electra, and the Failure of Mothering on the Attic
Greek Theatre and Tragedy: an Introduction to Antigone
Aeschylus and Euripides on Orestes' Crimes
Female Voices of Solitude, Resistance, and Solidarity
The Authority of Aethra in Euripides' Suppliant Women Produced Around
I Revision of Euripides' Tragedies by Contemporary Women Playwrights
Eugene O'neill's Quest for Greek Tragedy
The Songs of Electra in Euripides' and Sophocles' Electra
Greek Theatre - Sophocles
Modern Performance and Adaptation of Greek Tragedy Helene P
Aeschylus and Aristotle's Theory of Tragedy
Rewriting the Greeks: the Translations, Adaptations, Distant Relatives and Productions of Aeschylus’ Tragedies in the United States of America from 1900 to 2009
Sophocles and the Greek Tragic Tradition Edited by Simon Goldhill and Edith Hall Frontmatter More Information
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Euripides' Bacchae —One of the Most Famous, and Puzzling, Plays by Euripides
Nietzsche's Evolving Dionysus: from a Dialectic of Tragedy to A
Overview of Greek Tragedy
Peter Meineck
The Sociology of Athenian Tragedy
The Endless Tragedy: Euripides and Camus
Ancient Greek Theatre
The Spiritual Aesthetics of Greek Tragedy: a Deductive Analysis of Nietzsche's Artistic Metaphysics
Ritual, Myth and Tragedy: Origins of Theatre in Dionysian Rites
The Reception of Ancient Greek Tragedy in Late Modernity
Aristophanes, Fandom and the Classicizing of Greek Tragedy
Medea's State of Mind and Criminal Law
The Concept of Terms Related to Democracy in Euripides' Suppliant Women1
ELECTRA and ORESTES. Three Recognitions in Greek Tragedy
Alteration to Exaltation in Euripides' Medea
Postdramatic Greek Tragedy Peter A. Campbell
Greek Tragedytragedy
The Character of Medea: an Interpretation for the Stage